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The Glass Menagerieby Tennessee WilliamsDirected by Bryce Alexander

A Phamaly Theatre Company Production

Cast The Mother (Amanda) .........................................................Ashley Kelashian Her Son (Tom) ......................................................................... Daniel Traylor Her Daughter (Laura) ......................................................... Jenna Bainbridge The Gentleman Caller (Jim) .....................................................Eric Richerson

Artistic & Production Team: Chris Silberman .................... Executive Director of Phamaly Theatre Company Bryce Alexander ..............................................Director /Production Manager Grace Hartke........................................................................ Stage Manager Danielle Rankin ....................................................... Assistant Stage Manager Andrew Hamer .......................................Technical Director/Master Carpenter M. Curtis Grittner .................................................................Scenic Designer Stephen D. Mazzeno ..........................................................Lighting Designer El Armstrong ...................................................Sound & Projections Designer Raechel Sherwood ........................................................................Composer Linda Morken ...................................................................Costume Designer Beki Pineda .......................................................................... Props Designer Sheryl Swanson McIntyre .................................................Wardrobe Manager Melissa Schrank ............................................................Scenic Charge Artist Bonnie Barlow ................................................................... Audio Description

Sponsored by:

Presented by arrangement with Dramatist Play Service, Inc. on behalf of The University of the South, Sewanee, Tennesee.

Chicago, 1944: The Glass Menagerie opened. Perhaps it was his poetic, profound, and imaginative depiction of Williams’ own life, but The Glass Menagerie earned the New York Drama Critics Circle Award only a year later when it moved to Broadway. Williams would go on to be one of the most celebrated American playwrights of all time, and The Glass Menagerie would remain one of his most respected works.

While Streetcar Named Desire and Cat on a Hot Tin Roof have also garnered nearly unrivaled popularity, The Glass Menagerie demonstrates the birth of Williams’ dramatic style. Williams was inspired to choose elements that had meaning, deeper symbolism, and the potential for great intrinsic value over realistic details. Even the opening monologue of the play comments on the productions “dim” lighting and “sentimental” music. The play, he says, is “not realistic.” Coffee cups and tangible dinners are omitted, indicated only by the actors’ movements, while candles and – of course – the glass elements of the menagerie exist in literal, tangible structures that have deeper meaning. The Glass Menagerie is not just Laura’s obsession, it is a representation of her being. Likewise, Williams’ screen devices are not for scenic value or to indicate time or place, but to “strengthen the allusions in the writing.”

The Glass Menagerie is regarded as one of the greatest American plays of all time – not simply because it is a moving tragedy about times gone by, but because of its groundbreaking theatrical concept, extraordinary use of language, and breathtaking story. These incredible components come together with astounding resonance when presented with the truth in humanity that accompanies every Phamaly production. Never has Williams’ opening monologue been more true: Phamaly gives you “truth in the pleasant disguise of illusion.”

The actress you see on-stage before you playing Laura is not pretending to have a disability; is not walking like she assumes a disabled person would walk. Instead, she is presenting to you – in unmatched truth – her actual walk, her genuine body. Her character is only an illusion.

The actress you see on-stage before you playing Amanda is a mother. She cares for her son as all mothers do, and loves him unconditionally –wanting only the best for him. Living with her disability, she can remember the day when she didn’t wake up in pain; when the stigma of being overweight didn’t come shooting into her from the eyes of strangers. They don’t know it’s part of her condition. These are her truths. Her character is only an illusion.

The actor you see on-stage before you playing Jim can recall younger days when he was a high school authority; the days before his Obsessive Compulsive Disorder convinced him to drop out of school a month before his graduation. While it’s true his “pace has slowed,” he certainly isn’t discouraged. His character is only an illusion.

Finally, the actor you see on-stage before you playing Tom has always wondered why his hearing impairment has had to prevent him from a full time performance career in theatres small and large. He dreams of being able to burst out of the limitations placed upon him by the world around him. He too, has wrestled with conflict between the true needs and desires of his family and himself. His character is only an illusion.

