valencia, november 2006 artistic geometry carlo h. séquin u.c. berkeley

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Valencia, November 2006 Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

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Page 1: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Valencia, November 2006Valencia, November 2006

Artistic Geometry

Carlo H. Séquin

U.C. Berkeley

Page 2: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Homage a Keizo UshioHomage a Keizo Ushio

Page 3: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Performance Art at ISAMA’99Performance Art at ISAMA’99San Sebastian 1999 San Sebastian 1999 (also in 2007)(also in 2007)

Keizo Ushio and his “OUSHI ZOKEI”

Page 4: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

The Making of “Oushi Zokei”The Making of “Oushi Zokei”

Page 5: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

The Making of “Oushi Zokei” (1)The Making of “Oushi Zokei” (1)

Fukusima, March’04 Transport, April’04

Page 6: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

The Making of “Oushi Zokei” (2)The Making of “Oushi Zokei” (2)

Keizo’s studio, 04-16-04 Work starts, 04-30-04

Page 7: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

The Making of “Oushi Zokei” (3)The Making of “Oushi Zokei” (3)

Drilling starts, 05-06-04 A cylinder, 05-07-04

Page 8: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

The Making of “Oushi Zokei” (4)The Making of “Oushi Zokei” (4)

Shaping the torus with a water jet, May 2004

Page 9: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

The Making of “Oushi Zokei” (5)The Making of “Oushi Zokei” (5)

A smooth torus, June 2004

Page 10: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

The Making of “Oushi Zokei” (6)The Making of “Oushi Zokei” (6)

Drilling holes on spiral path, August 2004

Page 11: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

The Making of “Oushi Zokei” (7)The Making of “Oushi Zokei” (7)

Drilling completed, August 30, 2004

Page 12: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

The Making of “Oushi Zokei” (8)The Making of “Oushi Zokei” (8)

Rearranging the two parts, September 17, 2004

Page 13: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

The Making of “Oushi Zokei” (9)The Making of “Oushi Zokei” (9)

Installation on foundation rock, October 2004

Page 14: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

The Making of “Oushi Zokei” (10)The Making of “Oushi Zokei” (10)

Transportation, November 8, 2004

Page 15: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

The Making of “Oushi Zokei” (11)The Making of “Oushi Zokei” (11)

Installation in Ono City, November 8, 2004

Page 16: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

The Making of “Oushi Zokei” (12)The Making of “Oushi Zokei” (12)

Intriguing geometry – fine details !

Page 17: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Schematic of 2-Link TorusSchematic of 2-Link Torus

Small FDM (fused deposition model)

360°

Page 18: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Generalize to 3-Link TorusGeneralize to 3-Link Torus

Use a 3-blade “knife”

Page 19: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Generalize to 4-Link TorusGeneralize to 4-Link Torus

Use a 4-blade knife, square cross section

Page 20: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Generalize to 6-Link TorusGeneralize to 6-Link Torus

6 triangles forming a hexagonal cross section

Page 21: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Keizo Ushio’s Multi-LoopsKeizo Ushio’s Multi-Loops

If we change twist angle of the cutting knife, torus may not get split into separate rings.

180° 360° 540°

Page 22: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Cutting with a Multi-Blade KnifeCutting with a Multi-Blade Knife

Use a knife with b blades,

Rotate through t * 360°/b.

b = 2, t = 1; b = 3, t = 1; b = 3, t = 2.

Page 23: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Cutting with a Multi-Blade Knife ...Cutting with a Multi-Blade Knife ...

results in a(t, b)-torus link;

each component is a (t/g, b/g)-torus knot,

where g = GCD (t, b).

b = 4, t = 2 two double loops.

Page 24: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

II. Borromean Torus ?II. Borromean Torus ?

Another Challenge:

Can a torus be split in such a way that a Borromean link results ?

Can the geometry be chosen so that the three links can be moved to mutually orthogonal positions ?

Page 25: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

““Reverse Engineering”Reverse Engineering”

Make a Borromean Link from Play-Dough

Smash the Link into a toroidal shape.

Page 26: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Result: A Toroidal BraidResult: A Toroidal Braid

Three strands forming a circular braid

Page 27: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Cut-Profiles around the ToroidCut-Profiles around the Toroid

Page 28: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Splitting a Torus into Borromean RingsSplitting a Torus into Borromean Rings

Make sure the loops can be moved apart.

Page 29: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

A First (Approximate) ModelA First (Approximate) Model

Individual parts made on the FDM machine.

