using art to influence the climate change narrative - by nor lastrina hamid
TRANSCRIPT
Using Art to Influence theClimate Change Narrative
Nor Lastrina Hamid for Post-Museum’s Climate Change Working Group
Why this topic?
I’ve always thought the climate change narrative in
Singapore has always been created and directed from a
top-down approach. Be it from Ministry of the
Environment and Water Resources
http://www.mewr.gov.sg/ Sustainable Singpaore
Blueprint http://www.mewr.gov.sg/ssb/ or National
Climate Change Secretariat https://www.nccs.gov.sg/
There are attempts for the climate change narrative to be
co-created by regular people like us through the NCCS
Video Competition
https://www.nccs.gov.sg/news/national-climate-change-competition
for example but that is pretty much it. The engagement
for people to feel they own this narrative stops short of
that.
And for me, for the longest time, that one-way interaction,
which is communicated through online texts,
infographics, videos, PDFs, talks and seminars pretty
much made me a I guess ‘serious’ observer of the
climate change narrative. And when I view things like
that, I become ‘serious’. So this is me. This is my
appearance and my face when I give presentations,
when I sit in as a participant. This is me when I am in
Singapore.
And for me, for the longest time, that one-way interaction,
which is communicated through online texts,
infographics, videos, PDFs, talks and seminars pretty
much made me a I guess ‘serious’ observer of the
climate change narrative. And when I view things like
that, I become ‘serious’. So this is me. This is my
appearance and my face when I give presentations,
when I sit in as a participant. This is me when I am in
Singapore.
And for me, for the longest time, that one-way interaction,
which is communicated through online texts,
infographics, videos, PDFs, talks and seminars pretty
much made me a I guess ‘serious’ observer of the
climate change narrative. And when I view things like
that, I become ‘serious’. So this is me. This is my
appearance and my face when I give presentations,
when I sit in as a participant. This is me when I am in
Singapore.
Me overseas, December 2015
To download and insert this 5 secs
video
https://www.flickr.com/photos/norlastrinahamid/23680245216/in/album-72157661741048301/
This is me when I am overseas. *Plays video* And I am
like this when I am outside of Singapore because I feel
the climate change narrative outside is much more
engaging and fun, it’s inspiring, and that yes, I can be
part of the climate solution.
What the warming world needs now is art, sweet artBill McKibben, Co-Founder of 350.org.
22 April 2005
http://grist.org/article/mckibben-imagine/
“But oddly, though we know about it, we don’t know about it. It hasn’t registered in our guts; it isn’t part of our culture. Where are the books? The poems? The plays? The goddamn operas?”
I started off my climate advocacy journey with 350
Singapore, which is the local chapter of the global 350
movement. 350.org is a global climate movement which
does online campaigns, grassroots organising, and
mass public actions in over 188 countries.
https://350.org/
This is what Bill McKibben said in 2005, before 350.org
was formed.
*reads and discuss what text means*
Let me bring you through a journey
2012
Yogyakarta,
Indonesia
Art Cafes
2014
Lima,
Peru
Overhaul Unused Spaces,
Chants, Street
Theatre
2013
Istanbul,
Turkey
Tea-House, Dance,
Music, Rally
2015
Paris,
France
Actions
2015
London,
United Kingdom
Street Art
So, let me bring you through a journey from 2012 to 2015 and share with you some
of these “sweet art” that I saw.
This is not to say that there is no art forms in Singapore which is used as a medium
to communicate climate change, environment, or sustainability issueas. There are
organisations and individuals doing this. I myself am not fully aware of everything that is going on, but if you’re interested do check out “Creative Responses to
Sustainability” as researched by Yasmine Ostendorf
http://asef.org/images/docs/Sustainability_SG_Guide_Web_151120.pdf She has interviewed individuals and organisations whose work interects the cultural space
and/or use art to talk about social and encironmental issues.
What I am sharing tonight is the kind of art that I feel is lacking in Singapore. The kind which plays with public spaces, the kind which involves the masses, the ones
which are not held indoors, not documentary screenings or art installations.