The Glass Menagerie is not the story of any hero or villain, but of individuals who must walk their own paths – right or wrong - not by choice but by necessity, by circumstance, and even by the impenetrable influences within us all. The characters in the play must walk their own paths, but when coupled with Phamaly’s performers –

Director’s Notes – The Glass MenagerieBelow is an excerpt from Bryce Alexander’s director notes.

For the full director’s notes, please visit lonetreeartscenter.org.

who navigate the path of disability everyday – the play takes on an even greater and pervasive significance.

The genius behind Williams’ classic, in my opinion, lies in the ability to connect our own lives to the ones being presented on-stage. Just as the characters reflect on their paths, and our performers reflect on theirs, the story begs us to reflect, to ask ourselves ‘what is the significance, the beauty, the complexity, and the merit of our

own paths in life? How are we like them?’

Whether living with disabilities, financial hardships, or broken hearts – we have all had to walk the path of being human, of being “true” to ourselves. Maybe we can all use a little reflection, a little comparison, a little empathy; and in the end, being human – and having the opportunity to walk our paths – may not be such a bad thing.

Jenna Bainbridge, Laura, has been working with Phamaly since 2006’s The Wiz. Since then she has performed such roles as Belle in Beauty and the Beast, Daisy in Sideshow, and Little Sally in Urinetown. Her “Phamaly” has given her the skills and knowledge

to go on to work with other companies across Colorado including Colorado Shakespeare Festival and Boulder’s Dinner Theatre. Disability: Spinal Cord Injury. www.spinalcord.org.

Ashley Kelashian, Amanda, has been seen in past Phamaly performances Fiddler on the Roof (Yente), It’s a Wonderful Life (Ma Bailey), The Velveteen Rabbit (Boat), Little Shop of Horrors (Mrs. Luce) and Vox Phamilia. Disabilities: Dercum’s Disease and

degenerative disc disease. www.lipomadoc.org/dercums-disease.html

Eric Richerson, Jim, is performing in his second show with Phamaly. His first show with the company was It’s a Wonderful Life as Sam Wainwright and multiple ensemble roles. Eric has played such roles as Joe Keller in All My Sons, Orin in Little Shop of Horrors, and

Rosencrantz in Rosencrantz and Guildenstern are Dead at other venues. Disabilities: Primarily Obsessional OCD, Trichotillomania, Borderline Personality Disorder, and Psoriasis. www.mhcd.org.

Daniel Traylor, Tom, is in his 19th production with Phamaly, and there’s no place he’d rather call home. You may recognize him from such past productions as Little Shop of Horrors (Seymour), The Foreigner (Ellard), The Elephant Man (John Merrick), and Beauty

and the Beast (Lumiere). Disabilities: Hearing impaired, hip dysplasia.

Bryce Russell Alexander, Director, holds a BFA Cum Laude in Theatre Performance and a BA in English Literature from the University of Colorado. His directing credits include Look Here, Look Away (Now, Please) for At Hand Theatre (NYC); It’s a Wonderful Life, The Elephant Man, The Velveteen Rabbit, and Cyrano for Phamaly Theatre Company (CO); Romeo and Juliet at the Mizel Arts and Culture Center (CO); The Pillowman, Under My Box Spring (regional premier), Sir Ronald DeMimsy Esq., Desert Explorer (regional premier), and Birds of Paradise (regional premier) for Three Leaches Theatre (CO); Charlotte’s Web for the Aurora Fox Theatre (CO); Orphans for the University of Colorado; among others. Additionally, Bryce’s Assistant Directing credits include Just Like Us, The Three Musketeers and White Christmas at the Denver Center Theatre Company; Jez Butterworth’s Parlour Song at Paragon Theatre; It’s a Wonderful Life and Treasure Island with the Colorado Shakespeare Festival; and Man of La Mancha, Beauty and the Beast, How to Succeed in Business Without Really Trying, Little Shop of Horrors, Fiddler on the Roof and The Diviners for Phamaly Theatre Company. He is a member of the Society of American Fight Directors, and is an associate member of the Stage Directors and Choreographers union. Bryce will also Direct Rapunzel for PhamaIy’s 25th Anniversary season.

