university of seoul, architectural review 2010

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CONTENTS GRADUATION WORK(DESIGN THESIS) 12 WALK STATION KO, JUNG HWAN 22 M - PARK KIM, HYUNG TAE 32 3S + G = REGENERATION PARK, DONG CHOUL 42 MEMORY OF BOUNDARY JANG, SEONG DO 52 AQUATHEAUE MOON, IN SEOK 62 FLATPORT CHUNG, BYUNG KYU 72 RE-ROAD PARK, DU RI 82 FASTEN YOUR CITY BELT SI, EUI MI 92 MUTORY[MIXED MUSEUM & FACTORY] YOO, EUN A 102 ANIMATE THE WALL LEE, HEE WON 112 500 +100โ‰ 600 CHOUNG, YONG SU 122 HEAL YOUR IDNTITY KIM, HYOUK KU 132 SONGDO INTERNATIONAL PORT TERMINAL BAEK, JONG YEOB 142 COHOUSING KIM, YOU NA 152 MIND THE GAP JEONG, EUN JU 6 ํ•™๊ณผ์†Œ๊ฐœ 9 INTRODUCTION 162 DOCKING PLATFORM SON, KYUNG MIN 172 FLOATING IN SPACE C - URBAN RE+GENERATION YOON, BYEONG DAHM 182 AUTO MECHANICS SCHOOL CUSTOMER SUPPORT CENTER YOON, JIN YOUNG 192 OPEN YOUR MIND YUN, SUK HYUN 202 OPINION THEATER PARK, EUN JOO 212 WALKING THE BOUNDARY CHO, HAN SONG 222 LET ME INTRODUCE MYSELF JOO, JEONG MIN 232 ZERO COMMUNITY SHIM, CHANG KYOUNG 242 MULTI-FUNCTIONALITY SHIN, DONG KWAN 252 HAVE A TWIST : CINEMATHEQUE IN CHUNGMURO AHN, SUNG CHUL 262 THE SEVEN KIM, SUN WOO ARCHITECTURAL DESIGN STUDIO 4-1 276 BREAK THE BOUNDARY HWANG, JI YONG 280 SUSTAINABILITY YANG, JEONG WON 284 A SPACE FROM; JO, JEONG JIN 288 SUSTAINABILITY MOON, SHIN HONG 292 ECLIPSE LEE, JAE WOONG 296 SUSTAINABILITY BAEK, SOO JIN ARCHITECTURAL DESIGN STUDIO 3-1 302 BUKCHON ARCHIVE KIM, SOO HEE 306 ๋ถ์ดŒ๊ด€๊ด‘์•ˆ๋‚ด์†Œ HAN, YU RIM 310 A WALL IS TEARD DOWN BY STAIRS BAIK, DONG IL 314 ์‹œ๊ฐ„์˜ ์ ์ธต LEE, KYUNG HA 318 ๊ณต์œ  ๅ…ฑๆœ‰ JIN, JEONG WAN 322 RENOVATION PARK, JEONG EUN 326 ๋ถ์ดŒ๊ด€๊ด‘์•ˆ๋‚ด์†Œ SUN, JIN WOO 330 BUCHON VISUAL EXHIBITION & INFOMATION CENTER MOON, HONG GYUN 334 ๋ถ์ดŒ ํŠน๋ณ„ํ•œ ์ผ์ƒ ๊ฑด์ถ• KIM, HWAN 338 LIFT UP LEE, WOO JOE 342 PATH MAKES SPACE, SOLID IS FORCED BY PATH KIM, JU TAE 346 BREATHING LEE, KYUNG HA 350 ๊ต๊ฐํ•˜๋‹ค KIM, JI HOON 354 FALLING IN WATER, FALLING IN BUKCHON, KOREA YOON, HONG DOO 358 CLOUD SUN, JIN WOO 362 ๋ถ์ดŒ์˜ ํŠน๋ณ„ํ•œ ์ผ์ƒ ๊ฑด์ถ• KIM, HAE NA ARCHITECTURAL DESIGN STUDIO 2-1 368 SMALL GALLERY YOUN, SO HEE 370 SMALL GALLERY KIM, TAE HWAN 372 SMALL GALLERY HONG, SANG WON 374 SMALL GALLERY YOON, HWI CHI 376 SMALL GALLERY GWAK, YE JIN 378 SMALL GALLERY AHN, HONG SEOB 380 SMALL GALLERY LIM, HWA RYONE 382 WORK IN THE SITE YOUN, SO HEE 384 WORK IN THE SITE KIM, JUNG TAE 386 WORK IN THE SITE LEE, KYEONG HO 388 WORK IN THE SITE HONG, SANG WON 390 WORK IN THE SITE LEE, HYUN SUK 392 WORK IN THE SITE PARK, SANG HEE 394 WORK IN THE SITE KO, KWANG YOUNG 396 WORK IN THE SITE AHN, HONG SEOB 398 WORK IN THE SITE YU, JI HYUN ARCHITECTURAL DESIGN STUDIO 1-1 402 OBSERVATION AND DESCRIPTION CHOL, KYUNG IL 404 OBSERVATION AND DESCRIPTION CHOI, HYUN JIN 406 OBSERVATION AND DESCRIPTION LEE, SUE JIN 408 OBSERVATION AND DESCRIPTION KANG, SOL BI 410 FROM 2D TO 3D SEO, HYUN MIN 412 FROM 2D TO 3D JOO, YEONG CHAN 414 FROM 2D TO 3D CHO, A RAN 416 FROM 2D TO 3D KANG, SOL BI 418 FROM 2D TO 3D CHOI, JUN HO 420 BODY & SCALE SEO, HYUN MIN 422 BODY & SCALE MIN, BYEONG MUN 424 BODY & SCALE LEE, TAE LIM 426 BODY & SCALE KIM, YOUNG HYUN 428 BODY & SCALE KIM, MIN KYU 2010 COMPETITION PRIZE 432 ์ œ29ํšŒ ๋Œ€ํ•œ๋ฏผ๊ตญ ๊ฑด์ถ•๋Œ€์ „ ๋ฐ•๋™์ฒ , ๋ฐ•์€์ฃผ, ์ดํฌ์›, ์ •์€์ฃผ, ์ •์šฉ์ˆ˜ ์†๊ฒฝ๋ฏผ, ๋ฌธ์ธ์„, ์‹œ์˜๋ฏธ, ๊น€์œ ๋‚˜, ๊น€ํ˜•์ผ 435 ๋Œ€ํ•œ๊ฑด์ถ•ํ•™ํšŒ2010 ํ•™์ƒ์ž‘ํ’ˆ์ „ ์œค๋ณ‘๋‹ด, ๊น€ํ•œ๊ฒฐ 436 ์ œ7ํšŒ ์ธ์ฒœํ•™์ƒ๊ณต๋ชจ์ „ ์ •๋ณ‘๊ทœ 436 2010 ํ•œ๊ตญ๊ฑด์ถ•๋ฌธํ™”๋Œ€์ƒ ์‹ฌ์ฐฝ๊ฒฝ 437 ์ œ2ํšŒ2010 ํ‘ธ๋ฅด์ง€์˜ค ๋””์ž์ธ๊ณต๋ชจ์ „ ์ •์šฉ์ˆ˜, ์„œ๊ฐ€์˜ 347 ์ œ7ํšŒ ๋„์ฝ”๋ชจ๋ชจ์ฝ”๋ฆฌ์•„ ๋””์ž์ธ๊ณต๋ชจ์ „ ๊น€ํ˜๊ทœ 438 ์ œ13ํšŒ ๊ฐ•๊ตฌ์กฐ ๊ฑด์ถ•์„ค๊ณ„๊ณต๋ชจ์ „ ๊น€์žฌ๋ฒ”, ๋ฐฑ์ข…์—ฝ, ๊น€์œ ๋‚˜, ์˜ค๋ฏผํ˜„, ํ™ฉ์ง€์šฉ 439 2010 ๋ž˜๋ฏธ์•ˆ๋””์ž์ธํŽ˜์–ด ๊น€ํ˜•์ผ, ์†๊ฒฝ๋ฏผ

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University of Seoul, Architectural Review 2010

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Page 1: University of Seoul, Architectural Review 2010

CONTENTS

GRADUATION WORK(DESIGN THESIS)

12 WALK STATIONKO, JUNG HWAN

22 M - PARKKIM, HYUNG TAE

32 3S + G = REGENERATIONPARK, DONG CHOUL

42 MEMORY OF BOUNDARYJANG, SEONG DO

52 AQUATHEAUEMOON, IN SEOK

62 FLATPORTCHUNG, BYUNG KYU

72 RE-ROADPARK, DU RI

82 FASTEN YOUR CITY BELTSI, EUI MI

92 MUTORY[MIXED MUSEUM & FACTORY]YOO, EUN A

102 ANIMATE THE WALLLEE, HEE WON

112 500 + 100โ‰  600CHOUNG, YONG SU

122 HEAL YOUR IDNTITYKIM, HYOUK KU

132 SONGDO INTERNATIONAL PORT TERMINALBAEK, JONG YEOB

142 COHOUSINGKIM, YOU NA

152 MIND THE GAPJEONG, EUN JU

6 ํ•™๊ณผ์†Œ๊ฐœ

9 INTRODUCTION

162 DOCKING PLATFORMSON, KYUNG MIN

172 FLOATING IN SPACE C- URBAN RE+GENERATIONYOON, BYEONG DAHM

182 AUTO MECHANICS SCHOOLCUSTOMER SUPPORT CENTERYOON, JIN YOUNG

192 OPEN YOUR MINDYUN, SUK HYUN

202 OPINION THEATERPARK, EUN JOO

212 WALKING THE BOUNDARYCHO, HAN SONG

222 LET ME INTRODUCE MYSELFJOO, JEONG MIN

232 ZERO COMMUNITYSHIM, CHANG KYOUNG

242 MULTI-FUNCTIONALITYSHIN, DONG KWAN

252 HAVE A TWIST: CINEMATHEQUE IN CHUNGMUROAHN, SUNG CHUL

262 THE SEVENKIM, SUN WOO

ARCHITECTURAL DESIGN STUDIO 4-1

276 BREAK THE BOUNDARYHWANG, JI YONG

280 SUSTAINABILITYYANG, JEONG WON

284 A SPACE FROM;JO, JEONG JIN

288 SUSTAINABILITYMOON, SHIN HONG

292 ECLIPSELEE, JAE WOONG

296 SUSTAINABILITYBAEK, SOO JIN

ARCHITECTURAL DESIGN STUDIO 3-1

302 BUKCHON ARCHIVEKIM, SOO HEE

306 ๋ถ์ดŒ๊ด€๊ด‘์•ˆ๋‚ด์†ŒHAN, YU RIM

310 A WALL IS TEARD DOWN BY STAIRSBAIK, DONG IL

314 ์‹œ๊ฐ„์˜์ ์ธตLEE, KYUNG HA

318 ๊ณต์œ ๅ…ฑๆœ‰JIN, JEONG WAN

322 RENOVATIONPARK, JEONG EUN

326 ๋ถ์ดŒ๊ด€๊ด‘์•ˆ๋‚ด์†ŒSUN, JIN WOO

330 BUCHON VISUAL EXHIBITION & INFOMATION CENTERMOON, HONG GYUN

334 ๋ถ์ดŒํŠน๋ณ„ํ•œ์ผ์ƒ๊ฑด์ถ•KIM, HWAN

338 LIFT UPLEE, WOO JOE

342 PATH MAKES SPACE, SOLID IS FORCED BY PATHKIM, JU TAE

346 BREATHINGLEE, KYUNG HA

350 ๊ต๊ฐํ•˜๋‹คKIM, JI HOON

354 FALLING IN WATER, FALLING IN BUKCHON, KOREAYOON, HONG DOO

358 CLOUDSUN, JIN WOO

362 ๋ถ์ดŒ์˜ํŠน๋ณ„ํ•œ์ผ์ƒ๊ฑด์ถ•KIM, HAE NA

ARCHITECTURAL DESIGN STUDIO 2-1

368 SMALL GALLERYYOUN, SO HEE

370 SMALL GALLERYKIM, TAE HWAN

372 SMALL GALLERYHONG, SANG WON

374 SMALL GALLERYYOON, HWI CHI

376 SMALL GALLERYGWAK, YE JIN

378 SMALL GALLERYAHN, HONG SEOB

380 SMALL GALLERYLIM, HWA RYONE

382 WORK IN THE SITEYOUN, SO HEE

384 WORK IN THE SITEKIM, JUNG TAE

386 WORK IN THE SITELEE, KYEONG HO

388 WORK IN THE SITEHONG, SANG WON

390 WORK IN THE SITELEE, HYUN SUK

392 WORK IN THE SITEPARK, SANG HEE

394 WORK IN THE SITEKO, KWANG YOUNG

396 WORK IN THE SITEAHN, HONG SEOB

398 WORK IN THE SITEYU, JI HYUN

ARCHITECTURAL DESIGN STUDIO 1-1

402 OBSERVATION AND DESCRIPTIONCHOL, KYUNG IL

404 OBSERVATION AND DESCRIPTIONCHOI, HYUN JIN

406 OBSERVATION AND DESCRIPTIONLEE, SUE JIN

408 OBSERVATION AND DESCRIPTIONKANG, SOL BI

410 FROM 2D TO 3DSEO, HYUN MIN

412 FROM 2D TO 3DJOO, YEONG CHAN

414 FROM 2D TO 3DCHO, A RAN

416 FROM 2D TO 3DKANG, SOL BI

418 FROM 2D TO 3DCHOI, JUN HO

420 BODY & SCALESEO, HYUN MIN

422 BODY & SCALEMIN, BYEONG MUN

424 BODY & SCALELEE, TAE LIM

426 BODY & SCALEKIM, YOUNG HYUN

428 BODY & SCALEKIM, MIN KYU

2010 COMPETITION PRIZE

432 ์ œ29ํšŒ๋Œ€ํ•œ๋ฏผ๊ตญ๊ฑด์ถ•๋Œ€์ „๋ฐ•๋™์ฒ , ๋ฐ•์€์ฃผ, ์ดํฌ์›, ์ •์€์ฃผ, ์ •์šฉ์ˆ˜์†๊ฒฝ๋ฏผ, ๋ฌธ์ธ์„, ์‹œ์˜๋ฏธ, ๊น€์œ ๋‚˜, ๊น€ํ˜•์ผ

435 ๋Œ€ํ•œ๊ฑด์ถ•ํ•™ํšŒ 2010 ํ•™์ƒ์ž‘ํ’ˆ์ „์œค๋ณ‘๋‹ด, ๊น€ํ•œ๊ฒฐ

436 ์ œ7ํšŒ์ธ์ฒœํ•™์ƒ๊ณต๋ชจ์ „์ •๋ณ‘๊ทœ

436 2010 ํ•œ๊ตญ๊ฑด์ถ•๋ฌธํ™”๋Œ€์ƒ์‹ฌ์ฐฝ๊ฒฝ

437 ์ œ2ํšŒ 2010 ํ‘ธ๋ฅด์ง€์˜ค๋””์ž์ธ๊ณต๋ชจ์ „์ •์šฉ์ˆ˜, ์„œ๊ฐ€

347 ์ œ7ํšŒ๋„์ฝ”๋ชจ๋ชจ์ฝ”๋ฆฌ์•„๋””์ž์ธ๊ณต๋ชจ์ „๊น€ํ˜๊ทœ

438 ์ œ13ํšŒ๊ฐ•๊ตฌ์กฐ๊ฑด์ถ•์„ค๊ณ„๊ณต๋ชจ์ „๊น€์žฌ๋ฒ”, ๋ฐฑ์ข…์—ฝ, ๊น€์œ ๋‚˜, ์˜ค๋ฏผํ˜„, ํ™ฉ์ง€์šฉ

439 2010 ๋ž˜๋ฏธ์•ˆ๋””์ž์ธํŽ˜์–ด๊น€ํ˜•์ผ, ์†๊ฒฝ๋ฏผ

Page 2: University of Seoul, Architectural Review 2010

INTRODUCTION 7

ํ•™๊ณผ์†Œ๊ฐœ

์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต

์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต๋Š” ๋„์‹œ์—ฐ๊ตฌ์™€ ๊ด€๋ จ๋œ ๊ธฐ์ดˆํ•™๋ฌธ๊ณผ ์ •์ฑ…์—ฐ๊ตฌ์˜ ์ค‘์‹œ์ง€๋กœ์„œ ์„œ์šธ์‹œ์ •๋ถ€์˜ ์ฃผ์š” ๋ชฉํ‘œ๋ฅผ ๊ฒฐ์ •ํ•˜๊ณ  ์ง€์›ํ•˜๋Š” ๋ฐ ์‹ฑํฌ-ํƒฑํฌ ์—ญํ• ์„ ์ˆ˜ํ–‰ํ•˜๊ณ  ์žˆ๋‹ค. 1990๋…„๋Œ€ ์ดํ›„ ์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต๋Š” ๋„์‹œ๊ณผํ•™์„ ์ง‘์ค‘ ์œก์„ฑํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ์œผ๋ฉฐ, ๋„์‹œ์™€ ๋„์‹œ๋ฌธ๋ช…์˜ ๋ชจ๋“  ๋ฌธ์ œ๋ฅผ ๋‹ค๋ฃจ๋Š” ์„ธ๊ณ„์ตœ๊ณ ์˜ ๋Œ€ํ•™์œผ๋กœ ๋งŒ๋“ค๊ธฐ ์œ„ํ•œ ์žฅ๋‹จ๊ธฐ ๊ณ„ํš์„ ์ˆ˜๋ฆฝํ•ด์™”๋‹ค. ์ด๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต๋Š” ์„œ์šธ์‹œ์ •๋ถ€๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์ค‘์•™์ •๋ถ€์™€ ๋ฏผ๊ฐ„์—์„œ๋„ ๋งŽ์€ ์ง€์›์„ ์ด๋Œ์–ด๋ƒˆ๊ณ  2003๋…„ ์ด๋ž˜๋กœ๊ต์œก์ธ์ ์ž์›๋ถ€๋กœ๋ถ€ํ„ฐ๋„์‹œ๊ณผํ•™๋ถ„์•ผํŠน์„ฑํ™”์šฐ์ˆ˜๋Œ€ํ•™์œผ๋กœ์ง€์ •๋˜์—ˆ๋‹ค.์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต๋Š” ๊ฑด์ถ•, ๋””์ž์ธ, ๋„์‹œ์—ฐ๊ตฌ, ํ™˜๊ฒฝ๊ณตํ•™๊ณผ ์‹œ์ • ๋ถ„์•ผ์˜ ์—ฐ๊ตฌ์™€ ์ •์ฑ…, ์‹ค์ฒœ๊ณผ ๊ต์œก์„ ํ†ตํ•ฉํ•˜๋Š” ๋‹ค์–‘ํ•˜๊ณ ์ „๋ฌธ์ ์ธ ํ”„๋กœ๊ทธ๋žจ์„ ๊ฐ–์ถ”๊ณ  ์žˆ๋‹ค. ๊ฑด์ถ•ํ•™๋ถ€๋Š” ๋„์‹œํŠน์„ฑํ™” ์‚ฌ์—…๊ณผ ๋Œ€ํ•™ ์ „์ฒด์˜ ํฌ๊ด„์ ์ธ ๋ชฉํ‘œ๋ฅผ ์ด๋„๋Š” ๋ฆฌ๋”์ด์ž๊ทธ ์ˆ˜ํ˜œ์ž์ด๋‹ค. ์ด๋Ÿฐ ๋ชฉํ‘œ์™€ ํŠน์„ฑํ™”์‚ฌ์—…์ด ์„œ์šธ๊ณผ ์•„์‹œ์•„ ์ง€์—ญ์˜ ๋„์‹œ๋ฌธ์ œ์— ์ง‘์ค‘ํ•˜๊ธฐ๋Š” ํ•˜์ง€๋งŒ, ์ง€์—ญ์ ์ธ ๋ฌธ์ œ์—๊ตญํ•œ๋œ ๊ฒƒ์€ ์•„๋‹ˆ๋‹ค. ์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต๋Š” ์•„์นด๋ฐ๋ฏธ์™€ ์‹ค๋ฌด ์—ญ ์‚ฌ์ด, ์‹คํ—˜์ ์ธ ํƒœ๋„์™€ ํ˜„์‹ค์ ์ธ ๋ฌธ์ œํ•ด๊ฒฐ ์‚ฌ์ด์˜ ๊ท ํ˜•์„ ์ผ๊ด€๋˜๊ฒŒ ์œ ์ง€ํ•ด์™”๋‹ค. ๋Œ€ํ•œ๋ฏผ๊ตญ์˜ ์ค‘์‹ฌ ๋Œ€๋„์‹œ์ด์ž ์—ญ์‚ฌ๋„์‹œ๋ผ๋Š” ์„œ์šธ๊ณผ ํ•จ๊ป˜ ์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต์˜ ๊ต์œก๋ชฉํ‘œ๋Š”ํญ๋„“์€ํ•™๋ฌธ ์—ญ๊ณผ๋›ฐ์–ด๋‚œ์ฐฝ์˜๋ ฅ์„ํฌ์šฉํ•œ๋‹ค.

๊ฑด์ถ•ํ•™๋ถ€ ๊ฑด์ถ•ํ•™์ „๊ณต

๊ฑด์ถ•ํ•™ ํ”„๋กœ๊ทธ๋žจ์€ 1975๋…„์— ๊ณต๊ณผ๋Œ€ํ•™ ๊ฑด์ถ•๊ณตํ•™๊ณผ๋กœ ์‹œ์ž‘๋˜์—ˆ์œผ๋‚˜ ์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต์˜ ๋ฐœ์ „๋ฐฉํ–ฅ์— ๋ถ€์‘ํ•˜๊ธฐ ์œ„ํ•œ๋Œ€ํ•™๊ต ์กฐ์ง๊ฐœํŽธ ์‹œ ๋„์‹œ๊ณผํ•™ ๋Œ€ํ•™์— ์†Œ์†๋˜์—ˆ๋‹ค. ๊ทธ ํ›„ ๊ฑด์ถ•, ๋„์‹œ, ์กฐ๊ฒฝ, ๊ตํ†ต์„ ๋ฌถ์–ด ๊ฑด์ถ•๋„์‹œ์กฐ๊ฒฝํ•™๋ถ€๋กœ ๊ฐœํŽธ๋˜์—ˆ๊ณ , 1996๋…„๊ฑด์ถ•๊ณตํ•™๊ณผ๊ฐ€๊ฑด์ถ•ํ•™์ „๊ณต๊ณผ๊ฑด์ถ•๊ณตํ•™์ „๊ณต์œผ๋กœ๋ถ„๋ฆฌ๋˜๋ฉด์„œ์ด๋‘์ „๊ณต์„๋ฌถ์–ด๊ฑด์ถ•ํ•™๋ถ€๋กœ์žฌํŽธ๋˜์—ˆ๋‹ค.์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต๊ฑด์ถ•ํ•™๋ถ€๊ฑด์ถ•ํ•™์ „๊ณต์€๋‹ค์Œ๊ณผ๊ฐ™์€๋น„๊ต์šฐ์œ„๊ฐ€์žˆ๋‹ค.์ฒซ์งธ, ํ•™์ƒ์ˆ˜๋Œ€๋น„๊ต์ˆ˜๋น„์œจ์—์„œ์ „๊ตญ์ตœ์ƒ์œ„๊ทธ๋ฃน์ด๋ฉฐ์šฐ์ˆ˜ํ•œ์‹ค์ ๊ณผํ•™๋ ฅ์„๊ฐ–์ถ˜๊ต์ˆ˜์ง„์ด๋‹ค.๋‘˜์งธ, ์„œ์šธ์‹œ์žฌ์ •์ง€์›์—๋”ฐ๋ผ์ถฉ๋ถ„ํ•œ์„ค๊ณ„์ŠคํŠœ๋””์˜ค์‹œ์„ค๋ฐ๊ธฐ์ž์žฌ๋ฅผ๊ฐ–์ถ”๊ณ ์žˆ๋‹ค.์…‹์งธ, ๊ต์œกํ”„๋กœ๊ทธ๋žจ์ดํƒ์›”ํ•˜๊ณ ๊ตญ์ œ๊ต๋ฅ˜๊ฐ€ํ™œ๋ฐœํ•˜๊ฒŒ์ง„ํ–‰๋˜๊ณ ์žˆ๋‹ค.๋„ท์งธ, ๊ตญ๋‚ด์ตœ์ดˆ๋กœ๊ตญ์ œ๊ฑด์ถ•ํ•™์ธ์ฆ์„ํš๋“ํ•˜ ๋‹ค.๋‹ค์„ฏ์งธ, ์กธ์—…์ƒ๋“ค์ด์„ค๊ณ„์‚ฌ๋ฌด์†Œ, ๊ฑด์„ค์‚ฌ, ์—ฐ๊ตฌ์›, ๊ณต๋ฌด์›๋“ฑ์œผ๋กœ์ง„์ถœํ•˜์—ฌํ™œ๋ฐœํ•˜๊ฒŒํ™œ๋™ํ•˜๊ณ ์žˆ๋‹ค.

๊ฑด์ถ•ํ•™ ํ”„๋กœ๊ทธ๋žจ์˜ ๊ต์œก๋ชฉํ‘œ

์‹ค๋ฌด ๊ฑด์ถ•๊ฐ€๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๋‹ค์–‘ํ•œ ๊ฑด์ถ• ๋ถ„์•ผ์˜ ์ „๋ฌธ๊ฐ€๋ฅผ ์–‘์„ฑํ•˜๊ธฐ ์œ„ํ•ด ๋†’์€ ์ˆ˜์ค€์˜ ๊ต์œก ํ”„๋กœ๊ทธ๋žจ์„ ์„ค๋ฆฝํ•˜ ๋‹ค.๊ฑด์ถ•ํ•™ ํ”„๋กœ๊ทธ๋žจ์€ ์„œ์šธ์‹œ์— ์˜ํ•ด ์„ค๋ฆฝ๋˜๊ณ  ์šด ๋˜๋Š” ๊ณต๊ณต ๊ต์œก๊ธฐ๊ด€์ด๋ผ๋Š” ํŠน์„ฑ์„ ๊ธฐ๋ฐ˜์œผ๋กœ ๊ณ ์œ ์˜ ์ •์ฒด์„ฑ์„ ๊ตฌ์ฒด์ ์œผ๋กœ๊ต์œก๊ณผ์ •์—์‹คํ˜„ํ•˜๊ธฐ์œ„ํ•ด๋…ธ๋ ฅํ•ด์™”๋‹ค. ๊ฑด์ถ•ํ•™์ „๊ณต์˜๊ต์œก๋ชฉํ‘œ๋Š”๋‹ค์Œ๊ณผ๊ฐ™๋‹ค.

1) ๋Œ€๋„์‹œ๊ฑด์ถ•์„์ด๋„๋Š”๊ฑด์ถ•๊ฐ€๋””์ž์ธ ์ŠคํŠœ๋””์˜ค, ๊ฐ•์—ฐ ์‹œ๋ฆฌ์ฆˆ, ํŠน๋ณ„ ํ”„๋กœ๊ทธ๋žจ, ๊ต์ˆ˜์ง„์˜ ์—ฐ๊ตฌ๋ฅผ ํ†ตํ•ด, ๊ฑด์ถ•ํ•™๋ถ€๋Š” ๋„์‹œ ๊ณต๋™์ฒด์™€ ๊ณต๊ณต์˜ ๊ฐ€์น˜์— ๋Œ€ํ•œ ๊ฑด์ถ•๊ฐ€์˜ ์ฑ…์ž„์„ ๊ฐ•์กฐํ•˜๋Š” ๊ต์œก ํ™˜๊ฒฝ์„ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด ๋…ธ๋ ฅํ•˜๊ณ  ์žˆ๋‹ค. ์ด๋ก ๊ณผ ์‹ค์ฒœ์˜ ํ†ตํ•ฉ์„ ์ง€ํ–ฅํ•˜๋Š” ์ปค๋ฆฌํ˜๋Ÿผ์€์„œ์šธ, ์•„์‹œ์•„, ์„ธ๊ณ„๋Œ€๋„์‹œ์˜์—ญ๋™์„ฑ๊ณผ๋ณตํ•ฉ์„ฑ์—๋Œ€์‘ํ•ด, ์ธ๋ฌธํ•™๊ณผ์‚ฌํšŒ๊ณผํ•™, ๋žœ๋“œ์Šค์ผ€์ดํ”„๋””์ž์ธ๊ณผ๋„์‹œ๊ณ„ํš๋ถ„์•ผ์˜ ๋‹ค์–‘ํ•œ ๊ต๊ณผ๋ชฉ์„ ์•„์šฐ๋ฅธ๋‹ค. ๋Œ€๋„์‹œ ์„œ์šธ์˜ ๋ณต์žกํ•œ ๊ณผ์ œ๋ฅผ ์ˆ˜ํ–‰ํ•˜๋Š” ์—ฐ๊ตฌํ™œ๋™์˜ ์ง€์›์„ ๋ฐ›๋Š” ๊ฑด์ถ•ํ•™๋ถ€ ํ”„๋กœ๊ทธ๋žจ์€ ๊ฑด์ถ•ํ•™์ „๊ณต ํ•™์ƒ๋“ค์˜ ๊ฒฝ๋ ฅ๊ณผ ์ง„๋กœ๋ฅผ ํ™•์žฅ์‹œํ‚ค๋Š” ํฌ๊ด„์ ์ธ ๊ต์œก๋ชฉํ‘œ์— ๋ถ€ํ•ฉํ•œ๋‹ค. ์„ค๋ฆฝ ์ด๋ž˜ ๊ตณ๊ฑดํ•˜๊ฒŒ ๋‚ด๋ ค์˜ค๋Š” ํ•™๊ณผ์˜ ์ „ํ†ต์— ๋”ฐ๋ผ, ๊ฑด์ถ•ํ•™์ „๊ณต ํ”„๋กœ๊ทธ๋žจ์€ ํ•™์ƒ๋“ค์„ ๊ฐœ๋ณ„ ๊ฑด์ถ•๊ฐ€๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๋„์‹œ ๊ณต๋™์ฒด์— ๊ธฐ์—ฌํ•  ๊ณต๊ณต๋ถ€๋ฌธ์˜์ฃผ์—ญ์„ํ‚ค์›Œ๋‚ด๋Š”๋ฐ์ „๋ ฅ์„๊ธฐ์šธ์ด๊ณ ์žˆ๋‹ค.

2) ๋กœ๋ฒŒ์•„์‹œ์•„์˜๋ฆฌ๋”์„œ์šธ๊ณผ ์•„์‹œ์•„์˜ ์ฃผ์š” ๋„์‹œ๊ฐ€ ์„ธ๊ณ„์˜ ์ƒˆ๋กœ์šด ์ค‘์‹ฌ์ง€๋กœ์„œ ๋ถ€์ƒํ•˜๋Š” ๊ฒƒ์— ๋ฐœ๋งž์ถ”์–ด, ์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต ๊ฑด์ถ•ํ•™์ „๊ณต์€๊ตญ๋‚ด์—์„œ ๊ฑด์ถ• ๊ต์œก์˜ ๊ตญ์ œ์  ํ™˜๊ฒฝ์„ ์ œ๊ณตํ•˜๋Š” ์„ ๋‘์ฃผ์ž๋กœ ๊ธ‰๊ฒฉํžˆ ๋– ์˜ค๋ฅด๊ณ  ์žˆ๋‹ค. ๊ฑด์ถ•๊ฐ€๋Š” ๊ตญ์ œ์  ๋ฌด๋Œ€๋ฅผ ์ดํ•ดํ•˜๊ณ  ์ด ์†์—์„œ ์ผํ•  ์ˆ˜ ์žˆ์–ด์•ผ๋งŒ ํ•œ๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ์„ธ๊ณ„ํ™”์— ๋”ฐ๋ผ ์ ์  ๋” ๋ณต์žกํ•ด์ง€๋Š” ๋ฌธ์ œ๋“ค์„ ๋‹ค๋ฃฐ ์ˆ˜ ์žˆ๋Š” ๋„คํŠธ์›Œํฌ๋ฅผ ํ˜•์„ฑํ•ด๊ฐ€์•ผ๋งŒ ํ•œ๋‹ค. ํ•œํŽธ์œผ๋กœ ์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต ๊ฑด์ถ•ํ•™์ „๊ณต์€ ์†Œ์ˆ˜์˜ ์œ ๋ช… ๊ฑด์ถ•๊ฐ€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ์ด๋ฃจ์–ด์ง„ ์Šคํƒ€-์‹œ์Šคํ…œ์ด ๋…์ ํ•˜๊ณค ํ•˜๋Š” ํš์ผํ™”๋˜๊ณ  ์ƒ์—…ํ™”๋œ ์‹ค์ฒœ ๋ชจ๋ธ์„ ๋‹จํ˜ธํ•˜๊ฒŒ ๊ฑฐ๋ถ€ํ•œ๋‹ค. ๊ฑด๊ฐ•ํ•œ ์„œ์–‘์˜ ์ „ํ†ต์— ๋Œ€ํ•œ ์–ด๋–คํŽธ๊ฒฌ๋„ ์—†์ด ์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต ๊ฑด์ถ•ํ•™์ „๊ณต์€ ์•„์‹œ์•„ ์ฃผ์š” ๋„์‹œ -์ƒํ•˜์ด, ๋ฒ ์ด์ง•, ํ™์ฝฉ, ์‹ฑ๊ฐ€ํฌ๋ฅด, ๋„์ฟ„, ๋ฐฉ์ฝ•, ์ฟ ์•Œ๋ผ๋ฃธํ‘ธ๋ฅด, ํ•˜๋…ธ์ด-์˜๋Œ€ํ•™๊ณผ์—ฐ๊ตฌ๊ธฐ๊ด€๊ณผ์˜์ฐฝ์กฐ์ ์—ฐ๋Œ€๋ฅผ๊ฐ•ํ™”ํ•˜๋Š”๋ฐ์ดˆ์ ์„๋งž์ถ”๊ณ ์žˆ๋‹ค.

3) ๊ตฌ์ถ•์„ฑ, ๋ฏธ๋””์–ด, ์—ญ์‚ฌ๊ฐ€ํ†ตํ•ฉ๋œ์ฐฝ์˜๋ ฅ์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต ๊ฑด์ถ•ํ•™์ „๊ณต์€ ๊ตฌ์ถ•์  ์„ธ๊ณ„์™€ ๋””์ง€ํ„ธ ์„ธ๊ณ„, ๊ทธ๋ฆฌ๊ณ  ์—ญ์‚ฌ์  ์ƒ์ƒ๋ ฅ์„ ํ†ตํ•ฉํ•˜๋Š” ๊ต์œก ํ”„๋กœ๊ทธ๋žจ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค. ์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต ๊ฑด์ถ•ํ•™ ํ”„๋กœ๊ทธ๋žจ์€ ๊ฑด์ถ•๋ฌผ์— ๊ด€ํ•œ ๊ธฐ์ˆ ์  ์ง€์‹, ์ปดํ“จํ„ฐ ๋ฏธ๋””์–ด์™€, ์—ญ์‚ฌ์™€ ์ด๋ก ์— ๊ด€ํ•œ๋น„ํŒ์  ์ดํ•ด๊ฐ€ ์ƒ์‚ฐ์  ์ดํ•ด ์†์—์„œ ๊ณต์กดํ•  ์ˆ˜ ์žˆ๋Š” ํƒœ๋„์™€ ์‹ค์ฒœ์„ ๊ฐœ๋ฐœํ•˜๊ธฐ ์œ„ํ•ด ๋…ธ๋ ฅํ•˜๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ์ฒ ํ•™์ ์ด๊ณ  ์‹ค์ œ์ ์ธ ๋ชฉํ‘œ๋ฅผ ์œ„ํ•ด ๊ฑด์ถ•ํ•™์ „๊ณต์€ ๋Œ€ํ•™์˜ ๋„์‹œ๊ณผํ•™ํŠน์„ฑํ™” ์‚ฌ์—…์˜ ์ค‘์‹ฌ์ด ๋˜๋Š” ๋‹ค์–‘ํ•œ ํ•™๊ณผ๋“ค, ํŠนํžˆ ๊ฑด์ถ•๊ณตํ•™์ „๊ณต, ๋„์‹œ๊ณตํ•™๊ณผ, ์กฐ๊ฒฝํ•™๊ณผ, ๋„์‹œ์‚ฌํšŒํ•™๊ณผ์™€ ๊ธด ํ•œ ํ˜‘๋ ฅ์„ ๋ชจ์ƒ‰ํ•˜๊ณ  ์žˆ๋‹ค. ๋˜ํ•œ ๊ต์œก ํ™˜๊ฒฝ์˜ ์งˆ์„ ํ–ฅ์ƒ์‹œํ‚ค๊ธฐ ์œ„ํ•ด, ์—ญ์‚ฌ์  ์—ฐ๊ตฌ์™€ ์ด๋ก ์  ํƒ๊ตฌ์™€ ๋””์ง€ํ„ธ ์ •๋ณด ๊ธฐ์ˆ ์„ ํ†ตํ•ฉํ•˜๋Š” ๋ฐ ๋…ธ๋ ฅํ•˜๊ณ  ์žˆ๋‹ค. ํŠนํžˆ ๋””์ž์ธ ์ŠคํŠœ๋””์˜ค์—์„œ ์ง€์–ด์งˆ๊ฑด์ถ•๋ฌผ์˜๋ฌผ์งˆ์ ์†์„ฑ๊ณผ์‹ค์ œํฌ๊ธฐ์ž‘์—…์„๊ฐ•์กฐํ•˜๋Š”๋ฐ๋…ธ๋ ฅ์„๊ธฐ์šธ์ด๋Š”์ค‘์ด๋‹ค.

