visual analysis introduction

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Visual Analysis Introduction Never mistake the message—for the messenger. Source: Understanding comics The Invisible Art Scott McCloud

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Visual Analysis Introduction. Never mistake the message—for the messenger . Source: Understanding comics The Invisible Art Scott McCloud. The A rtform —the Medium– known as comics is a Vessel which can hold any Number of Ideas and Images. - PowerPoint PPT Presentation

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Page 1: Visual Analysis Introduction

Visual AnalysisIntroductionNever mistake the message—for the

messenger.Source: Understanding comics The Invisible Art Scott McCloud

Page 2: Visual Analysis Introduction

The Artform—the Medium– known as comics is a Vessel which can hold any Number of Ideas and Images

Writers, Artists, Trends, Genres, Styles, Subject

matter, Themes

Page 3: Visual Analysis Introduction

Juxtaposed

Pictorial and other Images in Deliberate Sequence

Definition

Page 4: Visual Analysis Introduction
Page 5: Visual Analysis Introduction

Tomb of Minna 1300

BC

Page 6: Visual Analysis Introduction

Bayeaux Tapestry 1066

230 ft long

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Pre-Columbian Picture Manuscript

159336 feet

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Trajan’s column

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Greek Art

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Japanese Scrolls

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William Hogarth

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William Hogarth

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Rudolphe Toppfer

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Stained Windows

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Monet

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Pictures in Sequence

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Picture Booth

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No superheroes, funny animals,

fantasy/science fiction, or reader age. Nothing said about technical aspects or

materials No schools of art, philosophies, movements, or

ways of seeing

Juxtaposed Pictorial and other Images in Deliberate Sequence

Definition

Page 20: Visual Analysis Introduction

?

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Page 22: Visual Analysis Introduction
Page 23: Visual Analysis Introduction

These are not

people

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This is not a law.

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This is not food.

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This is not a face.

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This is not a splat.

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Icons

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In the Non-Pictorial icons meaning is fixed and absolute, their appearance doesn’t affect their meaning because they represent invisible ideas.

Page 32: Visual Analysis Introduction

This phenomenon of

observing the parts but perceiving the whole has a name:

closure.

Closure

Page 33: Visual Analysis Introduction

Closure

Sometimes a mere shape or outline is enough to trigger closure.

Page 34: Visual Analysis Introduction

Closure

The mental process

described whereby these lines become a face could be considered

closure.

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Closure

Comics has an audience is willing and conscious collaborator and closure is the agent of change, time, and motion.

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Comics panels fracture both time and

space, offering a jagged, staccato rhythm of unconnected moments.

But closure allows us to connect these moments and mentally construct a continuous, unified reality.

Visual iconography is the vocabulary of comics, closure is its grammar.

Closure

Page 37: Visual Analysis Introduction

The space between the panels is what comics

aficionados have named “The Gutters.” In the limbo of the gutter, Human

Imagination takes two separate images and transforms them into a single idea.

Nothing is seen between the two panels but the experience tells you something must be there.

Closure

Page 38: Visual Analysis Introduction

Peek-a-boo

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Comics Panels Fracture both Time and space, offering a jagged, staccato rhythm of unconnected moments.

But closure allows us to connect these moments and mentally construct a continuous, unified reality.

Page 41: Visual Analysis Introduction

Comics Panels Fracture both Time and space, offering a jagged, staccato rhythm of unconnected moments.

But closure allows us to connect these moments and mentally construct a continuous, unified reality.

Page 42: Visual Analysis Introduction
Page 43: Visual Analysis Introduction

Every act committed to

paper by the comics artist is aided and abetted by a silent accomplice.

An equal partner in crime known as the reader.

Closure

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All of you participated in

the murder. All of you held the axe and chose your

spot.

Participation is a powerful force in any medium. Filmmakers long ago realized the importance of allowing viewers to use their imaginations.