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    VERTIGO DIARY

    LARRYSAWYER

    B L A Z E V O X [ B O O K S ]Buffalo, New York

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    Vertigo Diary by Larry SawyerCopyright 2013

    Published by BlazeVOX [books]

    All rights reserved. No part of this book may be reproduced without

    the publishers written permission, except for brief quotations in reviews.

    Printed in the United States of America

    Interior design and typesetting by Geoffrey GatzaCover Art by Andrew Lundwall

    First EditionISBN: 978-1-60964-137-5Library of Congress Control Number: 2013932521

    BlazeVOX [books]131 Euclid Ave

    Kenmore, NY 14217

    [email protected]

    BlazeVOX [ books ]

    blazevox.org

    21 20 19 18 17 16 15 14 13 12 01 02 03 04 05 06 07 08 09 10

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    A BLINDNESS

    We were served fresh, hot slices of the red white and blue.Then crawdads, potholes, and aria-humming policemen.

    Spring was a masked phantom, leaping naked from a rope into the creek andyou said your shoulders were ripe

    red as ambulances.

    The silt in our throats made dunes, mouths agapegawking up at summertime jets

    hummingbirds left tiny autobiographies on windowsills.

    The rumor was we were hard of hearingafter school we diligently practiced our disappearing

    bicyclists echoed off through autumn woods brittle matches:winters we were on the brink.

    It was thenwhile mother was outside busy changing the skya soldier on Main Street was seen

    plunging headfirst fromthe diving board of thatmovie house marquee into the fog.

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    HA HO HUM

    If the women are happy

    in the trees above the farm

    well guard the clocks.

    In sour buckets

    filled with spring

    on purpose we wait for the army.

    But will they appreciate new songs?

    Watch this poem sing about

    mistreatment

    at the hands of

    the protagonist

    in a choose-your-own-adventure

    in which we,

    while wearing the most

    scientific shoes, assert with

    no small dissatisfaction

    that his majestys marvelous lake is

    merely cloud.

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    Intrinsic to our suffering

    acceptance like a wheelbarrow

    carries all our definitions of comedy.

    The challenge then

    is for the

    overripe clichs, as they fall, to

    rather float skyward.

    To their telegrams I respond

    with a ponderous liberty freed

    from the fog of sleep.

    I wander the countryside,

    useless as the

    door of a church.

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    BUT MOST BEAUTIFUL OF ALL

    The browning edges of the photograph are the outskirts of a map, in which

    may be found the beasts and drooping trees living green in the memory

    and we inhabit those regions, completely forgotten until once again

    we glance into that other world and return to that day that

    haunts us at the edge of a table, which pretends to go unnoticed

    but now we are aware, and this awareness is an elevator that

    carries us upward in our minds.

    What we resemble most upon realizing these invented scents

    at the cliffs edge is that a photograph is a scalpel

    performing the most delicate operation.

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    UNITED STATES WHIP COMPANY COMPLEX

    But we, and the very tops of our hills

    Oh, and if only for chance moments

    But she shot me directly in the twig

    And Im a big dummy for believing it

    But in those days even the music boxes.

    Our cataclysm, our accessories

    On a mission narrowly averted

    Two precious self-portraits

    Swabbing at our duhs, these

    Excruciating thingies

    But she kicked me in my speaking part

    Squarely in the script

    Should we be sitting still for portraits

    Else moment to moment shrugs

    Autumn is such degradation

    And I Europe and you do, too

    Like we were nothing, birds are kind of not

    Friendly, look they fly away.

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    PSST

    Post-future we glimpse

    [see Diagram of Risks]

    what I call

    moment salads. Such

    quantifying croutons, although

    their exegesis is insufficient dressing.

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    MYSUNFLOWER

    Why was each momentsuch a miniature Troy? Grief is

    the calculus you lack. Dont

    kill yourself over it. A raven sleeps

    in each fold of the wind.

    Notes about me arelocked in a glance across an

    omnipresent table. Its useless, according to

    my analyst, to ponder dogs. Were outer space

    primates. Meanwhile the continent

    ticks. No one groks the combo.

    This coin is the lord of your hand. Her

    dress is plural. Such greasy wine.

    Wheres the zookeeper with the

    bill? Under the piano of summer, were

    deep as beans.

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    THOUGHTS OF SUMMER

    Such a huge erect tree

    A flagpole to some, Freud saw a cock.But it is spring that wields such power over our bodies.Hello, sadness, wrote that horny French poet Paul luard, and IAgree that I see a huge tree sticking the middle of a flirtatious eternity.I mean imagine doing it in a dressing room while trying on poetry.

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    VERTIGO DIARY

    Anyway, why monkeys?

    Which is a question anyone

    would ask. Smile no

    matter how much elation

    graces the outage, fjords

    clacking.

    Get it? Aluminum

    orchestras, plunger Romanticism.It was stopped up.

    Hecates iffy

    gaze, unguent,

    tames history. None of the

    government elevators work.

    Tomorrow: chemists wearing

    saucy watches.

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    DISPASSIONATE APPASSIONATO

    The mountains on the bottoms

    of shoes. On sinless display behold thesubway. Thanks for nothing we shout thanks forketchup and goo. In words faithless, figurative,especially enlivening. Instead ofants, children, lilacs, furniture, terrorists,the furnace of men, nasturtiums, alligators, hymns.The city accessorizes itself with sirens.

    In words faithless. I know the citywith its fuzzy numbers.

    Numbers that sometimes bubble like a fountain.Numbers that emit bricks not clouds.Chaos of veined streets, some clogged arteries.The projector plays itself.The citys striking single-mindedness loomscartoons, lions, ice cream, ferns.

    Each store window metastasizes into another sale.My fear of the language. To describe anunlocked gate. A whale barks in parody

    on a sign, its oceanic nearnesstoo close to our table for comfort.But the carburetor of our ambivalence likethe Imago Mundi, the earliest known world mapshows a circular landmass with seven islands, the third ofwhich being where winged birds end not their flight, thefourth has light brighter than the sunset, and thefifth lay in complete darkness.

    When I was younger I liked the thundering.

    To lie in darkness and listen to the sound of my voice.I would pronounce words like diaphanous.I didnt have a terrific appreciation forrope. There is an ideal series of eventswhich runs parallel to the real ones.