๊ต์œก๋ชฉํ‘œ์™€ ์ „๋žต

๊ต์œก๋ชฉํ‘œ์˜ ์„ธ ๊ฐ€์ง€ ๊ธฐ๋ณธ ๋ฐฉํ–ฅ์— ๋”ฐ๋ผ์„œ, ๊ฑด์ถ•ํ•™๋ถ€ ํ”„๋กœ๊ทธ๋žจ์€ 6๊ฐœ์˜ ์ค‘๊ฐ„ ๋ชฉํ‘œ๋ฅผ ์„ค์ •ํ–ˆ๋‹ค. ์ด๋Š” ๊ฑด์ถ•ํ•™ ํ”„๋กœ๊ทธ๋žจ์˜ ํŠน์ˆ˜ํ•œ ๊ต์ˆ˜๋ฒ• ๋„๊ตฌ์™€ ๋” ํฐ ๋ชฉํ‘œ๋ฅผ ์—ฐ๊ฒฐํ•ด์ค€๋‹ค. ๊ฑด์ถ•ํ•™์ „๊ณต์€ ์ด๋Ÿฌํ•œ ๊ต์ˆ˜๋ฒ• ๋„๊ตฌ๋ฅผ ํ•™๋ถ€ ์ปค๋ฆฌํ˜๋Ÿผ๊ณผ ์ŠคํŽ˜์…œํ”„๋กœ๊ทธ๋žจ, ๋Œ€ํ•™์›ํ”„๋กœ๊ทธ๋žจ๊ณผ๊ต์ˆ˜์ง„์˜์—ฐ๊ตฌ๊ณผ์ œ๋ฅผํ†ตํ•ฉํ•˜๋Š”๊ต์œกยท์—ฐ๊ตฌ๊ตฌ์กฐ๋กœ๋ฐœ์ „์‹œ์ผœ์™”๋‹ค.

1) ๊ณต๋™์ฒด์˜์‹์˜๊ณ ์–‘์ด ๋ชฉํ‘œ๋Š” ๊ณต๊ณต์˜ ๊ฐ€์น˜๋ฅผ ์ค‘์‹œํ•˜๋Š” ์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต์˜ ๊ต์œก ์ฒ ํ•™์—์„œ ๋‚˜์˜จ ๊ฒƒ์ด๋ฉฐ, ๊ฑด์ถ•ํ•™์ „๊ณต์˜ ์„ธ ๊ฐ€์ง€ ๊ธฐ๋ณธ ๋ชฉํ‘œ์™€๋„ ์ง์ ‘์ ์œผ๋กœ ๊ด€๋ จ์ด ์žˆ๋‹ค. ๊ฑด์ถ•์€ ๊ณต๊ณต์ ์ธ ์˜ˆ์ˆ ์ด๋ผ๋Š” ๊ฒƒ์ด ํ”„๋กœ๊ทธ๋žจ์˜ ๊ธฐ๋ณธ ์ „์ œ์ด๋‹ค. ์ด ์ฒ ํ•™์€ ์ŠคํŠœ๋””์˜ค์™€์ˆ˜์—…, ๊ตญ์ œ๊ต๋ฅ˜ํ”„๋กœ๊ทธ๋žจ, ์ปค๋ฆฌํ˜๋Ÿผ์™ธํ”„๋กœ๊ทธ๋žจ๋“ฑ๊ต์œก์‹œ์Šคํ…œ์˜๋ชจ๋“ ์ธก๋ฉด์—๋ฐ˜ ๋˜์–ด์žˆ๋‹ค.

2) ๋‹ค์–‘ํ•˜๊ณ ์ง€์†์ ์ธ๊ตญ์ œํ”„๋กœ๊ทธ๋žจ๊ฑด์ถ•ํ•™์ „๊ณต์ด ์ง€๋‚œ ์‹ญ๋…„ ๋™์•ˆ ๊ฐœ๋ฐœํ•ด ์˜จ ๊ตญ์ œ ๊ต๋ฅ˜ ํ”„๋กœ๊ทธ๋žจ์€ ๋‹ค๊ฐ์ ์ด๊ณ , ์„œ๋กœ ๋‹ค๋ฅธ ํ•™๋ฌธ๋“ค์„ ๋„˜๋‚˜๋“ค๊ณ  ๋‹ค์–‘ํ•œ์ธก๋ฉด์—์„œ ์ด๋ฃจ์–ด์ง„๋‹ค๋Š” ์ ์—์„œ ๊ตญ๋‚ด์—์„œ ์œ ๋ก€๊ฐ€ ์—†๋Š” ๊ฒƒ์ด๋‹ค. ์•„์‹œ์•„๊ฑด์ถ•๋„์‹œ์—ฐํ•ฉ(ACAU), ์‹ฑ๊ฐ€ํฌ๋ฅด ๊ตญ๋ฆฝ ๋Œ€ํ•™๊ต๊ตํ™˜ํ•™์ƒ ํ”„๋กœ๊ทธ๋žจ ๋“ฑ์ด ์šด ์ค‘์ด๋ฉฐ, ์ด๋Š” ๊ฑด์ถ•ํ•™์ „๊ณต ํ•™์ƒ๊ณผ ๊ต์ˆ˜๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๋„์‹œ๊ณตํ•™ํ•™๊ณผ์™€ ์กฐ๊ฒฝํ•™๊ณผ์—์„œ๋„์ฐธ์—ฌํ•˜๊ณ  ์žˆ๋‹ค. ์ด ํ”„๋กœ๊ทธ๋žจ๋“ค์€ ๊ตญ์ œํ™” ์‹œ๋Œ€์—์„œ ์•„์‹œ์•„ ๋„์‹œ์˜ ์ž ์žฌ๋ ฅ์„ ๊ณ ์ทจ์‹œํ‚จ๋‹ค๋Š” ํฐ ๋ชฉํ‘œ ์•„๋ž˜ ์ด๋ฃจ์–ด์ง€๊ณ ์žˆ๋‹ค.

1975 ์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต๊ฑด์ถ•๊ณตํ•™๊ณผ์‹ ์„ค

1982 ๋Œ€ํ•™์›๊ฑด์ถ•๊ณตํ•™๊ณผ์‹ ์„ค

1983 ํŠน์ˆ˜๋Œ€ํ•™์›๊ฑด์ถ•๊ณตํ•™๊ณผ์‹ ์„ค

1985 ๋Œ€ํ•™์›๊ฑด์ถ•๊ณตํ•™๊ณผ๋ฐ•์‚ฌ๊ณผ์ •์‹ ์„ค

1996 ๊ฑด์ถ•ยท๋„์‹œยท์กฐ๊ฒฝํ•™๋ถ€๋กœํ†ตํ•ฉ๊ฐœํŽธ

2000 ๊ฑด์ถ•ํ•™์ „๊ณต๊ณผ๊ฑด์ถ•๊ณตํ•™์ „๊ณต๋ถ„๋ฆฌ

2002 ๊ฑด์ถ•ํ•™์ „๊ณต๊ต์œก๊ณผ์ •์„๊ตญ์ œ๊ธฐ์ค€์—๋”ฐ๋ผ5๋…„์ œ๋กœ์ „ํ™˜

2003 5๋…„์ œ๊ฑด์ถ•ํ•™์ „๊ณต์ธ์ฆ๋Œ€๋น„๋ชจ์˜์‹ค์‚ฌ๋ฐ๊ฑด์ถ•๊ณตํ•™์ „๊ณต๊ณตํ•™์ธ์ฆ์ค€๋น„๋„์‹œ๊ณผํ•™ํŠน์„ฑํ™”์‚ฌ์—…๋Œ€์ƒํ•™๊ณผ์„ ์ •

2005 ๊ฑด์ถ•ํ•™๋ถ€(School of Architecture andArchitectural Engineering)๋กœ๊ฐœํŽธ

2007 ๊ตญ๋‚ด์ตœ์ดˆ๊ฑด์ถ•ํ•™์ธ์ฆํš๋“

2009 ๊ฑด์ถ•ํ•™์ „๊ณต/๊ฑด์ถ•๊ณตํ•™์ „๊ณตํ•™๋ถ€์ƒ๋ถ„๋ฆฌ๋ชจ์ง‘

2010 ๊ต์œก์—ญ๋Ÿ‰๊ฐ•ํ™”์‚ฌ์—…๋Œ€์ƒํ•™๊ณผ์„ ์ •

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INTRODUCTION 9

3) ๋„์‹œ๊ณผํ•™๊ณผ์˜๊ธด ํ•œ๊ด€๊ณ„๊ฑด์ถ•ํ•™์ „๊ณต์€ ๊ฑด์ถ•๊ณตํ•™, ๋„์‹œ๊ณตํ•™, ๋„์‹œํ–‰์ •ํ•™, ๋„์‹œ์‚ฌํšŒํ•™, ์กฐ๊ฒฝํ•™, ๊ณต๊ฐ„์ •๋ณดํ•™ ๋“ฑ์„ ์ „๋žต์ ์œผ๋กœ ์œก์„ฑํ•˜๋Š” ๋„์‹œ๊ณผํ•™๋Œ€ํ•™ ์•ˆ์— ์†ํ•ด ์žˆ๋‹ค. ์ด ํ•™๊ณผ๋“ค์˜ ๋งŽ์€ ๊ต์ˆ˜์ง„๋“ค์ด ๊ฑด์ถ•์  ๋ฐฐ๊ฒฝ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค๋Š” ๊ฒƒ์€ ํŠน๊ธฐํ•  ๋งŒํ•˜๋‹ค. ๊ฑด์ถ•ํ•™์ „๊ณต์€ ์ปค๋ฆฌํ˜๋Ÿผ, ์ŠคํŽ˜์…œ ํ”„๋กœ๊ทธ๋žจ, ๊ต์ˆ˜ ์—ฐ๊ตฌ์˜ ๋ชจ๋“  ์ธต์œ„์—์„œ ๋‹ค์–‘ํ•˜๋ฉฐ ์ƒํ˜ธ ๊ด€๋ จ ์žˆ๋Š” ํ”„๋กœ๊ทธ๋žจ๊ณผ ์—ฐ๊ณ„ ๊ต์œก์„ ๋ชจ์ƒ‰ํ•˜๊ณ ๊ถŒ์žฅํ•˜๊ณ ์žˆ๋‹ค.

4) ๋งŒ๋“ค๊ณ ์ง“๊ธฐ๋””์ง€ํ„ธ ๊ธฐ์ˆ ์ด ์ง€๋ฐฐ์ ์ธ ์‹œ๋Œ€๋ฅผ ๋งž์•„ ๋ณ€ํ™”ํ•˜๋Š” ํ…Œํฌ๋†€๋กœ์ง€์— ๋ฐœ๋งž์ถ”์–ด ๊ฐ€๋Š” ๊ฒƒ์ด ์ค‘์š”ํ•ด์ง์— ๋”ฐ๋ผ, ํ•™์ƒ๋“ค์ด ๊ฑด์ถ•์˜ ๋ฌผ์งˆ์  ์†์„ฑ์„ ํŒŒ์•…ํ•˜๋Š” ๊ฒƒ์ด ํ•„์ˆ˜์ ์ด๋‹ค. ํ”„๋กœ๊ทธ๋žจ, ์žฌ๋ฃŒ, ๊ฑด๋ฌผ์˜ ํฌ๊ธฐ ๋“ฑ ์—ฌ๋Ÿฌ ์ œ์•ฝ์ด ๋’ค๋”ฐ๋ฅด๊ธด ํ•˜์ง€๋งŒ,1:1(Learning by Building), ์ง‘์ง“๊ธฐ ํ”„๋กœ์ ํŠธ ๋“ฑ์„ ๋งค๋…„ ์‹œํ–‰ํ•˜๊ณ  ์žˆ๋‹ค. ์ด๋Š” ๋‹จ์ง€ ๊ต์œก ๊ณผ์ •์ผ ๋ฟ ์•„๋‹ˆ๋ผ ๋ฌด์–ธ๊ฐ€๋ฅผ ๋งŒ๋“ค๊ณ ์žํ•˜๋Š”๋Šฅ๋ ฅ๊ณผ์š•๊ตฌ๋ฅผํ‘œ์ถœํ•˜๋Š”์ถ•์ œ์˜์žฅ์ด๊ธฐ๋„ํ•˜๋‹ค.

5) ํ†ตํ•ฉ์ ์ธ๊ต์œก์ž์›์‹œ์Šคํ…œ๋„์‹œ๊ณผํ•™๋Œ€ํ•™์—์„œ ์—ฐ๊ตฌ์™€ ์‹ค์ฒœ์˜ ์ค‘์‹ฌ์ด๋ผ๋Š” ํŠน๋ณ„ํ•œ ์œ„์น˜๋ฅผ ์ด์šฉํ•˜์—ฌ, ๊ฑด์ถ•ํ•™์ „๊ณต ํ”„๋กœ๊ทธ๋žจ์€ ๋ฒ ์„ธํ† (BeSeTo) ์•„์นด์ด๋ธŒ, ๋””์ง€ํ„ธ ๋„์‹œ ์‹œ๋ฎฌ๋ ˆ์ด์…˜ ์—ฐ๊ตฌ์†Œ ๊ฐ™์€ ํ˜์‹ ์ ์ธ ๋””์ง€ํ„ธ ์ž์›์„ ๊ฐœ๋ฐœํ•˜๋Š” ๋ฐ ํž˜์จ ์™”๋‹ค. ๊ฑด์ถ•ํ•™์ „๊ณต ํ”„๋กœ๊ทธ๋žจ์€ ์ปดํ“จํ„ฐ ํ…Œํฌ๋†€๋กœ์ง€๋ฅผ ์ƒˆ๋กœ์šด ํ˜•ํƒœ๋ฅผ ๋งŒ๋“ค์–ด๋‚ด๋Š” ๋„๊ตฌ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์ƒˆ๋กœ์šด ์‚ฌ๊ณ ๋ฐฉ์‹๊ณผ ์ •๋ณด์˜ ์ƒˆ๋กœ์šด ์ž์›์„ ๊ฐœ๋ฐœํ•˜๋Š” ๋ฐฉ๋ฒ•์œผ๋กœ ์ ‘๊ทผํ•œ๋‹ค. ์ด๋Ÿฐ ๋ช‡๋ช‡ ์„ ๊ตฌ์  ์‹œ๋„๋Š” ๊ฐœ๋ฐœ ์ดˆ๊ธฐ๋‹จ๊ณ„์— ์žˆ์œผ๋ฉฐ, ์ด๋ฅผ ํ•™๋ถ€๊ณผ์ • ํ”„๋กœ๊ทธ๋žจ์— ์ ์šฉํ•˜๋Š”๋ฐฉ์•ˆ์„๋ชจ์ƒ‰ํ•˜๊ณ ์žˆ๋‹ค.

6) ์—ญ์‚ฌ์™€์ด๋ก ์—๊ธฐ๋ฐ˜์„๋‘”๊ฑด์ถ•๊ต์œก๊ต์ˆ˜์ง„์˜ ํŠน๋ณ„ํ•œ ์žฅ์ ์€ ์—ญ์‚ฌ์™€ ์ด๋ก ์— ๊ฐ•ํ•œ ๊ด€์‹ฌ์„ ๊ธฐ์ง€๊ณ  ์žˆ๋‹ค๋Š” ์ ๊ณผ(์ „์ž„ ๊ต์ˆ˜์˜ ์ ˆ๋ฐ˜์ด ์—ญ์‚ฌ์™€ ์ด๋ก ์— ๊ด€ํ•ด์„œ ๋ฐ•์‚ฌํ•™์œ„๋…ผ๋ฌธ์„ ์ผ์œผ๋ฉฐ, ๊ณ„์†ํ•ด์„œ ์—ฐ๊ตฌ ์„ฑ๊ณผ๋ฌผ์„ ์ƒ์‚ฐํ•˜๊ณ  ์žˆ๋‹ค.)ํ˜‘์—…์„ ํ•˜๋Š” ๋ฐ์— ๊ฑฐ๋ฆฌ๋‚Œ์ด ์—†๋‹ค๋Š” ์ ์ด๋‹ค. ์‹œ๊ฐ์ ์ธ ๋ฉด์—์„œ ์•„๋ฐฉ๊ฐ€๋ฅด๋“œ์ฒ˜๋Ÿผ ๋ณด์ด์ง€ ์•Š์„์ง€ ๋ชฐ๋ผ๋„, ์ง€์‹๊ณผ ์—ฐ๊ตฌ์— ๊ธฐ๋ฐ˜ ํ•ด์„œ ๊ฑด์ถ• ์„ค๊ณ„์— ์ ‘๊ทผํ•˜๋Š” ๋ฐ์— ๊ฑด์ถ•ํ•™์ „๊ณต ํ”„๋กœ๊ทธ๋žจ์˜ ๊ฐ•์ ์ด ์žˆ๋‹ค๊ณ  ํ™•์‹ ํ•œ๋‹ค. ๊ฑด์ถ•ํ•™์ „๊ณต ํ”„๋กœ๊ทธ๋žจ์€ ์—ญ์‚ฌ์™€ ๊ธฐ์ˆ , ์‚ฌํšŒ์— ๋Œ€ํ•œ ๋น„ํŒ์  ๊ฐ๊ฐ์— ๋ฐ”ํƒ•ํ•œ ์ฐฝ์กฐ ๊ณผ์ •์œผ๋กœ๊ฑด์ถ•์„ค๊ณ„์—์ ‘๊ทผํ•˜๋ฉฐ, ๊ฐœ์ธ์˜ ์žฌ๋Šฅ๋งŒํผ๊ณตํ†ต์ ์ธ ๊ธฐ์œจ์„, ๊ฐ๊ฐ๋งŒํผ์ง€์‹์„, ๊ฒฐ๊ณผ๋งŒํผ๊ณผ์ •์„ ์ค‘์š”์‹œ์—ฌ๊ธด๋‹ค.

1975 Inauguration of a dual Department ofArchitectural Engineering

1982 Inauguration of the masters program in theGraduate School

1985 Inauguration of the Ph.D program in theGraduate School

1996 The Program in Architecture and the Programin Architectural Engineering werereestablished as 4-year programs within thenewly formed Faculty of Architecture, UrbanPlanning, Landscape Architecture and Collegeof Urban Sciences.

1999 Post-professional graduate programre-established as Graduate School of UrbanScience.

2000 Department of Architecture and Departmentof Architectural Engineering established

2002 Inauguration of the 5-year Program inArchitecture

2003 Department of Architecture and Departmentof Architectural Engineering established asindependent programs in the GraduateSchool.

2005 Reorganization into School of Architectureand Architectural Engineering

2007 First program in Korea to receive architecturalaccreditation

Prepare students to address the complexities and challenges of architecture in the urban metropolis.Provide global leadership in the architecture and urbanism of the Asian Arena.Nurture creativity based on sound building, innovative media, and historical insight.

Founding Mission of the Department of Architecture

While providing a sound general education in preparation for careers not only as professional architects but also as experts inthe wider field of architecture, the department seeks to establish a special identity that shapes, reflects, and contributes to theuniversity? unique identity as the public institution of higher learning, established by and working for the great metropolis ofSeoul.

University of Seoul, Department of Architecture

The Department of Architectureโ€™s 5-year undergraduate program was the first to receive architectural accreditation in Korea. Ittrains students for a career as a professional architect as well as Masters and Ph,D programs in the diverse fields of history,theory, preservation, housing, institutional issues, sustainable design, and facilities planning. While maintaining its uniquecivic character as the university of and for metropolis Seoul, it places creative, intellectual work and responsive architecturaldesign firmly at the core of its educational goals. These programs, the largest and the most innovative in Korea, draw strengthand character from their active relation with architectural engineering, urban design, and landscape architecture. With a solidfoundation in design, graduates excel in the diverse fields of architectural design, interior and environmental design,academics and research, information technology, public service, and real estate development.

Introduction

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5-1

GRADUATION WORK(DESIGN THESIS)ARCHITECTURAL REVIEW 2010

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WALK STATION

ARCHITECTURAL REVIEW 2010

KO,JUNGHWAN

์šฉ์‚ฐ์„ ํ์ฒ ๊ธธ์žฌํ™œ์šฉ๋ฐฉ์•ˆ์ œ์•ˆ

๊ตญ๋‚ด์—์„œ๋ฐœ์ƒํ•œ์œ ํœด์ฒ ๋„๋ถ€์ง€์˜๋Œ€๋‹ค์ˆ˜๋Š”์‚ฌ์‹ค์ด๋ฆ„๋„ํ”์ ๋„์—†์ด์‚ฌ๋ผ์ง€๊ณ ์žˆ๋‹ค.๋ฐฉ์น˜๋œ์ฑ„ํ’€์—๋’ค๋ฎ์ด๊ธฐ๋„ํ•˜๊ณ ์ƒˆ๋กœ์šด๋„๋กœ์™€๊ฑด๋ฌผ์˜์ง€์ธต์ด๋˜๋Š”๊ฒฝ์šฐ๋„์žˆ๋‹ค.

ํ•˜์ง€๋งŒํ์ฒ ๊ธธ์€๊ธฐ์ฐจ์™€์ฒ ๋„๊ฐ€๊ทผ๋Œ€ํ™”์™€๋„์‹œํ™”๊ณผ์ •์—์„œ์ง€๋…”๋˜ํž˜์ด์ƒ์œผ๋กœ๋„์‹œ์˜๋ฌผ๋ฆฌ์ ์–ผ๊ฐœ๋ฅผ๋‹ค์‹œ์งœ๋Š”ํฐํž˜์„๋ฐœํœ˜ํ• ์ˆ˜์žˆ๋‹ค๊ณ ์ƒ๊ฐํ•œ๋‹ค.

์ด์ „์šฉ์‚ฐ์„ ํ์„ ๊ตฌ๊ฐ„์—๊ณต์›ํ™”๊ณ„ํš์ด๋ฐœํ‘œ๋˜์—ˆ๊ณ ํ˜„์žฌ๊ทธ๋งˆ๋ฌด๋ฆฌ๊ณต์‚ฌ๋ฅผ์ง„ํ–‰ํ•˜๋Š”๋‹จ๊ณ„์—์™€์žˆ์ง€๋งŒ๊ธฐ์กด์—์žˆ๋˜์ฒ ๋„๋ผ๋Š”ํฐ์š”์†Œ๋ฅผํ•˜๋‚˜๋„๋‚จ๊น€์—†์ด ์–ด๋ฒ„๋ฆฌ๊ณ ๊ทธ์ž๋ฆฌ์—.

๊ณ„ํš์—๋งž์ถ”์–ด๊ณต์›๋งŒ์„๋ฉ๊ทธ๋Ÿฌ๋‹ˆ์กฐ์„ฑํ•˜๋Š”๊ณ„ํš์„๋ฐœํ‘œํ–ˆ๋‹ค.๋ณธ์ธ์€์ด์—๋ฐ˜ํ•ด์šฉ์‚ฐ์„ ํ์„ ๋ถ€์ง€์ฃผ๋ณ€์—์žˆ๋Š”ํŠน์„ฑ์žˆ๋Š”์š”์†Œ๋“ค์„์ ‘๋ชฉ์‹œํ‚ค์–ด

ํ์ฒ ๊ธธ์—์˜ํ•ด๋‹จ์ ˆ๋˜์–ด์žˆ๋˜๋‘์ง€์—ญ์‚ฌ์ด์˜์†Œํ†ต์„์›ํ™œํ•˜๊ฒŒํ• ์ˆ˜์žˆ๋Š”๋ฐฉ์•ˆ์„์ œ์•ˆํ•˜๊ณ ์žํ•œ๋‹ค.

๊ณ ์ •ํ™˜

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๋Œ€์ง€์„ ์ •

์šฉ์‚ฐ์„ ์˜์—ญ์‚ฌ

๋“ฑ๊ณ ์—์˜ํ•œ์ง€์—ญ์˜๋‹จ์ ˆ1904๋…„ 1929๋…„ 1990๋…„๋Œ€ 2005๋…„์ฒ ๊ฑฐ๋‹น์‹œ

์ง€ํ•˜์ฒ 2ํ˜ธ์„ ํ™๋Œ€์ž…๊ตฌ์—ญ์˜ˆ์ •์ง€

์ง€ํ•˜์ฒ  2ํ˜ธ์„  ํ™๋Œ€์ž…๊ตฌ์—ญ์—์„œ๋ถ€ํ„ฐ ์™€์šฐ ๊ณ ๊ฐ€๋„๋กœ์ชฝ์œผ๋กœ ๊ฐˆ์ˆ˜๋ก ๋Œ€์ง€์˜ ๋“ฑ๊ณ ์ฐจ๋Š” ์‹ฌํ•ด์ง„๋‹ค. ์ด๋Ÿฐ ๋“ฑ๊ณ ์ฐจ๋ฅผ ์—ฌ๋Ÿฌ ํ”„๋กœ๊ทธ๋žจ๋“ค์„ ์ด์šฉํ•˜์—ฌ ์ฒ ๋„๋กœ ์ธํ•ด์„œ ๋‹จ์ ˆ๋œ ๋‘ ์ง€์—ญ์ด์›”ํ™œํžˆ์†Œํ†ต๋ ์ˆ˜์žˆ๋„๋กํ•œ๋‹ค.

ํ™๋Œ€๊ฑท๊ณ ์‹ถ์€๊ธธ ์™€์šฐ๊ณ ๊ฐ€๋„๋กœ

Aโ€™

A

B

Bโ€™Cโ€™

CD

Dโ€™

ํ™๋Œ€์ž…๊ตฌ์—ญ - ์™€์šฐ๊ณ ๊ฐ€๋„๋กœ (์•ฝ 500m)

๊ณ„ํš๋Œ€์ง€

KO, JUNG HWAN 15

A-Aโ€™ B-Bโ€™ C-Cโ€™ D-Dโ€™

2010๋…„์ธ์ฒœ๊ตญ์ œ๊ณตํ•ญ๊ณ ์†์ฒ ๋„์™„๊ณต์˜ˆ์ • ํ•ด์™ธ๋กœ์˜์—ฐ๊ฒฐ๊ฐ€๋Šฅ์„ฑ

๊ตญ๋‚ด์—์„œ๋ฐœ์ƒํ•œ์œ ํœด์ฒ ๋„๋ถ€์ง€์˜๋Œ€๋‹ค์ˆ˜๋Š”์‚ฌ์‹ค์ด๋ฆ„๋„, ํ”์ ๋„์—†์ด์‚ฌ๋ผ์ง€๊ณ ์žˆ๋‹ค. ๋ฐฉ์น˜๋œ์ฑ„ํ’€์—๋’ค๋ฎ์ด๊ธฐ๋„ํ•˜๊ณ ์ƒˆ๋กœ์šด๋„๋กœ์™€๊ฑด๋ฌผ์˜์ง€์ธต์ด๋˜๋Š”๊ฒฝ์šฐ๋„์žˆ๋‹ค.

ํ•˜์ง€๋งŒํ์ฒ ๊ธธ์€๊ธฐ์ฐจ์™€์ฒ ๋„๊ฐ€๊ทผ๋Œ€ํ™”์™€๋„์‹œํ™”๊ณผ์ •์—์„œ์ง€๋…”๋˜ํž˜์ด์ƒ์œผ๋กœ๋„์‹œ์˜๋ฌผ๋ฆฌ์ ์–ผ๊ฐœ๋ฅผ๋‹ค์‹œ์งœ๋Š”ํฐํž˜์„๋ฐœํœ˜ํ• ์ˆ˜์žˆ๋‹ค๊ณ ์ƒ๊ฐํ•œ๋‹ค.

์ด์ „์šฉ์‚ฐ์„ ํ์„ ๊ตฌ๊ฐ„์—๊ณต์›ํ™”๊ณ„ํš์ด๋ฐœํ‘œ๋˜์—ˆ๊ณ ํ˜„์žฌ๊ทธ๋งˆ๋ฌด๋ฆฌ๊ณต์‚ฌ๋ฅผ์ง„ํ–‰ํ•˜๋Š”๋‹จ๊ณ„์—์™€์žˆ์ง€๋งŒ๊ธฐ์กด์—์žˆ๋˜์ฒ ๋„๋ผ๋Š”ํฐ์š”์†Œ๋ฅผํ•˜๋‚˜๋„๋‚จ๊น€์—†์ด ์–ด๋ฒ„๋ฆฌ๊ณ ๊ทธ์ž๋ฆฌ์—๊ณ„ํš์—๋งž์ถ”์–ด๊ณต์›๋งŒ์„๋ฉ๊ทธ๋Ÿฌ๋‹ˆ์กฐ์„ฑํ•˜๋Š”๊ณ„ํš์„๋ฐœํ‘œํ–ˆ๋‹ค.

๋ณธ์ธ์€์ด์—๋ฐ˜ํ•ด์šฉ์‚ฐ์„ ํ์„ ๋ถ€์ง€์ฃผ๋ณ€์—์žˆ๋Š”ํŠน์„ฑ์žˆ๋Š”์š”์†Œ๋“ค์„์ ‘๋ชฉ์‹œํ‚ค์–ดํ์ฒ ๊ธธ์—์˜ํ•ด๋‹จ์ ˆ๋˜์–ด์žˆ๋˜๋‘์ง€์—ญ์‚ฌ์ด์˜์†Œํ†ต์„์›ํ™œํ•˜๊ฒŒํ• ์ˆ˜์žˆ๋Š”๋ฐฉ์•ˆ์„์ œ์•ˆํ•˜๊ณ ์žํ•œ๋‹ค.

Page 7: University of Seoul, Architectural Review 2010

ํ”„๋กœ๊ทธ๋žจ๋ฆฌ์„œ์น˜

์ปจ์…‰ Zip - Up

์†Œ๊ทœ๋ชจ๊ณต๋ฐฉ

๊ฐค๋Ÿฌ๋ฆฌ

๊ณ„ํš๋Œ€์ง€

๊ฐ€๊ตฌ๊ณต๋ฐฉ

ํ•™๊ต

๋…น์ง€

๋ฏธ์ˆ ํ•™์›

๊ณต์—ฐ์žฅ

์ข…๊ต์‹œ์„ค

๋„์„œ๊ด€

๋‹จ์ ˆ๋œ์ง€์—ญ๊ฐ„์—์†Œํ†ต์„์œ„ํ•œํ”„๋กœ๊ทธ๋žจ์œผ๋กœ๋Š”๊ทธ์ง€์—ญ์—์—†๋Š”์ „ํ˜€์ƒˆ๋กœ์šดํ”„๋กœ๊ทธ๋žจ์„์‚ฝ์ž…ํ•˜๋Š”๊ฒƒ๋ณด๋‹ค๊ณตํ†ต๋ถ„๋ชจ๋ฅผ๊ฐ–๋Š”ํ”„๋กœ๊ทธ๋žจ์„ํ™œ์šœํ•˜๋Š”๊ฒƒ์ด๋‹จ์ ˆ์—๋Œ€ํ•œ์†Œํ†ต์„๋ณด๋‹คํšจ๊ณผ์ ์œผ๋กœ์ด๋Œ์–ด๋‚ผ์ˆ˜์žˆ๋‹ค๊ณ ์ƒ๊ฐ๋œ๋‹ค.๋˜ํ•œ์ƒ์—…์ ์ด๋‚˜์ข…๊ต์ ์„ฑ๊ฒฉ์ด๋„ˆ๋ฌด๊ฐ•ํ•˜๋‹ค๋ฉด์ง„์ •ํ•œ์†Œํ†ต์„์ด๋Œ์–ด๋‚ผ์ˆ˜์—†์„๊ฑฐ๋ผ๊ณ ์ƒ๊ฐํ•œ๋‹ค.๊ทธ๋ ‡๋‹ค๋ฉด์–ด๋–ค๊ฒƒ๋“ค์ด๊ณต๊ฐ์„์ด๋Œ์–ด๋‚ผ์ˆ˜์žˆ์„๊นŒ? ๋ณธ์ธ์€๋ชจ๋“ ์‚ฌ๋žŒ๋“ค์ด์˜ˆ์ˆ ์„ํ†ตํ•ด์„œํ•˜๋‚˜๋ ์ˆ˜์žˆ๋‹ค๊ณ ์ƒ๊ฐํ•œ๋‹ค. ๊ณ„ํš๋Œ€์ง€์ฃผ๋ณ€์—์กฐ์‚ฌํ•œ๊ฒฐ๊ณผ๋กœ๋Š”์˜ˆ์ˆ ๊ฐ€๋“ค์˜์†Œ๊ทœ๋ชจ๊ณต๋ฐฉ๊ณผ๊ฐ€๊ตฌ์ , ๋ฏธ์ˆ ํ•™์›๋“ฑ์ด๋‹ค์ˆ˜๋ถ„ํฌํ•˜๊ณ ์žˆ๋Š”๊ฒƒ์„์•Œ์ˆ˜์žˆ๋‹ค. ์ดํ”„๋กœ๊ทธ๋žจ๋“ค์„์ด์šฉํ•˜์—ฌ๊ฑด๋ฌผ์„๊ณ„ํšํ•˜๋Š”๊ฒƒ์ดํƒ€๋‹นํ•˜๋‹ค๊ณ ์ƒ๊ฐํ•œ๋‹ค.๊ทธ๋ž˜์„œํ”„๋กœ๊ทธ๋žจ์€ํฌ๊ฒŒ์†Œ๊ทœ๋ชจ๊ณต๋ฐฉ,๊ฐค๋Ÿฌ๋ฆฌ, ๊ทธ๋ฆฌ๊ณ ์ฃผ๋ฏผ๋“ค์„์œ„ํ•œ์ฃผ๋ฏผ๋ณต์ง€์„ผํ„ฐ(๊ฐ€๊ตฌ์ œ์ž‘๊ฐ•์ขŒ, ๋ฏธ์ˆ ๊ต์œก๊ฐ•์ขŒ)๋“ฑ์œผ๋กœํ•œ๋‹ค.

KO, JUNG HWAN 17

๋””์ž์ธ์ „๋žต

์†๋ ฅ์˜๋ณ€ํ™”์—๋”ฐ๋ฅธํ”„๋กœ๊ทธ๋žจ์˜๋ชจ์ƒ‰

์ฒ ๊ธธ์˜ํ™œ์šฉ๋ฐฉ์•ˆ

๊ธฐ์กดํ์ฒ ๊ธธ

๊ธฐ์กด์˜ ์ฒ ๊ธธ์„ ์–ด๋–ป๊ฒŒ ์ด์šฉํ• ๊ฒƒ์ธ์ง€์— ๋Œ€ํ•ด ์ง„์ง€ํ•˜๊ฒŒ ์ƒ๊ฐํ•ด ๋ณด์•„์•ผ ํ•œ๋‹ค. ๊ณ„ํš ๋Œ€์ง€๋Š” ๊ธธ์ด๊ฐ€ 500m ์ •๋„๋กœ ๊ตฌ๊ฐ„์ด ๊ธดํŽธ์ด์ง€๋งŒ ์ง€๋ฐฉ์— ์žˆ๋Š” ํ์„ ๋ถ€์ง€์—์„œ์ฒ˜๋Ÿผ ๋ ˆ์ผ๋ฐ”์ดํฌ๋“ฑ์„ ์ ์šฉํ•˜๊ธฐ์—๋Š” ๋น„๊ต์  ๊ฑฐ๋ฆฌ๊ฐ€ ์งง๊ณ  ๋˜ํ•œ ๋‹จ์„  ์ฒ ๋กœ์ด๊ธฐ๋•Œ๋ฌธ์— ํšŒ์ฐจ์˜ ์–ด๋ ค์›€๋˜ํ•œ ์žˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค.๊ทธ๋Ÿฌํ•œ ์ด์œ ๋กœ ํฌ๊ฒŒ ์„ธ๊ฐ€์ง€ ์‘์šฉํ• ์ˆ˜ ์žˆ๋Š” ๋ฐฉ๋ฒ•์„ ์„ค๊ณ„์•ˆ์— ์ ์šฉ์‹œํ‚ค๊ธฐ๋กœํ•˜ ๋‹ค. ์ฒซ์งธ๋Š”๋Œ€์ง€์•ˆ์—๊ณ„ํš๋ ์†Œ๊ทœ๋ชจ๊ณต๋ฐฉ๋“ค์—ํ•„์š”ํ•œ์žฌ๋ฃŒ๋“ค์„์šด๋ฐ˜ํ•˜๋Š”์šฉ๋„๋กœ์“ธ์ˆ˜์žˆ๊ณ ๋‘˜์งธ๋Š”๋Œ€์ง€๋‚ด์—๋…น์ง€๊ณต๊ฐ„์„์กฐ์ƒํ• ๋•Œ์—์ฒ ๊ธธ์˜์นจ๋ชฉ ํŒจํ„ด์„์ด์šฉํ•˜์—ฌ๋ฆฌ๋“œ๋ฏธ์ปฌํ•œ ์กฐ๊ฒฝ๊ณ„ํš์„ ํ• ์ˆ˜ ์žˆ์„๊ฒƒ์ด๋‹ค. ์…‹์งธ๋Š” ์ฒ ๊ธธ์„ ๊ฐ€๋กœ์งˆ๋Ÿฌ ๊ฑท๊ฑฐ๋‚˜ ์ฒ ๊ธธ์„ ๋”ฐ๋ผ์„œ ๊ฑธ์„๋•Œ์—๋„ ๋ ˆ์ผ์˜ ๋†’์ด๋•Œ๋ฌธ์— ์พŒ์ ํ•œ ๋ณดํ–‰์— ํ–ฅ์„ ๋ผ์นœ๋‹ค(์žฅ์• ์ž๋Š” ๋ฐํฌ๊ฐ€ ๊น”๋ ค์žˆ์ง€์•Š์œผ๋ฉด์ฒ ๊ธธ์„๊ฑด๋„ˆ๊ฑฐ๋‚˜์ฒ ๊ธธ์„๋”ฐ๋ผ์ด๋™ํ• ์ˆ˜์—†๋‹ค) ๊ทธ๋ ‡๊ธฐ๋•Œ๋ฌธ์—์ฒ ๊ธธ์—๋ฐํฌ๋ฅผ๊น”์•„์„œ๋ชจ๋‘์—๊ฒŒ์พŒ์ ํ•œ๋ณดํ–‰๊ณต๊ฐ„์„์กฐ์„ฑํ•œ๋‹ค.

๊ณต๋ฐฉ์—์„œํ•„์š”๋กœํ•˜๋Š”์žฌ๋ฃŒ๋“ค์˜์ด๋™์ˆ˜๋‹จ ์ฒ ๊ธธ์˜์นจ๋ชฉ์„์ด์šฉํ•œ์กฐ๊ฒฝํŒจํ„ด ์พŒ์ ํ•œ๋ณดํ–‰์„์œ„ํ•œ(์žฅ์• ์ธํฌํ•จ) ๋ฐํฌ

์ฒ ๋„๋กœ์ธํ•ด๊ฐˆ๋ ค์žˆ๋Š”๋Œ€์ง€๋ฅผ์•ž์„œ์ œ์•ˆํ•œํ”„๋กœ๊ทธ๋žจ๋“ค์„์ด์šฉํ•˜์—ฌ์ด˜์ด˜ํ•˜๊ฒŒ์—ฎ์–ด์ฃผ๋Š”์ปจ์…‰์„์ œ์•ˆํ•œ๋‹ค. ๋˜ํ•œ๊ธฐ์กด์˜

โ€˜๊ธฐ์ฐจ๊ฐ€๋‹ค๋‹ˆ๋˜๊ธธโ€™์˜์ƒ์ง•์„ฑ์„์ด์šฉํ•˜์—ฌ๊ณผ๊ฑฐ๊ธฐ์ฐจ์˜์†๋„์—์„œ์ด์ œ์‚ฌ๋žŒ๋“ค์ด๊ฑธ์–ด๋‹ค๋‹ˆ๋Š”์†๋„๋กœ๋ณ€ํ™”๋œ๋Œ€์ง€์—๊ฐ๊ฐ์˜ํ”„๋กœ๊ทธ๋žจ์ดํ•˜๋‚˜ํ•˜๋‚˜์˜์ •๊ฑฐ์žฅ์ด๋˜์–ด์ž์œ ๋กœ์ด๊ฑธ์–ด๋‹ค๋‹ˆ๋ฉฐ์†Œํ†ตํ• ์ˆ˜์žˆ๊ฐ€ํ•œ๋‹ค.