EL Armstrong, Sound & Projections Designer, has designed sound and video for Phamaly for several seasons. He is an Emmy nominated video editor and Grammy nominated audio editor and mixer. Clients he has worked for include Bill Maher, Ron White, The Doobie Brothers, Disney and Larry the Cable Guy. In Denver, El is probably best known as a sound designer (2010 Ovation Award - Best Sound - “Voices in the Dark”), a video designer (“The 39 Steps”), and occasionally as a director (“Rashomon”).

M. Curtis Grittner, Scenery Design, holds an M.A. from the University of Arizona. A Designer, Director, and Teacher he is grateful for the continued opportunity to design for Phamaly. Previous Phamaly productions include It’s A Wonderful Life, Fiddler on the Roof, The Foreigner, Little Shop of Horrors, The Elephant Man, and How to Succeed in Business. Additional Colorado companies he has directed and designed for include The Backstage Theatre, The Catamounts, and the Community College of Aurora. He served four seasons as Artistic Director for the Paul Bunyan Playhouse. Productions of note that Curtis has directed include Guys on Ice, Proof, Rosencrantz and Guildenstern are Dead, Twelfth Night, and The Robber Bridegroom. He recently received a Boulder Camera Eye Award in Scenery Design for The Catamounts production of God’s Ear.

Andrew Hamer, Technical Director, has worked at a variety of theatres in his career, most recently including the Union Colony civic Center in Greeley, Colorado, where he was the Senior Stage Manager. He is currently working at the Denver Center for the Performing Arts as a non-union stage hand.

Grace Hartke, Stage Manager & Production Assistant, stage managed Phamaly’s production of It’s a Wonderful Life in 2013 and is happy to return. She has also served as Production Stage Manager for Forever Plaid and the Betty Lynn Buckley Awards as well as Assistant Stage Manager for Camelot, 42nd Street, Grease, The Adventures of Whinnie the Pooh, and others at Casa Mañana Theater in Fort Worth, Texas.

Stephen D. Mazzeno, Lighting Designer, is the Master Electrician of the Space Theatre for the Denver Center Theatre Company as well as a member of I.A.T.S.E. Local #7, and holds his ETCP certification. His previous productions for Phamaly include Guys & Dolls (2004 Ovation Award Winner), Urinetown the Musical (2008 Henry Award Winner), Beauty and the Beast, Man of LaMancha, The Diviners, How to Succeed…, The Elephant Man, Little Shop of Horrors, and many more.

Linda Morken, Costume Designer, is the resident designer for Boulder’s Dinner Theatre and has worked with Phamaly for several seasons. Past shows include It’s A Wonderful Life, Fiddler on the Roof, Little Shop Of Horrors, The Elephant Man, How to Succeed…, Barefoot in the Park, Beauty and the Beast, Steele Magnolias, Man of La Mancha, Sideshow, and Our Town. Linda has received a Colorado Theatre Guild Henry and two Denver post Ovation awards as well as many nominations for her designs.

Beki Pineda, Props, returns to Phamaly after 21 years away. Beki is the owner of All Propped Up, a prop rental house for theatre, and the proud recipient of a Special Achievement Henry Award.

Danielle Rankin, Assistant Stage Manager, in her third show with Phamaly and her second as ASM. She was the stage management intern this summer for Fiddler on the Roof. Danielle graduated from Westminster High School last spring and she is currently attending MSUD as a theatre major. Danielle has experience as a props designer, seamstress, and stage hand.

Raechel Sherwood, Composer, is a Denver-based theatrical, classical, and media composer. Her works have been produced at the University of Colorado Boulder in both the Atlas Black Box Theatre and the CU Fringe Festival. She has premiered two original musicals and has had pieces performed by the CU Symphony Orchestra, Tesla Quartet, University Singers, and other ensembles. A graduate of CU Boulder, she holds a BM in Composition and a BS in Journalism.

