visual studies research institute · co-sponsors include usc’s department of art history, the...

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SPRING 2020 CALENDAR OF EVENTS VISUAL STUDIES RESEARCH INSTITUTE Work! A Queer History Elspeth H. Brown of Modeling BOOK TALK: WORK! A QUEER HISTORY OF MODELING THURSDAY, JANUARY 30 7:00–8:30PM, reception to follow ONE National Gay & Lesbian Archives at the USC Libraries/909 West Adams Blvd. ELSPETH H. BROWN (Professor of History, University of Toronto) Respondent: ALEXIS BARD JOHNSON (Curator, ONE Archives at the USC Libraries) Introduction: JEANNE VACCARO (Postdoctoral Fellow, ONE Archives at the USC Libraries) GORDON PARKS: THE NEW TIDE, EARLY WORK 1940–1950 TUESDAY, FEBRUARY 25 6:00–7:30PM Santa Monica, address provided with RSVP PHILIP BROOKMAN (Consulting Curator, Department of Photographs, National Gallery of Art) THE ALTERNATIVE TRANSNATIONAL: MIGRATION, MEDIA AND THE “BRIDGE- WORK” OF MALAYALAM SOFT-PORN WEDNESDAY, APRIL 15 12:30–2:00PM SOS 250 DARSHANA S. MINI (PhD Candidate, Cinema and Media Studies, USC) BIG PAPER: LARGE DESIGNS IN THE RENAISSANCE FRIDAY, APRIL 17 | 9:00AM–4:00PM SATURDAY, APRIL 18 | 9:00AM–12:30PM HUNTINGTON LIBRARY, SMITH BOARD ROOM Co-sponsors include USC’s Department of Art History, the Department of French and Italian, the Visual Studies Research Institute, the California Rare Books School, and with the collaboration of the Istituto Italiano di Cultura Los Angeles. VISS 599 SEMINAR VISIT: CONTAINER CORPORATION’S ART DIRECTION WEDNESDAY, APRIL 1 2:00–3:30PM SOS 250 ALEX J. TAYLOR (Assistant Professor and Academic Curator, History of Art and Architecture, University of Pittsburgh) GRADUATE STUDENT RESEARCH ROUND-UP: RESEARCH TIPS AND TECHNIQUES WEDNESDAY, FEBRUARY 5 12:30–2:00PM SOS 250 VISS 599 SEMINAR VISIT: BACKGROUND ARTIST: ART AND IMMIGRATION IN THE LIFE AND WORK OF TYRUS WONG WEDNESDAY, APRIL 8 2:00–3:30PM SOS 250 KAREN FANG (Professor, Department of English, University of Houston) VISS 599 SEMINAR VISIT: HOW DO ADVERTISING PICTURES PERSUADE? WEDNESDAY, APRIL 15 2:00–3:30PM SOS 250 BARBARA PHILLIPS (Rawlco Editor and Professor of Marketing, University of Saskatchewan) WORKSHOP: PERSUASION AND AMERICAN IMAGES WEDNESDAY, MARCH 11 2:00–5:00PM THH 309K Organized by ELLEN MACFARLANE (VSRI Mellon Postdoctoral Scholar) with papers by LAUREN KROIZ (History of Art Department, UC Berkeley), CARA FINNEGAN (Department of Communication, University of Illinois at Urbana-Champaign), and SALLY STEIN (Professor Emerita, Department of Art History, UC Irvine) THE RHYTHM OF HEARTS: TIME IN CITY SYMPHONY FILMS MONDAY, APRIL 20 12:30-2:00PM SOS 250 ORI LEVIN (USC VSRI Postdoc) Respondent: PATRICE PETRO (Dick Wolf Director, Carsey-Wolf Center, UC, Santa Barbara) SCREENING RACE IN AMERICAN NONTHEATRICAL FILM (DUKE UNIVERSITY PRESS, 2019): A SCREENING AND DISCUSSION WEDNESDAY, JANUARY 15, 2020 6:00–8:00PM SCA 110 Co-sponsored by The Hugh M. Hefner Moving Image Archive at the University of Southern California and the Division of Cinema and Media Studies, School of Cinematic Arts VISS 599 SEMINAR VISIT: WORK! WEDNESDAY, JANUARY 29 2:00–3:30PM SOS 250 ELSPETH H. BROWN (Professor of History, University of Toronto) Please RSVP to [email protected] for all events at least three days prior, with event name and date in the subject heading. 6 SELLING THE STORY: COMMERCIAL PICTURES AND VISUAL PERSUASION SELLING THE STORY: COMMERCIAL PICTURES AND VISUAL PERSUASION USC-LACMA HISTORY OF PHOTOGRAPHY SEMINAR USC-LACMA HISTORY OF PHOTOGRAPHY SEMINAR EMSI VISUAL AND MATERIAL CULTURE: ON PAPER SEMINAR VSGC BOOK LAUNCH Photo: Ruth Ford, ca. 1937. Portrait by George Platt Lynes. John Taylor, The Needles Excellency, London: Printed for James Boler, 1634, plate 21 (detail recto, detail verso). Please see dornsife.usc.edu/vsri/upcoming-events/ for updated information, further details and image credits. SELLING THE STORY: COMMERCIAL PICTURES AND VISUAL PERSUASION SELLING THE STORY: COMMERCIAL PICTURES AND VISUAL PERSUASION SELLING THE STORY: COMMERCIAL PICTURES AND VISUAL PERSUASION VSRI LECTURE Photo: Gordon Parks, Self-Portrait, 1941, Private collection, courtesy of and copyright The Gordon Parks Foundation Andy Warhol, Corporate Trade Ad, 1963, screenprint on canvas mounted on paperboard mounted on fiberboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.303 Bambi fire sketch, Courtesy of Tyrus Wong Family VSGC ANNE FRIEDBERG MEMORIAL LECTURE