Page 8: University of Seoul, Architectural Review 2010

ํ‰๋ฉด๋„

1F

3F

์ž…๋ฉด๋„

๋‚จ์ธก

๋ถ์ธก

KO, JUNG HWAN 19

2F

Roof Plan

Page 9: University of Seoul, Architectural Review 2010

Special Thanks To.

์•„๋ฒ„์ง€, ์–ด๋จธ๋‹ˆ, ํฌ๊ฒฝ์ด, ์ด์ถฉ๊ธฐ๊ต์ˆ˜๋‹˜, ๋ช…ํ›ˆ, ํ˜œ์ง„, ์žฅ์ค€, ๋ณธ์—ฝ, ์น˜์„ฑ, ์„ค๊ณ„์‹ค์นœ๊ตฌ๋“ค๊ณ ๋งˆ์šด๋งŽ์€์‚ฌ๋žŒ๋“ค๋ชจ๋‘๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.

KO, JUNG HWAN 21

Page 10: University of Seoul, Architectural Review 2010

M - PARK

ARCHITECTURAL REVIEW 2010

KIM,HYUNGTAE

Changdong Metro maintenance base Banghak 29st, Sanggye dong, Nowon gu, Seoul

As City developed, City needs lots of infrastructure. Usually it installed outside of the city. This area is one of the infrastructure space, Metromaintenance base. As thr expansion of the city, Metro need to be expanded. So city planed change to the Central Business District area.

But I suggest bring this space back to local citizen who indure lots of noise and uncomfort. With the original railroad at the space, it can possibleto change to Metro Educational park and Metro training institute for metro workers. People can get a experience like safety, how it work,

emergency evacuation and also can enjoy mobile park with train. In training institute part, existing buildings renovated for new functions. MainOffice building change to the domitory and engineering bay to the training space. And control tower change to main control center. All the Trains

work as a space module . With the simple installation, it can connect each train it can make flexible space for any program. And also break bigisland which blocked city with Jungrang stream. By mobility this huge space respond to every situation.

Like time, users, weather, season events.

๊น€ํ˜•ํƒœ Metro Education Park + Metro Trainning Institute

Page 11: University of Seoul, Architectural Review 2010

As sociery getting developed, peopleโ€™s reqirement getting diverse. Everyone want to be different from others and me a specioal.But actual spaces are hard to be change with these demands. So everything changed to multifuction to solve these situation.

THE DIVERSE REQIREMENT

KIM, HYUNG TAE 25

If space can be transform vy situation or time, it could be satisfy diverse requirements. In this project make diverse space and fuction by utilizing existing railways. And also can give back the dead space to local people.

TRANSFORM BY SITUATION

Page 12: University of Seoul, Architectural Review 2010

M - PARK

CITY EXPANSION

SITE RESEARCH

DE CONVERGENCE

็›งๅŽŸ - From long time ago nowon area worked as a connectionpoint. From the 3dynasty age, this area showed up athistory. From Korea dynasty it called as a nowonyeok Atthe Chosun dynasty, it was included to Yang-ju , 1963 toSungbuk gu anda t 1973 to Dobong gu. at the 1988 itwas seperated.

Madeul - This area has lots of reeds from long time ago, and alsothere were horses. So people called this area horse andreeds Madeul.

Industry- With the expansion of city, poor residence town built bypeople. and 90% of lands used for agriculture. Withthese men power, City planed huge APT town. Andnow by concentration of jobs at CBD, this area hasterrible traffic jam at rush hour. It keeps one of thehighest density in Seoul.

Population

Households 222,109 Population - 646,753 This area has Secondary dense in Seoul.And also it has the most number ofpeople who commute for there jobs.

Site research - programCommercial area

School

Elmentary school - 42Middle school - 27High school - 26College - 7

Commercial APT

Detached house

InstituteBar

SchoolInstituteSite

Residence area

Residence

Total - 192,232APT- 157,078Detached house - 34,377Town house - 1,477

SPACE

PROGRAM

Sleeping

Water closet

Studying

Working

Dining

Living

Guest room

Water closet

Studying

Working

Dining

Living

Sleeping

Dress room

Guest room

Water closet

Studying

Working

Dining

Living

Sleeping

KIM, HYUNG TAE 27

SITE MAP

SITE ACCESS

SEPERATED ACTIVITY

SITE ANALYSIS - Connect Island of city

Nature Transportation Public Space

Site

Residential Area

Day time Activity

Night time Activity

Access for car

Access for people

Access to Jung rang cheon

This area exists as a island. Without anyconnection with surrounding context. Site used to be a wall which block theJungrangcheon from the town.

ProgramDriving CenterInstiuteShopping area

ProgramBarMotelCompany

CarSubwayWalkBlcycle

Page 13: University of Seoul, Architectural Review 2010

M - PARK

KIM, HYUNG TAE 29

TRAINING & EDUCATIONAL CENTER

ACCOMODATION

CONTROL CENTER

Engineering Training

Common Training

Media Training

Page 14: University of Seoul, Architectural Review 2010

M - PARK

SITUATION PROCESS

With Utilizing all the Train and Railroad, It can make flexible space. Set the lots of conditions .So I analysis with time, users, circulation, season and weather. with some type of the moduleby programs. All the program can be mixed and changed.

Movable

Non-movable

LibrarySeminar roomgalleryCafeMedia room

AccomodationClass roomInformation CenterStudy room

STUDY ROOM

LIBRARY

CLASS ROOM

EXHIBITION SPACE

SEMINAR ROOM

CAFE

MEDIA SPACE

Module basic connection

Module analysis

Access analysis

connection

fill in

Park

Training Institute

Space can be made bycombination of module. Itcan react to diverse situationin any condition. It can alsocontain outdoor space withconnection bridge and stairsto the ground level.

mix subtraction

MODULE COMBINATION

User analysis

PROGRAM COMBINATION

KIM, HYUNG TAE 31

SITUATION

Night

Morning

Noon

Old people

Evening

Winter

Summer

Shuttle system

Institute complex

Training Institute

Lane Usage

Shuttle laneExperience laneWalking lane

Landscape

Media space

Library

Resting space(Cafe)

Experience space, Training space

Public space(W/C)

Public space(W/C)

Seminar room

Class room

Open space

Education space

Shuttle

Empty space(For expansion)

Page 15: University of Seoul, Architectural Review 2010

3S + G = REGENERATION

ARCHITECTURAL REVIEW 2010

PARK,DONGCHOUL

The continuing dissolution of the family and a large increase in single resents a new concept in our society. Especially the collapse of a large family and consisting of a variety of forms in single family makes the change of living space. Recently,

Korea is increasing high proportion of 1 person house.

Myung-dong in Seoul have street of desire, consumption. There are a lot of foreign brand coffee shops, restaurants, boutiques, cinemas, and many hair salon on the street. They can be eating and drinking, shopping and chatting all day in Myung-dong where surrounded

between high-rise buildings, weaving on the street. Depending on the desire is excreted, consumed in space. Myeong-dong where is colorful, and more than $ 100,000 per square meter of high ground is the worst place in the residential environment.

Most of people who is the workers and disadvantaged people live here. This project is 1person house for them.

Myung-dong is Korea's first regional tourism districts, is the central business district. It is possible to use inside space in block due to relaxation floor area ratio and building coverage. Therefore, My goal is regeneration to abandoned space by my project.

๋ฐ•๋™์ฒ  1 Person house in between abandoned spacein Myung-dong

Page 16: University of Seoul, Architectural Review 2010

ABANDONED SPACE IN MYUNG DONG >>REGENERATION

CONCEPT

HIGHER POVERTY RATES AMONG HOUSEHOLDS WHERE THE ENTIRE HOUSING

There are a lot of abandoned space between buildings in Myung dong. Abandoned space is located inside block.Because the majority of commercial houses along each block on the outside of the building, where they attractthe people to gather.For that reason, the inner space of the unit block is discarded. These spaces are a candidatefor my project.

My site abandoned space. There are no actions. So, i pull up the site,and meke some guesture, like vertical something, where located in the middle of strip high rise building. And, thebuilding uses the density of Myung-dong. It is use High density is in low level, low density is in highlevel, is determined size of the unit, lighting, and elevation. Because the buildings areadjacent to each of four sides, is determined public garden, opening by relationship both sides.

abandoned space

Amass unitsPenetrate nature

between unit Break, make stacks Arrange units

density

density

Central Business District_ Myung-dong

Floor area ratio 60%<90%

Building coverage 800%<1560% >>The possibility of building inbetween abandoned space

PARK, DONG CHOUL 35

STRATEGY

SITE READING THE CITY

Occurring in the middle of building the Hanging Gardens is that the air passages of the stack, It could be communication space for residents of the building & officer. Thevertical flow of greenery offers a visual city park. In addition, the connection between both buildings could be evacuation when fire, and could be extension park to city. It issignificant regeneration Inside this block of land is abandoned space, using the city as a whole more efficient.

Lighting Ventilation Elevation strategy

Toilet& kitchen

Sale method

Roof use

Myeong-dong is the most colorful and bustling city. But, Myeong-dong has the worst in residentenvironment.The people who live here are mostly low-income people. I would like to Improve theenvironment of low-income housing. Thus, the density of the city and the surround-ing circumstances,I suggest 1person housing in between abandoned space

There are two defferents charaters beside Toegae Rd. Our site is in lattice urbanfablic. Also, The site is in strip high-rise line. As thinking Urban context, floorarea ratio, it has posibility to be high rise.

Page 17: University of Seoul, Architectural Review 2010

The title of my project is 3s+g=Regeneration. 3s means 3stacks, g means green, so I want to use 2 idea, and iregenerate abandoned space in Myung dong. The reason why make 3 stacks is the site is located in like Island. So, it isnot good for lighting, ventilation. 3 stacks is solution. basically, it has 3 stack. 2 stack for south is lighting to 2 floor. But,itโ€™s too long. So I creat a public garden in the middle of the stack, it will help ventilation and lighting. A stack for north isfor ventilation and equipment line. For north, many toilet, kitchen is located, They need that. Green is helped officeโ€™senvironment. When they work in office, green make their office work ability is high, is good for rest, view. itโ€™s like veticalpark. and itโ€™s also community space for residents.

3 STACKS GREEN

PARK, DONG CHOUL 37

Page 18: University of Seoul, Architectural Review 2010

The unit has 10 kinds of types, but the area is different for each unit.Although the same unit type, the area may be different.Combination units are focused on the stack. The buildingโ€™s facade aredetermined by the combination of units. T-9 and 10 connect roofgarden. So, resdents go up & down outside. They can sky-walk in city.

1 Story type

2F Plan 3F Plan

4F Plan 5F Plan

1F Acess Plan

8F Plan 10F Plan

13F Plan 18F Plan

2 Story type

UNIT TYPE

PLAN STRATEGY

ELEVATION STRATEGY

PARK, DONG CHOUL 39

West-Elevation South-Elevation

Page 19: University of Seoul, Architectural Review 2010

PARK, DONG CHOUL 41

Myeong-dong is not spectacular in the ornate building, a gorgeous rich people are not living in the end forthe weak of society by providing them with a pad like the idea of social communication was. Through thebuildingโ€™s public green spaces in the natural splendor, Itโ€™s possible to communication by providing verticalviews of the park to urban, so it is a pysical communication. Horizontal expansion of the park through apublic garden, and eventually abandoned dong was thought to have been ground to communicate.

Page 20: University of Seoul, Architectural Review 2010

MEMORY OF BOUNDARY

ARCHITECTURAL REVIEW 2010

JANG,SEONGDO

๋ฏธ๊ตฐ๊ธฐ์ง€์˜๋ฌผ๋ฆฌ์ ๊ฒฝ๊ณ„์—์„œ๊ทธ๋“ค์ด๋‚จ๊ธดํ”์ ์„๊ธฐ์–ตํ•˜๋‹ค... A part of Yongsan U.S. Army base

Spiritual boundaryPhysical boundary

Japanese colonial eraColonial history

์žฅ์„ฑ๋„ Memorial museum of memorial boundaries and military history

Page 21: University of Seoul, Architectural Review 2010

PRESENT SITUATION - 2 TYPES OF BOUNDARY- Spiritual boundary between [Korean around Yongsan] and [U.S. soldiers]Criminal Event Case ex) attack, sexually assault, murderReaction ex) candlelight vigilEffect of SOFA reform ex) in case of serious offense,

can prosecute and arrest at onceDoorae-bang support females at military camp town

- Physical boundary between [Korea] and [U.S.A. in Korea]The base is wall blocked through all around the baseIt has not be opened to public for about 70 years Only U.S. soldiers and authorized personnel can accessKorean law is not legaly inside of the boundary

Korea

Trace Meaning installation

USA in Korea

THE WAY TO APPROACH GREEN AXIS TRANSPORTATION BY WATER

MEMORY OF BOUNDARY

gather supplies through the Han river

Japanese military postImjin war

Monggo military post

1917 ๊ฒฝ์„ฑ๋ถ€๊ด€๋‚ด๋„๋ถ€์„ธ์ผ๋ฐ˜

1910 ๊ฒฝ์„ฑ์‹œ๊ฐ€์ „๋„ 1914 ๊ฒฝ์„ฑ์‹œ๊ฐ€๊ด‘๊ณ„๋„ 1917 ๊ฒฝ์„ฑ๋ถ€๊ด€๋‚ด๋„๋ถ€์„ธ์ผ๋ฐ˜ 1927 ๊ฒฝ์„ฑ๋ถ€๊ด€๋‚ด๋„ 1934 ๊ฒฝ์„ฑ๋ถ€๊ด€๋‚ด๋„ 1950 ์„œ์šธ์‹œ๊ฐ€์ง€๋„

1922 ๊ฒฝ์„ฑ๋„ 1934 ๊ฒฝ์„ฑ๋ถ€๊ด€๋‚ด๋„ 1950 ์„œ์šธ์‹œ๊ฐ€์ง€๋„

End of Korean dynastychinese / Japanesemilitary post

After the Sino-Japanese War

open to foreignersAfter openning a port

A part had seperated from the garrisonand had been planed to grid shape.

Boundary of the garrison had been arranged by US army after Independence Day

U.S. military postAfter independence

13C 1876 1892 1945

1592 1882 1904 2014

It will be used for parkYongsan park

15C. the Joseon Dynasty period

18C. Japanese colonial era

19C. After independence

21C. Present

developed walled city centered in Hanseong hinterland

between Yongsan and Han riverJapanese military post at Imjin war

Japanese residential area appearedgourd dipper shaped city was madeJapanese military post at Yongsan

U.S. military post at Yongsan

the growth of a city -satellite town developed,

Han river renaissance U.S. military post at Yongsan

the ROK-U.S. Combined Forces Command

Boundary of Seoul

Yongsan

Chinese military postImo war

tmilitary headquarters Yongsan parkRusso-Japanese War

SEQUENCE OF FORMING SEOUL

HISTORY

SEQUENCE OF FORMING THE GARRISON

STREAM CHANGING IN OLD SEOUL MAP

JANG, SEONG DO 45

Page 22: University of Seoul, Architectural Review 2010

AROUND THE YONGSAN GARRISON

STRATEGY SEQUENCE OF FORMING THE ROADS

It is located at center of Seoul

It is surrounded by main road of SeoulBanpo-roSeobinggo-roItaewon-roHangang-ro

Subway4 lines of subway are passed by the yongsan garrison.Line 1

46Joongang

SurroundingsDefense Acquisition Program AdministrationThe War Memorial of KoreaMinistry of National DefenseNational Museum of KoreaNamsan

1910 1923

1927 1936

JANG, SEONG DO 47

ROAD SYSTEM

RELATIONSHIP BETWEEN THE BOUNDARY AND BUILDING

Namyung 1 gil

Hooamdong gil

influenceable

Existing building in Army base

One-way systemSubway exitBus stopPedestrian circulation

7+654321F

Base

Base

BaseSchool

Yongsango gil

Inner greenary

Part of building

Space dividing

- Gate for pedestrianIt is opened only at 06:00~08:00

11:00~13:0016:00~18:00

At lunch and dinner time, many pedestrians pass by infront of the gate.Therefore many restaurants are around the gate.And there are only few people passing at south part from the gate.

- Access from public transportationThere are easy access from public transportation.

Subway Line 1. Namyung stn.Line 4. Sookmyung womenโ€™s univ. stn.

Bus149 150 151 152 162 202 405 421 500 501 502 504 506 507 605 750A 750B 751 7521711 7016 6001 yongsan02

- One-way streetA one-way system is being used, because street is too narrowfor movement in both directions-in.

- Designated parking lotparking is only allowed on one side.

Page 23: University of Seoul, Architectural Review 2010

BOUNDARIES ; WALL TYPE

DRAWINGS

Remained wall

1F

B1F

Only Remained stylobate Wooden wall Remained wall with painting

JANG, SEONG DO 49

STUDY MODEL

BOUNDARY CONCEPT

Media wall Punched wall

blocked walls are on the boundary blocked walls are replaced by new one

Present Proposal

Army Base Army Base

Page 24: University of Seoul, Architectural Review 2010

MODEL

DRAWINGS

3F

2F

JANG, SEONG DO 51

SECTION MODEL

CONCEPT MODEL

3D RENDER IMAGE

Page 25: University of Seoul, Architectural Review 2010

AQUATHEAUE

ARCHITECTURAL REVIEW 2010

MOON,IN SEOK

The space where has organic relationshipwith river be severed by urban infra structure and itโ€™s fixation.It makes disconnection from river and be isolatedcondition.

Using the water re-connect the severanceand make new flow

๋ฌธ์ธ์„ INTRO

Page 26: University of Seoul, Architectural Review 2010

In past, the site has characterized with water in fluxible, but the growth of cities and fixed infrastructure that make cut off from the origin.Unused land is neglected as urban pond water to flow through the newly site for

looking the original character of the land and its citizens to take advantage of the cultural space

In this way the organic relationship to the river and the land will bear againAs elements for concept and program you can enjoy and feel the water in the park.

CONCEPT

CONCEPTURE IMAGE

separated connected+ water

MOON, IN SEOK 55

SITE SITE ISSUE

outside

changes in peripheral (residence)high-density apartment

์ถ•ํ˜‘์ค‘์•™ํšŒ์„œ์šธ์‚ฌ์—…์†Œ,๊ตญ๋ฆฝ๋™๋ฌผ๊ฒ€์—ญ์†Œ

216์„ธ๋Œ€๋™์ผ์Šค์œ„ํŠธ๋ฆฌ๋ฒ„(2007.05)

๋™์„œ์ฒ ๊ฐ•, ๋™๋„๋นŒ๋ผ, ์™ธ 45์—ฌํ•„์ง€

297์„ธ๋Œ€ํœ˜๊ฒฝ์„ผํŠธ๋ ˆ๋นŒ(2011.02)

150์—ฌํ•„์ง€(ํœ˜๊ฒฝ4๊ตฌ์—ญ)

451์„ธ๋Œ€ํœ˜๊ฒฝ๋ธŒ๋ผ์šด์Šคํ†ค(2011.12)

City City City

inside

SITE READ

dongdaemun-gu

jungrangchun

jungrang-gu

historical fabric- spontaneous

animated nature- linear

fixed nature- curved

new fabric- grid

connecting pointSite

baebongsan

city river

city river

bank road

FACILITY INFO

SITE HISTORY PROPOSAL

Page 27: University of Seoul, Architectural Review 2010

DESIGN PROCESS

SITE ANALYSIS SKY VIEW IMAGE

MASS DEVELOPE

default status

each plate and pole be connectedbecome a one slave

exsist

volume up

mass design

volume down

roof connect

slave connected each other between space become especial program

slave express to outsideconnect the site

insert the plate make many slave

vertical input - pole (circulation, light way)

transforme of plate

transforme of pole, plate and pole take effecteach other

make space

MOON, IN SEOK 57

INTERIOR VIEW IMAGE

PROGRAM & CIRCULATION

Water Exhibition Route Water Exhibition Space

Cultural Space

Administration

Spa

Outdoor space

Exhibition circulation

Circulate route

Page 28: University of Seoul, Architectural Review 2010

MASTER PLAN

MOON, IN SEOK 59

Page 29: University of Seoul, Architectural Review 2010

MODEL IMAGE

UNDERGROUND SPACE IMAGE SECTION

UNDERGROUND PARK

MODEL IMAGE

MOON, IN SEOK 61

PLAN

2F

3F

4F

Roof

MODEL IMAGE

Page 30: University of Seoul, Architectural Review 2010

FLATPORT

ARCHITECTURAL REVIEW 2010

CHUNG,BYUNGKYU

INTRO

์ž์—ฐ์†์˜โ€œMobile & Unfixabilityโ€์ธ์กฐ์ˆ˜๊ฐ„๋งŒ์˜์ฐจ๋ฅผ์ด์šฉํ•˜์—ฌ์ƒํƒœ๊ฐ€์–ด์šธ๋ฆด์ˆ˜์žˆ๋Š”โ€œMobile & Unfixabilityโ€ํ•œ๊ณต๊ฐ„์„๋””์ž์ธํ•˜๋Š”๊ฒƒ์ด๋‹ค.

์ฆ‰, ์ˆ˜ํ‰์ ์œผ๋กœ๋ณ€ํ™”ํ•˜๋Š”์ž์—ฐ์—๋„ˆ์ง€๋ฅผ์ด์šฉํ•˜์—ฌ์ˆ˜์ง์ ์œผ๋กœ๋ณ€ํ™”ํ•˜๋Š”๊ณต๊ฐ„์„์ œ์•ˆํ•˜๋Š”๊ฒƒ์ด๋‹ค.๋ถ€๋ ฅ์„์ด์šฉํ•˜์—ฌ unit์˜๋†’์ด๋ฅผ์กฐ์ •ํ•˜๊ณ , ์ธ๊ฐ„๊ณผ์„ ๋ฐ•์ด์ง€๋‚˜๊ฐˆ์ˆ˜์žˆ๋Š” bridge์ด์ž,

์„œ๋กœ๋‹ค๋ฅธ์ƒํƒœ์™€๋ฌผ์„ฑ์ด์กด์žฌํ•˜๋Š”๊ณต๊ฐ„์„์ œ์•ˆํ•œ๋‹ค.

์ •๋ณ‘๊ทœ Urban screening + Flatport

Page 31: University of Seoul, Architectural Review 2010

CONCEPT

CONCEPT MODEL UNIT CONCEPT

FLAT

20C 21C

PROGRAM

OCEAN

FLOW LINE

Constructing the city from the notion of the โ€˜FLATโ€™ is the way to move veyond 20th century hight-density vertical mordern city. โ€˜FLATโ€™has not hierarchical structuere but the iconic horizontality and possibility to be anything.

object axial contrast view corridor reversal background

CHUNG, BYUNG KYU 65

IMAGE

SITE Location

In childhood. I looked at the sea horizon, and I thought it was exist what a beautiful world beyond the horizon. I heard many legends and stories, but all exist only in my imagination, but there was far-off places in reality. I got old, I became able to navigate toward the endless horizon, and I looking at all kinds of fantastic creatures with taken to raise the net, I wondered what was laid under the sea. Because deep sea was unable to approach, I gets bigger my desire to know under the sea. Beyond the sea surface with boat drifting, the sea is deeper and endless source of life and was wonderful. <The history of a fisherman>

market

eco

bowl

generation

lab

event

space

Page 32: University of Seoul, Architectural Review 2010

HISTORY OF LAND Reclamation project in Incheon is the most one place in Korea. And the reclamation project in Incheon, the new transportation system has been raised.In particular, Sorae is near the ocean in the past, But now, Sorea is closed small sea.

Sorae port performed role of edge in country. Because Soraeโ€™s land was a deep inland sea, it prevail reclamation project and accumulated with history.

coast-battery(3unit): recognition of edge in country

660 invasion of Sojungbang 1922 fomation of PyeongAnvillage for saltern worker

1963 living area of displaced fishing people

1970s development of saltern 1980s development of industrial complex

1996 stoppage of the Suwon-Incheon railroad

2000s the sole fishing market in metropolitan area

Seoul-Incheon highway:connection of industrial complex

Incheon 1st railroad: connection of industrial complex

Seoul-Incheon canal: connection of Seoul-Gimpo,CheongNa, Airport

Airport highway,railroad: connection of Seoul-Gimpo,CheongNa, Airport

reclamation for industrial complex reclamation for Incheon protreclamation for industrial complex

reclamation of CheongNa district reclamation of CheongNa districtmake SiHwa lakereclamation for Incheon portreclamation for industrial complex

reclamation for Incheon airportSongDo interantional cityreclamating of inlandreclamation of SiHwa lake

And unlike the past, we have made new traffic system in sorea for change of land.

So, I suggest project that build a new history with consideration about surroundings. It is PORT + EXPERIENCE facility.

1920s 1970s 1980s 1990s 2000s 2010sChange of the land

Make new line

By differences in the role of tidal bridge from the program over time to contain a variety of roles in creating the space.

01:00-low tide 17:00-high tide

TIME BASED SCHEME

History of sorae

INCHEON

CHUNG, BYUNG KYU 67

Urban line

Program Direction Morphology Space Experience Scale Using Material

Point Program

21:00

Connection was just a role different from the existing infrastructure, and new infrastructure is contained program.PROCESS

ANALYSIS OF SORAE

Page 33: University of Seoul, Architectural Review 2010

FLOW SYSTEM Have a system that can float and can be combined and extended that possibility of multiple unit. At approximately 9M tidal differances is using a variety ofspaces by planing. In other words, changing the horizontal in natural energy is showing vertical changes of space.

level 10. sorae railroad

fisherman

resident

merchant(weekday)

merchant(weekend)

visitor

visitor(weekend)

Timetable

flow level

FLOW BARCODE

Minimal + Combine

CHUNG, BYUNG KYU 69

TYPE I suggest that 3type unit for structure, for ecology, for people PROGRAM

Transpotation

Ecology bowl

Event space

Divided into 5 separate nature of each program. And program of a similar nature is zoning.

USING All units is used fish, people, creature... and all materialsbe stacked in each unit.

SYSTEM Unlimited use of natural energy within the energy, landuse planning system is proposed is 0.

Fixed type = structure + program

Fish : indicator + observation

Tidal power generation system

lighting by tidal air-conditioning, ventilation using the buoyancy

Latent heat system Buoyancy system

People : make program

Material : new mud + experience

Landing type Floating type

terminal

water

dock

mudflat

blue

people

fish indicator generator cafe

exhibition performance saltern mud

opening

ocean

regular activity

nature

Page 34: University of Seoul, Architectural Review 2010

1F(GL.6) PLAN

2F(GL.10) PLAN

3F(GL.13) PLAN

CHUNG, BYUNG KYU 71

PROJECT DETAIL

LEGEND

NEW INFRASTRUCTURE

SKIM

VARIOUS LEVEL

ELEV

ATIO

N- ์œ„์น˜ : ์ธ์ฒœ๊ด‘์—ญ์‹œ๋‚จ๋™๊ตฌ๋…ผํ˜„๋™์†Œ๋ž˜ํฌ๊ตฌ์ผ๋Œ€- ๋Œ€์ง€๋ฉด์  : ์•ฝ 13920m2

- ๊ฑด์ถ•๋ฉด์  : ์•ฝ 7679m2

- ์—ฐ๋ฉด์  : ์•ฝ 10250m2

- ๊ฑดํ์œจ : ์•ฝ 55.16% - ์šฉ์ ์œจ : ์•ฝ 73.63%- ์ธต์ˆ˜ : ์ง€ํ•˜ 3์ธต ~ ์ง€์ƒ 3์ธต- ์กฐ์ˆ˜๊ฐ„๋งŒ์ฐจ : ์•ฝ 9m

PEOPLE

BIOLOGY

PEOPLE BIOLOGYPEOPLE BIOLOGY

event infrastructure

ecology infrastructure

new traffic system

urban regeneration

experience

production

transpotationconsum

ption

dirct-sight,skin

indirect-sight,sound

direct-taste,smell

Territoriality

1. CAFE2. OUTDOOR PERFORMANCE3. GERERATOR4. TERMINAL5. EXHIBITION6. DECK7. LAB / OFFICE8. MARKET

15m (newrailway)10m (sorae railway)6m (ground level)3m (flood tide)0m-3m (edd tide) SECTION

- GREEN(tree)- RED(mud)- BLUE(sea)- ECOBOWL

Infrastructure+ Program New infrastructure

Experience

Function

Territoriality Program Function Experience

Openspace

Page 35: University of Seoul, Architectural Review 2010

RE-ROAD

ARCHITECTURAL REVIEW 2010

PARK,DU RI

Dongdaemun Apartment was left out from Changshin newtown. Instead of redeveloping, Seoul city renovate a Dongdaemun Apartment and Turn it into culture facility.

So I was interested in the announcement, stared the Design. Site have various history Heritage and Cultural Contents. Site is in the Urban Center. and have Liquidity. So Liquidity and culture facility aombine to Artist residence.

This Artist residence system is that the Public and Artists gathered Temporarily. In addition, This site have cultural self sufficient system. So It is Right that Here Artist Residence is.

and I Suggest mixing local contents(Injang) and artist residence. This Suggestion represent Mixing existing road and cultural contents for Artist.

So this mixing road become New Road. So Artists get attaching Public and working space. And Artist give Site cultural Service. This System will activate changshin dong.

(Chashin is coomercial area. So this site need Activation.)

๋ฐ•๋‘๋ฆฌ

Page 36: University of Seoul, Architectural Review 2010

Dongdaemun Apartment was left out from Changshin newtown. Instead of redeveloping, Seoul city renovatea Dongdaemun Apartment and Turn it into culture facility. So I was interested in the announcement, staredthe Design. Site have various history Heritage and Cultural Contents. Site is in the Urban Center. and haveLiquidity. So Liquidity and culture facility aombine to Artist residence. This Artist residence system is that thePublic and Artists gathered Temporarily. In addition, This site have cultural self sufficient system. So It is Right that Here Artist Residence is. and ISuggest mixing local contents(Injang) and artist residence. This Suggestion represent Mixing existing roadand cultural contents for Artist. So this mixing road become New Road. So Artists get attaching Publicand working space. And Artist give Site cultural Service. This Systemwill activate changshin dong. (Chashin is coomercialarea. So this site need Activation.)

PARK, DU RI 75

HISTORY OF ROAD IN CHANGSHIN

HISTORY OF ALLEY IN THE SITE

Suggestion : HISTORY CYCLE

1760 ํ•œ์–‘๋„ ~ 1861 ์ˆ˜์„ ์ „๋„

1950

Commercial

Stie : Starting Point of Cycle , Start of area outside Seoul Wall,Crossing The Historic-cultureHeritage.

Bank Hotel Seal PrintToy & Writing Material

19501960

1921 1940 ์„œ์šธํŠน๋ณ„์‹œ๊ฐ€๋„ 1914 ๊ฒฝ์„ฑ๋ถ€๋ช…์„ธ์‹ ์ง€๋„ 1936 ๋Œ€๊ฒฝ์„ฑ์ •๋„

Page 37: University of Seoul, Architectural Review 2010

PROCESS SITE PLAN

PARK, DU RI 77

Page 38: University of Seoul, Architectural Review 2010

PROGAM

VIEW

ELEVATION

Local Contents : Engraving Seal

Experience+ Design.................. Choosing the material.................. Sketch.................. Cutting the seal.................. Putting the seal.................. Modifing the sealExhibition

PARK, DU RI 79

Cultural facility : Urban AIR(Artist In Residence)

PublicProject

ProjectProject

Time (Min or Day or Year)

Cultural Service

Housing & Working space

Project Work

Artist PublicArtist

Page 39: University of Seoul, Architectural Review 2010

PLAN

SECTION

PARK, DU RI 81

Page 40: University of Seoul, Architectural Review 2010

FASTEN YOUR CITY BELT

ARCHITECTURAL REVIEW 2010

SI, EUI MI

PungNab Earthen Rampart was built in Beakje era. Despite of a very extensive scale, its cultural and historical value has not be recognized.

However, in the 2000s, a number of remains from Beakje were excavatedand all of apartment construction in urban development were stopped.

Now, this area is divided over the issue, Historic City Preservation and Development.What is the way to interact with โ€˜the Past and the Presentโ€™, โ€˜Inside and Outside of the rampartโ€™ and

โ€˜Conserving the historic site and Living of the busy city in the presentโ€™?

์‹œ์˜๋ฏธ Hansung Bakje Musium in PungNab-dong

Page 41: University of Seoul, Architectural Review 2010

SITE SURVEY

SITE ANALYSIS

Location Subway Bike Path

BALANCING DEVEOPMENT AND CONSERVATIONCONNECTING OLD AND NEWINTERACTING INSIDE AND OUTSIDE

Heritage Price of Land

SI, EUI MI 85

FASTEN YOUR CITY BELT

CONCEPT DIAGRAM

HISTORY OF PUNGNAB RAMPART

Existing Condition

Royal Garden Royal Ancestral shrine

Residential Area for Palace Official

Discovery of Historic Site

Connection

Scenery

Interacting

Page 42: University of Seoul, Architectural Review 2010

IDEA SKETCH

ACTIVITY OF RAMPARTS

< Different experience with various level of earthern ramparts >

The hill is high, but it isnโ€™t difficult to climbbecause the gradient of the path is very gentle

People can pass through the tunnel.(4th floor) Scenic walks on the roof connectedwith pubric program in Museum

Visitor Circulation Walk with Earthen Rampart

MOVEMENT SECTION DIAGRAM

SITE CONDITION

SI, EUI MI 87

DRAWING

์ง€๋ถ•์ธตํ‰๋ฉด๋„

3์ธตํ‰๋ฉด๋„

2์ธตํ‰๋ฉด๋„

EXISTING RAMPARTS RESTORATION OF RAMPARTS EXISTING RAMPARTS

SITE ( Length : about 253m)

3D IMAGE

Page 43: University of Seoul, Architectural Review 2010

COCEPT MODEL

FOSSILE MODERNO (2004)Massimiliano Adami

๋‚ด๋ถ€์—์ƒ๊ธด๋ณผ๋ฅจ๋“ค์€๋‹ค๋ฅธ์˜ค๋ธŒ์ œ๋ฅผ๋‹ด๋Š”๊ณต๊ฐ„์ด๋œ๋‹ค.Inside volume makes the space to put another objet.

SI, EUI MI 89

Museum is devided into two parts. One is Restored rampart to experience real construction ofearthern ramparts and the historic remains at the ground level of beakje. And the other is building parts that have the function of a musemincluded service room, office,study room, resting room, cafeteria, etc.

SQUARE. Water fronts reacts a moat of Beakje metaphorically. This connects both sides of thewalkway and function to save energy.

OBSERVATORY. Visitors can view all of PungNab-dong as well as nearby heritage of Bealje eraand Han-river.

1 : 300 MODEL

Page 44: University of Seoul, Architectural Review 2010

MAY 2010 , EXHIBITION

EXISTING RAMPARTSHEIGHT : max 9M

EXISTING RAMPARTSHEIGHT : max 4M

RESTORATION OF RAMPARTSHEIGHT : max 9M

SI, EUI MI 91

NAB MUSIUM 2010 @ UOSBY SI EUI MI

Page 45: University of Seoul, Architectural Review 2010

MUTORY[MIXED MUSEUM & FACTORY]

ARCHITECTURAL REVIEW 2010

YOO,EUN A

The existing exhibition usually put some art works away from the visitors for protecting them. Visitors can see the situation which the museum have made for exhibition.

I want to make people come to the real exhibition space. People can enjoy not only private manufacturing space in a plant

but also come through the museum naturally. People experience what they see and test it.

The factory also can feel pride and get a opportunity the product. I want to mix the function between factory and museum.