THE LONE TREE ARTS CENTER PRESENTS

Randy Newman

Wednesday, March 12 at 7:30pm

Sponsored by:

THE COLORADO SYMPHONY

Vivaldi’s Four Seaons

Friday, March 21, 2014 at 8pm

Yumi Hwang-Williams, Concertmaster Claude Sim, Associate Concertmaster

J. S. Bach Concerto for 2 Violins, Strings and Continuo in D Minor Vivace Largo ma non tanto Allegro

Intermission

Vivaldi Le Quattro Staggioni, Op. 8 (The Four Seasons) Concerto No. 1 in E major, Op. 8, RV 269, “La primavera” (Spring) Allegro Largo e pianissimo sempre Allegro pastorale Concerto No. 2 in G minor, Op. 8, RV 315, “L’estate” (Summer) Allegro non molto Adagio e piano – Presto e forte Presto Concerto No. 3 in F major, Op. 8, RV 293, “L’autunno” (Autumn) Allegro Adagio molto Allegro Concerto No. 4 in F minor, Op. 8, RV 297, “L’inverno” (Winter) Allegro non molto Largo Allegro

Sponsored by:

Scott Leonhart & Maggie Eichenlaub

Yumi Hwang-Williams made her debut at the age of fifteen as a soloist with the Philadelphia Orchestra, six years after having emigrated from South Korea. A graduate of the Curtis Institute of Music, her exceptional musicianship has earned her a reputation as an artist who, in addition to her thoughtful and stylish

interpretations of the classics, is known for her commitment to exploring and performing the works of contemporary composers. Featured in a Strings magazine cover article in 2008, she was described as a ‘Modern Prometheus’ who has ‘emerged as a fiery champion of contemporary classical music’. Her interpretations of works by Aaron Jay Kernis, Michael Daugherty and Christopher Rouse have earned unreserved approval from the composers as well as critical acclaim. She has performed Korean composer Isang Yun’s Violin Concerto No. 1 with the Basel Symphony Orchestra, Switzerland under the baton of Dennis Russell Davies who immediately invited her to play the concerto again with the Bruckner Orchester, in Linz, Austria in October 2009. She has also been the soloist in Thomas Adès’ violin concerto, Concentric Paths, at the Cabrillo Festival in Santa Cruz with Marin Alsop on the podium. Ms. Hwang-Williams has performed with the symphony orchestras of Cincinnati, Indianapolis and Santa Rosa with conductors Paavo Jarvi, Lawrence Leighton Smith and Jeffrey Kahane, and has made numerous solo appearances with the Colorado Symphony Orchestra (CSO) under the batons of Marin Alsop, Peter Oundjian, Douglas Boyd, Hans Graf and Christian Arming to name a few. In recent seasons she was soloist in Vivaldi’s Four Seasons with the Colorado Springs Philharmonic, in the Sibelius violin concerto with the Fort Collins Symphony Orchestra and in the Bernstein Serenade with the ProMusica Chamber Orchestra. Yumi is an avid chamber musician and recitalist, having collaborated with such artists such as Gary Graffman, Ida Kavafian, Christopher O’Riley, John Kimura Parker, Robert Koenig, Dror Biran, and with Dennis Russell Davies, performing Lou Harrison’s Grand Duo for violin and piano. She was a founding member of the piano trio Tre Voce which made its Weil Hall debut in 2006. Yumi Hwang-Williams has served as Concertmaster of the Colorado Symphony Orchestra since 2000. She is also Concertmaster of the Cabrillo Festival Orchestra, has performed as Guest Concertmaster for the National Arts Centre Orchestra, Ottawa, at the invitation of Music Director Pinchas Zukerman, and has been Guest First Violinist with the Philadelphia Orchestra. She is a faculty member of the Lamont School of Music, University of Denver.

