Visual Storyboard

Here I will be

Here I will be explaining visually the route and actions will take from awaking, to getting home. When we coming to film, we will be using different actors, correct props and some shot may vary.

Mid shot- tunnel scene

In this shot Conor will be awaking in the tunnel, this shot may just to an close-up Ariel view of his face. This is to establish the character immediately, signalling to the audience to identity with him.

Mid shot- tunnel scene

This mid shot will show how dazed and confused Conor is, and will signal the start oh his journey home. The focus on just character with a blurry background again emphasises conor’s importance and conveys to the audience he is in unknown surroundings.

Mid shot- gas hills scene

This shot will change to an over-the-shoulder, giving the audience conor’s perspective, it will also put on emphasis on the camera that will be wrapped around his neck, hinting to the audience it will have some significance in the future.

Long shot- Gas Hills scene

Again this shot will emphasise the actors loneliness and delirium, as directors we will try to signify how rural the environment is, conveying to the audience that Conor is lost and in a unknown environment.

Long shot- Gas Hills

This long shot features the actor holding their stomach in pain. The audience will then question what has happened at how he has got their. Clues that hint further parts of the plot.

Mid shot- gas Hills

Long shot- Lane

POV shot- lane

The POV shot of the lane will help the audience identity with Conor, accompanied by shaky camera movement and quick zoom transitions it will create a fast paced, panicked atmosphere that will echo throughout the film.

Mid shot- Lane

Mid shot- lane

Long shot- lane

Mid shot- Door

The actor opening the door will introduce to the audience an important setting throughout the film.