์œ ์€์•„ Traditional Liquor Experience-Seoul Takju Remodeling-

Page 46: University of Seoul, Architectural Review 2010

SITE RESEARCH AND ANALYSISView from site View to site Noise

open view to parkclosded view park

elderly housing

service area

from river

passage from residential streetfrom bus stop

urban green space

Noise

from APT

service area

road

road andwooe river

semi-closed

open view to river

YU, EUN A 95

SITE ANALYSIS

IDEA SKETCH PROPOSAL 1

PROPOSAL 2

Pederstrian circulation Neighbor hood Vehicular circulation

Way of the marketNatural

Wooe river

APT

APTGreen space

Wooe riverSamyang

existing building

New buildingstorage

Seoul Takju

Car parking

new bridgeMain Road

Traffic light

BUSTraffic light

parkriver

elderly housing elderly housing

Commercial

Sub entrance

Green Space Factory

RenovationPresent condition Expand Approach Green garden

Add museum Next building Add new corridor Preservation and create

New relationship

Museum

Existing story

Greenspace

parking

natural garden

outdoorgarden

Main entrance

bus stop

Main Road

Market

Changdong market

comm

ercial

west

eastBus stop

Sinchang market

Changdong m

arket

Pedestrian crossing

Page 47: University of Seoul, Architectural Review 2010

MANUFACTURING PROCESS

HORIZONTAL CIRCULATION RELATIONSHIP

EXHIBITION IDEA

LOCATION OF TRADITIONAL LIQUOR STORES

HISTORY OF MAKGEOLLI AND PEOPLE

์ž…๊ตญ์ œ์กฐ๊ธฐ(์Œ€์ฆ์žํ›„๊ณฐํŒก์ด๊ท ์ธ์œ„์ ๋ฒˆ์‹)

์ฃผ๋ชจ์‹ค(ํšจ๋ชจ๋ฅผํ™•๋Œ€๋ฐฐ์–‘)

์‚ฌ์ž…์‹ค(ํƒ์ฃผ๋ฅผ๋ฐœํšจ)

๋„์ •๊ธฐ(์Œ€์˜๋„์ •)

๊ณ ๋‘๋ฐฅ์ œ์กฐ๊ธฐ(์Œ€์„๋ฌผ์—๋ถˆ๋ฆฐํ›„๊ฐ•ํ•œ์ŠคํŒ€์„๊ฐ€ํ•˜์—ฌ์ฐŒ๋Š”๊ณผ์ •)

In 1916 : 2 thousand 8000 liquor stores. In 2006 : all over the country liquor store : 750 places

produce 2000 kinds of Makgeolli

1. Yeongdeungpo 2. Geumcheon3. Gangdong4. Eunpyong5. Dobong6. Seongdong 7. Jungnang

Easy to found traditional liquor stores in the past

Improve not used space with the Changes of the Times in space

Space regeneration with adding new programs using Spacial Analysis of the derelict space

Cultural Attractors(Hot Spot)

Tasting new & various traditional alcohol

Not temporary space, sustainable growth withe a new programs

Drinking etiquette Raster education

Experience

Main entrance Manufacturing roomSouvenir shop

Cafeteria

Disinfecting room Factory hall Deck and cafeteria

Factory

Staff loungeEntrance from river

Museum

History exhibition Instrument exhibition

Design experience Seminar room

์ œ์„ฑ์‹ค(ํƒ์ฃผ๋ฅผ๊ฑฐ๋ฅด๊ธฐ)

์ œ์„ฑํƒฑํฌ

์ €์žฅํƒฑํฌ(๋งŒ๋“ค์–ด์ง„ํƒ์ฃผ์›์•ก์„์ €์žฅ)

๋ณ‘์ •๋ ฌ๊ธฐ(๋นˆ๋ณ‘์„์ž๋™์ •๋ ฌ)

๋ณ‘๊ด€์ฐฐ๊ธฐ(์ด๋ฌผ์งˆ์—ฌ๋ถ€๊ฒ€์‚ฌ)

์›์•ก์ฃผ์ž…๊ธฐ(๋ณ‘์†์˜ํƒ์ฃผ์›์•ก์„์ฃผ์ž…)

๋™๋™์ฃผ๋ฐฅ์•Œ๊ฐฑ์ดํˆฌ์ž…๊ธฐ

์บกํ•‘๊ธฐ(ํƒ์ฃผ๋ณ‘๋งˆ๊ฐœ๋กœ๋ง‰๊ธฐ)

ํƒ์ฃผํฌ์žฅ(ํƒ์ฃผ์ƒ์ž์ŠคํŒ€์„ธ์ฒ™)

์™ธ๊ด€์„ธ์ฒ™๊ธฐ

YU, EUN A 97

THE IDEA OF THE SPACE CONNECTION OF THE SPACE

Design exhibition by visitors

Watching desital media Experience directly Small and see through the alcohol tunnel

Educate koreaโ€™s drinking etiquette

Networking(Connection)

Story Creating (History Road,green space)

Connecting attractors with newmuseum that extends the local

network

exhibitionconnection

space 1

Conect the mass directly

Put the same shape repeatly

The shape are facing each other

Transform the shape and connect

space 2

Insert new space whenthe space has a gap.so, the space have afunction of corridor anddifferentiated service.

store

education

open spaceWaterspace

test

promote

Show the processof manufacture

Party - community

Creating a stronger space

Creating Intensive local Image(networking)

Page 48: University of Seoul, Architectural Review 2010

PROGRESS

YU, EUN A 99

1st Floor Plan

Page 49: University of Seoul, Architectural Review 2010

CIRCULATION

Mix museum and factory

YU, EUN A 101

SPECIAL THANKS TO...

Museum visitoโ€™s will follow the main pathof the manufacturing exhibition area andknow how to make makgeolli. They alsoespecially watch the exhibition in bufferspace which expended among themanufacturing process. Visitors are able totake a rest or see the process in full.

ํ•ญ์ƒํž˜์ด๋˜์–ด์ค€๋ถ€๋ชจ๋‹˜, ์นœ๊ตฌ๋“ค๊ทธ๋ฆฌ๊ณ ์ด์ถฉ๊ธฐ๊ต์ˆ˜๋‹˜.์–ธ์ œ๋“  ๋‹ฌ๋ ค์™€ ์ค€ ํ˜„์Šน์˜ค๋น , ๋“ ๋“ ํ•œ ๋ฒ„ํŒ€๋ชฉ ํ•œ์†”์ด, ๋ฏธ์†Œ์ฒœ์‚ฌ์ƒ๋ฏผ์ด, ์žฌ๊ฐ„๋‘ฅ์ด์žฌํ˜์ด, ๋ฌต๋ฌตํ•˜๊ฒŒ์ผ์ž˜ํ•˜๋Š”๋™ํ™”.์ˆจ์€๋„์šฐ๋ฏธ์„ ์•„์–ธ๋‹ˆ์™€์ง€๋ฟก์ด๊ทธ๋ฆฌ๊ณ ์‹ ํ™์ด๊นŒ์ง€...๋ฉ‹์ง„์ถ”์–ต๋งŒ๋“ค๊ฒŒํ•ด์ฃผ์…”์„œ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.

Factory circulation

Museum exhibition circulation

Buffer space

Visitorโ€™s circulation

Breweryโ€™s circulation

Buffer space

Page 50: University of Seoul, Architectural Review 2010

ANIMATE THE WALL

ARCHITECTURAL REVIEW 2010

LEE, HEEWON

๊ธฐ์กด์˜๊ณต๊ฐ„์„๋‚˜๋ˆ„๋Š”๊ฒฝ๊ณ„์˜๋ฒฝ(Wall)์€์ผ์ง์„ ์˜์„ ์ ์š”์†Œ ๋‹ค. ์ด๋Ÿฌํ•œ์„ ์ ์š”์†Œ์˜๊ฒฝ๊ณ„์˜๋ฒฝ์„๋ฉด, ๋ถ€ํ”ผ์˜์š”์†Œ๋กœ๋ณ€ํ™”์‹œํ‚ค๊ฒŒ๋œ๋‹ค๋ฉด,

๋ฒฝ์—์˜ํ•ด์–ด์ƒ‰ํ•˜๊ฒŒ๋‚˜๋ˆ„์–ด์ง„๋‘๊ณต๊ฐ„์—์ƒˆ๋กœ์šด Buffer space๋ฅผ๋งŒ๋“ค์ˆ˜์žˆ๋‹ค. ์ด๋Ÿฌํ•œ๊ณต๊ฐ„์€๋‘์ด์งˆ์ ์ธ๊ณต๊ฐ„์‚ฌ์ด๋ฅผ๋‹จ์ˆœํžˆ๊ฒฝ๊ณ„์˜๋ฒฝ์œผ๋กœ์ฑ„์šฐ๋Š”๊ฒƒ์ด์•„๋‹ˆ๋ผ,

์ƒˆ๋กญ๊ฒŒ์žฌํ•ด์„ํ•œ๊ฒฝ๊ณ„๊ณต๊ฐ„์œผ๋กœ๋งŒ๋“ค์ˆ˜์žˆ๋‹ค.๋‹จ์ˆœํ•œ๋ฒฝ์—์˜ํ•ด์„ ์ ์ธํ๋ฆ„์ด์ง€์†๋˜๋˜๊ณต๊ฐ„์—์ƒˆ๋กœ์šด๊ฒฝ๊ณ„์˜๋ฒฝ(Wall)์„๋‘์–ด,

๊ทธ๊ณต๊ฐ„์„๋ชจํ˜ธํ•˜๊ฒŒ๋งŒ๋“ ๋‹ค. ์ด๊ฒƒ์€์„ ์ ์ธํ๋ฆ„์„๋‹ค์–‘ํ•œํ๋ฆ„์œผ๋กœ๋ณ€ํ™”์‹œํ‚ฌ๋ฟ์•„๋‹ˆ๋ผ์‹œ๋ฏผ๋“ค์ด๋ฒ”์ ‘ํ• ์ˆ˜์—†๋Š”๊ณต๊ฐ„์—์„œ์ž์œ ๋กญ๊ฒŒ์‚ฐ์ฑ…ํ•˜๋ฉฐ๋‘๊ณต๊ฐ„๋ชจ๋‘์ฆ๊ธธ์ˆ˜์žˆ๋Š”

๊ณต๊ฐ„์œผ๋กœ๋ฐ”๊พธ์–ด์ค€๋‹ค.

์ดํฌ์› The wall Animated by embracing the space

Page 51: University of Seoul, Architectural Review 2010

ISSUES_

MAZE_

social politics

awareness properties _ intercept information

space

ํ•œ๊ตญ์˜ ์ •๋‹น ์ •์น˜์˜ ํ˜„์‹ค์„ ๋“ค์—ฌ๋‹ค๋ณด๋ฉด ๋šœ๋ ทํ•œ ์ •์ฑ…์ด๋‚˜ ๋…ธ์„ ์„ ๊ฐ€์ง€๊ณ  ์ถœ๋ฐœํ•œ ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ๊ฐ•๋ ฅํ•œ ๋ณด์ˆ˜์  ๋ฐ˜๊ณต์ฃผ์˜๋‚˜ ์ธ๋งฅ, ์ง€์—ฐ, ํ˜ˆ์—ฐ์— ๋ฐ”ํƒ•์„ ๋‘” ๊ณ„๋ณด์ •์น˜์˜ ํŠน์ง•์œผ๋กœ ํ์‡„์„ฑ๊ณผ ํŒŒ๋ฒŒ์„ฑ์„ ๋ ๊ณ  ์žˆ๋‹ค. ๊ตญ๊ฐ€์™€ ์‹œ๋ฏผ์‚ฌํšŒ์˜ ๋งค๊ฐœ์ฒด๊ฐ€ ๋˜์–ด์•ผ ํ•  ์ •๋‹น๋“ค์ด ์‹œ๋ฏผ์‚ฌํšŒ๋Š”์ฒ ์ €ํžˆ๋ฐฐ์ œํ•œ์ฑ„, ๊ทธ๋“ค๋งŒ์˜์„ฑ์„์Œ“๊ณ ์ž์‹ ๋“ค์˜์ด์ต์„์œ„ํ•œ์ •์น˜๋ฅผํ•˜๊ณ ์žˆ๋‹ค.

์ด๋Ÿฌํ•œ ํ˜„์‹ค์€ ๊ถŒ๋ ฅ ๊ณต๊ฐ„์˜ ํ˜•ํƒœ๋กœ๋„ ํ‘œ์ถœ๋œ๋‹ค. ๊ถŒ๋ ฅ๊ณต๊ฐ„์€ ์ฒ ์ €ํ•˜๊ฒŒ ํ์‡„๋˜์–ด ํ˜•์„ฑ๋˜์—ˆ๊ณ , ์‹ฌ์ง€์–ด ์ผ๋ฐ˜์‹œ๋ฏผ๋“ค์˜ ์™•๋ž˜๊ฐ€ ๋งŽ์€ ์„œ์šธ์˜ ๋„์‹ฌ ํ•œ ๋ณตํŒ์— ์กฐ์ฐจ ์ด๋Ÿฌํ•œ ํ˜•ํƒœ์˜ ๊ถŒ๋ ฅ๊ณต๊ฐ„์ด ๊ณต๊ณต์—ฐํ•˜๊ฒŒ ํ˜•์„ฑ๋˜์–ด ์™”๋‹ค. ์ด๊ฒƒ์€ ๊ถŒ๋ ฅ๊ณต๊ฐ„๊ณผ ๋„์‹œ์™€์˜ ๋‹จ์ ˆ์„ ์˜๋ฏธํ•˜ ๊ณ , ๊ถŒ๋ ฅ๊ณต๊ฐ„์€ ๋ณด์ด์ง€ ์•Š๋Š” ๋ฒฝ์— ์˜ํ•ด ์ผ๋ฐ˜ ์‹œ๋ฏผ๋“ค์˜ ์™•๋ž˜๋ฅผ ์ €์ง€ํ•˜๊ธฐ ์‹œ์ž‘ํ•˜ ๋‹ค. ์ด๋Ÿฌํ•œ ํ˜„์ƒ์€์ง€์†๋˜๋ฉด์„œ, ๊ถŒ๋ ฅ๊ณต๊ฐ„์€ ๋„์‹œ์กฐ์ง์˜ ํ‹€ ์†์—์„œ ๋ฒ”์ ‘ํ•  ์ˆ˜ ์—†๋Š” ์—ญ์œผ ๋กœ ์ธ์‹๋˜๊ธฐ ์‹œ์ž‘ํ–ˆ๋‹ค. ๊ทธ๊ณผ์ •์—์„œ๊ถŒ๋ ฅ๊ณต๊ฐ„๊ณผ๋„์‹œ์‚ฌ์ด์—๋Š”๊ณต๊ฐ„์ ์ธ๋‹จ์ ˆ๋ฟ๋งŒ์•„๋‹ˆ๋ผ, ์˜์‹์ ์ธ๋‹จ์ ˆ๊นŒ์ง€๋„ ์ดˆ๋ž˜ํ•˜๊ฒŒ ๋˜์—ˆ๋‹ค. ๊ทธ ๊ฒฐ๊ณผ, ๊ถŒ๋ ฅ ๊ณต๊ฐ„๊ณผ ๊ธฐ์กด์˜ ๋„์‹œ์กฐ์ง์€ ๋‹ค๋ฅธ ๋ฐฉ์‹์œผ๋กœ ๋ฐœ์ „ํ•˜๊ฒŒ๋˜์—ˆ๊ณ ๊ทธ์‚ฌ์ด์˜๋‹จ์ ˆ์€๋”์šฑ๋”์‹ฌํ™”๋˜์—ˆ๋‹ค.

์„œ์šธ์ด๋ผ๋Š” ๋„์‹œ ์†์—์„œ ์„ฌ์ฒ˜๋Ÿผ ์ž๋ฆฌ ์žก๊ณ  ์žˆ๋Š” ๊ถŒ๋ ฅ ๊ณต๊ฐ„ ๊ฐ€์šด๋ฐ ๊ฐ€์žฅ ๋Œ€ํ‘œ์ ์ธ ๊ณณ์€ ์ฒญ์™€๋Œ€ ์ผ ๊ฒƒ์ด๋‹ค. ์ด๊ณณ์€ ์ „๋ฐฉ์œผ๋กœ๋Š” ๊ณผ๊ฑฐ ์šฐ๋ฆฌ๋‚˜๋ผ์˜ ๋Œ€ํ‘œ์ ์ธ ๊ถŒ๋ ฅ์˜ ์žฅ์†Œ๋กœ์„œ ์™•์ด ์žˆ์—ˆ๋˜ ์žฅ์†Œ ์ง€๋งŒ, ์ง€๊ธˆ์€ ๊ณต๊ณต์— ๊ฐœ๋ฐฉ๋˜์–ด ๊ด€๊ด‘์ž์›์œผ๋กœ ์ด์šฉ๋˜๊ณ  ์žˆ๋Š” ๊ฒฝ๋ณต๊ถ, ๋’ค๋กœ๋Š” ๋ถ์•…์‚ฐ, ์˜ค๋ฅธํŽธ์œผ๋กœ๋Š” ์‚ผ์ฒญ๋™, ์™ผ์ชฝ์œผ๋กœ๋Š” ํšจ์ž๋™๊ณผ ์ ‘ํ•ด ์žˆ๋‹ค. ์ด ๋„ค ๊ณณ์€ ์ผ๋ฐ˜ ์‹œ๋ฏผ๋“ค์ด ๋งŽ์ด์ด์šฉํ•˜๊ณ  ์žˆ๋Š” ๋งค๋ ฅ์ ์ธ ์žฅ์†Œ์ด๋‹ค. ํ•˜์ง€๋งŒ ๊ถŒ๋ ฅ๊ณต๊ฐ„์ธ ์ฒญ์™€๋Œ€๋Š” ์ฒญ์™€๋Œ€ ๊ฒฝ๊ณ„์˜ ๋ฌผ๋ฆฌ์ ์ธ๋ฒฝ๊ณผ ๊ทธ ์ฃผ๋ณ€๋ถ€์— ๊ฒฝ์ฐฐ๋“ค์„ ๋ฐฐ์น˜ํ•จ์œผ๋กœ์จ ์ด ๊ณณ์— ์ ‘ํ•œ ์ž ์žฌ์„ฑ ์žˆ๋Š” ์žฅ์†Œ๋“ค์˜ ๊ณต๊ฐ„์ , ์˜์‹์  ๋‹จ์ ˆ์„ ์ดˆ๋ž˜ํ•˜๊ณ  ์žˆ๋‹ค. ๋”ฐ๋ผ์„œ ๋‚˜๋Š” ๊ถŒ๋ ฅ์ด๋ผ๋Š” ์ด๋ฆ„์œผ๋กœ ์ฐจ๋‹จ๋œ ์ฒญ์™€๋Œ€์™€ ๊ทธ ์ฃผ๋ณ€๋ถ€์˜๊ด€๊ณ„๋ฅผ์žฌ์ •์˜ํ•˜์—ฌ์‹œ๋ฏผ๋“ค์ด์ž์œ ๋กญ๊ฒŒ๋„์‹œ๊ณต๊ฐ„์„์‚ฐ์ฑ…ํ• ์ˆ˜์žˆ๋„๋กํ•˜๊ณ ์žํ•œ๋‹ค.

1950

Authority Public Public

Authority Public

Wall

Authority 1960s 1980s 2000s

Authority

2009

1960 1961 1972 1980 1987 1993 1998 2003

4.19ํ˜๋ช… 5.16๊ตฐ์‚ฌ์ •๋ณ€ ์œ ์‹ ์ •๋ถ€ 5.18๋ฏผ์ฃผํ™”์šด๋™ 6.29์„ ์–ธ ๋ฌธ๋ฏผ์ •๋ถ€ ๊ตญ๋ฏผ์˜์ •๋ถ€ ์ฐธ์—ฌ์ •๋ถ€

LEE, HEE WON 105

PROLOGUE_

READING THE SITE_

Site Circulation Proposal

Hyoja-dong Samcheong-dong

Chongwadae

Royal palace

block the area

Urbancommunication

Authority

used actively by opened, exposure

Urban Urban UrbanAuthorityAuthority parkcommunication

restricted area block the areaopen to the public

boundary becoming blurred block the area block the area

restricted area Natural fact

1.๊ถŒ๋ ฅ๊ณต๊ฐ„์€ ์ฒ ์ €ํ•˜๊ฒŒ ํ์‡„๋˜์–ดํ˜•์„ฑ๋˜์—ˆ๋‹ค. ์‹ฌ์ง€์–ด ์„œ์šธ์˜ ๋„์‹ฌ ํ•œ๋ณตํŒ์—์กฐ์ฐจ๋‚˜ํƒ€๋‚ฌ๋‹ค.

2.์ด๊ฒƒ์€ ๊ถŒ๋ ฅ๊ณต๊ฐ„์˜ ์ฃผ๋ณ€๋ถ€์™€์˜ ๋‹จ์ ˆ์„ ์˜๋ฏธํ•˜๋ฉฐ, ๊ถŒ๋ ฅ๊ณต๊ฐ„์€ ๋ณด์ด์ง€ ์•Š๋Š” ๋ฒฝ์— ์˜ํ•ด์ผ๋ฐ˜์‹œ๋ฏผ๋“ค์˜ ์™•๋ž˜๋ฅผ ์ œ์žฌํ•˜๊ธฐ์‹œ์ž‘ํ–ˆ๋‹ค.

3.์ด๋Ÿฌํ•œ ํ˜„์ƒ์€ ์ง€์†๋˜์—ˆ๊ณ ,๋„์‹œ์กฐ์ง์˜ ํ‹€ ์†์—์„œ ๋ฒ”์ ‘ํ•  ์ˆ˜ ์—†๋Š” ์—ญ์œผ๋กœ ์ธ์‹๋˜๊ณ ์žˆ๋‹ค.

4. Develop๊ทธ ๊ณผ์ •์—์„œ ๊ถŒ๋ ฅ๊ณต๊ฐ„๊ณผ ๋„์‹œ์‚ฌ์ด์—๋Š” ๊ณต๊ฐ„์ ์ธ ๋‹จ์ ˆ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์˜์‹์ ์ธ ๋‹จ์ ˆ๊นŒ์ง€์ดˆ๋ž˜ํ•˜๊ฒŒ๋˜์—ˆ๋‹ค.

4. The Present๊ทธ ๊ฒฐ๊ณผ, ๊ถŒ๋ ฅ๊ณต๊ฐ„๊ณผ ๊ธฐ์กด์˜๋„์‹œ์กฐ์ง์€ ๋‹ค๋ฅธ๋ฐฉ์‹์œผ๋กœ๋ฐœ์ „ํ•˜๊ฒŒ ๋˜๊ณ  ๊ทธ์‚ฌ์ด์˜ ๋‹จ์ ˆ์€๋”์‹ฌํ™”๋˜์—ˆ๋‹ค.

Page 52: University of Seoul, Architectural Review 2010

CONCEPT PROCESS_ # 2.

change the flowchongwadae wall

chongwadae wall

rayal palace wall

The Wall animated by embracing the space_

rayal palace wall

phase_1. phase_2. phase_3.

๊ธฐ์กด์˜ Site condition์€ ๊ฒฝ๋ณต๊ถ๊ณผ ์ฒญ์™€๋Œ€์˜ ๊ฒฝ๊ณ„๋ฒฝ(WALL)๊ณผ ๊ทธ ์‚ฌ์ด์˜ ์™•๋ณต 4์ฐจ๋กœ์˜ ๊ธธ ์ฒญ์™€๋Œ€๋ฅผ ์ง€ํ‚ค๋Š”๊ฒฝํ˜ธ์›, ๊ฒฝ์ฐฐ๋“ค์— ์˜ํ•ด ์ผ๋ฐ˜ ์‹œ๋ฏผ๋“ค์€ ์ถœ์ž…์˜ ์ œํ•œ์„ ๋ฐ›์•˜๊ณ , ์ถœ์ž…์„ ํ•  ๊ฒฝ์šฐ ๊ฒฝ๋ณต๊ถ ๋‹ด์žฅ์ชฝ ์ธ๋„๋กœ๋งŒ๋‹ค๋‹ ์ˆ˜ ์žˆ์—ˆ๋‹ค. ํ†ตํ–‰๋Ÿ‰์— ๋น„ํ•ด ์ง€๋‚˜์น˜๊ฒŒ ๋„“์€ ์ฐจ๋„์˜ ํญ์„ ์ค„์ด๊ณ  ์ฐจ๋Ÿ‰์˜ ์†๋„์ œ์–ด๋ฅผ ํ†ตํ•ด ๋ณดํ–‰์ž์™€ํ•จ๊ป˜ ๋‹ค๋‹ ์ˆ˜ ์žˆ๋Š” ๊ธธ๋กœ ์ƒˆ๋กญ๊ฒŒ ๋ณ€ํ™” ํ•œ๋‹ค. ๋˜ํ•œ ๊ธฐ์กด์˜ ๊ฒฝ๋ณต๊ถ๊ณผ ์ฒญ์™€๋Œ€์˜ ์ง€ํ˜•์ฐจ๋ฅผ ๊ณ ๋ คํ•˜์—ฌ ์—ฌ๋Ÿฌ ๋ ˆ์ด์—์˜ ๊ธธ์„ ๋งŒ๋“ค์–ด์ฃผ๊ณ , ๋ฒฝ์œผ๋กœ ๋‹ซํ˜€์žˆ๋˜ ๊ณต๊ฐ„์ค‘ ์ผ๋ถ€๋ฅผ ์—ด์–ด์ฃผ์–ด ์ƒˆ๋กญ๊ฒŒ ๋งŒ๋“ค์–ด์ง€๋Š” ๊ธธ๊ณผ ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ๋งŒ๋‚ ์ˆ˜์žˆ๋„๋กํ•œ๋‹ค.

์ด๋ ‡๊ฒŒ ์—ด๋ฆฌ๋Š” ๊ณต๊ฐ„์€ 500m์˜ ๊ธธ๊ณผ ๋งŒ๋‚จ์œผ๋กœ์„œ ๋‹ค์–‘ํ•œ activity๋ฅผ ๊ฐ€๋Šฅํ•˜๊ฒŒ ํ•  ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๊ธฐ์กด์˜ ๊ณต๊ฐ„๊ณผ์„ž์ด๋ฉด์„œ๋”์šฑ๋”ํ™œ์„ฑํ™”๋ ์ˆ˜์žˆ๊ธฐ๋ฅผ๊ธฐ๋Œ€ํ•œ๋‹ค.

LEE, HEE WON 107

CONCEPT PROCESS_ # 1. CONCEPT_ INHABITABLE WALL

VIEW CORRIDOR_

1. Existing

2. Reinterpretation

present

Make space&Interference Flow and New G.L

3. New Possibility

4. Various space

Authority

Authority

Authority

Authority Public

Public

Public

Public

Line

Plane

Volume

Communicate & Severance

๊ธฐ์กด์˜ ๊ณต๊ฐ„์„ ๋‚˜๋ˆ„๋Š” ๊ฒฝ๊ณ„์˜ ๋ฒฝ(WALL)์€ ์ผ์ง์„ ์˜ ์„ ์  ์š”์†Œ ๋‹ค. ์ด๋Ÿฌํ•œ ์„ ์  ์š”์†Œ์˜ ๊ฒฝ๊ณ„์˜ ๋ฒฝ์„ ๋ฉด, ๋ถ€ํ”ผ์˜์š”์†Œ๋กœ๋ณ€ํ™”์‹œํ‚ค๊ฒŒ๋œ๋‹ค๋ฉด, ๋ฒฝ์—์˜ํ•ด์–ด์ƒ‰ํ•˜๊ฒŒ๋‚˜๋ˆ„์–ด์ง„๋‘๊ณต๊ฐ„์—์ƒˆ๋กœ์šด BUFFER SPACE๋ฅผ๋งŒ๋“ค์ˆ˜์žˆ๋‹ค.

์ด๋Ÿฌํ•œ ๊ณต๊ฐ„์€ ๋‘ ์ด์งˆ์ ์ธ ๊ณต๊ฐ„ ์‚ฌ์ด๋ฅผ ๋‹จ์ˆœํžˆ ๊ฒฝ๊ณ„์˜ ๋ฒฝ์œผ๋กœ ์ฑ„์šฐ๋Š”๊ฒƒ์ด ์•„๋‹ˆ๋ผ, ์ƒˆ๋กญ๊ฒŒ ์žฌ ํ•ด์„ํ•œ ๊ฒฝ๊ณ„๊ณต๊ฐ„์„๋งŒ๋“ค์ˆ˜์žˆ๋‹ค.

๋‹จ์ˆœํ•œ๋ฒฝ์—์˜ํ•ด์„ ์ ์ธํ๋ฆ„์ด์ง€์†๋˜๋˜๊ณต๊ฐ„์—์ƒˆ๋กœ์šด๊ฒฝ๊ณ„์˜๋ฒฝ(WALL)์„๋‘์–ด, ๊ทธ๊ณต๊ฐ„์„๋ชจํ˜ธํ•˜๊ฒŒ๋งŒ๋“ ๋‹ค. ์ด๊ฒƒ์€ ์„ ์ ์ธ ํ๋ฆ„์„ ๋‹ค์–‘ํ•œ ํ๋ฆ„์œผ๋กœ ๋ณ€ํ™”์‹œํ‚ฌ๋ฟ ์•„๋‹ˆ๋ผ ์‹œ๋ฏผ๋“ค์ด ๋ฒ”์ ‘ํ•  ์ˆ˜ ์—†๋Š” ๊ณต๊ฐ„์—์„œ ์ž์œ ๋กญ๊ฒŒ ์‚ฐ์ฑ…ํ•˜๋ฉฐ๋‘๊ณต๊ฐ„๋ชจ๋‘์ฆ๊ธธ์ˆ˜์žˆ๋Š”๊ณต๊ฐ„์œผ๋กœ๋ฐ”๊พธ์–ด์ค€๋‹ค.

Page 53: University of Seoul, Architectural Review 2010

[ VARIOUS G.L ]

PLAN LEVEL + 2

๊ธฐ์กด์˜ Site condition์€ ๊ฒฝ๋ณต๊ถ๊ณผ ์ฒญ์™€๋Œ€์˜ ๊ฒฝ๊ณ„๋ฒฝ(WALL)๊ณผ ๊ทธ ์‚ฌ์ด์˜ ์™•๋ณต 4์ฐจ๋กœ์˜ ๊ธธ ์ฒญ์™€๋Œ€๋ฅผ ์ง€ํ‚ค๋Š” ๊ฒฝํ˜ธ์›, ๊ฒฝ์ฐฐ๋“ค์— ์˜ํ•ด ์ผ๋ฐ˜ ์‹œ๋ฏผ๋“ค์€ ์ถœ์ž…์˜ ์ œํ•œ์„ ๋ฐ›์•˜๊ณ , ์ถœ์ž…์„ํ• ๊ฒฝ์šฐ๊ฒฝ๋ณต๊ถ๋‹ด์žฅ์ชฝ์ธ๋„๋กœ๋งŒ๋‹ค๋‹์ˆ˜์žˆ์—ˆ๋‹ค. ํ†ตํ–‰๋Ÿ‰์—๋น„ํ•ด์ง€๋‚˜์น˜๊ฒŒ๋„“์€์ฐจ๋„์˜ํญ์„์ค„์ด๊ณ ์ฐจ๋Ÿ‰์˜์†๋„์ œ์–ด๋ฅผํ†ตํ•ด๋ณดํ–‰์ž์™€ํ•จ๊ป˜๋‹ค๋‹์ˆ˜์žˆ๋Š”๊ธธ๋กœ์ƒˆ๋กญ๊ฒŒ๋ณ€ํ™”ํ•œ๋‹ค. ๋˜ํ•œ๊ธฐ์กด์˜๊ฒฝ๋ณต๊ถ๊ณผ์ฒญ์™€๋Œ€์˜์ง€ํ˜•์ฐจ๋ฅผ๊ณ ๋ คํ•˜์—ฌ์—ฌ๋Ÿฌ๋ ˆ์ด์—์˜๊ธธ์„๋งŒ๋“ค์–ด์ฃผ๊ณ , ๋ฒฝ์œผ๋กœ๋‹ซํ˜€์žˆ๋˜๊ณต๊ฐ„์ค‘์ผ๋ถ€๋ฅผ์—ด์–ด์ฃผ์–ด์ƒˆ๋กญ๊ฒŒ๋งŒ๋“ค์–ด์ง€๋Š”๊ธธ๊ณผ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ๋งŒ๋‚ ์ˆ˜์žˆ๋„๋กํ•œ๋‹ค.

์ด๋ ‡๊ฒŒ์—ด๋ฆฌ๋Š”๊ณต๊ฐ„์€ 500m์˜๊ธธ๊ณผ๋งŒ๋‚จ์œผ๋กœ์„œ๋‹ค์–‘ํ•œ activity๋ฅผ๊ฐ€๋Šฅํ•˜๊ฒŒํ• ๋ฟ๋งŒ์•„๋‹ˆ๋ผ๊ธฐ์กด์˜๊ณต๊ฐ„๊ณผ์„ž์ด๋ฉด์„œ๋”์šฑ๋”ํ™œ์„ฑํ™”๋ ์ˆ˜์žˆ๊ธฐ๋ฅผ๊ธฐ๋Œ€ํ•œ๋‹ค.

LEE, HEE WON 109

์€์ฃผ, ์ •์›, ์›…ํ˜ธ, ์ง€ํ˜„, ์ƒํฌ, ๊ด‘ , ํ˜„์ง„, ์šฐ์‹๋ชจ๋‘๋“ค์ˆ˜๊ณ ํ–ˆ์–ด. ํ”„๋กœ์ ํŠธ์žฌ๋ฏธ์žˆ๊ฒŒ๋ด๊ตฌ๊ณ , ์—ด์‹ฌํžˆ๋„์™€์ค˜์„œ๊ณ ๋ง™๋‹ค. Trust

1. State guestreceive

2. Security3. Museum4. Gallery5. Visitor center

6. Open gallery7. Conference8. Shop9. Connect to

briefing room10. Shop

Page 54: University of Seoul, Architectural Review 2010

[ PHASE SECTION ]A Pedestrian line & Car line

various pedestrian way and car way make the people various experience many thingsbecause of making security car way, people can realize trace of the boundary wall and gate

B Parkpeople can enjoy various plants on the ground as the level and approach the building naturally

C Performance & Eventvarious events are held on the deep space to link front of chongwadae and west of the place

D Museum & open spacepeople can access easily from the royal palace and enjoy the chongwadae area

E Shop & open spacepeople can enjoy the shop continuously and see restricted area in chongwadae

ROYAL PALACE

ROYAL PALACE

LEE, HEE WON 111

[ PHASE SECTION ]

Section A

Section B

Section D

Section C

Section E

CHONGWADAE

CHONGWADAE

ROYAL PALACE

CHONGWADAE

ROYAL PALACE

CHONGWADAE

ROYAL PALACE

CHONGWADAE

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conn

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alac

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o ro

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Page 55: University of Seoul, Architectural Review 2010

500 + 100 โ‰  600

ARCHITECTURAL REVIEW 2010

CHOUNG,YONG SU

20์„ธ๊ธฐ์—๋“ค์–ด๋Œ€ํ•œ๋ฏผ๊ตญ์€๊ธ‰๊ฒฉํ•œ๋ณ€ํ™”๋ฅผ๊ฒช์–ด์™”๋‹ค. ๊ทธ๋ฐฐ๊ฒฝ์—๋Š”์ผ๋ณธ์—์˜ํ•œ๊ฐ•์ œ์ ๋ฌธํ˜ธ๊ฐœ๋ฐฉ๊ณผ์ „์Ÿ๊ทธ๋ฆฌ๊ณ ๊ธ‰๊ฒฉํ•œ๊ฒฝ์ œ์„ฑ์žฅ์ด์žˆ์—ˆ๊ณ , ๊ทธ๋กœ์ธํ•ด๋„์‹œ์˜์ •๊ฒฝ์€๊ฐ•์ œ์ , ํ˜น์€์ž๋ฐœ์ ์œผ๋กœ์ˆ˜์‹œ๋กœ๋ณ€ํ•ด๊ฐ”๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ 20์„ธ๊ธฐํ›„๋ฐ˜์—๋“ค์–ด์„œ์„œ๋Š”์—ฌ์ง€๊ป์ •๋ถ€๊ฐ€์ฃผ๋„ํ–ˆ๋˜์–‘์ ์ธ๊ฐœ๋ฐœ๋ฐฉ์‹๊ณผ๊ณผ๋„ํ•œ์ธํ”„๋ผ์˜๊ตฌ์ถ•์˜

๊ณต๊ฐ„์ •์ฑ…์—๋ฐ˜์„ฑ์ ์‹œ๊ฐ์ด๊ณ ๊ฐœ๋ฅผ๋“ค๊ธฐ์‹œ์ž‘ํ–ˆ๋‹ค.

์ด์—์‹œ๋ฏผ์ƒํ™œ์˜์งˆ์ ๊ฐœ์„ ์„์ˆ˜๋ฐ˜ํ• ์ˆ˜์žˆ๋Š”๋™์‹œ์—ํ•œ๊ตญ์˜์—ญ์‚ฌ์ ์•„์ด๋ดํ‹ฐํ‹ฐ๋ฅผ์ˆ˜๋ฆฝํ• ์ˆ˜์žˆ๋Š”๋ฐฉ์•ˆ์œผ๋กœ์ •๋ถ€๋Š”๋ณต์›์‚ฌ์—…์ด๋ผ๋Š”๋ฏธ๋ช…ํ•˜์—๊ฒฝ๋ณต๊ถ์„ํ•„๋‘๋กœ 600๋…„์˜์—ญ์‚ฌ๋ฅผํ‘œ์ถœํ• ์ˆ˜์žˆ๋Š”์•„์ด์ฝ˜์˜์„ ํƒ์ ๋ณต์›์„๋Œ€๋Œ€์ ์œผ๋กœ์‹œ์ž‘ํ•œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  2010๋…„์„œ์šธ์‹œ๋Š”์œ„์˜์ผํ™˜์œผ๋กœ 2013๋…„๋ˆ์˜๋ฌธ(์„œ๋Œ€๋ฌธ)

๋ณต์›์„๋ชฉํ‘œ๋กœ์‚ฌ์—…์„ฑ๊ฒ€ํ† ๋ฅผ์ถ”์ง„์ค‘์ด๋‹ค.

์ •์šฉ์ˆ˜ Memory Scape I ํ’๊ฒฝ์˜๊ธฐ์–ต

Page 56: University of Seoul, Architectural Review 2010

๋ˆ์˜๋ฌธ์˜๋ฌผ๋ฆฌ์ ๋ณต์›์€๊ฑฐ๋ถ€๋˜์–ด์•ผํ•œ๋‹ค. ๋ˆ์˜๋ฌธ์ด๋ถ€์žฌํ–ˆ๋˜ 100๋…„์˜์‹œ๊ฐ„์„๋ฐฐ์žฌํ•œ๋ฐฉ์‹์˜๋ณต์›์€์ผ์ข…์˜ 600๋…„์˜์—ญ์‚ฌ์˜๋ณด์กด์ด์•„๋‹Œ์—ญ์‚ฌ์˜์™œ๊ณก์ด๋‹ค. ๊ณผ๊ฑฐ๊ฑด์กฐ๋ฌผ์˜ ๋ณต์›์ด ์—ญ์‚ฌ์˜ ์žฌ์ƒ ํ˜น์€ ๋ง์†Œ, ์ˆ˜์ •์˜ ๋™์˜์–ด๋กœ ์‚ฌ์šฉ ๋  ์ˆœ ์—†๋‹ค. ์˜คํžˆ๋ ค ํ˜„๋Œ€์˜ ๋„์‹ฌ๊ตฌ์กฐ ์†์—์„œ ์ ๊ทน ์†Œํ†ตํ•  ์ˆ˜ ์žˆ๋Š” ์ผ์ƒ์„ฑ์„ ์ง€๋‹Œ ์ƒˆ๋กœ์šด ๋Œ€์ฒด๋ฌผ์ด ๋ˆ์˜๋ฌธ ํ„ฐ์œ„์— ์ž๋ฆฌํ•˜๋Š” ๊ฒƒ์ด ๋ˆ์˜๋ฌธ์˜ 500๋…„์˜ ์กด์†๊ณผ 100๋…„์˜ ๋ถ€์žฌ๋ฅผ ๋™์‹œ์ ์œผ๋กœ ํ‘œ์ƒํ•˜๋ฉฐ ์‹œ๊ฐ„์˜ ์ผœ์— ์˜ํ•ด ๋‹จ์ ˆ๋œ ์—ญ์‚ฌ๋ฅผ ๋‹ค์‹œ๊ธˆ ์ž‡๋Š” ์†Œํ†ต์˜ ๋ฐฉ์‹์ผ๊ฒƒ์ด๋‹ค.

