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1

VisualOrder

VIS

UA

L O

RD

ER

14 Co

nten

t

figure/ground

similarityproximityclosurecontinuance

translationrotationreflectionglide/reflectiondilation

symmetric balanceasymmetric balanceambiguous balanceneutral balance

4

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14

first proposed by Gestalt psychologists to ac-count for the observation that humans naturally perceive objects as organized patterns and ob-jects. Gestalt psychologists argued that these principles exist because the mind has an innate disposition to perceive patterns in the stimulus based on certain rules.

principles of grouping

aka: Gestalt laws of grouping

6

VIS

UA

L O

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14

VVVV

VV

7

8

VIS

UA

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ER

14

9

Similarity- O

bjects that resemble one another are often percieved as a group.

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII

iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii

10

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14 S S

S

S S

S

11

Proxim

ity- Elements in close range are identified as a set.

12

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UA

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ER

14

13

Clo

sure- A

n incomplete object is identified as a w

hole when the view

er’s eye completes m

issing information.

UUU

U

14

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UA

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ER

14

AA

AAAAAA

AA

AAAA

AAAAAAA

AAA AA AA

AA

AAAA

A A

AAA A

AA

A A

AA

AAAAAA

AA

AAAA

AAAAAAA

AAA AA AA

AA

AAAA

A A

AAA A

AA

A A

AA

AAAAAA

AA

AAAA

AAAAAAA

AAA AA AA

AA

AAAA

A A

AAA A

AA

A A

15

Co

ntin

uance- Figures tend to be integrated into perceptual w

holes when in alignm

ent and implying a m

utual direction.

16

VIS

UA

L O

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ER

14

S

first proposed by Gestalt psychologists to account for the observation that humans naturally perceive objects as or-ganized patterns and objects. Gestalt psychologists argued that these principles exist because the mind has an innate disposition to perceive patterns in the stimulus based on certain rules.

symmetric operations

symmetry

18

VIS

UA

L O

RD

ER

14

19

Translation- The figure is m

apped out into equal linear points of correspondence

LLL

L

LL

L

LLL

LLL

LLLL

LL L

LLLLL

LL

LL

LLL L

LL L

LL L

LL

LLL

LLL

LLL

LL

L LL

L L L L L

L L L LLL L L L L

LLL

L

LL

L

LLL

LLL

LLLL

LL L

LLLLL

LL

LL

LLL L

LL L

LL L

LL

LLL

LLL

LLL

LL

L LL

L L L L L

L L L LLL L L L L

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UA

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14

O OO OOOO

OO O O O

OOO

OO OOOO

OO O

21

Rotation- T

he figure is turned on a predetermined point. A

ll elements are at a fixed distance from

the axis.

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UA

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ER

14

23

Reflection- T

he figure is rotated on the plane 180 degrees. The result is a m

irrored image.

RRRRRRR

R

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14DDDD

25

Glide R

eflection- Figure is rotated from the plane 180 degrees, gliding into a new

position.

26

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UA

L O

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ER

14

27

Dilation- A

n element changes in size at regular intervals

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eeeeeee e e e

eeee

e

eeeee

eee

ee

eeee ee

ee

ee e

ee

ee

ee

eee

ee

e e e

eeeeee

eeeeee

ee

ee

eeeeeeeee

eeeeeee e e e

eeee

e

eeeee

eee

ee

eeee ee

ee

ee e

ee

ee

ee

eee

ee

e e e

eeeeee

eeeeee

ee

ee

28

VIS

UA

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ER

14

B

Balance is characterized by the distribution of elements within a composition. The relationship between forms on the picture plane are percieved based on the natural equilibrium in the human body. Forms can be placed to direct the eye and communicate the mes-sage to the viewer.

compositional balance

Gestalt Laws of Grouping

30

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14

31

Symm

etrical Balance- C

omposition is balanced w

ith elements relating to the sam

e central axis. r r

32

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14

11 1

111

111111

111

1111 11 111

1

33

Asym

metric B

alance- Forms are placed irregularly in relation to a central axis.

111 1111

34

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UA

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ER

14

35

Am

biguous Balance- C

ompostion contains elem

ents that posess an unclear relationship and balance. 44

36

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UA

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ER

14** ***

****

37

Neutral B

alance- Elements are placed at random

creating a compostition that lacks em

phasis. ***