II III

pizz.

II III

Sustain in one slow bow

ord. to sul pont.

(

sul pont.

)

1"

3

II (

8va

poss. ) III

Always intense

2

IIintense

III II III II III

sul pont.

( )

molto

sempreII

ord.

III

pizz.

II

arco

III

sul pont.

( )II

ord.

I

VIOLIN

Always intense

= 60 (Violin)

arco

II III

After beginning together, do not synchronize

II

P A L L A D I Ofor Violin, Piano, and Percussion

pizz.

III II

ord.

( )

III

( )

II

RICHARD FELCIANO

( )

( )

II

pont.o

ord.

I

subito

29

( )

pont.

(

II

) (

intenseIII

)

ord.

II III II

pont.

III

subito ord.

II III II

tasto

subito

25 7

(

pont.

)( )( ) (

10

)( )( )( )

( )( )(

(

8va

)

)

19 pont. ord.

espress.3

ord. pont.

sffz

11 Drifting

III

Suddenly distant, lightly

III IV III II I

7Libero

Co-ordinated

= 60

( )

ord.

I II I II I 3II

(

I

) (

II

) (

I

pont.

)

8va

espress., dolce

ord. 3

VIOLIN -2

()

50

poco( ) V. S.

46 3

7

43

39

66

ord.

secco

36 tasto

6

feathery6 6 6 6 6 6 6 6

33 ord.non - vibrato

subito

VIOLIN -3

68 5

66 66

6

6

)

ord., martelé5

646 6 6 6 6

6

61 5 non - vibratocon vibrato molto legato

7pont.

(

58 5 5 55

54

VIOLIN -4

martelé5

secco

5 5

81

( )

3

move towards pont.

( ) ( ) ( )

5

( ) ( ) ( ) ( )

pont.o

79 3

)

77

espressivo, dolce

(

molto sul pont.5

75 arco6

73 5 5 pizz.3 3

71

VIOLIN -5

105

becoming fierce

(

pont.raspy

o

)(

o

55

pont.

)

p subito e dolce

ord.

3

99 senza sord.

93a distant voice

con sord. senza sord.espress.

con sord.

88 3 pont. - raspy

6

to MUTE

85

( )

ord.

Wisps of sound, a full second each. Silence between, like a chorale.

evenly 3 3

IV

3

II

3 3

82

VIOLIN -6

tasto3 3

ord.

(

8va

)

(

pont.

more

)

sounds: 8va8va 8va

8va 8va8va

127

V. S.

1243

pizz. arco

121(

pont.

)ord.

118

6

III

114

109

3

3

dolce

= 66

mp / mf

gently rocking

VIOLIN -7

cantando

al niente

pont.

intense pont.

( )

ord.

( )(

on IV string

pont. ord.

)

pont.8va

subito, as before3

5" after 3rdcrotale note

no breakStart 5" after vibraphone stops

ord.

(

pont.

)

ord.

,

pont.8va

subito but intense

3ord.

no break

III IV III IV

Slow bow, bear down; raspy

III

pont.o

ord.

134

( f )

= 60

( f )

III IV

( )

pont.o

III

ord.

intense

pont. ord.

IV III

129

VIOLIN -8

= 72

p o c o a p o c o c r e s c .

(D insistant and forte; other notes cresc.)

155pont.

( )( )

( )

(

8va

)3

ord.

152 55

6

6

3

3

)

ord.

149legato sempre

6 5 5 5 6 6 6

146

(

pont.5 5

66 6

1435 5

)

ord., espress.3

33

140

VIOLIN -9

= 84pont.

gliss.

( )

ord.

(

pont., legato molto 5

173

8vamolto sul pont.

loco

Count multiples;

all equal,accent by groups

short

feroce

170

3

gliss.8va

( )

167

(

pont.6

less

55

56 5

3

)

1646

6 36

6 6

1616

6p o c o a p o c o c r e s c .