1413-1915

1915 1936๋ˆ์˜๋ฌธ์˜ํ›ผ์ฒ 

2010๋„์‹œ์˜๊ท ์งˆํ™”

2013์„œ์šธ์‹œ์—์˜ํ•œ๋ˆ์˜๋ฌธ๋ฐ์„ฑ๊ณฝ๋ณต์›

Proposal๋„์‹ฌ๊ตฌ์กฐ๋ณ€ํ™”์—์ˆœ์‘ํ•˜๋Š”์ œ์•ˆ

1949

1915-2013 2013

๋„์‹œ์ ์„œ์‚ฌ๊ตฌ์กฐ์—๋”ฐ๋ฅธ์ œ์•ˆ

CHOUNG, YONG SU 115

๊ณผ๊ฑฐ์—์„œ ์ง€๊ธˆ์— ์ด๋ฅด๊ธฐ๊นŒ์ง€ ์—ฐ์†์ ์œผ๋กœ ๋•…์—๊ฒŒ ์š”๊ตฌ๋˜์—ˆ๋˜ ์กฐ๊ฑด๋“ค์„ ๊ฑฐ์Šค๋ฅด์ง€ ์•Š๊ณ  ์ƒˆ๋กœ์šด ์ผœ๋ฅผ ์Œ“๋Š” ๋ฐฉ์‹์œผ๋กœ ๊ธฐ์กด์˜ 8์ฐจ์„ ์˜ ์ฐจ๋„๋ฅผ ์ง€ํ•˜ํ™” ํ•œ ํ›„ ๋ˆ์˜๋ฌธํ„ฐ๋ฅผํฌํ•จํ•œ ๋ถ€์ง€์— ์ƒˆ๋กœ์šด ๊ฑด๋ฌผ์„ ์ œ์•ˆํ•œ๋‹ค. ๊ฑด๋ฌผ์€ ์ง€์ƒ๋ฟ๋งŒ์•„๋‹ˆ๋ผ ์ง€ํ•˜๋„๋กœ๋กœ ํ™•์žฅํ•˜์—ฌ ๋งŽ์€ ์ฐจ๋Ÿ‰๋“ค์—๊ฒŒ ๋…ธ์ถœ๋œ๋‹ค. ์œ ์ถ”๋˜๋Š” ์„œ๋Œ€๋ฌธ์˜ ํ„ฐ๋Š” ๊ณผ๊ฑฐ์˜ ํ˜•์ƒ๋งŒํผ ๋น„์›Œ์ ธ(negative) ์‚ฌ์šฉ์ž๋“ค์—๊ฒŒ ๋ˆ์˜๋ฌธ์— ๋Œ€ํ•ด ์‚ฌ์ƒ‰์„ ํ•  ์ˆ˜ ์žˆ๋Š” ๊ธฐํšŒ๋ฅผ ์ œ๊ณตํ•จ๊ณผ ๋™์‹œ์— ๊ฑด๋ฌผ์˜ ์ „์ฒด ์กฐ๊ฑด์„ ์ด๋กญ๊ฒŒํ•œ๋‹ค. ๋ˆ์˜๋ฌธ์˜ ๋ฌผ๋ฆฌ์ ์ธ ํ˜•์ƒ์€ ์‚ฌ๋ผ์กŒ์ง€๋งŒ ๊ฑด๋ฌผ์„์ด์šฉํ•˜๊ณ ํ†ต๊ณผํ•˜๋Š”์ˆ˜๋งŽ์€์‚ฌ๋žŒ๋“ค์—๊ฒŒ์ ‘ํ•ด์ง€๋ฉด์„œ๊ณผ๊ฑฐ์˜์กด์žฌ๊ฐ์„์กฐ์šฉํ•˜์ง€๋งŒ๊ฐ•ํ•˜๊ฒŒ๋“œ๋Ÿฌ๋‚ธ๋‹ค.

ํ˜„ ์‚ฌ์ดํŠธ์ƒ์—์„œ ๊ต๋ฅ˜๋ฅผ ๊ฐ€๋Šฅํ•˜๊ฒŒ ํ•˜๋Š” ํ”„๋กœ๊ทธ๋žจ์˜ ๊ตฌ์ถ•์„ ํ†ตํ•˜์—ฌ ๊ณผ๊ฑฐ๋„์‹ฌ์˜ ์ •๊ฒฝ์„ ๋ณต์›ํ•จ๊ณผ๋™์‹œ์—ํ˜„์žฌ์žฅ์†Œ์ƒ์—์„œํ•„์š”ํ•œ์กฐ๊ฑด์„์ถฉ์กฑ์‹œํ‚จ๋‹ค. ๋Œ€์ƒ๋ถ€์ง€ 500m ์ฃผ๋ณ€์—๋Š” 4๊ฐœ์˜ ํ•™๊ต์— 3000๋ช…์— ๋‹ฌํ•˜๋Š” ๊ณ ์ •์ ์ธ ์œ ์ €๋“ค์ด ์žˆ์Œ์—๋„ ์ด์— ์ƒ์‘ํ•˜๋Š” ํ”„๋กœ๊ทธ๋žจ์€ ๋ถ€์กฑํ•˜๊ณ  ์ œํ•œ์ ์ธ ๊ต์œก์‹œ์„ค์€ ํ™•์žฅ์˜ ๊ฐ€๋Šฅ์„ฑ์ด ๋ฐฐ์ œ๋œ์ฒด ๋ฐฉ์น˜๋˜์–ด ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ๋ฌธ์ œ์ ์„ ํ•ด๊ฒฐํ•˜๊ธฐ ์œ„ํ•œ ํ”„๋กœ๊ทธ๋žจ๋“ค์„ ๊ณผ๊ฑฐ ์ปค๋ฎค๋‹ˆํ‹ฐ๊ฐ€ ๋ฐœ์ƒํ–ˆ๋˜ ๋ˆ์˜๋ฌธ ์•ž ๊ณต๊ฐ„์— ๋ฐฐ์น˜ํ•˜์—ฌ ๋„์‹ฌ์ƒ์— ์ ๊ทน์ ์œผ๋กœ ๋“œ๋Ÿฌ๋‚ธ๋‹ค๋ฉด ํ•™์ƒ๋“ค, ๋” ๋‚˜์•„๊ฐ€ ์ผ๋ฐ˜ ์‹œ๋ฏผ๋“ค๊ณผ์˜ ๊ต๋ฅ˜์˜ ์ด‰๋งค๋กœ์„œ ์˜› ์„œ์šธ์˜ ์„œ๋Œ€๋ฌธ์ด ๊ฐ€์ง„ ์†Œํ†ต๊ณผ ๊ต๋ฅ˜์˜ ์žฅ์†Œ์„ฑ์ด ํ˜„๋Œ€๋„์‹œ ์„œ์šธ์— ์ ํ•ฉํ•˜๊ฒŒ ๋‹ค์–‘ํ•œ ์ฒดํ—˜์ด ๊ฐ€๋Šฅํ•œ๊ณต๊ฐ„์œผ๋กœ์ƒˆ๋กญ๊ฒŒํ™œ์šฉ๋ ๊ฒƒ์ด๋‹ค.

Past

flat ramp seats stairs

gym shop gallery performing

menorial๋ˆ์˜๋ฌธํ„ฐ

library

Present Build New Building Absence of the Old in the New

DESIGN STRATEGY

Factor 1. Sedimentation and Absence

Factor 2. Memory + New Landscape = Memoryscape

๊ธฐ์กด์— ์ง€์—ญ์„ ๋‹จ์ ˆํ•˜๋˜ 8์ฐจ์„  ๋„๋กœ๋ฅผ ๋Œ€์‹ ํ•˜์—ฌ ์—ฌ๋Ÿฌ๊ฐ€์ง€ ๊ฒฝ์‚ฌ๋กœ ์ด๋ฃจ์–ด์ง„ ์˜คํ”ˆ์ŠคํŽ˜์ด์Šค๊ฐ€ ์ž๋ฆฌํ•˜๊ฒŒ ๋œ๋‹ค. ๋ฃจํ”„๋Š” ํ•˜๋ถ€์— ์œ„์น˜ํ•œ ์ผ์ƒ์ ์ธ ํ”„๋กœ๊ทธ๋žจ๋“ค๊ณผ์—ฎ์–ด์ ธ ์ ๊ทน์ ์œผ๋กœ ํ™œ์šฉ๋  ์ˆ˜ ์žˆ์œผ๋ฉฐ ๋˜ํ•œ ํ˜„์žฌ ๋Š์–ด์ง„์„ฑ๊ณฝ๊ธธ์‹œ๊ณ„์˜ํ™•๋ณด์™€์„ฑ๊ณฝ์œผ๋กœ์˜์ ‘๊ทผ์„ฑ์„๋†’์—ฌ์ค€๋‹ค.

Factor 3. Roof and Below Programs

Page 57: University of Seoul, Architectural Review 2010

์ง„์ž…์ธตํ‰๋ฉด (-3400~+1000)

CHOUNG, YONG SU 117

3. ๋ˆ์˜๋ฌธํ„ฐ๋ฅผ๋‘˜๋Ÿฌ์‹ธ๊ณ ์žˆ๋Š”๊ตฌ์กฐ๋Š”๋‚ด๋ถ€์—์„ ์ฑ…์žฅ๋ฐ์ฑ…์ƒ์œผ๋กœํ™œ์šฉ๋œ๋‹ค.

1. ์ฃผ์ฐจ์žฅ2. ๋ˆ์˜๋ฌธํ„ฐ3. ๋กœ๋น„4. ๋ ˆ์Šคํ† ๋ž‘5. ์ƒ์ 6. ๋„์„œ๊ด€์—ฐ๊ฒฐ์ฝ”์–ด7. ์„œ์ 8. ์ฒด์œก๊ด€9. ํœ˜ํŠธ๋‹ˆ์Šค์„ผํ„ฐ10. ํƒˆ์˜์‹ค11. ๊ณต์—ฐ์žฅ12. ๋งคํ‘œ์†Œ13. ํ™€14. ๊ฐค๋Ÿฌ๋ฆฌ15. ์–ด๋ฆฐ์ด๋„์„œ๊ด€16. ๊ฐˆ๋Œ€๊ต17. ์•ผ์™ธ๊ทน์žฅ18. ์ •๊ธฐ๊ฐ„ํ–‰๋ฌผ์‹ค19. ๋ฌธ๊ตฌ์ 20. ์˜ฅ์ƒ์ •์›21. ๋„์„œ๊ด€ -์—ด๋žŒ์‹ค

2. ๋ˆ์˜๋ฌธํ„ฐ

-6000~-3400 +1000~+4500 +4500~+7000

7. ์ง€ํ•˜๋กœ ์ง„์ž…ํ•  ์ˆ˜ ์žˆ๋Š” ๊ณ„๋‹จ ๋ฐ ์—์Šค์นผ๋ ˆ์ดํ„ฐ๋กœ์ž์—ฐ์Šค๋Ÿฌ์šด๋™์„ ์˜์œ ์ž…์ด๊ฐ€๋Šฅํ•˜๋‹ค.

8. ๊ฑด๋ฌผ์˜ ์Šคํ‚จ์„ ์ด๋ฃจ๋Š” ์ŠˆํผํŠธ๋Ÿฌ์Šค๋กœ ์ธํ•ด์ฒด์œก๊ด€๊ณผ๊ฐ™์€๋Œ€๊ณต๊ฐ„์ด์ž๋ฆฌํ• ์ˆ˜์žˆ๋‹ค.

Page 58: University of Seoul, Architectural Review 2010

๊ฑด๋ฌผ์€ ๊ธฐ๋ณธ์ ์œผ๋กœ 5๊ฐœ์˜ ์Šˆํผ์ฝ”์–ด๋กœ ์ง€์ง€๋˜๋ฉฐ ์ด๋Š” ์ง€ํ•˜์ฐจ๋„ ๋ฐ‘์— ์žˆ๋Š” ๊ธฐ๊ณ„์‹ค ๋ฐ ๊ฐ์ข… ์„ค๋น„๋“ค๊ณผ ์—ฐ๊ฒฐ๋œ๋‹ค. ์ด๋กœ์ธํ•ด ์ƒ์ธต๋ถ€์—๋Š” ํ™œ์šฉ๋„๊ฐ€ ๋†’์€ ํ”„๋กœ๊ทธ๋žจ๋“ค์ด์œ„์น˜ํ•˜๊ณ ํ•˜๋ถ€์—๋Š”๊ฑด๋ฌผ์„๊ด€๋ฆฌํ•˜๋Š” ์ธํ”„๋ผ์„์ด์œ„์น˜ํ•œ๋‹ค.

๋‹จ๋ฉดํˆฌ์‹œ๋„

CHOUNG, YONG SU 119

๊ณผ๊ฑฐ์„ฑ๊ณฝ์ด์ž๋ฆฌ์žก๊ณ ์žˆ๋˜ํ„ฐ์™€๋ˆ์˜๋ฌธ์ฃผ๋ณ€๋ถ€์—๋Š”๊ฐˆ๋Œ€๊ฐ€์‹ฌ๊ฒจ์ง„๋‹ค. ์ด๋Š”๊ณผ๊ฑฐ์˜๊ฒฝ๊ณ„๊ฐ€๋ฌผ๋ฆฌ์ ๊ธฐ๋Šฅ์—์„œ์ธ์‹์˜๋Œ€์ƒ์œผ๋กœ์ „ํ™˜๋˜์—ˆ์Œ์„์‹œ์‚ฌํ•œ๋‹ค. ๋˜ํ•œ์„ฑ๊ณฝ์˜๋ถˆ๊ทœ์น™์ ์ธํŒจํ„ด์˜์„์ถ•์€์ƒˆ๋กญ๊ฒŒํ•ด์„๋˜์–ด๊ฑด๋ฌผ์˜๋ฐ”๋‹ฅ๋ถ€์—์ ์šฉ๋˜์–ด

์ด๊ณณ์„์ด์šฉํ•˜๊ฑฐ๋‚˜ํ†ต๊ณผํ•˜๋Š”์‚ฌ๋žŒ๋“ค์—๊ฒŒ์‹œ๊ฐ์ , ์ด‰๊ฐ์ ์œผ๋กœ๊ณผ๊ฑฐ์˜์„ฑ๋ฌธ, ์„ฑ๊ณฝ์„์ธ์ง€์‹œํ‚ค๋Š”๊ณ„๊ธฐ๋ฅผ์ œ๊ณตํ•œ๋‹ค.

Structure Stairs Opening Vegetation Stone Floor Void

Page 59: University of Seoul, Architectural Review 2010

๋‹จ๋ฉด๋„1

๋‹จ๋ฉด๋„2

๋ฌผ๋ฆฌ์ ๊ฒฝ๊ณ„ ๋˜์„ฑ๊ณฝ๊ณผ๋ˆ์˜๋ฌธ์„๋Œ€์‹ ํ•ด์‹ฌ๊ฒจ์ง„๊ฐˆ๋Œ€๋Š”๋Š์ž„์—†์ด์›€์ง์ด๋Š”์œ ๋™์„ฑ์„ํ†ตํ•ด์ง€์†์ ์ธ์กด์žฌ๊ฐ์„ํ”ผ๋ ฅํ•œ๋‹ค. ์‰ฌ์ง€์•Š๊ณ ๋ฐ˜์‘ํ•˜๋Š”์‹์žฌ์™€์—ฌ๋Ÿฌ์‚ฌ์šฉ์ž๋“ค์—๊ฒŒ์ ๊ทน์ ์œผ๋กœ์‚ฌ์šฉ๋ ๊ณต๊ฐ„์˜ํŠน์„ฑ์ด๋งž๋ฌผ๋ ค์‚ฌ๋ผ์ง„๋ฌธ์€

๋ฌผ๋ฆฌ์ ์‹ค์ฒด๋Š”๊ฐ์ถ”์—ˆ์ง€๋งŒ์‚ฌ๋žŒ๋“ค์˜์˜์‹์†์—์„œ๊ฐ•ํ•˜๊ฒŒ๋ถ€์žฌ(absence)๋กœ์„œ์‹ค์žฌํ•œ๋‹ค. ์—ญ์‚ฌ๋Š”๊ณผ๊ฑฐ์˜๋ฌผ๋ฆฌ์ ์‹ค์ฒด์˜์—ญํ–‰์ ์žฌํ˜„์œผ๋กœํ˜•์„ฑ๋˜๋Š”๊ฒƒ์ด์•„๋‹ˆ๋ผํ˜„์žฌ๋ฅผ์‚ด์•„๊ฐ€๊ณ ์žˆ๋Š”์‚ฌ๋žŒ๋“ค์˜๊ธฐ์–ต์†์—์„œ๊ทธ๊นŠ์ด์™€์˜๋ฏธ๋ฅผ๋”ํ•œ๋‹ค.

์„ฑ์‹ฌ๊ป์ง€๋„ํ•ด์ฃผ์…จ๋˜๊ต์ˆ˜๋‹˜. ๋ถ€์กฑํ•œ๋‚˜๋ฅผ๋ฏฟ๊ณ ๋”ฐ๋ผ์ค€ํ›„๋ฐฐ๋“ค๊ณผ์•„๋‚Œ์—†์ด์ง€์›ํ•ด์ฃผ์—ˆ๋˜๊ฐ€์กฑ์ด์—†์—ˆ๋‹ค๋ฉด๋ถˆ๊ฐ€๋Šฅํ–ˆ์„์ž‘์—…. ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.

CHOUNG, YONG SU 121

Page 60: University of Seoul, Architectural Review 2010

HEAL YOUR IDNTITY

ARCHITECTURAL REVIEW 2010

KIM,HYOUKKU

์•„์šธ๋Ÿฌ๋ฐฐ๋‹ค๋ฆฌ์ง€์—ญ์„๊ด€ํ†ตํ•˜๋Š”์‚ฐ์—…๋„๋กœ์ฆ‰์ฒญ๋ผ์ง€๊ตฌ๋กœ๋ถ€ํ„ฐ์†ก๋„์‹ ๋„์‹œ๋ฅผ์ผ์ง์„ ์œผ๋กœ๊ฐ€๋กœ์ง€๋ฅด๋Š”๊ด‘ํญ๋„๋กœ์˜์‹ ์„ค์€์•ž์„œ๊ฑฐ๋ก ํ–ˆ๋˜์‹๋ฏผ์ง€์‹œ๋Œ€์˜๊ฐœ๋ฐœ๋…ผ๋ฆฌ, ์—ญ๋Œ€๋…์žฌ์ •๊ถŒ์˜ ์–ด๋ถ™์ด๊ธฐ๊ฐœ๋ฐœ๊ณผ์‹ ์ž๋ณธ์ฃผ์˜์˜์ด์œค์ง€์ƒ์ฃผ์˜

๋…ผ๋ฆฌ์™€๊ต๋ฌ˜ํ•˜๊ฒŒ๋งž๋ฌผ๋ ค์žˆ์Œ์„๋‹ค์‹œํ•œ๋ฒˆํ™•์ธํ•˜๊ฒŒ๋œ๋‹ค.

์ „ํ†ต์‚ฌํšŒ์˜๋ถ•๊ดดํ˜„์ƒ์€๊ฐ€์†ํ™”๋˜๊ณ ์žˆ๋‹ค.

๊น€ํ˜๊ทœ elasticway I elasticway

Page 61: University of Seoul, Architectural Review 2010

ELASTIC WAY๋Š” ๋™-์„œ๋กœ ํ™•์žฅ๋˜์–ด์˜จ ๋„์‹œ์กฐ์ง์˜ ๊ฒฐ์„๋‚จ-๋ถ์˜ ์ถ•์— ์—ฐ๊ฒฐํ•ด์ฃผ๋Š” ์—ญํ• ์„ ํ•œ๋‹ค. ๋ฐฐ๋‹ค๋ฆฌ ์ง€์—ญ์—์„œ ์กฐ์ง์˜ ํ™•์žฅ์€ ๊ฑฐ์ฃผ๋ฏผ์˜ ์ƒํ™œ ๋ฒ”์œ„์—์„œ ์‹œ์ž‘ ๋˜์—ˆ๋‹ค. ๋”ฐ๋ผ์„œ ๋‚จ-๋ถ์œผ๋กœ์˜ ์—ฐ๊ฒฐ์€ ๋ฒ”์œ„์˜ ์กด์ค‘์„ ์œ„ํ•˜์—ฌํƒ„๋ ฅ์ ์œผ๋กœ ์ ์šฉ๋œ๋‹ค. ์ด๋Š” ํ˜„์žฌ ๊ณ„ํš ์ค‘์ธ ํญ๋ ฅ์  ๊ฐœ๋ฐœ์ •์ฑ…์—๋Œ€ํ•œ์ƒˆ๋กœ์šด์ œ์•ˆ์ด๋‹ค.

๋ฉ€๋ฆฌ๋ณด๊ธฐ

KIM, HYOUK KU 125

Site (during the japanese colonial rule)

1. Existing axis 2. New axis 3. Destroyed site

Existing condition

Incheon

Seoul Chongna

Songdo

Page 62: University of Seoul, Architectural Review 2010

elementary school

high school

A. Cross-cultural portability area (west side Gyeongin-line)

B. Baedari area (east side Gyeongin-line)

Applied directlyin the modern organization

The grid(modern organization) isapplied to the terrain

(10m) (21m) (8m)(width)

(10m)

a

a

b

b

(21m) (4m) (8m)(width)

1th. Site character (analyzed by step1 ~ step3)

step 1. Formation of civic organizations: compare open-port area(A) with baedari area(B)

์ธ์ฒœ์—ญ

์„œ์šธ์—ญ

used book(retail)

[1]-1

[1]-2

[1]-3

[1]-4

commercial facilities

forked road(2010.02.21)

artist studio(2010.02.21)

interval space(2010.03.20)

21m road(2010.02.21)

destroyed site(2010.04.03)

EXISTING AXIS

KIM, HYOUK KU 127

character of modern buildings

baedari area (character of modern buildings)

2th. Change baedari-area (now)

step 2. The evolution of buildings

baedari market (previous baedari-market)

baedari market (now baedari-market)

Chongna

parkmarketschool

Songdo

step 3. Baedari unique culture

[1]-5

[1]-6 [1]-7

apartment house

elementary school

site edge(2010.02.21)poket space(2010.02.21)

rail-residence(2010.02.21)

NEW AXIS

Page 63: University of Seoul, Architectural Review 2010

[Perspective] Urban regeneration : flexible organization

Location : Guemgok-dong, Dong-gu, IncheonSite area : 8244 sqm.Building area : 4450 sqm.Gross floor area : 8931 sqm.Land to building ratio : 53 %Land to floor ration : 108 %Building scope : F1, F3

์•„์šธ๋Ÿฌ๋ฐฐ๋‹ค๋ฆฌ์ง€์—ญ์„๊ด€ํ†ตํ•˜๋Š”์‚ฐ์—…๋„๋กœ์ฆ‰์ฒญ๋ผ์ง€๊ตฌ๋กœ๋ถ€ํ„ฐ์†ก๋„์‹ ๋„์‹œ๋ฅผ์ผ์ง์„ ์œผ๋กœ๊ฐ€๋กœ์ง€๋ฅด๋Š”๊ด‘ํญ๋„๋กœ์˜์‹ ์„ค์€์•ž์„œ๊ฑฐ๋ก ํ–ˆ๋˜์‹๋ฏผ์ง€์‹œ๋Œ€์˜๊ฐœ๋ฐœ๋…ผ๋ฆฌ, ์—ญ๋Œ€๋…์žฌ์ •๊ถŒ์˜์–ด๋ถ™์ด๊ธฐ๊ฐœ๋ฐœ๊ณผ

์‹ ์ž๋ณธ์ฃผ์˜์˜์ด์œค์ง€์ƒ์ฃผ์˜๋…ผ๋ฆฌ์™€๊ต๋ฌ˜ํ•˜๊ฒŒ๋งž๋ฌผ๋ ค์žˆ์Œ์„๋‹ค์‹œํ•œ๋ฒˆํ™•์ธํ•˜๊ฒŒ๋œ๋‹ค.

์ „ํ†ต์‚ฌํšŒ์˜๋ถ•๊ดดํ˜„์ƒ์€๊ฐ€์†ํ™”๋˜๊ณ ์žˆ๋‹ค.

1. Damaged by huge infrastructure (new axis)Huge infrastructure: connecting chongna with songdo

2. Control the new axisSlacken the speed of quick entry

3. Insert programRegional sustainable development is possiblewhen the external force are drawn

KIM, HYOUK KU 129

[Strategy 1] Urban regeneration : flexible organization

ROOP CIRCULATION & PROGRAM

[Strategy 2] Connecting resident people with visitor

for elastic organization

Flow [1]Topography and organization are combined

Flow [2]Broken relationships

Flow [3]Insert a medium for healing relationships

previous organization (by ordinary people)

Flow [1]

[1] Block: internally changes

[2] Expansion Possibilities: Positive change as an opportunity

Roop circulation 1. for connecting visitor with resident people

open space(for visitor)

interval space(for resident people)

Zone A : book (from used book store)

Resident people

Visitor

Section (A-Aโ€™)

Zone B : art (from space beam)

information theater retail lounge seminar cafe gallery service

1. Indoor space

2. Roop connecting 3. Open space

media book

art

programretailcafe

restaurantloungetheater

for visitor 1~3- connected by

roofcore

for resident people 4

Connected by media (book - art)

[3] Connect with residence: Advantage of the opportunity to expose to the outside area

Flow [2] Flow [3]

existing organization (by government) new organization

Page 64: University of Seoul, Architectural Review 2010

ZONE

A :

BOOK

MED

IA

ZONE

B :

ART

MED

IA

KIM, HYOUK KU 131

Section A-Aโ€™

Section B-Bโ€™

๊ทผ๋Œ€๋ฌธ๋ช…์ด์‹œ๊ฐ„๊ณผ๊ณต๊ฐ„์ ๊ฑฐ๋ฆฌ๋ฅผ๋‹จ์ถ•ํ–ˆ๋‹ค๋ฉด๊ทธ์ด๊ธฐ์˜์ด๋ฉด์—๋Š”์ „ํ†ต์˜์ƒ์‹ค๊ณผ์ƒˆ๋กœ์šด๊ณต๊ฐ„์ฐฝ์ถœ์—๋”ฐ๋ฅธ๋ฌธ์ œ์ ์ด๋„์‚ฌ๋ฆฌ๊ณ ์žˆ์Œ์„์—ญ์‚ฌ๋ฅผํ†ตํ•ด์„œ๋ฐฐ์šด๋‹ค. ์˜ค๋Š˜๋‚ ์ธ์ฒœ์ง€์—ญ์—์„œํ–‰ํ•ด์ง€๋Š”์ด์ฒด์ ๊ฐœ๋ฐœ์˜ํŒ๋„๋ฅผ๊ด€์ฐฐํ•ด๋ณด๋ฉด์ „ํ†ต์ ์‚ถ์„ ์œ„ํ•ด์™”๋˜๋„์‹œ์„œ๋ฏผ์˜์˜์‚ฌ์™€๋Š”๋ฌด๊ด€ํ•˜๊ฒŒ์ฒ ์ €ํ•œ๊ฐœ๋ฐœ๋…ผ๋ฆฌ๋กœ, ๋ฐ”๊ฟ”๋งํ•ด์„œ๊ทผ๋Œ€์‹œ๋Œ€์˜์„œ๊ตฌ์—ด๊ฐ•๊ณผ์ผ์ œ๊ฐ€์žํ–‰ํ–ˆ๋˜์‹๋ฏผ์ง€๊ฐ•์••๋…ผ๋ฆฌ์™€์ผ์น˜ํ•œ๋‹ค๋Š”๊ฒƒ์„๋ฐœ๊ฒฌํ•˜๊ฒŒ๋œ๋‹ค.๊ฒฝ์ธ์ฒ ๋„์˜๊ฐ€์„ค์€์ธ๊ตฌ ์ง‘ํ˜„์ƒ๊ณผ๋„์‹œ๋นˆ๋ฏผํ™”ํ˜„์ƒ์„์ˆ˜๋ฐ˜ํ–ˆ๋‹ค.

Page 65: University of Seoul, Architectural Review 2010

SONGDO INTERNATIONAL PORT TERMINAL

ARCHITECTURAL REVIEW 2010

BAEK,JONGYEOB

์ธ์ฒœ์€์ง„ํ™”ํ•˜๊ณ ์žˆ๋‹ค๊ทธ์˜›๋‚ ์–ด์ดŒ๋งˆ์„์—์„œํ•ญ๊ตฌ๋„์‹œ, ๊ณต์—…๋„์‹œ๋กœ์˜๋ฐœ์ „

๊ทธ๋ฆฌ๊ณ ์˜ค๋Š˜๋‚ ์„ธ๊ณ„์†์˜๊ตญ์ œ๋„์‹œ๋กœ์ง„ํ™”ํ•˜๊ณ ์žˆ๋‹ค...

๋ฐฑ์ข…์—ฝ

Page 66: University of Seoul, Architectural Review 2010

์ค‘๊ตญ๊ณผ์˜๊ต์—ญ์˜์ฆ๊ฐ€, 2014๋…„์•„์‹œ์•„์˜ฌ๋ฆผํ”ฝ, ํ•œ๋ฅ˜์—ดํ’๋“ฑ์˜ ์ด์œ ๋กœ์ค‘๊ตญ๊ณผํ•œ๊ตญ์„์˜ค๊ฐ€๋Š”์‚ฌ๋žŒ๋“ค์ด์ฆ๊ฐ€ํ•˜๊ณ ์žˆ๋‹ค.์ด์—๋”ฐ๋ผ๋งŽ์€์ด๋“ค์ด์ธ์ฒœ๊ตญ์ œ์—ฌ๊ฐํ„ฐ๋ฏธ๋„์„์ด์šฉํ•˜๊ณ ์žˆ๋‹ค.ํ•˜์ง€๋งŒํ˜„์žฌ์˜๊ตญ์ œ์—ฌ๊ฐํ„ฐ๋ฏธ๋„์€๋ช‡๋ช‡๋ฌธ์ œ๋ฅผ์•ˆ๊ณ ์žˆ๋‹ค.

THE CREATION OF A GATEWAY

CULTURE MIX IN GATEWAY

์ธ์ฒœ๊ณตํ•ญ๊ณผ๋”๋ถˆ์–ด๋™๋ถ์•„๊ด€๋ฌธ๋„์‹œ์ธ์ฒœ๊ณผ์„ธ๊ณ„๋ฅผ์—ฐ๊ฒฐ์‹œ์ผœ์ฃผ๋Š”์ค‘์š”ํ•œ์—ญํ• ์„ํ•˜๊ณ ์žˆ๋Š”

โ€˜์ธ์ฒœ๊ตญ์ œ์—ฌ๊ฐํ„ฐ๋ฏธ๋„โ€™.์ƒˆ๋กœ์ดํ†ตํ•ฉ์ด์ „๋ ๊ตญ์ œ์—ฌ๊ฐํ„ฐ๋ฏธ๋„์„์„ค๊ณ„ํ•˜๋Š”๊ฒƒ์„ํ†ตํ•ด์ธ์ฒœ๊ตฌ๋„์‹ฌ๊ณผ์†ก๋„์‹ ๋„์‹œ์˜ํ™”ํ•ฉ๋œ๋‚ด์ผ, ์„ธ๊ณ„๋กœ๋ป—์–ด๋‚˜์•„๊ฐ€๊ตญ์ œ๋„์‹œ,๊ด€๋ฌธ๋„์‹œ์ธ์ฒœ์˜๋ฐœ์ „๋œ๋‚ด์ผ,์„๋งŒ๋“ค๊ณ ์žํ•˜ ๋‹ค.

์™ธ๋ถ€์˜๋ฌธํ™”๊ฐ€๋‹ค๋ฐฉ๋ฉด์—์„œ์œ ์ž…

์„œ๋กœ์ด์งˆ์ ์ธ๋‘๋ฌธํ™”์˜๋งŒ๋‚จ

๋‘๋ฌธํ™”์˜์ ‘์ ์„ํ†ตํ•ด์„œ๋กœ์˜๋ฌธํ™”๊ต๋ฅ˜

๋‘๋ฌธํ™”๊ฐ€ํ˜ผํ•ฉ๋˜์–ด์ƒˆ๋กœ์šด๋ฌธํ™”์˜ํƒ„์ƒ

๋ฌธํ™”์˜ํผ์ง ์„œ๋กœ๋‹ค๋ฅธ๋‘๋ฌธํ™”๊ฐ€๋งŒ๋‚˜ํ˜•์„ฑ๋œ์ƒˆ๋กœ์šด๋ฌธํ™”์ธต์˜์ƒ์„ฑ

ํ•˜๋‚˜์˜์ ‘์ ์—์œ ์ž…์ด๋ชฐ๋ฆฌ๊ธฐ์‹œ์ž‘

์ ‘์ ์„์ค‘์‹ฌ์œผ๋กœํ•œ๋ฌธํ™”,๋ฌผ๋ฅ˜์˜์ง‘์ค‘, ๋ถ„์ถœ์ด๊ฐ•ํ™”

๊ด€๋ฌธ์˜์ƒ์„ฑ

1. ์ œ 1, 2 ํ„ฐ๋ฏธ๋„๋กœ๋ถ„ํ™”๋˜์–ด์šด ๋˜๋Š”๊ฒƒ์œผ๋กœ์ธํ•œ๊ฒฝ ์—์žˆ์–ด์„œ์˜๋ฌธ์ œ2. ๋Š˜์–ด๋‚˜๋Š” ์ถœ์ž…๊ตญ์ž์ˆ˜์— ๋น„ํ•ด ๋‹ค๋ถ„ํžˆ ์ž‘์€ ๊ทœ๋ชจ๋กœ ๋˜์–ด ์žˆ์–ด ์ด์šฉ์ž๋“ค์˜ ๋ถˆํŽธ์„ ์•ผ๊ธฐํ•˜๊ณ ์žˆ์Œ.

3. ๋„“์€๊ทœ๋ชจ์˜๋„์‹œ๋Œ€์ง€๋ฅผ์‚ฌ์šฉํ•˜ ์Œ์—๋„๋ถˆ๊ตฌํ•˜๊ณ ๋„์‹œ๋ฏผ๋“ค์—๊ฒŒ์™ธ๋ฉด๋ฐ›๊ณ ์žˆ์Œ4. ์šฐ๋ฆฌ๋‚˜๋ผ๋ฅผ ์ถœ์ž…ํ•˜๋Š” ์™ธ๊ตญ์ธ๋“ค์—๊ฒŒ ์ฒซ์ธ์ƒ๊ณผ ๋งˆ์ง€๋ง‰ ์ธ์ƒ์„ ๋‚จ๊ธฐ๋Š” ์ค‘์š”ํ•œ ๊ฑด์ถ•๋ฌผ์ž„์—๋„๋ถˆ๊ตฌํ•˜๊ณ ์ผ๋ฐ˜๋ฒ„์Šคํ„ฐ๋ฏธ๋„๊ณผ๋‹ค๋ฅผ๋ฐ”์—†๋Š”์™ธ๊ด€์„ํ•˜๊ณ ์žˆ์Œ.

BAEK, JONG YEOB 135

SITE ANALYSIS GREEN AXIS CULTURE AXIS

์ฒญ๋ผ์ง€๊ตฌ, ์†ก๋„์ง€๊ตฌ, ์ข…์ง€๊ตฌ๊ฐ€ ํ˜•์„ฑํ•˜๋Š”์‚ผ๊ฐํŠธ๋ผ์ด์•ต ์˜ ์—ญ์—์†ํ•ด์žˆ์œผ๋ฉฐ๋ถํ•ญ, ๋‚ดํ•ญ, ์—ฐ์•ˆํ•ญ, ์ธ์ฒœ์‹ ํ•ญ(๊ตฌ: ์ธ์ฒœ๋‚จ์™ธํ•ญ) ๋“ฑ์œผ๋กœ์ด์–ด์ง€๋Š”์—ฐ๊ณ„์„ ์ƒ์—์œ„์น˜ํ•˜๊ณ ์žˆ์–ด

๋ฌผ๋ฅ˜์ž…์ง€์—ฌ๊ฑด์ด๋งค์šฐ์–‘ํ˜ธํ•œ์ง€์—ญ์ด๋ฉฐ๋˜ํ•œ์ˆ˜์ธ์„ , ์ œ2๊ฒฝ์ธ๊ณ ์†๋„๋กœ, ๊ฒฝ์ธ๊ณ ์†๋„๋กœ์™€ํ–ฅํ›„๊ฑด์„ค์˜ˆ์ •์ธ์ธ์ฒœ์ง€ํ•˜์ฒ  1ํ˜ธ์„ ์—ฐ์žฅ, ์ธ์ฒœ๋Œ€๊ต๋ฐ์ œ2์™ธ๊ณฝ์ˆœํ™˜๋„๋กœ์™€์˜์ ‘๊ทผ์ด์šฉ์ดํ•œ์ ์„๊ณ ๋ คํ• ๋•Œ, ์กฐ์„ฑํ† ์ง€์˜๊ณ ๋ถ€๊ฐ€๊ฐ€์น˜์˜์ฐฝ์ถœ๊ฐ€๋Šฅ์„ฑ์€๋งค์šฐ๋†’์€์ง€์—ญ์ž„.

Page 67: University of Seoul, Architectural Review 2010

BAEK, JONG YEOB 137

CONCEPT

์„œ๋กœ๋‹ค๋ฅธํ๋ฆ„๋“ค์˜์„ž์ž„๊ทธ์„ž์ž„์„ํ†ตํ•œ์ƒˆ๋กœ์šด๊ฒƒ์˜ํƒ„์ƒ

๋•…๊ณผ๋ฐ”๋‹ค, ์„ธ๊ณ„์™€ํ•œ๊ตญ, ์ธ์ฒœ๊ตฌ๋„์‹ฌ๊ณผ์‹ ๋„์‹œ์„œ๋กœ์ƒ๋ฐ˜๋˜๋Š”๋‘์š”์†Œ๋“ค์ด์„œ๋กœ๋งŒ๋‚˜๋Š”๊ณณ์ด๋‹ค.๊ฐ๊ฐ์˜์š”์†Œ๋ฅผํ•˜๋‚˜์˜ํ๋ฆ„์œผ๋กœ๋ณด๊ณ ๊ทธ์ƒ๋ฐ˜๋œ๋‘๊ฐœ์˜ํ๋ฆ„์˜ํ•˜๋‚˜๋œ์œตํ™”๋ฅผํ†ตํ•ด์ƒˆ๋กœ์šด๋‚ด์ผ์„๋งŒ๋“ค์–ด๊ฐ€๊ณ ์žํ•˜ ๋‹ค. ์ด๋Ÿฌํ•œ์š”์†Œ๋ฅผ๋งค์Šค, ํ”„๋กœ๊ทธ๋žจ์„์„ค์ •ํ•˜๋Š”๋ฐ์ด์šฉํ•˜ ๋‹ค.