Remove support; try to assemble 2 parts.

Page 30: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Assembled Borromean TorusAssembled Borromean Torus

With some fine-tuning, the parts can be made to fit.

Page 31: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

A Better ModelA Better Model

Made on a Zcorporation 3D-Printer.

Define the cuts rather than the solid parts.

Page 32: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Separating the Three LoopsSeparating the Three Loops

A little widening of the gaps was needed ...

Page 33: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

The Open Borromean TorusThe Open Borromean Torus

Page 34: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

III. Focus on SPACE !III. Focus on SPACE !

Splitting a Torus for the sake of the resulting SPACE !

Page 35: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

““Trefoil-Torso” by Nat FriedmanTrefoil-Torso” by Nat Friedman

Nat Friedman:

“The voids in sculptures may be as important as the material.”

Page 36: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Detail of Detail of “Trefoil-Torso”“Trefoil-Torso”

Nat Friedman:

“The voids in sculptures may be as important as the material.”

Page 37: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

““Moebius Space” (SMoebius Space” (Sééquin, 2000)quin, 2000)

Page 38: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley
Page 39: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Keizo Ushio, 2004Keizo Ushio, 2004

Page 40: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Keizo’s “Fake” Split (2005)Keizo’s “Fake” Split (2005)

One solid piece ! -- Color can fool the eye !

Page 41: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Triply Twisted Moebius SpaceTriply Twisted Moebius Space

540°

Page 42: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Triply Twisted Moebius Space (2005)Triply Twisted Moebius Space (2005)

Page 43: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley
Page 44: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

IV. Splitting Other StuffIV. Splitting Other Stuff

What if we started with something What if we started with something more intricate than a torus ?more intricate than a torus ?

... and then split it.... and then split it.

Page 45: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Splitting Moebius BandsSplitting Moebius Bands

Keizo

Ushio

1990

Page 46: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Splitting Moebius BandsSplitting Moebius Bands

M.C.Escher FDM-model, thin FDM-model, thick

Page 47: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Splits of 1.5-Twist BandsSplits of 1.5-Twist Bandsby Keizo Ushioby Keizo Ushio

(1994) Bondi, 2001

Page 48: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Another Way to Split the Moebius BandAnother Way to Split the Moebius Band

Metal band available from Valett Design:[email protected]

Page 49: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Splitting KnotsSplitting Knots

Splitting a Moebius band comprising 3 half-twists results in a trefoil knot.

Page 50: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Splitting a TrefoilSplitting a Trefoil

This trefoil seems to have no “twist.”

However, the Frenet frame undergoes about 270° of torsional rotation.

When the tube is split 4 ways it stays connected, (forming a single strand that is 4 times longer).

Page 51: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Splitting a Trefoil into 3 StrandsSplitting a Trefoil into 3 Strands Trefoil with a triangular cross section

(Twist adjusted to close smoothly and maintain 3-fold symmetry).

Add a twist of ± 120° (break symmetry) to yield a single connected strand.

Page 52: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Splitting a Trefoil into 2 StrandsSplitting a Trefoil into 2 Strands Trefoil with a rectangular cross section

Maintaining 3-fold symmetry makes this a single-sided Moebius band.

Split results in double-length strand.

Page 53: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Split Moebius Trefoil (SSplit Moebius Trefoil (Sééquin, 2003)quin, 2003)

Page 54: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

““Infinite Duality” (SInfinite Duality” (Sééquin 2003)quin 2003)

Page 55: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Final ModelFinal Model

•Thicker beams•Wider gaps•Less slope

Page 56: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

““Knot Divided” by Team MinnesotaKnot Divided” by Team Minnesota

Page 57: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

What would happen What would happen if the original band were double-sided?if the original band were double-sided?

==> True split into two knots ! Probably tangled result

How tangled is it ?

How much can the 2 parts move ?

Explore these issues, and others ...

Page 58: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Splitting the Knot into 3 StrandsSplitting the Knot into 3 Strands

3-deep stack

Page 59: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Another 3-Way SplitAnother 3-Way Split

Parts are different, but maintain 3-fold symmetry

Page 60: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Split into 3 Congruent PartsSplit into 3 Congruent Parts

Change the twist of the configuration!