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Page 1: VISUAL STUDIES RESEARCH INSTITUTE · Co-sponsors include USC’s Department of Art History, the Department of French and Italian, the Visual Studies Research Institute, the California

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VISUAL STUDIES RESEARCH INSTITUTE

Work! A Queer History

Elspeth H. Brown

of Modeling

BOOK TALK: WORK! A QUEER HISTORY OF MODELING

THURSDAY, JANUARY 307:00–8:30PM, reception to followONE National Gay & Lesbian Archives at the USC Libraries/909 West Adams Blvd.

ELSPETH H. BROWN (Professor of History, University of Toronto)Respondent: ALEXIS BARD JOHNSON (Curator, ONE Archives at the USC Libraries)Introduction: JEANNE VACCARO (Postdoctoral Fellow, ONE Archives at the USC Libraries)

GORDON PARKS: THE NEW TIDE, EARLY WORK 1940–1950

TUESDAY, FEBRUARY 256:00–7:30PMSanta Monica, address provided with RSVP

PHILIP BROOKMAN (Consulting Curator, Department of Photographs, National Gallery of Art)

THE ALTERNATIVE TRANSNATIONAL:MIGRATION, MEDIA AND THE “BRIDGE- WORK” OF MALAYALAM SOFT-PORN

WEDNESDAY, APRIL 1512:30–2:00PMSOS 250

DARSHANA S. MINI (PhD Candidate, Cinema and Media Studies, USC)

BIG PAPER: LARGE DESIGNS IN THE RENAISSANCE

FRIDAY, APRIL 17 | 9:00AM–4:00PMSATURDAY, APRIL 18 | 9:00AM–12:30PMHUNTINGTON LIBRARY, SMITH BOARD ROOM

Co-sponsors include USC’s Department of Art History, the Department of French and Italian, the Visual Studies Research Institute, the California Rare Books School, and with the collaboration of the Istituto Italiano di Cultura Los Angeles.