๊ทน์žฅ์ด์šฉ์ž์‡ผํ•‘์ด์šฉ์ž์ถœ๊ตญ๋™์„ ์ž…๊ตญ๋™์„ ์ผ๋ฐ˜๋ฐฉ๋ฌธ์ž

Page 68: University of Seoul, Architectural Review 2010

1. ๋Œ€๊ณต์—ฐ์žฅ 2. ๋ฌด๋Œ€๊ธฐ์ž์žฌ์‹ค 3. ๊ธฐ๊ณ„์‹ค 4. ์†Œ๊ทน์žฅ 5. ์Šน์„ ์ˆ˜์†์žฅ 6. ๋„์ฐฉ๋Œ€ํ•ฉ์‹ค 7. ์„ธ๊ด€๊ฒ€์‚ฌ์žฅ 8. ๋ณด์•ˆ๊ฒ€์ƒ‰ 9. ์ž…๊ตญ์žฅ

2nd Floor 3rd Floor 4th Floor 8th Floor

THEATERTERMINALSHOPPING

BAEK, JONG YEOB 139

A. INTERNATIONAL PORT TERMINAL

๊ธฐ์กด์—๋‘๊ฐœ๋กœ๋‚˜๋ˆ„์–ด์ ธ์šด ๋˜๋˜๊ตญ์ œ์—ฌ๊ฐํ„ฐ๋ฏธ๋„์„ํ†ตํ•ฉ์ด์ „, ๋„“์€๋Œ€๊ธฐ๊ณต๊ฐ„๊ณผ๋ฌธํ™”๊ณต๊ฐ„, ์‡ผํ•‘, ๊ณต์›๊ณผ๊ฐ™์€์‹œ์„ค๋“ค๊ณผ์ ‘ํ•˜๋„๋กํ•˜์—ฌ์ถœ๊ตญ์„์œ„ํ•ด๋ฏธ๋ฆฌ๋Œ€๊ธฐํ•˜๋Š”์‚ฌ๋žŒ๋“ค์„๋ฐฐ๋ คํ•˜ ๋‹ค.

B. THEATER AREA

์ธ์ฒœ์€๋‹ค๋ฅธ์ง€์—ญ์—๋น„ํ•ด๊ณต์—ฐ๋ฐ๋ฌธํ™”์‹œ์„ค์ด๋ถ€์กฑํ•˜๋‹ค. ๊ธฐ์กด์˜์ธ์ฒœ์‹œ์—๋ถ€์กฑํ•œ๋ฌธํ™”์ ์š”์†Œ๋ฅผ๊ฐ€๋ฏธ์‹œํ‚ค๋Š”ํ•œํŽธ,๊ณผ๊ฑฐํ„ฐ๋ฏธ๋„์ด์šฉ์ž์ด์™ธ์—๋Š”ํ„ฐ๋ฏธ๋„์„์ฐพ์ง€์•Š๋˜๊ฒƒ์—๋Œ€ํ•œ๋Œ€์•ˆ๊ธฐ๋„ํ•˜๋‹ค. ์ด๋ฌธํ™”์ ๊ณต๊ฐ„์„ํ†ตํ•ด์‹œ๋ฏผ๋“ค์˜๋ฌธํ™”์ ์š•๊ตฌํ•ด์†Œ๋Š”๋ฌผ๋ก ํ„ฐ๋ฏธ๋„์ด์šฉ์ž๋“ค์—๊ฒŒ๋ฌธํ™”์ ์ฒดํ—˜์„์ œ๊ณตํ•œ๋‹ค.

C. SHOPPING AREA

ํ„ฐ๋ฏธ๋„์„์ด์šฉํ•˜์—ฌ์ž…์ถœ๊ตญํ•˜๋Š”์‚ฌ๋žŒ๋“ค์ด์‹œ๊ฐ„์„๋ณด๋‚ผ์ˆ˜์žˆ๋Š”๊ฒƒ์€๋ฌผ๋ก ๊ฐ€์กฑ์„์œ„ํ•œ์„ ๋ฌผ๋„์ค€๋น„ํ• ์ˆ˜์žˆ๋‹ค. ๋˜ํ•œ๊ณต์›์„์ฆ๊ธฐ๋Ÿฌ์˜จ์‹œ๋ฏผ๋“ค๊ณผ๊ณต์—ฐ๊ด€๋žŒ๊ฐ๋“ค์ด์‡ผํ•‘์„ํ•จ๊ป˜์ฆ๊ธธ์ˆ˜์žˆ๋‹ค.

D. PUBLIC PARKD. Park

B. Shopping

A. TerminalPakingC. Theater

๋ฐ”๋‹ค์™€์ ‘ํ•ด์žˆ๋‹ค๋Š”๊ฒฝ๊ด€์ ์žฅ์ , ๋„์‹œ์†์˜๋Œ€๊ณต๊ฐ„์„์ ์œ ํ•˜๊ณ ์žˆ๋Š”๊ตญ์ œ์—ฌ๊ฐํ„ฐ๋ฏธ๋„.์ดํ•œ์š”์†Œ๋ฅผ์ด์šฉ, ํ„ฐ๋ฏธ๋„์„์ด์šฉํ•˜์ง€์•Š๋”๋ผ๋„์ด์šฉํ• ์ˆ˜์žˆ๋Š”์‹œ๋ฏผ๋“ค์˜ํœด์‹๊ณต๊ฐ„

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Front Elevation

Backside Elevation

Theater

Terminal

Shopping

BAEK, JONG YEOB 141

Page 70: University of Seoul, Architectural Review 2010

COHOUSING

ARCHITECTURAL REVIEW 2010

KIM,YOU NA

ํ•œ์ง€์—ญ, ์ง€๊ตฌ์ „์ฒด๋ฅผ๊ฐœ๋ฐœํ•˜๋Š”๋‹จ์ง€ํ˜•, ๋ธ”๋Ÿญํ˜•๊ฐœ๋ฐœ๊ฐ™์€๊ฑฐ๋Œ€๊ฐœ๋ฐœ, ๊ทธ๋ฆฌ๊ณ ์—ฌ๋Ÿฌ๋Œ€์ง€๋ฅผํ•ฉํ•„ํ•œ๋Œ€์ง€์—์šฉ์ ๋ฅ ์„๊ฐ€๋“์ฑ„์šด๊ฐœ๋ฐœ๋“ฑ์˜๋ชจ์Šต์ด

์šฐ๋ฆฌ๊ฐœ๋ฐœ์˜ํ˜„์ฃผ์†Œ๊ฐ€์•„๋‹๊นŒ์‹ถ๋‹ค. ๊ธฐ์กด์กด์žฌํ•˜๋Š”์ƒํ™œ๊ถŒ์„๋ฌด์‹œํ•œ๋ธ”๋Ÿญํ˜•๊ฐœ๋ฐœ์€๊ธฐ์กด์ปค๋ฎค๋‹ˆํ‹ฐ๋ฅผํŒŒ๊ดดํ•œ๋‹ค.

๋˜ํ•œ์ƒˆ๋กœ๋“ค์–ด์„ ๋„์‹œ๋ธ”๋Ÿญ๋“ค์˜์Šค์ผ€์ผ์€์ฃผ๋ณ€๋ธ”๋Ÿญ๊ณผ๋Š”์ด์งˆ์ ์ธ๋ชจ์Šต์„๋„๊ธฐ๋„ํ•œ๋‹ค.์ „์ฒด๋ฅผ ์–ด๋ฒ„๋ฆฌ๊ณ ์ƒˆ๋กœ์ด์‹ํ•˜๋Š”์กฐ์ง์˜์ด์งˆ์ ์ธ๋ชจ์Šต์ด์•„๋‹Œ

๊ธฐ์กด์˜์ปค๋ฎค๋‹ˆํ‹ฐ๋ฅผ์ˆ˜์šฉํ•˜๊ณ ์‚ฌ์ดํŠธ์—๊ธฐ์กด์—์กด์žฌํ–ˆ์Œ์งํ•œ๊ฐœ๋ฐœ๋ฐฉ๋ฒ•์€์—†์„๊นŒ?

๊น€์œ ๋‚˜ Cohousing as Urban Vitality

Page 71: University of Seoul, Architectural Review 2010

SITE ISSUE

1. Development

Multi-Cultural Axe์„œ์šธ์‹œ๋Š” ๋™๋Œ€๋ฌธ์„ ์„ธ๊ณ„์ ์ธ ๋””์ž์ธ ํŒจ์…˜์˜ ๋ฉ”์นด์™€ ๊ด€๊ด‘๋ช…์†Œ๋กœ ์œก์„ฑํ• ๋ฐฉ์นจ์ด๋‹ค. ๊ทธ๊ฐœ๋ฐœ์˜์ถ•์„ ์ƒ์—์‚ฌ์ดํŠธ๊ฐ€์žˆ๋‹ค.

2. Pattern of Community

Organic tissue make Depth์ปค๋ฎค๋‹ˆํ‹ฐ ์ƒ์„ฑ์˜ ํŒจํ„ด์€ ์ฃผ๋กœ ์ˆ™๋ฐ•์‹œ์„ค์„ ์ค‘์‹ฌ์œผ๋กœ ์ƒ์—…์‹œ์„ค๊ณผ ์—…๋ฌด์‹œ์„ค ์‚ฌ์ด์—์„œ ์ผ์–ด๋‚ฌ๋Š”๋ฐ ์ฃผ๋ง์—๋Š” ๋™๋Œ€๋ฌธ์—์„œ ๋‚ด๋ ค์˜จ ์ƒ๊ถŒ๊ณผ ๋งž๋ฌผ๋ ค๋”ํฐ์ปค๋ฎค๋‹ˆํ‹ฐ๋ฅผํ˜•์„ฑํ•˜๋Š”๋“ฑ์˜๊ฐ€๋ณ€์„ฑ์„๋ณด ๋‹ค.

Site Arrangement๋Œ€์ง€์„ ์ •๋˜ํ•œ๋„์‹œ์กฐ์ง์„๋ฐ”๋ผ๋ณด๋ฉด์„œ์‹œ์ž‘ํ•œ๋‹ค.์ธ์œ„์ ์ธ๋„ค๋ชจ๋ฐ˜๋“ฏํ•œ๋ธ”๋Ÿญ์„๋งŒ๋“œ๋Š”๊ฒƒ์ด์•„๋‹Œ๊ธฐ์กด์กฐ์ง์„์กด์ค‘ํ•˜๋ฉด์„œ์‹œ์ž‘ํ•œ๋‹ค.

Program

CohousingCommunity + Housing

the Present

Cohousing

Example

Common housing

Type1 Service roomKitchenDining roomLiving roometc.

Individual1 person

Family2~4 persons

+ Public service room

Type3 Community centerMultipurposed HallOffice, Public Kitchen Public Dining roomLiving room, Guest roometc.

+ Community center

Type2 Outdoor space

+ Open Space

Path Shops Hotel

the Proposal

HouseholdCommunity

3790m2 + Shop + Hotel

KIM, YOU NA 145

CONCEPT SKETCH

3. Live in City

Community aliveSite๋Š” ์ผ๋ฐ˜์ƒ์—…์ง€๊ตฌ๋กœ ๋ธ”๋ก ์•ˆ์— ๊ฐœ๋ฐœ์˜ ์›€์ง์ž„๊ณผ ํ•จ๊ป˜, ๋™๋Œ€๋ฌธ ํŒจ์…˜์‹œ์žฅ์— ๋Œ€ํ•œ ์ˆ˜์š” ๋•Œ๋ฌธ์— ์ž์ƒ์ ์œผ๋กœ ์ƒ๊ฒจ๋‚˜๋Š” ์ฃผ๊ฑฐ๊ฐ€ ์žˆ์—ˆ๊ณ  ๋™์‹œ์— ์ปค๋ฎค๋‹ˆํ‹ฐ๋„ ์กด์žฌํ–ˆ๋‹ค. ๊ทธ ์ค‘์—๋Š” ์ค‘์•™ ์•„์‹œ์•„์ดŒ์ด๋ผ๊ณ  ๋ถˆ๋ฆด๋งŒํผ ํŠน์ˆ˜ํ•œ๊ณ„์ธต๋„์กด์žฌํ–ˆ๋‹ค.

4. Buffer

Between Housing & Stores์ปค๋ฎค๋‹ˆํ‹ฐ ์ƒ์„ฑ์˜ ํŒจํ„ด์€ ์ฃผ๋กœ ์ˆ™๋ฐ•์‹œ์„ค์„ ์ค‘์‹ฌ์œผ๋กœ ์ƒ์—…์‹œ์„ค๊ณผ ์—…๋ฌด์‹œ์„ค ์‚ฌ์ด์—์„œ ์ผ์–ด๋‚ฌ๋Š”๋ฐ ์ฃผ๋ง์—๋Š” ๋™๋Œ€๋ฌธ์—์„œ ๋‚ด๋ ค์˜จ ์ƒ๊ถŒ๊ณผ ๋งž๋ฌผ๋ ค๋”ํฐ์ปค๋ฎค๋‹ˆํ‹ฐ๋ฅผํ˜•์„ฑํ•˜๋Š”๋“ฑ์˜๊ฐ€๋ณ€์„ฑ์„๋ณด ๋‹ค.

Individual1 person

Requirement for Community

Proposals

path road

Vertical Development Horizontal Development by Depth

Zoning & Stitch by Community

Every weekend

Type1 Common

Type2 Weekend

Movement of CommunityEvery day

์ค‘์•™์•„์‹œ์•„์ดŒ ๋™๋Œ€๋ฌธํŒจ์…˜์‹œ์žฅ

์‚ผ์†ก๊ธธ

์—…๋ฌด์‹œ์„ค

Public

MovementCommunity

MovementCommunity

PublicPrivate

์ˆ™๋ฐ•์‹œ์„ค ์ƒ์—…์‹œ์„ค

๋ฒŒ์šฐ๋ฌผ๊ธธ ํฅ์ธ๋ฌธ๋กœ

Family2~4 persons

Page 72: University of Seoul, Architectural Review 2010

PROCESS

STRATEGY

Site

Path

+ Public service room + Open Space + Community center

Commercial core

4 cores

Commercial

C

B

A

1. Grouping

3 Housing in 1 Building ์ž„์‹œ์ ์œผ๋กœ ์‚ฌ์šฉํ•˜๋Š” 1์ธ์ฃผ๊ฑฐ์™€ ๊ฐ€์กฑ์ด ๋จธ๋ฌผ ์ˆ˜์žˆ๋Š” 2~3์ธ ์ฃผ๊ฑฐ, ๊ทธ๋ฆฌ๊ณ  ๋‘๊ฐ€์ง€ ์œ ๋‹›์ด ์„ž์ธ ์œ ๋‹›๋“ค์ด๋‹ค. ๊ทธ๋Ÿฌํ•œ ์ฃผ๋™์˜ ์„ฑ๊ฒฉ์— ๋งž๊ฒŒ ์ ์ ˆํžˆ์ปค๋ฎค๋‹ˆํ‹ฐ๊ณต๊ฐ„์„๋ฐฐ์น˜ํ•˜ ๋‹ค.

2. Vertical Zoning

4 Cores make 4 groups4๊ฐœ์˜ ์ฝ”์–ด๋Š” 3๊ฐœ์˜ ๋™์„ ๋‚˜๋ˆ„์–ด์ค„ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๊ตฌ์กฐ์ ์œผ๋กœ๋„์•ˆ์ •๋˜์–ด์ธต๊ฐ„์˜คํ”ˆ์ŠคํŽ˜์ด์Šค๋ฅผ๋งŒ๋“ค์ˆ˜์žˆ๋‹ค.

Individual1 person

Family2~4 persons

KIM, YOU NA 147

+ Publicservice room

+ Open Space + Community center

Mass

Skin

Living room

Bedroom

Livingroom

Singleroom

Livingroom

Bedroom

family room Single room

site

VerticalZoning

Insert Community space

3. Insert Community space

Different fuction์ƒํ™ฉ๊ณผ ์œ„์น˜์— ๋”ฐ๋ผ ๋‹ค๋ฅธ ๊ธฐ๋Šฅ์„ ๊ฐ–๋Š” ์ปค๋ฎค๋‹ˆํ‹ฐ ๊ณต๊ฐ„์€ ๊ทธ๋ฃนํ•‘ ๋œ๋‹ค๋ฅธ์ปค๋ฎค๋‹ˆํ‹ฐ์™€์˜์—ฐ๊ฒฐ๊ฐ€๋Šฅ์„ฑ์„๊ฐ–๋Š”๋‹ค.

4. Facade

Double skin makes variety๋ฉ”์Šค๋Š” ๋™๋Œ€๋ฌธ ๋ฐฉํ–ฅ๊ณผ ์˜ค๋ž˜๋œ ์กฐ์ง ์ชฝ์œผ๋กœ ๋ฐ”๋ผ๋ณธ ํŒŒ์‚ฌ๋“œ์˜ ํ˜•ํƒœ๋ฅผ๋‹ค๋ฅด๊ฒŒ ์ทจํ•ด ์–ด๋Š์ชฝ์—์„œ ๋ด๋„ ์ฃผ๋ณ€๊ณผ ๊ท ์งˆํ•œ ์Šค์ผ€์ผ์˜ ๋ฉ”์Šค๊ฐ์„ ๊ฐ–๊ฒŒํ•˜๊ณ ์ด์ค‘์Šคํ‚จ์€๋‚ด๋ถ€์˜๋‹ค์–‘์„ฑ์„๊ทธ๋Œ€๋กœ๋ฐ˜ ํ•˜๊ฒŒ๋œ๋‹ค.

๋™๋Œ€๋ฌธ๋ณตํ•ฉ๋ฌธํ™”๊ฐœ๋ฐœ

๋™๋Œ€๋ฌธ๋ณตํ•ฉ๋ฌธํ™”๊ฐœ๋ฐœ์ž‘์€์กฐ์ง๋“ค

Page 73: University of Seoul, Architectural Review 2010

SITE PLAN

KIM, YOU NA 149

SECTION

Page 74: University of Seoul, Architectural Review 2010

๋„๋กœ์— ๋ฉดํ•œ ์ €์ธต๋ถ€๋Š” ์ƒ์ ๋“ค์ด ์œ„์น˜ํ•ด ์žˆ๊ณ  ์ƒ์ ๋’ค์— ๊ฑด๋ฌผ์„ ํ†ต๊ณผํ•˜๋Š” ๊ธธ์ด ์กด์žฌํ•˜๊ณ  ๊ทธ ์ด๋ฉด์— ์ฃผ๊ฑฐ์œ ๋‹›๋“ค์ด ์ž๋ฆฌํ•œ๋‹ค. ๊ธธ๊ณผ ๋ฉดํ•œ ์ €์ธต๋ถ€์˜ ์œ ๋‹›๋“ค์€๋™๋Œ€๋ฌธ์ƒ์ธ, ์™ธ๊ตญ์ธ๋“ค์˜ ์ž„์‹œ๊ฑฐ์ฃผ์ง€๋กœ์จ 1์ธ ์œ ๋‹›์ด ์ฃผ๋ฅผ ์ด๋ฃฌ๋‹ค. ์ฃผ๊ฑฐ๋Œ€์ƒ์ด ๋น„์ •์„ฑ์ž„์„ ๊ฐ์•ˆํ•˜์—ฌ์„œ๋กœ ๊ต๋ฅ˜ํ•  ์ˆ˜ ์žˆ๋Š” ๋ผ์šด์ง€, ์™ธ๋ถ€๋ฐํฌ, ์ฃผ๋ฏผ์„ผํ„ฐ ๋“ฑ์˜์ปค๋ฎค๋‹ˆํ‹ฐ๊ณต๊ฐ„๋“ค์„๋ฐฐ์น˜ํ–ˆ๋‹ค.๋˜ํ•œ ๊ฑด๋ฌผ๋กœ ํ†ต๊ณผํ•˜๋Š” ๊ธธ์€ ๊ณต๊ณต์˜ ๊ธธ์ด์ž ๊ฑด๋ฌผ์˜์ค‘์ •์ด๊ณ  ์•ˆ๋งˆ๋‹น์ด ๋œ๋‹ค. ์ด ๊ธธ์€ ๋„๋กœ์— ๋ฉดํ•œ ์ƒ์ ๋“ค๊ณผ ์ฃผ๊ฑฐ์˜ ๊ฒฝ๊ณ„์„ ์— ์œ„์น˜ํ•˜๋Š” ๋ฒ„ํผ๊ณต๊ฐ„์ด ๋œ๋‹ค.์ด ๊ธธ์„ ์‚ฌ์ด์— ๋‘๊ณ  ์ƒ์ ๊ณผ ์ฃผ๊ฑฐ๋Š” ์‹œ์„ ์œผ๋กœ๋„ ๊ต์ฐจ๊ฐ€๋Šฅํ•จ์œผ๋กœ ์ €์ธต๋ถ€์— ์œ„์น˜ํ•œ 1์ธ์ฃผ๊ฑฐ ์œ ๋‹›๋“ค์—๊ฒŒํ™œ๋ ฅ์„๋ถˆ์–ด๋„ฃ์–ด์ค€๋‹ค.

Thanks to.

๋ชจ๋ธ ๋งŒ๋“œ๋Š๋ผ ์ˆ˜๊ณ ํ•ด์ค€ ๋ฏผํ˜„์˜ค๋น ,์•„๋žŒ์ด, ํฌ์ˆ˜, ํ˜„์ด, ์Šน์ผ์ด.๊ณ ๋ง™๊ณ ์ด์ œ๋„ˆํฌ๋“ค์ฐจ๋ก€๋‹ค. ^^

5F PLANSCALE 1:200

KIM, YOU NA 151

์ด ๊ฑด๋ฌผ์˜ ์ƒ์ธต๋ถ€๋Š” ์ข€ ๋” ์ •์ฐฉ์„ฑ์ด ๊ฐ•ํ•œ ๊ฐ€์กฑํ˜• ์œ ๋‹›์ด ์ฃผ๋ฅผ ์ด๋ฃฌ๋‹ค. ์ €์ธต๋ถ€์— ์œ„์น˜ํ•œ 1์ธ ์œ ๋‹›๋“ค๊ณผ ์ƒ์ธต๋ถ€ ์‚ฌ์ด์— fitness, library, lounge ๋“ฑ์˜ ์‹œ์„ค๋“ค์„ ๋ฐฐ์น˜ํ•˜๊ณ  ๋˜ํ•œ ๋ฒ„ํผ๊ณต๊ฐ„์ด์ž ์ƒ์ธต๋ถ€์˜ ๋กœ๋น„์—ญํ• ์„ ํ•˜๋Š” ์˜คํ”ˆ ์ŠคํŽ˜์ด์Šค๋ฅผ ๋‘์—ˆ๋‹ค. ๊ฐ ์ปค๋ฎค๋‹ˆํ‹ฐ ๊ณต๊ฐ„๋“ค์€ ๋‚ด๋ถ€์˜ ์ค‘์ •์œผ๋กœ ์‹œ์„ ์ด ๊ต์ฐจ๋˜๊ณ , ์™ธ๋ถ€๋กœ๋„ ํˆฌ๋ช…ํ•˜๊ฒŒ ๊ทธ ํ–‰์œ„๋“ค์„ ์ž…๋ฉด์œผ๋กœ๋„๋“ค์–ด๋‚˜๊ฒŒํ•˜ ๋‹ค.

4F

2F 8F

3F 6F

7F

9F

11F

10F

12F

PLAN

Page 75: University of Seoul, Architectural Review 2010

MIND THE GAP

ARCHITECTURAL REVIEW 2010

JEONG,EUN JU

ํ†ต์ผ๊ฐ์žˆ์ง€๋งŒ์ด๋ฏธ์™„๊ฒฐ๋˜์–ด๋ฒ„๋ฆฐ๋น„ํ˜„์‹ค์ ๊ณต๊ฐ„์ด์ฒญ๊ณ„์ฒœ์˜๋ฐ”๋‹ฅ์ด๋ผ๋ฉด, ํ˜ผ๋ˆ์Šค๋Ÿฝ์ง€๋งŒ๋”ํฐ์ž ์žฌ์„ฑ์„์ง€๋‹Œํ˜„์‹ค์ ๊ณต๊ฐ„์ด์†๋Œ€์ง€์•Š์€๋•…์œ„์˜๊ณต๊ฐ„์ด๋‹ค.

๊ฑฐ๋Œ€๋„์‹œ์„œ์šธ์—์ ˆ๊ฐœ์ˆ˜์ˆ ์„๊ฐ€ํ–ˆ๋”๋‹ˆ, ์ด์™€๋™์‹œ์—๋ฌธ์ œ๋งŽ์€์˜๋ฏธ์˜ํ‹ˆ๋„์—ด๋ ค๋ฒ„๋ฆฐ๊ฒƒ์ด๋‹ค.

-<๋‰ด์š•. ๋Ÿฐ๋˜. ์„œ์šธ์˜๋„์‹œ์žฌ์ƒ์ด์•ผ๊ธฐ>์ค‘์—์„œ

์ •์€์ฃผ Play-Scapes in cheonggyecheon

Page 76: University of Seoul, Architectural Review 2010

The lost identity of urban space์„œ์šธ์€ ์••์ถ•๋œ ์‹œ๊ฐ„ ์†์— ์ง„ํ–‰๋œ ํญ๋ฐœ์ ์ธ ์„ฑ์žฅ์„ ์ด๋ฃฌ ๋„์‹œ์ด๋‹ค. ์ด๋Ÿฐ ์„ฑ์žฅ ๊ณผ์ • ์†์—์„œ, 1960๋…„๋Œ€ ์ดํ›„ ํ† ์ง€๊ฐœ๋ฐœ ์ด์ต์„ ์ตœ์šฐ์„ ์ ์œผ๋กœ ์‚ผ์œผ๋ฉฐ์–‘์ ์œผ๋กœํŒฝ์ฐฝํ•œ์„œ์šธ์€๊ทธ๊ฒฝ๊ณ„๊ฐ€ํ•œ๊ฐ•์ด๋‚จ์œผ๋กœ๊นŒ์ง€ํ™•์žฅ๋œ๋‹ค. ๋น„๋Œ€ํ•ด์งˆ๋Œ€๋กœ๋น„๋Œ€ํ•ด์ง€๊ณ , ๊ฐœ๋ฐœ๋ ๋Œ€๋กœ๊ฐœ๋ฐœ๋˜์–ด ํฌํ™”์ƒํƒœ์—์ด๋ฅด๋Ÿฌํ™•์žฅ ๊ฐ€๋Šฅ์„ฑ์ด ๋‚ฎ์•„์ง€์ž, ๋‚™ํ›„๋˜๊ณ  ๊ณต๋™ํ™”๋œ ๊ตฌ๋„์‹ฌ์— ๋ˆˆ์„ ๋Œ๋ฆฐ๋‹ค. 21์„ธ๊ธฐ๋ฅผ ๊ธฐ์ ์œผ๋กœ ๋„์‹œ๊ฐ€ ๊ฐœ๋ฐœ์˜ ๋Œ€์ƒ์—์„œโ€˜์žฌ์ƒ ๋˜๋Š” ๋ณด์ „โ€™์˜ ๋Œ€์ƒ์œผ๋กœํŒจ๋Ÿฌ๋‹ค์ž„์˜๋ณ€ํ™”์˜๋ฐ”๋žŒ์ด๋ถˆ๊ฒŒ๋œ๋‹ค.์ด๋Ÿฐ ๋„์‹œ ์žฌ์ƒ์œผ๋กœ์˜ ๋ถ„์œ„๊ธฐ ์ „ํ™˜์€ ์„œ์šธ์˜ ์ •์ฒด์„ฑ์„ ๋”์šฑ ์• ๋งคํ•˜๊ฒŒ ๋งŒ๋“ ๋‹ค. ๊ฐ•ํ™๋นˆ์€โ€œ์ด๋Ÿฌํ•œ ๊ณผ์ •์€ ์„œ์šธ์˜ ์„ฑ์žฅ์‚ฌ๊ฐ€ ๊ณ„์Šน๊ณผ ๋ฐœ์ „์˜ ์—ญ์‚ฌ๋‹ค๊ธฐ๋ณด๋‹ค๋Š”โ€˜๊ฑฐ๋“ญ๋œ ์—ญ์‚ฌ์˜ ๋‹จ์ ˆ๊ณผ๊ฑฐ๋“ญ๋œ ์ƒˆ์‹œ์ž‘์˜ ์—ญ์‚ฌโ€™์Œ์„๋“œ๋Ÿฌ๋‚ธ๋‹คโ€๊ณ  ํ–ˆ๋‹ค. ์„œ์šธ์˜์„ฑ์žฅ๊ณผํ•จ๊ป˜๊ฐœ๋ฐœ๋œ์ธํ”„๋ผ์˜๋ ˆ์ด์–ด๋ฅผ์™„์ „ํžˆ

์‚ญ์ œํ•˜๊ณ ์ƒˆ๋กœ์šด๊ณต๊ฐ„์„์ด์‹ํ•˜๋Š”ํ–‰์œ„๋“ค์ดโ€˜๋„์‹œ์žฌ์ƒโ€™์ด๋ผ๋Š”์ด๋ฆ„์œผ๋กœ์žํ–‰๋˜๊ณ ์žˆ๋Š”๊ฒƒ์ด๋‹ค.

Urban gallery๋„์‹œ ๋‚ด ๋งŽ์€ ์‹คํ–‰์ฃผ์ฒด์™€ ์ด์ต์ง‘๋‹จ, ๊ทธ๋ฆฌ๊ณ  ์—ฌ๋Ÿฌ ๋ณต์žกํ•œ ๋„์‹œ ๋‚ด ๊ตฌ์„ฑ์š”์†Œ๋“ค์ด ์—ฎ์—ฌ์žˆ๋Š” ๋ณต์žกํ•œ ํ™˜๊ฒฝ์„ ๊ฐœ์„ ํ•˜๊ณ , ๋„์‹œ์˜ ์ •์ฒด์„ฑ์„ ์ฐพ๊ธฐ ์œ„ํ•ด์„œ ๋„์‹œ ๋‚ด ๋‹ค์–‘ํ•œ ์ปจํ…์ธ ๋“ค์„ ๋ฌธํ™”์  ์š”์†Œ๋กœ ์ •์˜ํ•˜์—ฌ ๋„คํŠธ์›Œํฌ๋ฅผ ํ˜•์„ฑํ•˜๋Š” ๊ฒƒ์„ Urban Gallery๋ผ ์ •์˜ํ•œ๋‹ค. Urban Gallery๋Š” ๋‹ค์–‘ํ•œ ํž˜๋“ค๊ณผ๊ทธ ํ˜•์ƒ๋“ค์ด ๊ทธ ์•ˆ์—์„œ ๋Š์ž„์—†์ด ๋ณ€ํ™”ํ•˜๊ณ  ํ™•์žฅํ•˜๋Š” ๋„์‹œ์  ๊ฐœ๋…์ด๋‹ค. Urban Gallery๋Š” ๋‹จ์ ˆ๋œ ๋„์‹œ ์•ˆ์—์„œ์˜ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์„ ํ™œ์„ฑํ™” ์‹œํ‚ค๋ฉฐ๋„์‹œ๋‚ด๋ถ€์˜๋‹ค์–‘ํ•œ์žฅ์†Œ์™€๊ณต๊ฐ„๋“ค์„์—ฎ์–ด์ค€๋‹ค. ๊ทธ๊ณต๊ฐ„์˜์—ฎ์ž„์€ํ˜„๋Œ€์‚ฌํšŒ์˜๋„คํŠธ์›Œํฌ์ฒ˜๋Ÿผ๋ฐฉํ–ฅ์„ฑ์ด์—†์œผ๋ฉฐ๋‹ค์ธต์ , ๋‹ค์ค‘์‹ฌ์ ์ด๋‹ค. ...... ์ฒญ๊ณ„์ฒœ๊ณผ ์ฃผ๋ณ€์ง€์—ญ ์‚ฌ์ด์˜ ๋ฒŒ์–ด์ง„ ํ‹ˆ์—์„œ ์ฒญ๊ณ„์ฒœ์˜ ์™„์„ฑ๋œ ๋„์‹œ ์žฌ์ƒ ์ธํ”„๋ผ๋กœ์„œ์˜ ์ž ์žฌ๋ ฅ์„ ์ฐพ๋Š” ๊ฒƒ์ด ํ”„๋กœ์ ํŠธ์˜ ์ถœ๋ฐœ์ด์—ˆ๋‹ค๋ฉด, UrbanGallery ๊ฐœ๋…์„ํ™œ์šฉํ•œํ”„๋กœ๊ทธ๋žจ์˜์ œ์•ˆ๋ฐ์ฒญ๊ณ„์ฒœ๊ณผ์ฃผ๋ณ€์ง€์—ญ๊ฐ„์˜์ˆ˜์ง์ , ์ˆ˜ํ‰์ ๋‹จ์ ˆ์˜๊ณต๊ฐ„์ ๊ทน๋ณต์ด์ตœ์ข…๋ชฉํ‘œ์ด๋‹ค. ๊ฒฐ๊ตญ, ์ œ์•ˆํ•˜๊ณ ์žํ•˜๋Š”๊ณต๊ฐ„์€๋„์‹œ์˜ํ’๊ฒฝ๊ณผ๊ทธ์†์˜์‚ฌ๋žŒ์„๋‹ด๋Š”๊ฑฐ๋Œ€ํ•œ๊ฐค๋Ÿฌ๋ฆฌ๊ฐ€๋˜๋Š”๊ฒƒ์ด๋‹ค.

story #1. Dongdaemun area story #2. Wangsimni area

DEMOLISH REBUILD

JEONG, EUN JU 155

CONDITION

before 2003

Vertical & Horizontal link Harmony with surrounding area The spatial link to urban context

2005 Restoration

SYNOPSIS

Page 77: University of Seoul, Architectural Review 2010

POTENTIALITY of Cheonggye cheon as the Urban infra

STORY #1. Dongdaemun

EXTENSIBLILITY to various urban area

NOW

coditions improvementall-at-onceness

appropriate measures to each node

Proposal

Efficiency

๋‹ค์–‘ํ•œ ๋„์‹œ ๊ณต๊ฐ„๋“ค ์ค‘์—์„œ, ๊ทธ ๊ณต๊ฐ„์ , ๊ธฐ๋Šฅ์  ๊ฐ€๋Šฅ์„ฑ๊ณผ ์ž ์žฌ๋ ฅ์ด ์ƒ๋Œ€์ ์œผ๋กœ ๋†’์€ ๊ณณ์œผ๋กœ ์ธํ”„๋ผ ์ŠคํŠธ๋Ÿญ์ณ๋ฅผ ๋“ค ์ˆ˜ ์žˆ๋‹ค.์ธํ”„๋ผ ์ŠคํŠธ๋Ÿญ์ณ๋Š” ๋„์‹œ ํ•˜๋ถ€ ๊ตฌ์กฐ๋กœ์„œ, ๋„์‹œ์˜ ๊ธฐ๋ฐ˜์‹œ์„ค์„ ๊ตฌ์„ฑํ•˜์—ฌ Main Culture๋ฅผ ๋ณด์กฐํ•˜๋Š” ์—ญํ• ์„ ํ•˜๊ธฐ ๋•Œ๋ฌธ์— ๊ทธ ๊ฐ€๋Šฅ์„ฑ์ด ํฌ๋‹ค. ์ธํ”„๋ผ๋กœ์„œ์˜ ๊ฐ€๋Šฅ์„ฑ์ด๋ž€ ๋„์‹œ์˜ ํ•˜๋ถ€๊ตฌ์กฐ์˜ ์ž‘์€ ๋ณ€ํ™”๋ฅผ ํ†ตํ•ด์„œ, ๋‹จ์ผ ๊ฑด์ถ•๋ฌผ์„ ๋ณ€ํ™”์‹œ์ผฐ์„ ๋•Œ์— ๋น„ํ•ด ์ƒ๋Œ€์ ์œผ๋กœํฐํšจ๊ณผ๋ฅผ๋™์‹œ๋‹ค๋ฐœ์ ์œผ๋กœ๋ณผ์ˆ˜์žˆ๋‹ค๋Š”์ ์ด๋‹ค.

์ด ํ”„๋กœ์ ํŠธ๋Š” ๋„์‹œ ๊ฐœ๋ฐœ๊ณผ ์žฌ์ƒ ๊ณผ์ •์—์„œ, ๊ทธ ์ง€์—ญ์ด ๊ฐ–๋Š” ๊ณ ์œ ์˜ ์‚ฌํšŒ์ , ๋ฌธํ™”์  ๊ฒฝ์ œ์  ํŠน์„ฑ,์ฆ‰ ์ง€์—ญ์˜ ์ •์ฒด์„ฑ-Local identity-์ด ์‚ญ์ œ๋œ ๊ณต๊ฐ„์— ๋Œ€ํ•œ ๋ฌธ์ œ์˜์‹์—์„œ ์‹œ์ž‘ํ•œ๋‹ค. ......... ์„œ์šธ ๋„์‹ฌ์—์„œ ์œ ์ผํ•˜๋‹ค ์‹œํ”ผ ์•ˆ์ „ํ•˜๊ณ  ์—ฐ์†๋œ ๋ณดํ–‰๊ถŒ์„ ๋ˆ„๋ฆด ์ˆ˜ ์žˆ๋Š” ๊ณณ์ด ๋ฐ”๋กœ ์ฒญ๊ณ„์ฒœ์ด๋‹ค. .......ํ•˜์ง€๋งŒ ์ง€๊ธˆ์˜ ๋ณต์›๋œ ์ฒญ๊ณ„์ฒœ์€ ์‚ฌํšŒ์ , ๊ณต๊ฐ„์ ์ธ ๋ถ„ํ• , ์ง€์—ญ ์ฃผ๋ฏผ๊ณผ ์ง€์—ญ ๋ฌธํ™”์˜ ๋ฐฐ์ œ๋œ, ์™„์„ฑ๋˜์ง€์•Š์€ ์ธํ”„๋ผ์ด๋‹ค. ์ด๋Ÿฐ ๋น„์™„์„ฑ์˜ ์ฒญ๊ณ„์ฒœ์€ ์ง€์—ญ์‚ฌํšŒ ๋ฐ ๊ณต๊ฐ„์†์—์„œ ์ผ์ข…์˜ ํ‹ˆgap์œผ๋กœ ์กด์žฌํ•œ๋‹ค.์ด gap์€ ๊ณต๊ฐ„์  ๋‹จ์ ˆ์€ ๋ฌผ๋ก ์ด๊ฑฐ๋‹ˆ์™€, ์‚ฌํšŒ์ , ๋ฌธํ™”์  gap์ด๊ธฐ๋„ ํ•˜๋‹ค. ......๋‚˜๋Š” ์ฒญ๊ณ„์ฒœ๊ณผ ์ฃผ๋ณ€์ง€์—ญ๊ณผ์˜์—ฐ๊ฒฐ๋ถ€์—์„œ์ฒญ๊ณ„์ฒœ์„์™„์„ฑ๋œ๋„์‹œ์žฌ์ƒ์ธํ”„๋ผ๋กœ๋งŒ๋“ค์ˆ˜์žˆ๋Š”์ž ์žฌ๋ ฅ์„์ฐพ๊ณ ์žํ•œ๋‹ค.

