VANIO

GOLDSMITH BIBLIOGRAPHY:Oddey, Alison Devising Theatre (practical an theoritical...)Emma Govan Frantic Assembly book of devising theatre.John Briton Collective creation in contemporary perfomanceComplicite

STRUCTUREChoose only three etudes.Identify in each etude a diferent focus, or parameter. One at a time.If one is coreaograhed: which issues are inside that.Improvised: books of improvisation. What is improvisation? Different angles.Score that uses text: relationship between moviment and text. How am I inside can overwrite inside the explanation of the practical scores. Things that I aportar. (penso en la Ilona I donar el 100%)

A question that is an umbrella for all the etudes: maybe balance between score and improvisation.

If the movement make sense and the action makes sense one to another then life appear, my mind makes connection and build an history full of associations. In each etude there are predictable and non-predictable elements,In the devising there are: training, rehearsal and performance. Is not one thing together, different degrees of responsibility, the director is present in a different roles (trainer, director, and maestro but the responsibility is to the audience). Write in relation of the context.

BEFORE ESSAY, THINGS TO IMPROVE:Make a wiser selection of one or two people who talk about devising, and choose two or three examples of devising, quality and deeply in the work.Paragraph to another: look for connection between paragraphs, dont finish one and start another with no relationship, look for open another door in the same territory or go deep in an idea. For this is very helpful to make a plan for the essay. See it linearly: example 1, brainstorm and structure the ideas, what have to go first. Imagine that nobody has experienced that, how to take by the hand to explain all of that.Gibbs model!!Be as objective as possible. The feelings will be visible in the way I analyse things. The quotation has to help to understand before and after. Look at the journal to this essay.