Claude Sim has been with the Colorado Symphony since 1999. He frequently performs as soloist with the orchestra. He previously held a principal position with the Baltimore Symphony, and has been guest Concertmaster of the Kansas City Symphony. Other affiliations include the National Arts Centre Orchestra

and the Philadelphia Orchestra.As a chamber musician, he has concertized as guest first violinist of the critically acclaimed Miró String Quartet, and as violist with the Grammy award winning Pacifica Quartet. He has also collaborated with members of the Tokyo and Vermeer String Quartets, and with noted pianists including Jeffrey Kahane and Christopher O’Riley. Known for his stylistic versatility, Claude has recorded a studio album of jazz standards from the American Songbook. claudesim.com

About the Colorado SymphonyThe region’s only full-time professional orchestra, the Colorado Symphony embraces a tradition of musical excellence by presenting a diverse array of symphonic performances throughout the year. Originally established in 1989 as the successor to the Denver Symphony, the Colorado Symphony thrives on a spirit of collaboration among musicians, staff, trustees and the community. The Colorado Symphony performs in Boettcher Concert Hall and On Location throughout the state and region utilizing small ensembles to the full-sized orchestra. Programs include expanded education and outreach initiatives, as well as Masterworks, Pops, Holiday, Family, Inside the Score and Symphony on the Rocks series that have attracted an ever-increasing level of concertgoers. By presenting music that is both timeless and inspiring, while taking risks with new musical collaborations and interactive concerts, the Colorado Symphony is committed to reaching global audiences with the use of state-of-the-art digital media via live streaming and concert downloads. For more information about the Colorado Symphony, visit www.coloradosymphony.org.

The Colorado Symphony is proud to partner with the Lone Tree Arts Center as part of our On Location program. For more information on that initiative, please contact Jeannene Bragg, Director of Artistic Partnerships and Strategic Initiatives at [email protected].

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1. DUST2. NOISE

3. WEATHER

Protects from:

TRIPLE weather stripping

LONE TREEb r e w i n gc o m pa n y

8200 Park Meadows Drive, Suite 8222, Lone Tree

lonetreebrewingco.com

Open until 8pm Sun-Wed, 9pm Thurs, and 10pm Friday and Saturday

Night Cap?

“Hand Crafted Beers, Rooted in Colorado”

Bravo!ACC Visual &Performing Arts

ACC Chorus • ACC Orchestra • Jazz Combo and EnsembleWomen’s Vocal Ensemble • Pop/Rock Group EnsemblePainting • Drawing • Photography • Computer Graphics

Colorado Gallery of the Arts

www.arapahoe.edu303.797.4222

Lone Tree Arts Center 2013-2014 Season

Arapahoe Community College proudly supports our local Arts Community. Good Luck this Season!

A PHENOMENAL SEASON IS IN STORE

COLORADOBALLET.ORG

LIFTS YOU OUT OF EVERYDAY.

Sharon Wehner by Allen Birnbach

GISELLE THE NUTCRACKER

CINDERELLA BALLET DIRECTOR’S CHOICE

www.fastframe.com • Over 300 Locations Worldwide

FASTFRAME OF CENTENNIALNE Corner Quebec & Countyline

In Front of SAFEWAY

303.773.6143

Experience the Difference of Custom Framing

at its BestLet us transform your walls into a focal point of beauty and harmony that will complement your lifestyle.

303-768-9000SkyVentureColorado.com

9230 Park Meadows Drive Lone Tree, Colorado 80124

3333330033

Presentpromotional code

LT10 for10% OFF!

Left to right: Five Star award winner David R. Cichon and Stephanie Cichon-Bruno

David R. CichonTrust • Knowledge • Strength

• Diversified financial resources• Comfortable investment strategies• Impeccable client service

Regional Vice President, M.Ed., CEP®, RFC® Asset Protection, Tax Reduction and Estate and Retirement Planning

Listening to our clients’ objectives and dreams is paramount. Educating them on their options and protecting their financial house for generations to come is our ultimate goal. David R. Cichon, M.Ed., CEP®, RFC®, is Regional Vice President of Householder Group and has more than 35 years of experience in the Five financial services industry. We take pride in being a father-daughter team committed to creating a warm, reliable and client-centric environment. As a registered investment advisory firm, we have a fiduciary responsibility to keep our clients’ interests first and foremost. Call us for more information on our services!(c)

Securities offered through Securities Service Network, Inc., member FINRA, SIPC. Investment advisory services offered through Householder Group Financial Advisors, L.L.C., a registered investment advisor not affiliated with Securities Service Network, Inc.