JEONG, EUN JU 157

Site_ NODE SELECTION

FILL THE GAP [spatial, social & cultural gap]

Site CONDITION _ public facilities

History of CHEONGGYE

STORY #2. Wangsimni

before the Restorationexisting urban context

spatial & social connection with surrounding area

recovery of local identity by spatial & social connection

the CheonggyechonRestoration

without regard tourban context

1920s 1956s 1967s 1977s 2003s 2010s

Subway

RoadHot spot

ramp6

stair21

elevator2

toilet 0

์ฒญ๊ณ„์ฒœ๊ณผ์ฃผ๋ณ€์ง€์—ญ๊ฐ„์˜์ˆ˜์ง์ , ์ˆ˜ํ‰์ ๋‹จ์ ˆ์„๊ทน๋ณตํ•˜๊ณ ๊ทธ๊ฐ„๊ทน์„์‹ค์ œ์ ์ธ ๊ณต๊ฐ„์„ ํ†ตํ•ด ์ƒํ˜ธ์ž‘์šฉ๊ณผ ์—ฐ๊ณ„๋ฅผ ์ด๋ฃจ๊ณ ์ž ํ•œ๋‹ค. ๋„์‹œ๊ฐ€๊ฐ€์ง„ ๊ณต๊ฐ„์ , ๋ฌธํ™”์ , ์‚ฌํšŒ์  ํŠน์ƒ‰๊ณผ local identity๋ฅผ ๋ฐ˜ ํ•œ ์ƒˆ๋กœ์šด์‚ฌ์ด ๊ณต๊ฐ„์˜ ์ œ์‹œ๋ฅผ ํ†ตํ•ด ์ด๋ฏธ ๋ณต์›๋œ ์ฒญ๊ณ„์ฒœ๊ณผ ๊ทธ ์ฃผ๋ณ€์ง€์—ญ ์‚ฌ์ด์˜ ๋‹จ์ ˆ๊ณผ ๊ฐ„๊ทน์„ ๋„์‹œ์˜ ์ด์•ผ๊ธฐ๋“ค๋กœ ์ฑ„์šฐ๋Š” ๊ฒƒ๊ณผ ๋™์‹œ์— ์ฒญ๊ณ„์ฒœ์„ ๋”ฐ๋ผ ์„ ์ ์œผ๋กœ ์ง‘์ค‘๋œ ์œ ๋™์ธ๊ตฌ๋ฅผ ๋Œ์–ด์˜ฌ๋ ค ๋ฉด์ ์œผ๋กœ ํ™•์‚ฐ์‹œํ‚ฌ์ˆ˜์žˆ๋Š”์†Œํ†ต์˜๊ณต๊ฐ„์„์ œ์‹œํ•œ๋‹ค.

Page 78: University of Seoul, Architectural Review 2010

Story #1. DONGDAEMUN

Story #2. WANGSIMNI

A. Reading the Urban pattern

A. Reading the Urban pattern B. Conceptional approach

Formation process of the alley_ Wangsimni

Small houses had been builtwithout planned Land

Development

Houses adjust to the shape of street

existing topograpy

phenomenon

density of pedestrian obstruction of flow

step 1 _ Inserting the path for vitalization of

the side street & pyunghwa market

step1_programming with units like Wangsimniโ€™s urban pattern

eventhall lobby

cafe servicekidโ€™s

activities

book market reading lounge

_Pyunghwa marketsmall scale buildings big scale building

B. Conceptional approach

JEONG, EUN JU 159

step2_placement of programing by grouping

step3_transform, stack, rotate & move for access, connetion & creating various space/ transplantation of Wangsimniโ€™s urban tissues to Cheonggye-cheon

step 2 _Various levels and path flows of Cheonggye cheon

step 3 _Various levels and path flows โ†’ spatial layers and wall

Special Thanks to.

์šฐ๋ฆฌ๋ผ์ธ์ฐฝ์ค€์˜ค๋น , ๋ช…ํ˜‘์ด!์€๊ทผ๊ณ ์ƒํ•œ๋™์ผ์ด, ๋ฉ€๋ฆฌ์—ฐ๋ณ€์„œ์˜จํ˜„์‹ค์ด. ๋‹ˆ๋“ค๋•์—์กธ์—…ํ•œ๋‹ค.๊ทธ๋ฆฌ๊ณ ์ž๊ธฐ์ž‘ํ’ˆํ•˜๋žด๋‚ด์งœ์ฆ๋ฐ›์•„์ฃผ๋žด๊ณ ์ƒํ•œํฌ์›์˜ค๋น .๋‹ค๋“ค๋งŽ์ด๋งŽ์ด๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค. ^^

Page 79: University of Seoul, Architectural Review 2010

Story #1. DONGDAEMUN

level +3600 Plan / show case/ Dongdaemun market information/ floating deck/ studion & seminar room

/ experience gallery/ cafe/ lounge

Circulation

Wall= Structure/Wall construction & Cell construction

Void by arragement of wall/Void for day lighting

Lighting & Shading

JEONG, EUN JU 161

Story #2. WANGSIMNIlevel +4400 Plan / book market

/ reading lounge/ deck

level +7400 Plan / reading lounge/ cafe/ lobby/ outdoor space

Circulation

Public Roof Terrace Void for day lingting Connetion of unitsStructure &

Vertical Circulation &Horizontal Circulation

Lighting & Shading

Page 80: University of Seoul, Architectural Review 2010

DOCKING PLATFORM

ARCHITECTURAL REVIEW 2010

SON,KYUNGMIN

๋ถ์ดŒ, ๊ฒฝ๋ณต๊ถ, ์ธ์‚ฌ๋™๊ทธ๊ณต๊ฐ„๋“ค์‚ฌ์ด์—์†กํ˜„๋™์ด์žˆ๋‹ค. ์†กํ˜„๋™์€๊ณผ๊ฑฐ 50์—ฌ๋…„๋™์•ˆ๋ฏธ๊ตญ๋Œ€์‚ฌ๊ด€์ง์›์ˆ™์†Œ๋ถ€์ง€๋กœ์‚ฌ์šฉ๋˜์–ด์กŒ๊ณ 

ํ˜„์žฌ๋‹ด์œผ๋กœ๊ฒ‰์„๋‘๋ฅธ์ฑ„์ƒˆ๋กœ์šด๊ฐœ๋ฐœ์„๊ธฐ๋‹ค๋ฆฌ๋ฉฐ๋น„์–ด์ง„๋„์‹ฌ์˜๊ฑฐ๋Œ€ํ•„์ง€๋กœ์กด์žฌํ•ด์žˆ๋‹ค. ์ง€๋‚œ 50์—ฌ๋…„๋™์•ˆ๋Œ€์ง€์˜์•ˆ๊ณผ๋ฐ–์„๋ถ„๋ช…ํžˆ๊ฐ€๋ฅธโ€˜๋‹ดโ€™์€์šฐ๋ฆฌ์—๊ฒŒ

์ด๊ณณ์˜์กด์žฌ๊ฐ์„๋ถ„๋ช…ํ•œ๊ฒฝ๊ณ„๋กœ๋ณด์—ฌ์ฃผ์—ˆ๋‹ค. ์šฐ๋ฆฌ๋Š”์†กํ˜„๋™์„โ€˜์•Œ์ˆ˜์—†๋Š”๋‚ด์šฉ์ด์žˆ๋Š”์•ˆโ€™๊ณผโ€˜์šฐ๋ฆฌ๊ฐ€์ƒํ™œํ•˜๋Š”๋ฐ–โ€™์„

๊ฐ€๋กœ๋ง‰๋Š”โ€˜๋‹ดโ€™์ž์ฒด๋กœ์ธ์‹ํ•˜๊ณ ์žˆ์œผ๋ฉฐํฌ๊ฒŒ๋Š”์†กํ˜„๋™์ž์ฒด๊ฐ€๋ถ์ดŒ๊ณผ๊ฒฝ๋ณต๊ถ๊ทธ๋ฆฌ๊ณ ์ธ์‚ฌ๋™์‚ฌ์ด์˜์—ฐ๊ฒฐ์„๊ฐ€๋กœ๋ง‰๋Š”๋Œ€์ง€์ž์ฒด๊ฐ€ํ•˜๋‚˜์˜โ€˜๋ฒฝโ€™์œผ๋กœ์„œ์ธ์‹ํ•˜๊ณ ์žˆ๋‹ค.

์ด์ œ๊ทธ๋•…์ด์šฐ๋ฆฌ์—๊ฒŒ๋Œ์•„์™”์„๋•Œ๊ทธ๊ฒฝ๊ณ„๋Š”์–ด๋–ป๊ฒŒ์—ด๋ ค์•ผํ• ๊ฒƒ์ธ๊ฐ€?

์†๊ฒฝ๋ฏผ

Page 81: University of Seoul, Architectural Review 2010

ๆพ ๅณด ๆดž

๋Œ€์ง€๋Š” ๊ฒฝ๋ณต๊ถ๊ณผ ๋ถ์ดŒ ๊ทธ๋ฆฌ๊ณ  ์ธ์‚ฌ๋™ ์‚ฌ์ด์— ์žˆ๋Š” ์˜› ๋ฏธ๊ตญ ๋Œ€์‚ฌ๊ด€ ์ˆ™์†Œ ๋ถ€์ง€์ธ ์†กํ˜„๋™์ด๋‹ค. ์ด๊ณณ์€ ์ง€๋‚œ 60์—ฌ๋…„๋™์•ˆ ๋†’์€ ๋‹ด์žฅ์— ์˜ํ•ด ๋‹จ์ ˆ๋œ ๊ฑฐ๋Œ€ํ•„์ง€๋กœ์„œ ๋ฏธ๊ตญ๋Œ€์‚ฌ๊ด€์ˆ™์†Œ์˜์ด์ „๊ณ„ํš๊ณผํ•จ๊ป˜์ƒˆ๋กœ์šด๊ฐœ๋ฐœ์„๊ธฐ๋‹ค๋ฆฌ๋Š”์ƒํ™ฉ์ด๋‹ค. ๋Œ€์ง€์˜์ฃผ๋ณ€์€์•ž์œผ๋กœ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ์„œ์šธ๊ด€, ํ˜„๋Œ€์‚ฌ๋ฐ•๋ฌผ๊ด€, ์•ˆ๋™๋ณ„๊ถ ๋ณต์›์ด ์˜ˆ์ •๋˜์–ด์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ๊ณ„ํš๋“ค๋กœ์•ž์œผ๋กœ ์ด ๊ณณ ์ฃผ๋ณ€์€ ๊ณต๊ณต์˜ ์„ฑ๊ฒฉ์ด ์ง™์–ด์งˆ ๊ฒƒ์ด๋ฉฐ ์‚ฌ์œ ์ง€๋กœ์˜ ๊ฐœ๋ฐœ์— ๋Œ€ํ•œ ๊ณต๊ณต์˜์ ‘๊ทผ์  ์ œ์•ฝ์€ ๋”ฐ๋ฅผ ์ˆ˜ ๋ฐ–์— ์—†๋‹ค. ์ง€๋‚œ 60์—ฌ๋…„๋™์•ˆ ์šฐ๋ฆฌ์—๊ฒŒ ์—†๋˜ ๊ณต๊ฐ„๊ณผ ๋งˆ์ฐฌ๊ฐ€์ง€์ธ ์†กํ˜„๋™์„ ์žฌ์กฐ๋ช…ํ•จ๊ณผ ๋™์‹œ์— ๋ฌผ๋ฆฌ์ , ์—ญ์‚ฌ์  ๋‹จ์ ˆ ๊ทธ ์ž์ฒด๋ผ ํ•  ์ˆ˜ ์žˆ๋Š” ์ด๊ณณ์ด์ƒˆ๋กœ์šด๊ฐœ๋ฐœ๋ฐฉ์‹์„์ œ์•ˆํ•œ๋‹ค.

๋ถ์ดŒ, ๊ฒฝ๋ณต๊ถ

๊ฒฝ๋ณต๊ถ๊ฒฝ๋ณต๊ถ ๊ด‘์žฅ์กฐ์„ฑ์˜ˆ์ •์ง€

๋ถ์ดŒ๋ถ์ดŒ ๋ถ์ดŒ ๋ถ์ดŒ

์œจ๊ณก๋กœ

์ธ์‚ฌ๋™

์ธ์‚ฌ๋™

SON, KYUNG MIN 165

์‚ฌ์œ ์ง€๋ผ๋Š”๋Œ€์ง€์˜ํ˜„์ƒํ™ฉ์„์ ธ๋ฒ„๋ฆฌ๋Š”๋ฌด์กฐ๊ฑด์ ์ธ ๊ณต๊ณต์„ฑ์„ ์œ„ํ•œ ๊ฐœ๋ฐœ์€ ํ˜„์‹ค์„ฑ์ด ์—†๋‹ค. ์„œ์šธ์˜์ฃผ์š” ๊ด€๊ด‘์š”์ ์ง€๊ฐ€ ์ง‘ํ•ด ์žˆ๊ณ  ๊ฐ์ข… ๊ด€๊ณต์„œ, ๋Œ€์‚ฌ๊ด€์ด๊ทผ์ ‘ํ•ด์žˆ๋Š”์ƒํ™ฉ๊ณผ๊ธฐ์—…์˜์ด์œค์ฐฝ์ถœ์ด๋ผ๋Š” ํ˜„์‹ค์„ฑ์„ ๋ฐ˜ ํ•˜์—ฌ ํ˜ธํ…”์ด๋ผ๋Š” ํ”„๋กœ๊ทธ๋žจ์„์ œ์•ˆํ•œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ํ˜„์žฌ ๊ฒฝ๋ณต๊ถ ๋‚ด์— ์žˆ๋Š” ๊ตญ๋ฆฝ๋ฏผ์†๋ฐ•๋ฌผ๊ด€์€๊ฒฝ๋ณต๊ถ๋ณต์›๊ณ„ํš์—์˜ํ•ด์ด์ „๋˜์–ด์•ผํ•จ์—๋„ ๋Œ€์ƒ์ง€๊ฐ€ ์ •ํ•ด์ง€์ง€ ์•Š์€ ์ƒํƒœ์ด๋‹ค. ๊ทธ๋Ÿฌํ•œ๊ตญ๋ฆฝ๋ฏผ์†๋ฐ•๋ฌผ๊ด€์„์†กํ˜„๋™์—์ด์ „ํ•จ์œผ๋กœ์„œ๋Œ€์ง€๊ฐ€ ์ง€๋‹Œ ๊ณต๊ณต์„ฑ์„ ๋ฐ˜ ํ•œ ์ ‘๊ทผ์ด ์‰ฝ๊ณ  ์ƒˆ๋กœ์šดํ˜•์‹์˜๋ฐ•๋ฌผ๊ด€์ด๊ฐ€๋Šฅํ• ๊ฒƒ์ด๋‹ค.

PROGRAM HOTEL + MUSEUM

Page 82: University of Seoul, Architectural Review 2010

MAKING ALTERNATIVE

MASS DESIGN PROCESS

Phase 1. Phase 2. Phase 3.

๊ธฐ์กด์˜ ๊ฒฝ๊ณ„๋ฅผ ์กด์ค‘ํ•˜๋Š”ํ˜•ํƒœ์˜๋งค์Šค์ƒ์„ฑ

๊ฑฐ๋Œ€ํ•œ ํ•„์ง€๋ฅผ ์ฑ„์šฐ๋Š” ๊ธฐ์ค€์€ ๋Œ€์ง€์˜ ๊ฒฝ๊ณ„๋ฅผ ์กด์ค‘ํ•˜๊ณ  ์ฃผ์œ„์˜ ๋ฒˆ์žกํ•จ์„์œตํ™”์‹œํ‚ฌ์ˆ˜์žˆ๋Š”๋‹ค์–‘ํ•œํ˜•ํƒœ์˜ Open space๋ฅผ๊ฐ€์งˆ์ˆ˜์žˆ๋„๋กํ•˜ ๋‹ค.

ํ•™๊ต๋กœ๋ถ€ํ„ฐ ์ƒ๋Œ€์ ์œผ๋กœ๋จผ๊ณณ์—ํ˜ธํ…”์„๋ฐฐ์น˜

์ตœ๋Œ€ํ•œ์˜ ์ž์—ฐ๊ด‘์„๋ฐ›์•„ ๋“ค์ด๊ธฐ์œ„ํ•ด ๋‚จ๋ถํ–ฅ์˜์„ ํ˜•๋ฐฐ์น˜

-5M๋ ˆ๋ฒจ๊ณผ ์ƒ์ธต๋ถ€๋กœ๋Œ์ถœํ•œ ํฉ์–ด์ง„ ๋งค์Šคํ˜•์„ฑ

Hotel Museum Shop

๋ถ์ดŒ, ์‚ผ์ฒญ๋™, ์ธ์‚ฌ๋™์˜ ์ƒ์—…์  ์„ฑ๊ฒฉ์„ ์ด์–ด์ฃผ๋Š” shop์˜๋ฐฐ์น˜

- ์ „์ฒด์ ์œผ๋กœ ๋Œ€์ง€์˜ ๊ฒฝ๊ณ„๋ฅผ์กด์ค‘ํ•˜๋Š”ํ˜•ํƒœ๋ฅผ์ทจํ•จ.

- ํ˜ธํ…”๊ณผ๋ฐ•๋ฌผ๊ด€์˜ํ˜ผํ•ฉ์ด๋ฐฐ์น˜์—์˜ํ•ด์ด๋ฃจ์–ด์ง„๋‹ค

SON, KYUNG MIN 167

Page 83: University of Seoul, Architectural Review 2010

LAYERโ€™S OVERLAP

Lv +9M ๋ฐ•๋ฌผ๊ด€๊ณผํ˜ธํ…”์„์—ฐ๊ฒฐํ•˜๋Š”๊ธธ

๋ถ„๋ฆฌ๋œ์ „์‹œ์‹ค์„์ด์–ด์ฃผ๋Š”์—ญํ• ๊ณผ๋™์‹œ์—์˜ค๋ฆ„๊ธธ์„๋ฐ›์ณ์ฃผ๋Š”๊ตฌ์กฐ์ ์—ญํ• ์„ํ•œ๋‹ค.์„ ํฐ๊ฐ€๋“ ์œผ๋กœ๋ถ€ํ„ฐ์˜์ˆ˜์ง์—ฐ๊ฒฐ์„๊ฐ€๋Šฅํ•˜๊ฒŒํ•˜๋Š”์ฝ”์–ด๊ฐ€์ด๊ณณ์—์žˆ๋‹ค.

Lv +0 ~ 9M ๋„์‹œ์ ํ๋ฆ„์˜์˜ค๋ฆ„๊ธธ

์ธ์‚ฌ๋™์œผ๋กœ๋ถ€ํ„ฐํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ๋ถ์ดŒ, ๊ฒฝ๋ณต๊ถ์„ํ–ฅํ•˜๋Š”์ถ•์„ํ†ตํ•œ์ƒˆ๋กœ์šด์˜ค๋ฆ„๊ธธ์„๋งŒ๋“ ๋‹ค.๋„์‹ฌ์—๋ถ€์กฑํ•œ Open space๋ฅผ๋งˆ๋ จํ•˜๊ณ ๋„์‹œ๋ฅผ๋ฐ”๋ผ๋ณด๋Š”๋‹ค์–‘ํ•œ์‹œ์ ์ด๊ฐ€๋Šฅํ•˜๊ฒŒ๋งŒ๋“ ๋‹ค.

Lv -5M ์ƒˆ๋กœ์šด๊ธธ์˜ํ˜•์„ฑ

๋Œ€์ง€๋ ˆ๋ฒจ๋กœ๋ถ€ํ„ฐ 5M ์•„๋ž˜๋กœ์ƒˆ๋กœ์šด๋Œ€์ง€๋ ˆ๋ฒจ์„๋งŒ๋“ค๊ณ ์„ ํฐ๊ฐ€๋“ ๊ณผ๋ฐ•๋ฌผ๊ด€์œผ๋กœํ†ตํ•˜๋Š”Main Enterance๋ฅผ๋ฐฐ์น˜ํ•˜์—ฌ์ผ์ƒ์˜๊ธธ๋กœ๋ถ€ํ„ฐ์˜›๋ชจ์Šต์„๋ฐ”๋ผ๋ณด๊ฒŒํ•œ๋‹ค.

Lv +0 ์˜›๊ธธ์˜์ด์šฉ : ์ผ์ƒ์˜๊ธธ

์˜›๋ถ€ํ„ฐ์žˆ๋˜ํ•„์ง€๋ฅผ๊ตฌํšํ•˜๋˜๊ธธ์˜์กฐ์ง์ด๊ฑฐ๋Œ€ํ•„์ง€๋ฅผ๋‚˜๋ˆ„๋Š”์—ญํ• ์„ํ•œ๋‹ค.๋ฏธ๊ตญ๋Œ€์‚ฌ๊ด€์ˆ™์†Œ๋ถ€์ง€ ์„๋•Œ๋„๊ทธ๊ตฌํš์ด์œ ํšจํ•˜๊ฒŒ์ž‘์šฉํ•˜ ๊ณ ๊ธฐ์กด์˜๊ธธ์ด์—ˆ๋‹ค๋Š”๊ฒƒ์€๊ณง๊ฐ€์žฅํšจ์œจ์ ์ธ๊ธธ์˜ํ˜•ํƒœ์ผ๊ฒƒ์ด๋‹ค.

South Gate

SON, KYUNG MIN 169

Page 84: University of Seoul, Architectural Review 2010

VARIOUS EXPERIENCE

ํ”„๋กœ๊ทธ๋žจ๊ณผ๋ ˆ๋ฒจ์˜์ค‘์ฒฉ์„ํ†ตํ•œ์‹œ์„ ์˜๊ตํ™˜, ๊ฐ„์ ‘์ฒดํ—˜, ์ผ์ƒ์†์œผ๋กœ์˜ํ™˜์›์„๊ธฐ๋Œ€ํ•œ๋‹ค.

Hotel & Museum

1

Museum & Road

2

Lecturel hall & Museum

3

Hotel & Road

4

Road & Road

Museum & Road

Museum & Road5

SON, KYUNG MIN 171

Page 85: University of Seoul, Architectural Review 2010

FLOATING IN SPACE C- URBAN RE+GENERATION

ARCHITECTURAL REVIEW 2010

YOON,BYEONGDAHM

์‚ฐ์—…ํ˜๋ช…์ดํ›„์ธ๊ฐ„๊ณผ์ž์—ฐ์˜๊ท ํ˜•์€๋ฌด๋„ˆ์ง€๊ณ , ์ž์—ฐ๊ณผ์˜๊ด€๊ณ„๋Š”ํฐ๋ณ€ํ™”๋ฅผ๊ฒช๊ฒŒ๋˜์—ˆ๋‹ค. ๊ทธ๊ฒฐ๊ณผ, ์ž์—ฐ์˜๋„์‹œํ™”์ธ๊ณตํ™”๊ฐ€์ด‰์ง„๋˜์–ด์ž์—ฐํŒŒ๊ดด๋ฐํ™˜๊ฒฝ์˜ค์—ผ์ด๋”์šฑ์‹ฌ๊ฐํ•˜๊ฒŒ๋˜์—ˆ๊ณ , ์ƒํƒœ๊ณ„๋ฟ๋งŒ์•„๋‹ˆ๋ผ์ธ๋ฅ˜์˜์ƒ์กด์ž์ฒด๊ฐ€์œ„ํ—˜ํ•˜๊ฒŒ๋˜์—ˆ๋‹ค. ๊ธ‰์ง„์ ์ด๊ณ ์ฒด๊ณ„์ ์ด์ง€๋ชปํ–ˆ๋˜๋ถˆ๊ท ํ˜•์ ๋„์‹œ๋ฐœ์ „์œผ๋กœ์‹œ๋ฏผ๋“ค์˜๋ณต์ง€์ฆ์ง„์„๋‹ด๋‹นํ•˜๋Š”๊ณต๊ณต์‹œ์„ค๋ฌผ์˜๊ด€๋ฆฌ๋Š”์†Œํ™€ํ•ด์งˆ์ˆ˜๋ฐ–์—์—†์—ˆ์œผ๋ฉฐ,

๊ทธ๊ฒฐ๊ณผ๊ณต๊ณต์‹œ์„ค๋ฌผ์ด์‹œ๋ฏผ์—๊ฒŒํ•ด๋ฅผ๋ผ์น˜๋Š”ํ˜„์ƒ๊นŒ์ง€๋ฐœ์ƒํ•˜๊ฒŒ๋˜์—ˆ๋‹ค.

๋„์‹œ์—๊ผญํ•„์š”ํ•œ๊ธฐ๋ฐ˜์‹œ์„ค์ธํ•˜์ˆ˜์ข…๋ง์ฒ˜๋ฆฌ์žฅ์€๋„์‹œ์—์„œ์ƒ์‚ฐ๋œ์˜ค์—ผ๋œ์ˆ˜์ž์›์„์ •ํ™”ํ•˜๊ณ ์ž์—ฐ์œผ๋กœ๋˜๋Œ๋ ค๋ณด๋‚ด๋Š”์ค‘์š”ํ•œ์‹œ์„ค์ด๋‹ค. ํ•˜์ง€๋งŒ๊ธฐ์กด์˜ํ•˜์ˆ˜์ข…๋ง์ฒ˜๋ฆฌ์žฅ์˜์ด๋ฏธ์ง€๋Š”๋”๋Ÿฝ๊ณ ์•…์ทจ๋‚˜๋Š”ํ˜์˜ค์‹œ์„ค๋กœ์ธ์‹๋˜์–ด๋„์‹œ๊ฐ€์žฅ์ž๋ฆฌ์—๋ฐฉ์น˜๋˜์—ˆ๊ณ , ๋„“์€๋ฉด์ ์„์‚ฌ์šฉํ•จ์œผ๋กœ์ธํ•œ์ด์งˆ์ ์ธ์Šค์ผ€์ผ์€๋„์‹œ๊ตฌ์กฐ๋ฅผํŒŒ๊ดดํ•˜๊ณ ์ˆ˜๋ณ€๊ณต๊ฐ„์˜๋‹จ์ ˆ์„์ดˆ๋ž˜ํ•˜๋ฉฐ, ๋„์‹ฌ์ƒํ˜ธ๊ฐ„์˜์†Œํ†ต์„๋‹จ์ ˆ์‹œํ‚ค๋Š”๋ฌธ์ œ์ ์„๋“œ๋Ÿฌ๋‚ด๊ฒŒ๋œ๋‹ค. ์ง€์—ญ๊ฐ„์˜๋ฌผ๋ฆฌ์ ๋‹จ์ ˆ์„์ดˆ๋ž˜ํ•˜ ์œผ๋ฉฐ, ์˜ค์ˆ˜์˜์•…์ทจ๋กœ์ธํ•œํ˜์˜ค์‹œ์„ค๋กœ์˜์ธ์‹์€

์ง€์—ญ๋ฐœ์ „์„์ €ํ•ดํ•˜์—ฌ์ฃผ๋ณ€์ง€์—ญ์„๋”์šฑ๋‚™ํ›„ํ•˜๊ฒŒ๋งŒ๋“œ๋Š”์›์ธ์ด๋˜์—ˆ๋‹ค.

ํ•˜์ˆ˜์ข…๋ง์ฒ˜๋ฆฌ์žฅ(์ดํ•˜์ค‘๋ž‘๋ฌผ์žฌ์ƒ์„ผํ„ฐ)์˜ํ˜„๋Œ€ํ™”์™€๊ณต์›ํ™”๋กœ์ด๋ฏธ์ง€๋ฅผํƒˆ๋ฐ”๊ฟˆํ•˜๋ ค๋Š”๊ธฐ์กด์˜์†Œ๊ทน์ ์ธ๊ณ„ํš์—๋ฐ˜ํ•˜์—ฌ, ๊ฑด์ถ•์ ํ”„๋กœ๊ทธ๋žจ์„์ œ์‹œํ•ด๋ณด๋‹ค์ ๊ทน์ ์ธ๋ณ€ํ™”๋ฅผ์‹œ๋„ํ•ด๋ณด๋ ค๊ณ ํ•œ๋‹ค. ์‚ฌ๋ผ์งˆ์œ„๊ธฐ์—์ฒ˜ํ•œ๋‚ก์€ํ•˜์ˆ˜์ฒ˜๋ฆฌ์‹œ์„ค์˜๋ฆฌ๋‰ด์–ผ์„ํ†ตํ•˜์—ฌ

๋ฒ„๋ ค์ง„๋Œ€์ง€๋ฅผ๋„์‹œ์—๋‹ค์‹œ์ฐธ์—ฌ์‹œํ‚ค๊ณ , ๋”๋Ÿฌ์›€๊ณผ์žฌ์ƒ์ด๋ผ๋Š”์ •ํ™”๊ณผ์ •์„๊ฑด์ถ•์ ์˜๋ฏธ๋กœ์žฌํ•ด์„ํ•˜๋ คํ•œ๋‹ค. ์ดํ”„๋กœ์ ํŠธ์˜๋ชฉํ‘œ๋Š”์ค‘๋ž‘๋ฌผ์žฌ์ƒ์„ผํ„ฐ๋ฅผ์‹œ๋ฏผ์„์œ„ํ•œํ™˜๊ฒฝ๋””์ž์ธ์„ผํ„ฐ๋กœํƒˆ๋ฐ”๊ฟˆํ•˜๊ณ ์ด๋กœ์ธํ•ด๊ทธ๋™์•ˆ๋‚™ํ›„๋˜์—ˆ๋˜์ธ๊ทผ์ง€์—ญ์„

ํ™œ์„ฑํ™”์‹œํ‚ค๋Š”๊ฒƒ์ด๋‹ค. ๋‚จ๊ฒจ์ง„ํ•˜์ˆ˜์ฒ˜๋ฆฌ์žฅ์€์˜›๊ธฐ์–ต์„๊ฐ„์งํ•œ์ฑ„์ƒˆ๋กœ์šด์ถ”์–ต์„๋งŒ๋“ค์–ด๊ฐ€๋Š”์†Œํ†ต์˜์žฅ์ด๋˜์–ด์‹œ๋ฏผ๋“ค์—๊ฒŒ์นœ๊ทผํ•˜๊ฒŒ๋‹ค๊ฐ€๊ฐ€๋ฉฐ, ์‹œ๋ฏผ๋“ค์˜๋ฌธํ™”์†๊นŠ์ด์ž๋ฆฌ๋งค๊น€ํ•ด๊ธฐ์กด์˜์ธ์‹์ด๋ณ€ํ™”ํ•˜๋„๋ก์‹œ๋„ํ•œ๋‹ค. ์†Œ์™ธ๋ฐ›๋˜๋Œ€์ง€๋Š”๋„์‹œ์™€์˜๋‹จ์ ˆ์„ํ•ด์†Œํ•˜๊ณ ,

์ง€์—ญ์˜์ƒˆ๋กœ์šด์•„์ด์ฝ˜์ด๋œ๋‹ค.

์œค๋ณ‘๋‹ด

Page 86: University of Seoul, Architectural Review 2010

๋„์‹œ๊ธฐ๋ฐ˜์‹œ์„ค์ด์žํ˜์˜ค์‹œ์„ค์ธ ํ•˜์ˆ˜์ฒ˜๋ฆฌ์žฅ(์ค‘๋ž‘๋ฌผ์žฌ์ƒ์„ผํ„ฐ)์˜ ๋ฆฌ๋‰ด์–ผ์„ ํ†ตํ•˜์—ฌ, ํ˜„๋Œ€/๋ฏธ๋ž˜์˜ ์šฉ๋„์— ๊ฑธ๋งž๋Š” ๊ณต๊ฐ„์˜ ์žฌ์ฐฝ์กฐ(Reinvention) ๋ฐ ์žฌํ™œ์šฉ(Re-use) ๋ฐฉ์•ˆ์—์ฃผ์•ˆ์ ์„๋‘์—ˆ๋‹ค. ๊ธฐ์กด์˜ ํ•˜์ˆ˜์ฒ˜๋ฆฌ๊ณผ์ •์€ ์Šฌ๋Ÿฌ์ง€๋ฅผ ์ฒ˜๋ฆฌํ•˜๋Š” ๊ธฐ๊ณ„์„ค๋น„๋ฅผ ์ œ์™ธํ•˜๊ณ , ์ธ๊ณต์—๋„ˆ์ง€๋ฅผ ์‚ฌ์šฉํ•˜์ง€ ์•Š์œผ๋ฉฐ, ๊ทธ ์ค‘ ์ฃผ๋ชฉํ•  ๋งŒํ•œ ๊ณผ์ •์€ ํฌ๊ธฐ์กฐ์—์„œ ์œ ๊ธฐ๋ฌผ์„ ๋ถ„ํ•ดํ•˜๋Š” ํ˜ธ๊ธฐ์„ฑ ๋ฏธ์ƒ๋ฌผ์ด๋‹ค. ์ด ๋ฐ•ํ…Œ๋ฆฌ์•„๋Š” ์œ ๊ธฐ๋ฌผ์„ ๋ถ„ํ•ดํ•˜์—ฌ BOD๋ฅผ ๋‚ฎ์ถ”์–ด ๋ถ€ ์–‘ํ™”๋ฅผ ๋ฐฉ์ง€ํ•œ๋‹ค. ์ด๋Ÿฌํ•œ ํŠน์ง•์— ์ฐฉ์•ˆํ•˜์—ฌ ์ƒ๋ฌผ๋ฐ˜์‘์กฐ(ํฌ๊ธฐ์กฐ)์˜ ๋ฏธ์ƒ๋ฌผ์„ ํ˜•ํƒœ์  ๋ชจํ‹ฐ๋ธŒ๋กœ์‚ผ์•„, ๊ทธํ˜•ํƒœ๋ฐ๋™์ ์ธํŠน์„ฑ์„๊ฑด์ถ•์ ์œผ๋กœ์น˜ํ™˜ํ•˜์—ฌ๋น„์ •ํ˜•์˜๊ณต๊ฐ„์„๊ตฌ์ถ•ํ•˜ ๋‹ค.๋‚ก์€ ํ•˜์ˆ˜์ฒ˜๋ฆฌ์‹œ์„ค์˜ ์œค๊ณฝ๋งŒ ๋‚จ๊ฒจ๋‘” ์ฑ„ ๊ทธ ์œ„๋กœ ์ƒˆ๋กœ์šด ๊ตฌ์กฐ์™€ ๋น„์ •ํ˜•์˜ ๋งค์Šค(๋งค์Šค๋Š” ์™€์ด์–ด๋ฅผ ์ด์šฉํ•ด ํŠธ๋Ÿฌ์Šค์— ๋งค๋‹ค๋Š” ๊ตฌ์กฐ๋ฅผ ์ทจํ•จ)๋ฅผ ๋งŒ๋“ค์–ด ๋‚ก๊ณ  ๋”๋Ÿฌ์šด์ด๋ฏธ์ง€์˜ ํ•˜์ˆ˜์ฒ˜๋ฆฌ์žฅ์„ ์‹ ๋น„๋กญ๊ณ  ํฅ๋ฏธ๋กœ์šด ๊ณต๊ฐ„์œผ๋กœ ์ „ํ™˜ํ•˜์—ฌ ์‹œ๋ฏผ๋“ค์ด ํŽธํžˆ ์‰ฌ์–ด๊ฐˆ ์ˆ˜ ์žˆ๋Š” ๊ณต๊ฐ„์„ ์ œ๊ณตํ•˜ ๋‹ค. ํ•˜์ˆ˜๊ฐ€ ํ˜ ๋˜ ๊ฒฝ๋กœ๋ฅผ ๋ฉ”์ธ ๋™์„ ์œผ๋กœ ํ•˜๊ณ ํ•˜์ˆ˜์ฒ˜๋ฆฌ๊ณผ์ •์„ ๊ฐ„์ ‘์ ์œผ๋กœ ์ฒดํ—˜ํ•˜๊ฒŒ ํ•œ๋‹ค. ๊ธฐ์กด ์ˆ˜์ฒ˜๋ฆฌ์‹œ์„ค์„ ์ธ๊ณต์ ์ธ ๊ณต๊ฐ„(Artificial Space)๊ณผ ์ž์—ฐ์ ์ธ ๊ณต๊ฐ„(Natural Space)์˜ ์™„์ถฉ์ง€(Buffer Zone)๋กœ ํ™œ์šฉํ•˜๋ฉฐ๊ณต์›์œผ๋กœ์˜์ž์—ฐ์Šค๋Ÿฌ์šด์ ‘๊ทผ์„์œ ๋„ํ•˜๊ณ ์‹œ๋ฏผ๋“ค์—๊ฒŒ์ „์‹œ,ํœด๊ฒŒ๊ณต๊ฐ„๊ณผ์ƒํƒœ์ˆ˜๋ณ€๊ณต๊ฐ„์„์ œ๊ณตํ•œ๋‹ค.

Jungnang Sewage Treatment Plant

Possibility??