Parts no longer have C3 symmetry

Page 61: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Split Trefoil (closed)Split Trefoil (closed)

Page 62: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Split Trefoil (open)Split Trefoil (open)

Page 63: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Triple-Strand Trefoil (closed)Triple-Strand Trefoil (closed)

Page 64: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Triple-Strand Trefoil (opening up)Triple-Strand Trefoil (opening up)

Page 65: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Triple-Strand Trefoil (fully open)Triple-Strand Trefoil (fully open)

Page 66: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

How Much Wiggle Room ?How Much Wiggle Room ?

Take a simple trefoil knot

Split it lengthwise

See what happens ...

Page 67: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Trefoil StackTrefoil Stack

Page 68: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

An Iterated Trefoil-Path of TrefoilsAn Iterated Trefoil-Path of Trefoils

Page 69: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Linking Knots ...Linking Knots ...

Use knots as constructive building blocks !

Page 70: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Tetrahedral Trefoil Tangle (FDM)Tetrahedral Trefoil Tangle (FDM)

Page 71: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Tetra Trefoil TanglesTetra Trefoil Tangles

Simple linking (1) -- Complex linking (2)

Page 72: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Tetra Trefoil Tangle (2)Tetra Trefoil Tangle (2)

Complex linking -- two different views

Page 73: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Tetra Trefoil TangleTetra Trefoil Tangle

Complex linking (two views)

Page 74: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Octahedral Trefoil TangleOctahedral Trefoil Tangle

Page 75: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Octahedral Trefoil Tangle (1)Octahedral Trefoil Tangle (1)

Simplest linking

Page 76: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Platonic Trefoil TanglesPlatonic Trefoil Tangles

Take a Platonic polyhedron made from triangles,

Add a trefoil knot on every face,

Link with neighboring knots across shared edges.

Tetrahedron, Octahedron, ... done !

Page 77: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Arabic IcosahedronArabic Icosahedron

Page 78: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Icosahedral Trefoil TangleIcosahedral Trefoil Tangle

Simplest linking (type 1)

Page 79: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Icosahedral Icosahedral Trefoil Trefoil TangleTangle(Type 3)(Type 3)

Doubly linked with each neighbor

Page 80: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Arabic Icosahedron, UniGrafix, 1983Arabic Icosahedron, UniGrafix, 1983

Page 81: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Arabic IcosahedronArabic Icosahedron

Page 82: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Is It Math ?Is It Math ?Is It Art ?Is It Art ?

It is:

“KNOT-ART”

Page 83: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Space-filling SculpturesSpace-filling Sculptures

Can we pack knots so tightly

that they fill all of 3D space ?

First: Review of Space-Filling Curves

Page 84: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

The 2D Hilbert Curve (1891)The 2D Hilbert Curve (1891)A plane-filling Peano curve

Fall 1983: CS Graduate Course: “Creative Geometric Modeling”

Do This In 3 D !

Page 85: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Construction of the 2D Hilbert CurveConstruction of the 2D Hilbert Curve

112233

Page 86: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Construction of 3D Hilbert CurveConstruction of 3D Hilbert Curve

Page 87: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

““Hilbert” Curve in 3DHilbert” Curve in 3D

Start with Hamiltonian Path on Cube Edges

Page 88: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

““Hilbert_512_3D”Hilbert_512_3D”

Page 89: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

ProMetal Division of Ex One Company ProMetal Division of Ex One Company Headquarters in Irwin, Pennsylvania, USA.Headquarters in Irwin, Pennsylvania, USA.

Page 90: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Questions ?Questions ?

Page 91: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

SparesSpares

Page 92: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

V. Splitting GraphsV. Splitting Graphs

Take a graph with no loose ends

Split all edges of that graph

Reconnect them, so there are no junctions

Ideally, make this a single loop!

Page 93: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Splitting a JunctionSplitting a Junction

For every one of N arms of a junction,there will be a passage thru the junction.

Page 94: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Flipping Double LinksFlipping Double Links

To avoid breaking up into individual loops.

Page 95: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Splitting the Tetrahedron Edge-GraphSplitting the Tetrahedron Edge-Graph

4 Loops

3 Loops

1 Loop

Page 96: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

““Alter-Knot” by Bathsheba GrossmanAlter-Knot” by Bathsheba Grossman

Has some T-junctions

Page 97: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

Turn this into a pure ribbon configuration!Turn this into a pure ribbon configuration!

Some of the links had to be twisted.

Page 98: Valencia, November 2006 Artistic Geometry Carlo H. Séquin U.C. Berkeley

“ “Alter-Alterknot”Alter-Alterknot”

Inspired by Bathsheba Grossman

QUESTIONS ?