7700 E Arapahoe Rd., Ste. 110 Centennial, CO 80112Phone: (720) 482-1917

[email protected]

The Perfect TasteThe Perfect Taste

LONE TREEb r e w i n gc o m pa n y

8200 Park Meadows Drive, Suite 8222, Lone Tree

lonetreebrewingco.com

Open until 8pm Sun-Wed, 9pm Thurs, and 10pm Friday and Saturday

Night Cap?

“Hand Crafted Beers, Rooted in Colorado”

Tender, smoky, and unmatched - that’s our Smokehouse Beef & Cheddar Brisket.™USDA Choice Brisket, hickory-smoked 16+ hours in one of Texas’ best smokehouses,

melty cheddar, and Sweet Baby Ray’s® BBQ Sauce. Together, it’s so amazing, it’sguaranteed. Take one bite. Our way beats their way. If you don’t agree, it’s free ®.

Visit FirehouseSubs.com to order online and find your nearest location.

FREE Chips and MediumFountain Drink when

you buy any Sub.The offer only valid at this tasty location:

Lincoln Commons, 9992 Commons Street, Suite 120Lone Tree, CO 80124 • 303-495-2218

© 2010 Firehouse Subs. This offer valid with coupon at participating restaurants. Prices and participation may vary, see restaurant for details. Limit one per customer, per visit.

Not valid with any other offers. Exp. 05/14. COMBOSSUB

$35 dinner for two


www.parkmeadows.com 303-792-5384

LM Lone Tree Arts Center Guide 2013-14

303-731-252110001 S. Oswego Street

Parker, CO 80134LincolnMeadowsSeniorLiving.com

INDEPENDENT LIVINGASSISTED LIVING | MEMORY CARE

A SPECTRUM RETIREMENT COMMUNITY

Your care. Your comfort.Our pleasure.

Actual Spectrum Resident

Move-in Specials

Callabout

our

costavida.net

Hours: Monday - Saturday10:30am – 9pmClosed Sunday

10005 Commons Street, Suite 280Lone Tree, CO 80124

(In Super Target’s Parking Lot)


www.parkmeadows.com 303-792-5384

LO N E T R E E A R T S C E N T E R 31

Enhance Your

• Certified Pilates Instruction and Education• Fully Equipped Studio with Amenities• Private Sessions, Equipment and Mat Classes• Yoga & Barre Classes• BASI Pilates® Teacher Training Program• Massage Therapy• Men and Women of All Ages and Fitness Levels Welcome• Retail, On-Line Scheduling & App

6380 S. Fiddler’s Green Circle,Suite 108CGreenwood Village, CO 80111www.pilatesdenverstudio.com303.779.0164

A MIND BODY STUDIO

Improve Your Core Strength,Flexibility and Much More…

Introductory Packages Available

Sandra C. ambida, d.m.d.Lone Tree MedicaL BuiLding

9695 S. YoSeMiTe STreeT, STe. 225Lone Tree, co 80124

303-790-teeth (8338)www.ambidadental.Com

www.youngvoices.org

Octaves … Above The RestTM

Informational meetingsand friendly auditions

fall, spring and summer

Membership information: [email protected]

303.797.SING

Come Sing With Us!

D. U. Newman Center ConcertsDecember 8 - May 4 - June 29

Your PhYsician’s choice forhearing & TinniTus care

Advanced Audiology, Inc.Hearing & Tinnitus Center

• More than 100 Physicians & Healthcare workers refer their patients to us.

• 85% of our patients come from physician and patient referrals.

• BBB Gold Star Award and A+ rated.

303-649-2122 www.AdvancedAudiology.com

Centennial, Colorado 80112

We Take Your hearing seriouslY

Dr. Luke Hinzmann AuD, BCABA Board Certified Doctor of Audiology

Dr. Barbara Jenkins AuD, BCABA Colorado’s First Board Certified

Doctor of Audiology

view magazine spring 2014, mar. 7-21, 2014

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