So, here, the journey begins.
Let me bring you through a journey
2012
Yogyakarta,
Indonesia
Art Cafes
2014
Lima,
Peru
Overhaul Unused Spaces,
Chants, Street
Theatre
2013
Istanbul,
Turkey
Tea-House, Dance,
Music, Rally
2015
Paris,
France
Actions
2015
London,
United Kingdom
Street Art
2012. Yogyakarta.
Background context: I was working for a friend and got the
opportunity to travel a bit in Indonesia in 2012.
“Kedai Kebun Forum is an alternative art space in
Yogyakarta, managed independently by artists and
consisting of a gallery, performance space, ‘HALTE’ – a
text learning media in art, bookstore and restaurant.”
http://kedaikebun.com/
Elements+ Learning and collaborating+ Social interaction+ Exhibit without feeling judged+ Inspirational platform
Let me bring you through a journey
2012
Yogyakarta,
Indonesia
Art Cafes
2014
Lima,
Peru
Overhaul Unused Spaces,
Chants, Street
Theatre
2013
Istanbul,
Turkey
Tea-House, Dance,
Music, Rally
2015
Paris,
France
Actions
2015
London,
United Kingdom
Street Art
2013. Istanbul, Turkey.
Tea-house space
Background context: Attending Global Power Shift. For that
week long event, our main venue was the University
space which hosted us.
Green space within a university was transformed to a
hangout place of sorts.
Crates to build a stage area- we used it for open-mic
session.
We had a tea-house where people left souvenirs and teas
from all over the world.
Art space behind Tea-House
There were painting areas where people could do their
own silk-screen printing on shirts.
The whole idea was to provide a space where people
could take time off from the event and hangout in this
informal space to connect with other people.
This 3:06 mins clip shows a bit of the Haka Dance performance from the Pacific Islands at Istanbul
Technical University, the march led by the Turkish Anti-Coal Movement at Kadikoy, and a bit of the party
at the boat ride along The Bosphorous.
To download and insert this 3:06 video
https://vimeo.com/69824035
This was my first exposure to a march.
Let me bring you through a journey
2012
Yogyakarta,
Indonesia
Art Cafes
2014
Lima,
Peru
Overhaul Unused Spaces,
Chants, Street
Theatre
2013
Istanbul,
Turkey
Tea-House, Dance,
Music, Rally
2015
Paris,
France
Actions
2015
London,
United Kingdom
Street Art
2014 Lima, Peru
The Convergence Space
Background context: I attended COP20.
Casa de Convergencia TierrActiva (a.k.a TierrActiva Convergence Space)is an
activist hub managed collectively by TierrActiva Peru and Bolivia with the support of Global Call for Climate Action. It is an independent, autonomous
space, collaboratively created by dozens of local and foreign activists and artists. The space is open and can be used for meetings, workshops,
presentations, discussions, making art, cultural events, and generally for bringing together and nurturing the movements for alternatives. You are
welcome to use it for your informal meetings, presentations, trainings etc.While financial support for the space came mostly from the GCCA. Oxfam and
CAN-LA have provided support for additional needs. Countless activists have supported with their creative energies and hard work.
We operate under a philosophy of system change, not climate change. Beyond TierrActiva, several collectives are centrally involved in creating the
space—including f.ex. the Arts and Culture Commission of the People’s Summit. TierrActiva Bolivia is running a “conscientious food” kitchen on the
spot.
The Convergence Space
Note: All kinds of people come to the space.
Builders, The Community, Street Artists.
Chants - “We are all Saweto” / “Todos somos Saweto”. 1:24 mins clip by Oxfam Peru
https://www.youtube.com/watch?v=EgV70z2G1W8
Download and insert this 1:24 mins clip
https://www.youtube.com/watch?v=EgV70z2G1W8
Fossil of the Day - COP20: Fossil of the Day, Day 11. 19:38 mins clip
https://www.youtube.com/watch?v=lUSA9_dgYp0 by Climate Tracker
To download and insert this 19:38 video
clip
https://www.youtube.com/watch?v=lUSA9_dgYp0
and play the first 6:20
This was the first time I saw street theatre and
how it can be used to engage people effectively.
