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Page 1: USC Cinematic Arts | Home · 2011. 2. 8. · From the outset, Jean Rouch combined tech- nological innovation with ethnography. Yet in even his pre-ethnographic period in Niger, he

Page 2: USC Cinematic Arts | Home · 2011. 2. 8. · From the outset, Jean Rouch combined tech- nological innovation with ethnography. Yet in even his pre-ethnographic period in Niger, he

Page 3: USC Cinematic Arts | Home · 2011. 2. 8. · From the outset, Jean Rouch combined tech- nological innovation with ethnography. Yet in even his pre-ethnographic period in Niger, he

Page 4: USC Cinematic Arts | Home · 2011. 2. 8. · From the outset, Jean Rouch combined tech- nological innovation with ethnography. Yet in even his pre-ethnographic period in Niger, he

Page 5: USC Cinematic Arts | Home · 2011. 2. 8. · From the outset, Jean Rouch combined tech- nological innovation with ethnography. Yet in even his pre-ethnographic period in Niger, he

Page 6: USC Cinematic Arts | Home · 2011. 2. 8. · From the outset, Jean Rouch combined tech- nological innovation with ethnography. Yet in even his pre-ethnographic period in Niger, he

Page 7: USC Cinematic Arts | Home · 2011. 2. 8. · From the outset, Jean Rouch combined tech- nological innovation with ethnography. Yet in even his pre-ethnographic period in Niger, he

Page 8: USC Cinematic Arts | Home · 2011. 2. 8. · From the outset, Jean Rouch combined tech- nological innovation with ethnography. Yet in even his pre-ethnographic period in Niger, he

Page 9: USC Cinematic Arts | Home · 2011. 2. 8. · From the outset, Jean Rouch combined tech- nological innovation with ethnography. Yet in even his pre-ethnographic period in Niger, he

Page 10: USC Cinematic Arts | Home · 2011. 2. 8. · From the outset, Jean Rouch combined tech- nological innovation with ethnography. Yet in even his pre-ethnographic period in Niger, he

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