VISS 599 SEMINAR VISIT: CONTAINER CORPORATION’S ART DIRECTION

WEDNESDAY, APRIL 12:00–3:30PMSOS 250ALEX J. TAYLOR (Assistant Professor and Academic Curator, History of Art and Architecture, University of Pittsburgh)

GRADUATE STUDENT RESEARCH ROUND-UP: RESEARCH TIPS AND TECHNIQUES

WEDNESDAY, FEBRUARY 512:30–2:00PMSOS 250

VISS 599 SEMINAR VISIT: BACKGROUND ARTIST: ART AND IMMIGRATION IN THE LIFE AND WORK OF TYRUS WONG

WEDNESDAY, APRIL 82:00–3:30PMSOS 250

KAREN FANG (Professor, Department of English, University of Houston)

VISS 599 SEMINAR VISIT: HOW DO ADVERTISING PICTURES PERSUADE?

WEDNESDAY, APRIL 152:00–3:30PMSOS 250

BARBARA PHILLIPS (Rawlco Editor and Professor of Marketing, University of Saskatchewan)

WORKSHOP: PERSUASION AND AMERICAN IMAGES

WEDNESDAY, MARCH 112:00–5:00PMTHH 309K

Organized by ELLEN MACFARLANE (VSRI Mellon Postdoctoral Scholar) with papers by LAUREN KROIZ (History of Art Department, UC Berkeley), CARA FINNEGAN (Department of Communication, University of Illinois at Urbana-Champaign), and SALLY STEIN (Professor Emerita, Department of Art History, UC Irvine)

THE RHYTHM OF HEARTS: TIME IN CITY SYMPHONY FILMS

MONDAY, APRIL 2012:30-2:00PMSOS 250

ORI LEVIN (USC VSRI Postdoc) Respondent: PATRICE PETRO (Dick Wolf Director, Carsey-Wolf Center, UC, Santa Barbara)

SCREENING RACE IN AMERICAN NONTHEATRICAL FILM (DUKE UNIVERSITY PRESS, 2019): A SCREENING AND DISCUSSION

WEDNESDAY, JANUARY 15, 20206:00–8:00PMSCA 110Co-sponsored by The Hugh M. Hefner Moving Image Archive at the University of Southern California and the Division of Cinema and Media Studies, School of Cinematic Arts

VISS 599 SEMINAR VISIT: WORK!

WEDNESDAY, JANUARY 292:00–3:30PMSOS 250

ELSPETH H. BROWN (Professor of History, University of Toronto)

Please RSVP to [email protected] for all events at least three days prior, with event name and date in the subject heading.6SELLING THE STORY: COMMERCIAL PICTURES AND VISUAL PERSUASION

SELLING THE STORY: COMMERCIAL PICTURES AND VISUAL PERSUASION

USC-LACMA HISTORY OF PHOTOGRAPHY SEMINAR

USC-LACMA HISTORY OF PHOTOGRAPHY SEMINAR

EMSI VISUAL AND MATERIAL CULTURE: ON PAPER SEMINAR

VSGC

BOOK LAUNCH

Photo: Ruth Ford, ca. 1937. Portrait by George Platt Lynes.

John Taylor, The Needles Excellency, London: Printed for James Boler, 1634, plate 21 (detail recto, detail verso).

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SELLING THE STORY: COMMERCIAL PICTURES AND VISUAL PERSUASION

SELLING THE STORY: COMMERCIAL PICTURES AND VISUAL PERSUASION

SELLING THE STORY: COMMERCIAL PICTURES AND VISUAL PERSUASION

VSRI LECTURE

Photo: Gordon Parks, Self-Portrait, 1941, Private collection, courtesy of and copyright The Gordon Parks Foundation

Andy Warhol, Corporate Trade Ad, 1963, screenprint on canvas mounted on paperboard mounted on fiberboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.303

Bambi fire sketch, Courtesy of Tyrus Wong Family

VSGCANNE FRIEDBERG MEMORIAL LECTURE