Let me bring you through a journey
2012
Yogyakarta,
Indonesia
Art Cafes
2014
Lima,
Peru
Overhaul Unused Spaces,
Chants, Street
Theatre
2013
Istanbul,
Turkey
Tea-House, Dance,
Music, Rally
2015
Paris,
France
Actions
2015
London,
United Kingdom
Street Art
2015, Paris, France
Actions- Acts of Silence and Skits
Background context: I was attend COP21
Photo 1: Fast for the Climate. Faith leaders
and civil society leaders gather at a table
with empty plate sets.
Photo 2: Clowns going to the march - Literally
“green washing”
Photo 3: #D12 .. Play video.
Paris D12 Red Line march - 1:30 mins clip by 350.org https://www.youtube.com/watch?v=lSLc6JInfuI
To download and insert this 1:30 video
https://www.youtube.com/watch?v=lSLc6JInfuI
Let me bring you through a journey
2012
Yogyakarta,
Indonesia
Art Cafes
2014
Lima,
Peru
Overhaul Unused Spaces,
Chants, Street
Theatre
2013
Istanbul,
Turkey
Tea-House, Dance,
Music, Rally
2015
Paris,
France
Clowns
2015
London,
United Kingdom
Street Art
2015, London, UK
Street Art
Photo 1: Roa.Roa, a hugely talented Belgian street artist from Ghent, is renowned for his
giant black and white animal street art. Roa started off in the street art scene painting animals on abandoned buildings and warehouses in the
isolated industrial areas of his hometown. Today, Roa’s animals may be found slumbering on the sides of semi derilict buildings and peering out
from shop shutters in citiy streets all across the world from New York to
Berlin and Warsaw to Paris. “Graffiti is one of the most free art expressions of the world; you don’t do it for money nor for an institution, it’s free
expression and it liberates yourself creatively from a lot of restrictions.” http://streetartlondon.co.uk/artists/roa/
Photo 2: Jonesy.
Bronze castings on top of lamposts. More
http://www.shoreditchstreetarttours.co.uk/tag/jonesy/
Photo 3: *Forgot the name*Neon paint
How can we use art to influence the climate change narrative in Singapore?
What can we do engage the public and get them involved?
Art Cafes Overhaul Unused Spaces,
Chants, Street
Theatre
Tea-House, Dance,
Music, Rally
Actions Street Art
Resources to check out
Art.350.org http://art.350.org/
Projects, Resources, Videos, Artivist Network
Beautiful Trouble | A toolbox for revolution http://beautifultrouble.org/
Tactics, Principles, Theories, Case Studies, Practitioners
Creative Responses to Sustainability (Singapore Guide)
http://www.asef.org/images/docs/Sustainability_SG_Guide_Web_151120.pdf
Cultural initiatives engaging with social and environmental issues
Group ActivityGet moving :)
1. Think of a cause
Choose either 2 or 3
2. Think of how you can use a public space to promote your cause. Share
3. You have 3 mins to perform an act (Think: Dance, Chants, Movements). Share
Six Tools for Climate Change Art by Franke James
Elements to think about for group activity
Source:
http://www.frankejames.com/6-tools-to-make-world-leaders-see-the-big-picture/
1. Symbols- How to show climate change
2. Metaphors- Make things stick
3. Witness- Help the viewers see
4. Cultural change- Who are we?
5. Human nature- Touch a nerve
6. Action- Do something green
Group Sharing
Closing Activity
The Fan Dance -Gail Lotenberg, LINK Foundation. 8:58 mins clip
https://www.youtube.com/watch?v=MygafRWpq_8&feature=youtu.be
Download and insert this 8:58 min clip
https://www.youtube.com/watch?v=MygafRWpq_8&feature=youtu.be
Thank you.