6

6

6legato 6

6

158

3 3

6 6

legato sempre6 6

VIOLIN -10

201

molto sul pont. battuto (use a pencil) - deaden strings

dry, pitchless sound

189

ord., con sord.very distant

release on marimba entry

senza sord.

Slower = 60

186

3

63

(

pont.3 3

)

183

180

177

VIOLIN -11

P A L L A D I O

RICHARD FELCIANO

for Violin, Piano, and Percussion

PERCUSSION

1" 1"

subito

( )(Keep vibes pedal depressed until sound dies completely away)

MARIMBA1"

(Soft yarn)1" 1"

( = 60)1"

( )

( = 60)

3

3

3

to MARIMBA

2"

(Vln.)

8va

PERCUSSION

= 60 (Violin)

XYLOPHONE (medium yarn)

(Pedal remains depressed)

3"

After beginning together, do not synchronize

P A L L A D I Ofor Violin, Piano, and Percussion

(Vln.)

RICHARD FELCIANO

( ) ( ) ( )

2

3

3

MARIMBA

VIBES

= 60 (Coordinated)

Strike damper bar

(1.5")

Lightly 3Strike sharply

(less)

7

(less)

11

(less)

(Keep pedal depressed through rests)

16

28

Top voice in foreground

2"-3"

VIBES

44

42 MARIMBA (medium yarn)

legato

(niente)

38

subito

VIBES (a little in the foreground)

34 (MARIMBA)

(Accent G only)

( )

31

4

MARIMBA

V.S.

62

Large W.Block (Medium yarn)

Very large W.Block

58

( ) (niente)

54

less

Med. rubber mallet

51

subito

(niente)

47

5

VIBES

with vertically held rattanmallet handle. Should producea pitchless "groan."

Slowly scrape on marimba key

release

entryviolinon

82

78

Finger muffle instantly afterstriking (choke the resonancebefore it develops)

(MARIMBA) staccatissimo

74 (MARIMBA) 3

lessdim.

70

non dim. ( )

3

66

6

( )

DistantMedium yarn

5

Loud enough so as not tofade completely away.

short - col violino

violin entryRelease at

106 short - col violino

( )

(Medium yarn)

Hard yarn

101Don’t accent final note (one hand tremolo)

Hard yarn

(Medium yarn)

3

Medium yarn

(Keep pedal depressed always)

96 Soft rubber Medium yarn

Marimba just loud enough to modulateamplitude of vibraphone note

Medium rubber

91 Hard rubber

7

141

63

3

5 33

6

Repeat until violin low G drops out

6 6

140

(Continue together, on cue from piano - coordinated)

= 84

3

3 6 6 3

137 = 60

CROTALES: (with violin bow)

ca. 12" ( = 60)MARIMBA

Medium yarn

3

Piano

2x 4x

129 = 72 = 60

16"MARIMBA

7.5"

(Highest octave)

Hard plastic

Stop 1" after piano stops

Vln.

112

8

= 66

159As fast as possible, exaggerated crescendos, all entries on downbeat.

( ) ( )

156 5

3 6

Distant

153 5

3

3

3

150

6 33

147

144 5

56

9

( )less

183MARIMBA

rapid

Stop abrubtly a split-second beforedownbeat. Do not connect with pianochord which follows.

Scrape marimba key with rattanstick held vertically. Make itmoan!

175

Lift pedal abrubtly at climax (Keep pedal depressed through rests)

171

( )

3 3

c r e s c . m o l t o3

(VIBES) 3Medium yarn

subito

3

l o n g , s l o w c r e s c e n d o

3 3

166

(Full range)

sempre

VIBES - Hard plastic

No pedal

( )

162

10

( ) ( )

(Medium yarn)

( )

189

11

(MARIMBA) Stop at piano entry.

VIBES - Soft rubber or hard yarn

(Wah - wah) Mouth resonance fast to slow.Stop when piano re-enters. Release pedal at piano entry.

192

197MARIMBA - Soft yarn

( )

= 60 Slower

Dynamic unchanging as piano gets softer.

200

203

206

Hard!

non dim.