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visual epistemologyfor design in complex systems

01.

who am I?

02.

03.

04.

designers are multiple. graphic designcommunication designdesign researchqualitative researchsocial integrationsocial sustainabilitydesign strategy complexity science information visualizationknowledge visualizationvisual languagesvisual epistemology

EXTENDED VERSIONS

Italian association at MIT

MASSACHUSETTS INSTITUTE OF TECHNOLOGYITALIAN ASSOCIATION

The claim should be written on top of the logo in Georgia

The claim should be written on bottom of the logo in Futura Medium.

design idea

The logotype has been design p rojecting some letters dimensions in order to generate a

code that can represent the coexistence of MIT identity and Italian identity.

05.

designers are multiple. graphic designcommunication designdesign researchqualitative researchsocial integrationsocial sustainabilitydesign strategy complexity science information visualizationknowledge visualizationvisual languagesvisual epistemology

designers are multiple. graphic designcommunication designdesign researchqualitative researchsocial integrationsocial sustainabilitydesign strategy design thinking for enterpreneurshipcomplexity science information visualizationknowledge visualizationvisual languagesvisual epistemology

06.

designers are multiple. graphic designcommunication designdesign researchqualitative researchsocial integrationsocial sustainabilitydesign strategy design thinking for enterpreneurshipcomplexity science information visualizationknowledge visualizationvisual languagesvisual epistemology

07.

designers are multiple. graphic designcommunication designdesign researchqualitative researchsocial integrationsocial sustainabilitydesign strategy design thinking for enterpreneurshipcomplexity science information visualizationknowledge visualizationvisual languagesvisual epistemology

08.

designers are multiple. graphic designcommunication designdesign researchqualitative researchsocial integrationsocial sustainabilitydesign strategy design thinking for enterpreneurshipcomplexity science information visualizationknowledge visualizationvisual languagesvisual epistemology

09.

designers are multiple. graphic designcommunication designdesign researchqualitative researchsocial integrationsocial sustainabilitydesign strategy design thinking for enterpreneurshipcomplexity science information visualizationknowledge visualizationvisual languagesvisual epistemology

010.

making sense of complex systems.

011.

simple.complicated.complex.

012.

simple. sim(without)+plicum(fold)

013.

014.

complicated.cum(with)+plicum(fold)

015.015.

complex.cum(with)+plexus(tied up with)

016.

deduction.does not work for complex systems

socia

l acti

vism

infiltration

reclaim the streets

soy bomb nation

brainframes

casp

am

the gr

ey sw

eatsu

it rev

olutio

n

RAP

chain workers

conglomco

post consumer production

free w

ords p

rojec

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antitrend.com

datablobsexyshock

hype

r red

unda

nt mart

santa

rchy

modern

TV

disinf

ormati

on

new gl

obal

visionco

rporat

e watc

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y free

!

the w

irled b

ank

the detroit project

mejor v

ida co

rp

nega

tivlan

d

adbu

sters

motiva

dos

dissid

ence

s com

munes

infok

iosqu

es

luthe

r blis

sett

MDPI®™

ark

the sn

iggle

tactic

al med

ia cre

w

are yo

u gen

eric?

the ye

s men

guerr

iglia

mkt

cand

ida 0100101110101101

strano network

IAA

BAP

buga up

earth first!

I‘m ch

angin

g the

clim

ate

popaganda

false advertising

bordergames

aarrgdisinformazione

urbanised

IPBnetwork

esterni

team 7

public space initiative

mayda

y

the ae

stheti

c mea

t foun

datio

n

socie

ty for

a log

o free

TV

paysages de france

casseurs de pub

SCCPP

Unamerican activities

together we can defeat capitalism

landover baptist churchjoey skaggsfranke stine

targetmkt

deduction.does not work for complex systems

017.

018.

characteristics.

019.

020.

Complexity and design.

021.

we visually organize the world in order to understand it

pattern recognitionand sense making.

021.

022.

we visually organize the world in order to understand it

visualizations are created to make sense of what we see

pattern recognitionand sense making.

022.

023.

we visually organize the world in order to understand it

visualizations are created to make sense of what we see so we can take action

pattern recognitionand sense making.

023.

the metaphor of the cartographer.

024.

the metaphor of the cartographer.

We designers are like the ancient cartographers, we produce representations of the world, as we know it

025.

We designers are like the ancient cartographers, we produce representations of the world, as we know it

we explore our world and we represent it, we use our representations to explore the world and to understand it

the metaphor of the cartographer.

026.

some stories.

027.

Cristopher Columbus.

028.

029.

030.

031.

the image of the world.

032.

033.

034.

035.

arbore scienti.

036.

037.

038.

the power of visualization and the concept of diagram

"It is one of the most significant developments in the process of design in the late 20th and early 21st centuries" (Mark Garcia)

why does this happen?

039.

διαγραμμα DIÀ (through) + GRÀMMA (sign) The diagram is both the structure of a system and the visual representation of that structure

Diagram.

040.

041.

Diagrams.

the grid is a diagram of a graphic layoutthe table of content is a diagram of a book

The diagram is both the structure of a system and the visual representation of that structure

Diagrams.

042.

the diagram is often a set of rules

Diagrams.

043.

Diagrams.

044.

045.

Diagrams.

Diagrams as generative tools

Operating devices able to reveal the weak links and the driving forces that can facilitate (or hinder) design

046.

fireflies by Kristian Cvecek.

047.

048.

paint attack.

049.

britain from above.

The field of Complex Systems is interested in relationshipsTranslating the strengths and the tensions among agents

050.

Diagrams.mark lombardi.

051.

synchronousobjects.

051.

different diagrams, same systemThe political nature and the principle of responsibility

each representation of reality are intentionally structured and thus arbitrary, anexact and incomplete

052.

a political act.

medium for communication (or persuasion, or engagement…)

tool for understanding (or problem solving, planning, orienting…)

053.

visualization has a double function.

a visual rhetoric made of objects, relations among those objects and tools for managing the relation between objects and environment

a visual epistemology describing how we interpret the world with visualizations

visualization has a double function.

visual epistemology

visual rhetoric

054.

Rhetoric is the art of using language to communicate effectively and persuasively.

Along with grammar and logic or dialectic, rhetoric is one of the three ancient arts of discourse.

visual rhetoric:visualization as a medium

055.

How visualizations change the way we interpret, perceive and understand the world we live in

Epistemology (eπιστήμη episteme, + λόγος, logos) is the branch of philosophy concerned with the nature and scope of knowledge. It addresses the questions: What is knowledge? How is knowledge acquired? How do we know what we know?

visual epistemology:visualization as a tool

056.

cpf:visualization as a tool

057.

058.

059.

citymurmur:visualization as a tool

060.

061.

062.

063.

we will be here:visualization as a tool

064.

065.

066.

067.

068.

Representing does not only mean to make a more or less accurate replica of the visible, representing does also mean showing the invisible.

ANCESCHI G., 1981. Monogrammi e figure. Firenze: La casa Usher.

Showing the invisible, in turn, does not only signify to merely illustrate the real existence, but it does means to imagine visual models of the possible, probable, and hypothetical069.