Nature

์ˆ˜์ž์›

City

์†Œ๋น„

Nature

์ž์—ฐ

Infrastructure - Recycling

์นจ์‚ฌ์ง€ ์ตœ์ดˆ์นจ์ „์ง€ ํฌ๊ธฐ์กฐ ์ตœ์ข…์นจ์ „์ง€

+ URBAN RE+GENERATION - FLOATING IN SPACE CSEWAGE TREATMENT PLANT RENEWAL - GREEN DESIGN COMPLEX CENTER

+ CONCEPT SKETCH

YOON, BYEONG DAHM 175

Page 87: University of Seoul, Architectural Review 2010

YOON, BYEONG DAHM 177

GREEN DESIGN COMPLEX CENTER

+ MASTERPLAN SCALE 1:3000

+ PLAN STRATEGY

+ EAST ELEVATION SCALE 1:3000

+ SECTION STRATEGY

Lower Basement Level

Upper Basement Level

Leave a Trace of old Structure

Man-madeStructure

Sewer Tunnelthrougt the Sewer Pipe

Stream of Consciousness

Exhibition forchildren

Designerโ€™s Exhibition

Divide MassBridge

Urban - Exhibition

Nature - Open view

Cut Provide Sunlight

Reuse

Shabby space

Heavy Structure

Exhibition

Extend

Structure Grid System Skin Design

Connection

Floatation

Floatation Facade

Outdoor Space

Urban Nature

Artificial Lake WetLand

+ SOUTH ELEVATION SCALE 1:3000

+ SITE CONDITION SCALE 1:3000

+ SITE SECTION SCALE 1:3000

์œ ์ž…ํ•˜์ˆ˜๊ด€

์นจ์‚ฌ์ง€

์นจ์‚ฌ์ง€ ์นจ์‚ฌ์ง€ ์ผ์ฐจ์นจ์ „์ง€ ์ƒ๋ฌผ๋ฐ˜์‘์กฐ ์ด์ฐจ์นจ์ „์ง€ ๋™๋ถ€๊ฐ„์„ ๋„๋กœ ์ฐจ์ง‘๊ด€ ์ค‘๋ž‘์ฒœ ๋™๋ถ€๊ฐ„์„ ๋„๋กœ

์ผ์ฐจ์นจ์ „์ง€ ์ƒ๋ฌผ๋ฐ˜์‘์กฐ ์ด์ฐจ์นจ์ „์ง€

์œ ์ž…ํŽŒํ”„์žฅ

JUNGNANG SEWAGE TREATMENT PLANTTHE PRESENT CONDITION

BACTERIA FOR SEWAGE TREATMENT

CONCEPT

Floating Spacewalk Reflection

Page 88: University of Seoul, Architectural Review 2010

YOON, BYEONG DAHM 179

+ STRUCTURE SYSTEM + PROGRAM

MIDAS Simulation

+ ๋งˆ์ด๋”์Šค๊ตฌ์กฐ์‹œ๋ฎฌ๋ ˆ์ด์…˜๊ตฌ์กฐํ˜•์‹ : ๋น„๋ Œ๋””๋ŸดํŠธ๋Ÿฌ์Šค์žฌ๋ฃŒ : ํŠธ๋Ÿฌ์Šค - SM400, H๋น” 496x199x9/14)

์ฝ”์–ด - ๊ณ ๊ฐ•๋„์ฝ˜ํŠธ๋ฆฌํŠธ 40MPaํ•˜์ค‘์ž…๋ ฅ๋ฐฉ๋ฒ•

- ๊ณ ์ •ํ•˜์ค‘ : ๊ฑด๋ฌผ์˜์ž์ค‘- ์‚ฌ์šฉํ•˜์ค‘ : ํŠธ๋Ÿฌ์Šค์ธต - ์˜คํ”ผ์Šค 1.0KN/ใŽก

*์‚ฌ์šฉ์„ฑ์ฒ˜์ง๊ฒ€ํ† ์ตœ๋Œ€์ฒ˜์ง 16.89cm๊ฑด์ถ•๋ฒ•์ƒ์‚ฌ์šฉ์„ฑ์ฒ˜์ง๊ทœ์ •(์ฒ ๊ณจ๋ณดโ€˜์ŠคํŒฌ๊ธธ์ด/300โ€™)ํŠธ๋Ÿฌ์Šค์ŠคํŒฌ(81.6m)/300=0.272m

โ€œ27>16.89โ€์ด๋ฏ€๋กœ๊ตฌ์กฐ์ ์œผ๋กœ์•ˆ์ •

*๋งค์Šค์™€ํŠธ๋Ÿฌ์Šค์˜์—ฐ๊ฒฐ์žฌโˆฎ100 ์™€์ด์–ด 27๊ฐœ๋ฅผ์‚ฌ์šฉ

STRUCTURE

ROOF

CORE

5F

4F

3F

2F

1FMAIN ENTRANCE

ENTRANCEB1

SHOP

Kids

Education

Exhibit

Manage

Rest area

Core

Structure

ChildrenServiceExhibitEducation

SPACE PROGRAM

MOVEMENT

์ผ์ฐจ์นจ์ „์ง€ ์œ ์ž…ํ•˜์ˆ˜๊ด€

์œ ์ž…ํŽŒํ”„์žฅ ์นจ์‚ฌ์ง€

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YOON, BYEONG DAHM 181

+ PLAN

B1 Plan

F1 Plan

F2 Plan

F5 Plan

F4 Plan

F3 Plan

Page 90: University of Seoul, Architectural Review 2010

AUTO MECHANICS SCHOOLCUSTOMER SUPPORT CENTER

ARCHITECTURAL REVIEW 2010

YOON,JINYOUNG

์ž๋™์ฐจ์—†๋Š”์ƒํ™œ์€์ƒ์ƒํ•˜๊ธฐํž˜๋“ค๋‹ค.์ž๋™์ฐจ๊ธฐ์ˆ ์€์ƒ์ƒํ• ์ˆ˜์—†์„๋งŒํผ๋น ๋ฅธ์†๋„๋กœ๋ฐœ์ „ํ•˜๊ณ ์žˆ๋‹ค.

๊ทธ๋Ÿฌ๋‚˜์ž๋™์ฐจ์ •๋น„์—๋Œ€ํ•œ์‹ ๋ขฐ๋„๋Š”ํ˜„์ €ํ•˜๊ฒŒ๋‚ฎ์€๊ฒƒ์ดํ˜„์‹ค์ด๋‹ค. ํ•œ๊ตญ์˜๋Œ€ํ‘œ์ ์ž๋™์ฐจ๊ธฐ์—…์„ธ๊ตฐ๋ฐ์—์œ„์น˜ํ•œ์‚ฌ์ดํŠธ์—์„œ์ž๋™์ฐจ์ •๋น„๋ฅผ๊ต์œกํ•˜๋Š”์‹œ์„ค์„์ œ์•ˆํ•œ๋‹ค.

์ •๋น„๊ต์œก๊ณผ์ •์„์™ธ๋ถ€์—๋ณด์—ฌ์ฃผ๋ฉด์„œ์–ป์–ด์ง€๋Š”ํšจ๊ณผ๋Š”ํŒ๋งค์‹œ์„ค๋กœ๋„์ด์–ด์ง„๋‹ค.

์œค์ง„

Page 91: University of Seoul, Architectural Review 2010

์ž๋™์ฐจ์ •๋น„์†Œ์ˆซ์ž์—๋น„ํ•ด์ „๋ฌธ๊ต์œก๊ธฐ๊ด€์˜์ˆ˜๊ฐ€๋ถ€์กฑํ•˜๋‹ค.

์šฐ๋ฆฌ๋‚˜๋ผ๋ฅผ๋Œ€ํ‘œํ•˜๋Š”์„ธ๊ฐœ์˜์ž๋™์ฐจ๊ธฐ์—…์˜์‚ฌ์ด์—์„œ๋ณด์—ฌ์ง€๋Š”๊ฐ€๋กœ๋Š”์‚ฌ๋žŒ๋“ค์ด์‰ฝ๊ฒŒ์ธ์ง€ํ• ์ˆ˜์žˆ๋Š”๊ณณ์—์œ„์น˜ํ•œ๋‹ค.

VERTICALSITE VERTICAL

EXISTING VERTICAL

Density of car service center in Seoul

Seoul Vocational Training Institute

YOON, JIN YOUNG 185

ACCESS

DIVISION(BY THE WALL)

ACCESS FROM COMPANY ACCESS FROM OUTSIDE(RESIDENTS+CUSTOMER)

NEW COMMUNITY

NEW WAY(SHORT CUT)

EXCHANGE

NOD(BY ACCESS)SHORT CUTEASY ACCESS

Page 92: University of Seoul, Architectural Review 2010

YOON, JIN YOUNG 187

PLAN B1

PLAN B1

PLAN 1F

PLAN 2F

Page 93: University of Seoul, Architectural Review 2010

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PLAN 3F

PLAN 4F

PLAN 6F

PLAN 7F

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PLAN 8F

PLAN 8F

PLAN 9F

Page 95: University of Seoul, Architectural Review 2010

OPEN YOUR MIND

ARCHITECTURAL REVIEW 2010

YUN,SUKHYUN

Universal Sports Center

Universal Design refers to broad-spectrum architectural planning ideas meant to produce buildings, products and environments that are inherently accessible to both the able-bodied and the physically disabled.

The Principles of Universal Design

1. Equitable use2. Flexibility in use

3. Simple and intuitive4. Perceptible information

5. Tolerance for error6. Low physical effort

7. Size and space for approach and use

์œค์ˆ™ํ˜„ INTRO

Page 96: University of Seoul, Architectural Review 2010

๊ณผ๊ฑฐ์˜์žฅ์• ์ธ์ฒด์œก์€์žฅ์• ์ค‘์‹ฌ์˜์žฌํ™œ์„์œ„ํ•œ์ฒด์œก์ด์—ˆ๋‹ค. ์žฅ์• ๋ฅผ์น˜๋ฃŒ์˜๋Œ€์ƒ์œผ๋กœ๋งŒ๋ณด๊ณ ์ด๋ฅผ์œ„ํ•˜์—ฌ์žฅ์• ์ธ์ฒด์œก์„์‚ฌ์šฉํ•œ๊ฒƒ์ด๋‹ค. ํ•˜์ง€๋งŒ์ตœ๊ทผ์—๋Š”์žฅ์• ์ธ์˜์ˆ˜์ ์ฆ๊ฐ€์™€๋”๋ถˆ์–ด์‚ฌํšŒ์˜์•ˆ์ •๊ณผ๊ต์œก์˜๊ธฐํšŒ๊ท ๋“ฑ๋ฐ์‚ฌํšŒ์ฐธ์—ฌ์˜๊ธฐํšŒํ™•๋Œ€์—๋Œ€ํ•œ๊ด€์‹ฌ์˜์ฆ๋Œ€๋กœ์ง€๊ธˆ๊นŒ์ง€์‚ฌํšŒ๋กœ๋ถ€ํ„ฐ์†Œ์™ธ๋˜์–ด์™”๋˜์žฅ์• ์ธ์˜์ฒด์œก๋ฐ์Šคํฌ์ธ ํ™œ๋™์—๋Œ€ํ•œ๊ด€์‹ฌ๊ณผ์š•๊ตฌ์—ญ์‹œ์ ์ฐจ๋†’์•„์ง€๊ณ ์žˆ์œผ๋ฉฐ์žฅ์• ์ธ์˜์ฒด์œกํ™œ๋™์ดํ•„์ˆ˜์ ์ธ๋ณต์ง€์š”์†Œ๋กœ๋ถ€๊ฐ๋˜๊ณ ์žˆ๋‹ค.ํ•˜์ง€๋งŒ๊ทธ์—๋น„ํ•˜์—ฌ์žฅ์• ์ธ์ด์ด์šฉํ• ์ˆ˜์žˆ๋Š”์ฒด์œก์‹œ์„ค์€๋ณ„๋กœ๋งŽ์ง€์•Š์œผ๋ฉฐ, ์žฅ์• ์ธ์ฒด์œก์‹œ์„ค์ด๋ผ๊ณ ํ•˜๋”๋ผ๋„๋น„์žฅ์• ์ธ๊ณผ๊ฐ™์ด์ด์šฉํ•˜๊ฒŒ๋ ๊ฒฝ์šฐ์ด๋ฅผ์ด์šฉํ•˜๋Š”์žฅ์• ์ธ์˜๋น„์ค‘๋„๋งŽ์ง€์•Š๋‹ค. ๊ทธ๋ฆฌ๊ณ ์ƒํ™œ์ฒด์œก์„ํ•˜๊ณ ์‹ถ๋‹ค๊ณ ์ƒ๊ฐํ•˜๋Š”์žฅ์• ์ธ์ด๋ผ๋„์ž์‹ ์˜๋ถˆํŽธํ•œ๋ชธ์œผ๋กœ๊ณผ์—ฐ์ฒด์œกํ™œ๋™์„ํ• ์ˆ˜์žˆ์„๊นŒ๋ผ๊ณ ์ƒ๊ฐํ•˜๋Š”์ž์‹ ๊ฐ๋ถ€์กฑ๊ณผ๋‚จ์—๊ฒŒ์ž์‹ ์˜๋ชธ์„๋ณด์ด๊ธธ๊บผ๋ คํ•˜๋Š”์ด์œ ๋กœ์žฅ์• ์ธ๋“ค์€์ฒด์œกํ™œ๋™์„ํ™œ์„ฑํ™”๋˜์ง€๋ชปํ•˜๊ณ ์žˆ๋‹ค.

์ด๋Ÿฌํ•œ์žฅ์• ์ธ์ฒด์œก์„ํ™œ์„ฑํ™”์‹œํ‚ค๊ธฐ์œ„ํ•˜์—ฌ์žฅ์• ์ธ์ „๋ฌธ์ฒด์œก์„์ค‘์‹ฌ์œผ๋กœ์ฒด์œก์‹œ์„ค์„์ œ์•ˆํ•จ์œผ๋กœ์จ์ƒํ™œ์ฒด์œก์„์ ‘ํ•˜๊ณ ์žํ•˜๋Š”์žฅ์• ์ธ๋“ค์—๊ฒŒ์šฉ๊ธฐ๋ฅผ์ฃผ๊ณ , ๋น„์žฅ์• ์ธ๊ณผํ•จ๊ป˜ํ•˜๋Š”๊ธฐํšŒ๋ฅผ๊ฐ–๊ฒŒํ•˜๊ณ ์žฅ์• ์ธ์˜ํ–‰๋™์„์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ๋ณด์—ฌ์คŒ์œผ๋กœ์จ์žฅ์• ์ธ์—๋Œ€ํ•œํŽธ๊ฒฌ์ด๋‚˜์ฐจ๋ณ„์„์—†์• ๋Š”๊ธฐํšŒ๋ฅผ๋งŒ๋“ค๊ณ ์žํ•œ๋‹ค.

์œ„์น˜ : ์„œ์šธํŠน๋ณ„์‹œ์ข…๋กœ๊ตฌ์ดํ™”๋™ 13-2 ์™ธ๋ฉด์  : 4685m2

Location

Location

์ž์‚ด์˜ˆ๋ฐฉ์„ผํ„ฐ์˜์—ญํ• ๊ณผ์—ฐ๊ณ„

๋…ธ์ธ๋ณต์ง€๊ด€์˜์—ญํ• ๊ณผ์—ฐ๊ณ„

์ž์‚ด์˜ˆ๋ฐฉ์„ผํ„ฐ

์ข…๋กœ๋…ธ์ธ๋ณต์ง€๊ด€

์ž…๋ฉด_์žฅ์• ์ธ์˜์Šคํฌ์ธ ํ™œ๋™์„๋ณด์—ฌ์คŒ์œผ๋กœ์จ์ž์‚ด์˜ˆ๋ฐฉ์„ผํ„ฐ๋ฅผ๋ฐฉ๋ฌธํ•˜๋Š”์‚ฌ๋žŒ๋“ค์—๊ฒŒํฌ๋ง์„์ค„์ˆ˜์žˆ๋„๋กํ•œ๋‹ค.

์ž…๋ฉด_์žฅ์• ์ธ์˜์ˆ˜ /์ˆ˜์น˜๋ฃŒ๊ฐ€๋ณด์ž„->๋…ธ์ธ๋“ค์˜๊ด€์‹ฌ, ์ ‘๊ทผ๊ด€์ ˆ์—๋ฌด๋ฆฌ๊ฐ€๊ฐ€์ง€์•Š๋Š”์žฌํ™œ์น˜๋ฃŒ๋ฐ์šด๋™

๊ต์œก

๊ต์œก ์ƒ๋‹ด

์ฃผ๊ฐ„๋ณดํ˜ธ

๋ฌด๋ฃŒ์ง„๋ฃŒ/๋ฌผ๋ฆฌ์น˜๋ฃŒ

์ƒ๋‹ด

PROLOG

SITE

YUN, SUK HYUN 195

only ์žฅ์• ์ธ์ „๋ฌธ์ฒด์œก : team-๊ณจ๋ณผ, ๋ฐฐ๊ตฌ, ๋†๊ตฌ์žฅ์• ์ธ์ƒํ™œ์ฒด์œก & ์ „๋ฌธ์ฒด์œก : ํƒ๊ตฌ, ๋ณผ๋ง, ์›จ์ดํŠธํŠธ๋ ˆ์ด๋‹, ์ˆ˜ , ์กฐ๊น…๋น„์žฅ์• ์ธ์ƒํ™œ์ฒด์œก : ์ˆ˜ , ์›จ์ดํŠธํŠธ๋ ˆ์ด๋‹, ํƒ๊ตฌ, ๋ณผ๋ง, ์กฐ๊น…

๊ณจ๋ณผ ์‹œ๊ฐ์žฅ์• ์ธ๋งŒ์ดํ• ์ˆ˜์žˆ๋Š”์œ ์ผํ•œ์Šคํฌ์ธ . ๊ฐํŒ€์ด 3๋ช…์”ฉ์ด 6๋ช…, ์ „ํ›„๋ฐ˜๊ฐ๊ฐ 10๋ถ„์”ฉ๋„ˆ๋น„ 9m์˜๊ณจ๋Œ€๋ฅผ์„ธ๋ช…์˜์„ ์ˆ˜๊ฐ€์ง€์ •๋œ๊ตฌ์—ญ์•ˆ์—์„œ์ˆ˜๋น„๊ฒฝ๊ธฐ์—์‚ฌ์šฉ๋˜๋Š”๊ณ ๋ฌด๊ณต์€ 6๊ฐœ์˜์ž‘์€๊ตฌ๋ฉ์ด์žˆ์œผ๋ฉฐ๊ทธ์•ˆ์—๋Š”์†Œ๋ฆฌ๋‚˜๋Š”์ข…์ด๋“ค์–ด์žˆ๋‹ค. ์„ ์ˆ˜๋“ค์€์‹œ๋ ฅ์„๋™๋“ฑํ•˜๊ฒŒํ•˜๊ธฐ์œ„ํ•ด์„œ๋ˆˆ์„๊ฐ€๋ฆฌ๋ฉฐ, ์‘์›์€ํ—ˆ์šฉํ•˜์ง€์•Š๋Š”๋‹ค.

๊ณจ๋ณผ-์‹œ๊ฐ์žฅ์• ์ธ๋งŒ์ดํ• ์ˆ˜์žˆ๋Š”์šด๋™์†Œ์Œ, ๋น›์—๋ฏผ๊ฐ

์šฉ๊ธฐ์—†๋Š”์žฅ์• ์ธ์„์œ„ํ•จ๋‹ค๋ฅธ์žฅ์• ์ธ์šด๋™ํ•˜๋Š”๋ชจ์Šต๋ณด๋ฉด์„œ์ž์‹ฌ๊ฐ, ์šฉ๊ธฐ์–ป์Œ

๊ณณ๊ณณ์—ํœด๊ฒŒ๊ณต๊ฐ„์„๋‘์–ด์žฅ์• ์ธ๊ณผ๋น„์žฅ์• ์ธ,์ „๋ฌธ์ฒด์œก์ธ๊ณผ์ƒํ™œ์ฒด์œก์ธ์ด์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ๊ต๋ฅ˜ํ• ์ˆ˜์žˆ๋Š”๊ณต๊ฐ„์„๋งŒ๋“ ๋‹ค.

์ข…ํ•ฉ์ฒด์œก๊ด€ ; ๊ฐ€๋ณ€์„ฑ

๋†๊ตฌ ํ–‰์‚ฌ์žฅ์‚ฌ์šฉ ๋ฐฐ๊ตฌ ํƒ๊ตฌ์—ฐ์Šต

์žฅ์• ์ธ(์„ ์ˆ˜)

์žฅ์• ์ธ(์ทจ๋ฏธ)

๋น„์žฅ์• ์ธ(์ทจ๋ฏธ)

๋น„์žฅ์• ์ธ(์„ ์ˆ˜)

๊ด€๋žŒ

PROLOG

์ „๋ฌธ์ฒด์œก๊ณผ์ƒํ™œ์ฒด์œก๋ฅผ๋ถ„๋ฆฌํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ๋น„์Šทํ•œ ์—ญ์„๊ณต์œ  ์‹œํ‚ค๊ณ  ์„œ๋กœ ๋งŒ๋‚˜๊ฒŒ ํ•จ์œผ๋กœ์จ์ „๋ฌธ์ฒด์œก์ธ๊ณผ์ƒํ™œ์ฒด์œก์ธ, ์žฅ์• ์ธ๊ณผ๋น„์žฅ์• ์ธ์ด์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ์„ž์ด๋„๋กํ•œ๋‹ค.

์™ธ๋ถ€์—์„œ๋ณด์ž„ ์žฅ์• ์ธ๋งŒ์ดํ• ์ˆ˜์žˆ๋Š”์šด๋™ ์„œ๋กœ์ž๊ทน ์ปค๋ฎค๋‹ˆํ‹ฐ๊ณต๊ฐ„

CONCEPT

HOW?

Page 97: University of Seoul, Architectural Review 2010

์žฌํ™œ์น˜๋ฃŒ

์ˆ˜ ์žฅ๊ณผ์ˆ˜์น˜๋ฃŒ

์šด๋™์š•์กฐ์˜๊ฐ€๋ณ€์„ฑ_์ˆ˜ ์žฅ ์ˆ˜์‹ฌ๊ณผ์ˆ˜์น˜๋ฃŒ

์ˆ˜์น˜๋ฃŒ

์‹ ์ฒด์—๋ฌด๋ฆฌ๋ฅผ์ฃผ์ง€์•Š๋Š”์ˆ˜์ค‘์š”๋ฒ•์„ํ™œ์šฉํ•œ๋ฌผ์—์„œ์˜์žฌํ™œ์šด๋™์ง€์ฒด์žฅ์• , ๊ด€์ ˆ๋ฐ์š”ํ†ตํ™˜์ž๋“ฑ์žฅ์• ๋ฅผ๊ฐ€์ง„์‚ฌ๋žŒ๋“ค์˜์‹ ์ฒด์ ์žฌํ™œ์„๋•๋Š”ํ”„๋กœ๊ทธ๋žจ

-ํ•˜๋ฐ”๋“œํƒฑํฌ: ํ•œ์‚ฌ๋žŒ์ด๋ˆ„์šด์ฑ„๋“ค์–ด๊ฐˆ์ˆ˜์žˆ๋„๋กํ•œํ‰๋‹จํ˜•์š•์กฐ

๊ธฐํฌ๋ฐœ์ƒ์žฅ์น˜์ด์šฉ, ์ˆ˜์˜จ 38~39-์šด๋™์š•์กฐ: ์ˆ˜ , ๋ณดํ–‰ํ›ˆ๋ จ๋“ฑ-๊ต๋Œ€์š•: ๋ƒ‰์ˆ˜/ ์˜จ์ˆ˜์—๊ต๋Œ€๋กœ๋‹ด๊ถˆํ˜ˆํ–‰๊ฐœ์„ ->์˜จ์—ด์น˜๋ฃŒ, ํ•œ๋ƒ‰์น˜๋ฃŒ์™€์—ฐ๊ณ„

YUN, SUK HYUN 197

PROGRAM ์—ฐ๊ณ„

MOVEMENT

PROCESS

์ฃผํ”„๋กœ๊ทธ๋žจ์„์—ฐ๊ฒฐํ•˜๋Š”๋ฐฉ๋ฒ•์œผ๋กœ์กฐ๊น…ํŠธ๋ž™์„์ด์šฉํ•œ๋‹ค. ์กฐ๊น…ํŠธ๋ž™์ด ์ฒด์œก๊ด€๋งŒ์„ ๋‘˜๋Ÿฌ์‹ธ๊ณ  ์žˆ๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ๋Œ€๋ถ€๋ถ„์˜ ์ฒด์œก์‹œ์„ค์„ ๋Œ๋ฉด์„œ ๋ณผ์ˆ˜ ์žˆ๋„๋กํ•œ๋‹ค.์กฐ๊น…๊ณผ ์‚ฐ์ฑ…์€ ์žฅ์• ์ธ์ด ๊ฐ€์žฅ ์‰ฝ๊ฒŒ ์ฆ๊ธธ ์ˆ˜ ์žˆ๋Š” ์ƒํ™œ์ฒด์œก์œผ๋กœ, ๋‚จ์˜ ๋ˆˆ์„ ์ ๊ฒŒ ์˜์‹ํ•˜๊ณ ํ• ์ˆ˜์žˆ๋Š”์šด๋™์ด๋‹ค.์ด๋Ÿฌํ•œ ์กฐ๊น…ํŠธ๋ž™์„ ๋Œ๋ฉด์„œ ๋‹ค์–‘ํ•œ ์šด๋™์„ ๋ณผ ์ˆ˜ ์žˆ๋„๋ก ํ•˜์—ฌ ์žฅ์• ์ธ์˜ ํ˜ธ๊ธฐ์‹ฌ์„ ์ž๊ทนํ•˜๊ณ , ์„œ๋กœ๋ฅผ ์ž๊ทนํ•  ์ˆ˜ ์žˆ๋„๋ก ํ•˜๋ฉฐ, ์™ธ๋ถ€์—๋„ ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ๋ณด์—ฌ์ง€๋„๋ก ํ•˜์—ฌ ์žฅ์• ์ธ์— ๋Œ€ํ•œ ์ธ์‹์„ ์ƒˆ๋กญ๊ฒŒ๋ฐ”๊ฟ€์ˆ˜ ์žˆ๋„๋กํ•œ๋‹ค.

์ „๋ฌธ์ฒด์œก์ธ๊ณผ์ƒํ™œ์ฒด์œก์ธ์˜๋™์„ ์„๋ถ„๋ฆฌํ•˜์ง€๋งŒ,์ƒํ™œ์ฒด์œก์ธ๋“ค์ด์ „๋ฌธ์ฒด์œก์„์‰ฝ๊ฒŒ์ ‘ํ• ์ˆ˜์žˆ๋„๋กํ•˜๋ฉฐ์„œ๋กœ์˜์ปค๋ฎค๋‹ˆํ‹ฐ๊ฐ€์ด๋ฃจ์–ด์งˆ์ˆ˜์žˆ๋Š”๊ณต๊ฐ„์„๋งŒ๋“ ๋‹ค.

์กฐ๊น…ํŠธ๋ž™

๋ฌผ๋ฆฌ์น˜๋ฃŒ์‹ค

์ˆ˜์น˜๋ฃŒ์‹ค

์ˆ˜ ์žฅ์˜๋ฌด์‹ค

๊ณจ๋ณผ์žฅ

๊ด€๋žŒ์„

๊ฐœ์ธ์šด๋™

์›จ์ดํŠธํŠธ๋ ˆ์ด๋‹

๋ณผ๋ง์žฅ

์นดํŽ˜

๋กœ๋น„

์ฒด์œก๊ด€

Page 98: University of Seoul, Architectural Review 2010

DRAWINGS & SKETCH

ํœด๊ฒŒ์‹ค๋กœ๋น„์— ๋“ค์–ด์„œ๋ฉด ํœด๊ฒŒ์‹ค์ด ๋ณด์ธ๋‹ค. ์ด ํœด๊ฒŒ์‹ค์—์„œ๋Š” ์ˆ˜ ์žฅ๊ณผ ์ˆ˜์น˜๋ฃŒ์‹ค, ๊ณจ๋ณผ์žฅ์„ ํ•œ ๋ˆˆ์—๋ณผ์ˆ˜ ์žˆ์œผ๋ฉฐ, ๊ฐ„๋‹จํ•œ ์Šค๋‚ต์„ ์ฆ๊ธฐ๋ฉฐ, ์žฅ์• ์ธ๊ณผ๋น„์žฅ์• ์ธ, ์ „๋ฌธ์ฒด์œก์ธ๊ณผ ์ƒํ™œ์ฒด์œก์ธ์˜ ์†Œํ†ต์ด์ผ์–ด๋‚ ์ˆ˜์žˆ๋Š”๊ณต๊ฐ„์ด๋‹ค.

์ธ์ง€์กฐ๊น…ํŠธ๋ž™์ด ์ž…๋ฉด์œผ๋กœ ๋ณด์ด๋„๋ก ํ•จ์œผ๋กœ์จ ์‚ฌ๋žŒ๋“ค์ด ์ธ์ง€ํ• ์ˆ˜์žˆ๋„๋กํ•œ๋‹ค.

๊ณจ๋ณผ์žฅ๊ณจ๋ณผ์žฅ์„์ •๋ฉด์—๋ฐฐ์น˜ํ•จ์œผ๋กœ์จ์‚ฌ๋žŒ๋“ค์˜ํ˜ธ๊ธฐ์‹ฌ์„์ž๊ทนํ•œ๋‹ค. ์†Œ๋ฆฌ๋‚ด์–ด ์‘์›ํ•  ์ˆ˜ ์—†๋Š” ๊ด€์ค‘์˜ ๋ชจ์Šต๋„ ๋˜ ํ•˜๋‚˜์˜ ์žฌ๋ฏธ๋‚œ๋ณผ๊ฑฐ๋ฆฌ๊ฐ€๋œ๋‹ค.

์ˆ˜ ์žฅ์ƒ๋ถ€ OPEN

๊ณจ๋ณผ์žฅ

์˜๋ฌด์‹ค

ํœด๊ฒŒ์‹ค

๋กœ๋น„์ข…ํ•ฉ์ฒด์œก๊ด€

B1st FLOOR

๋กœ๋น„

YUN, SUK HYUN 199

๋ณผ๋ง์žฅ๋ณผ๋ง์žฅ์„ ์ž…๋ฉด์— ๋“ค์–ด๋‚ธ๋‹ค. ๋ฐ–์œผ๋กœ ๋ชจ๋“ ๊ฒƒ์„ ๋“ค์–ด๋‚ด๋Š” ๊ฒƒ์ด์•„๋‹ˆ๋ผ์ผ๋ถ€๋ฅผ๊ฐ€๋ ค์คŒ์œผ๋กœ์จํ˜ธ๊ธฐ์‹ฌ์„์ž๊ทนํ•œ๋‹ค.

์กฐ๊น…ํŠธ๋ž™๊ณผ์›จ์ดํŠธํŠธ๋ ˆ์ด๋‹, ๋ณผ๋ง์žฅ์›จ์ดํŠธํŠธ๋ ˆ์ด๋‹ํ•˜๋Š” ์‚ฌ๋žŒ, ์กฐ๊น…ํ•˜๋Š” ์‚ฌ๋žŒ, ๋ณผ๋งํ•˜๋Š” ์‚ฌ๋žŒ์ด ์„œ๋กœ๋ณด๊ณ ์ž๊ทน๋ฐ›์„์ˆ˜์žˆ๋‹ค.

์กฐ๊น…ํŠธ๋ž™๊ณผ๊ณจ๋ณผ์žฅ๊ณจ๋ณผ์žฅ์ƒ๋ถ€๋ฅผ์ง€๋‚˜๋Š”์กฐ๊น…ํŠธ๋ž™. ๊ณจ๋ณผ์€ ์†Œ์Œ์— ๋ฏผ๊ฐํ•˜๊ธฐ ๋•Œ๋ฌธ์— ์กฐ๊น…ํŠธ๋ž™์€ ์™„์ „ํžˆ ์—ด๋ ค์žˆ์„ ์ˆ˜์—†์ง€๋งŒ, ์œ ๋ฆฌ๋ฅผํ†ตํ•ด์„œ๋กœ๋ณผ์ˆ˜์žˆ๋„๋กํ•œ๋‹ค.

์กฐ๊น…ํŠธ๋ž™๊ณผ์ข…ํ•ฉ์ฒด์œก๊ด€์ข…ํ•ฉ์ฒด์œก๊ด€์ƒ๋ถ€๋ฅผ์ง€๋‚˜๋Š”์กฐ๊น…ํŠธ๋ž™์กฐ๊น…์„ํ•˜๋Š”์‚ฌ๋žŒ์€์ข…ํ•ฉ์ฒด์œก๊ด€์—์„œ์ผ์–ด๋‚˜๋Š”์Šคํฌ์ธ ํ–‰์œ„๋ฅผ๋ณด๋ฉด์„œ์ž๊ทน์„๋ฐ›๊ณ , ์ด์กฐ๊น…ํŠธ๋ž™์€์™ธ๋ถ€(IMAGE1)์—์„œ๋„๋ณด์ธ๋‹ค.

์ง€๋„์ž์‹ค

์ˆ˜ ์žฅ

์นดํŽ˜

๋ณผ๋ง์žฅ

๋กœ๋น„

์กฐ๊น…ํŠธ๋ž™

๋กœ๋น„์ƒ๋ถ€ OPEN

๋ฌด์šฉ์‹ค

์›จ์ดํŠธํŠธ๋ ˆ์ด๋‹

์กฐ๊น…ํŠธ๋ž™

์กฐ๊น…ํŠธ๋ž™

๊ณจ๋ณผ์žฅ์ƒ๋ถ€ OPEN

์ข…ํ•ฉ์ฒด์œก๊ด€์ƒ๋ถ€ OPEN

๊ณจ๋ณผ์žฅ์ƒ๋ถ€ OPEN

๋ณผ๋ง์žฅ์ƒ๋ถ€ OPEN

๊ณจ๋ณผ์žฅ์ƒ๋ถ€ OPEN

์ข…ํ•ฉ์ฒด์œก๊ด€์ƒ๋ถ€ OPEN

2nd FLOOR

3rd FLOOR

Page 99: University of Seoul, Architectural Review 2010

SECTION

KEY MAP

YUN, SUK HYUN 201

ELEVATION

Page 100: University of Seoul, Architectural Review 2010

OPINION THEATER

ARCHITECTURAL REVIEW 2010

PARK,EUN JOO

๊ณต๋ก ์˜์žฅ์œผ๋กœ์„œ๊ณผ๊ฑฐ๊ทน์žฅ์˜ํ˜„๋Œ€ํ™”

๊ณผ๊ฑฐ, ์ด๋Ÿฌํ•œ๊ณต๋ก ์˜์žฅ์€โ€˜์‹œ์ •โ€™์ด์—ˆ๋‹ค. ์—ด๋ฆฐ๋งŒ๋‚จ์˜์žฅ์œผ๋กœ์„œ๊ตฌ๊ฐ€์—๋ฌด์Šจ์ผ์ด์žˆ์œผ๋ฉด๋จผ์ €์‹œ์ •์—๋ฒฝ๋ณด๋ฅผ๋ถ™์ด๊ณ ์‚ฌ๋žŒ๋“ค์€์‹œ์ •์—์„œ๊ณต๋ก ์„ํ˜•์„ฑํ•˜ ๋‹ค.

๋˜ํ•œ๋– ๋Œ์ด๋‚จ์‚ฌ๋‹นํŒจ๊ฐ€๋“ค์–ด์„œ๋ฉด๊ทธ๋Œ€๋กœ์‹œ์ •์€๊ทน์„์œ„ํ•œ๊ณต๊ฐ„์ด๋˜์—ˆ๋‹ค.

ํ•˜์ง€๋งŒ, ๊ทผ๋Œ€ํ™”๋กœ์‹œ์žฅ๊ฑฐ๋ฆฌ๋Š”๋„๋กœ๊ฐ€๋˜์—ˆ๊ณ , ๋ฌธํ™” ์—ญ์€๊ฑด๋ฌผ๋‚ด๋ถ€๋กœ๋“ค์–ด๊ฐ€ํ์‡„์ ์ธ๊ณต๊ฐ„์ด๋˜์–ด๋Œ€์ค‘์„ฑ์„์žƒ์—ˆ๋‹ค. ๊ณต๋ก ๊ณผ์—ฌ๋ก ์„๋งŒ๋“ค์–ด๋‚ด๋Š”์‚ฌํšŒ์„ฑ์€๊ณต๊ฐ„์„์žƒ๊ณ , ์ผ์ œ์‹œ๋Œ€์™€๊ตฐ์‚ฌ๋…์žฌ์‹œ์ ˆ์„๊ฑฐ์น˜๋ฉด์„œ์Œ์„ฑํ™”๋˜์—ˆ๋‹ค.

์ž์œ ๋กœ์šด์˜์‚ฌ์†Œํ†ต์ด๊ฐ€๋Šฅํ•œ์ธํ„ฐ๋„ท์˜์‹œ๋Œ€๊ฐ€์—ด๋ฆฐ์ง€๊ธˆ, ์‚ฌ๋žŒ๋“ค์€์—ฌ์ „ํžˆ์ต๋ช…์„ฑ๊ณผ๋น„๋Œ€๋ฉด์„ฑ์˜์˜์‚ฌํ‘œํ˜„์„ํ•˜๊ณ ์žˆ๋‹ค.

๊ณผ๊ฑฐ์˜๊ทน์˜์‚ฌํšŒ๋น„ํŒ์ ์ด๊ณ ๋Œ€์ค‘์ ์ธ์„ฑ๊ฒฉ๊ณผ๊ทธ๊ทน์ด์ด๋ฃจ์–ด์กŒ๋˜์žฅ์†Œ์˜๊ณต๋ก ์ ์ธ์„ฑ๊ฒฉ์„๊ฐ€์ง€๋Š”,์ƒˆ๋กœ์šด์‹œ๋Œ€์˜๊ณต๊ณต๊ณต๊ฐ„์„์ œ์•ˆํ•œ๋‹ค.

๋ฐ•์€์ฃผ

Page 101: University of Seoul, Architectural Review 2010

THEATER AS NEW PUBLIC SPACE IN THE NEW SOIETY

๋‹ค์ค‘์ด์กฐ๊ธˆ๋”์ƒํ˜ธ๊ต๋ฅ˜ํ•˜๊ณ ํ•จ๊ป˜ํ•˜๋Š”๋ฌผ๋ฆฌ์ ๊ณต๊ฐ„์„๋งŒ๋“คํ•„์š”๊ฐ€์žˆ๋‹ค.์ด๊ฒƒ์€๊ณต๊ฐœ๊ณต์ง€, ์™ธํ”ผ, ์กฐ๊ฒฝ๋“ฑ๊ณผ๊ฐ™์€๋„์‹œ์™€์˜๋ฌผ๋ฆฌ์ , ์‹œ๊ฐ์ ๊ด€๊ณ„๋ฅผ๊ณ ๋ฏผํ•˜๋Š”๊ฒƒ๊ณผ๋Š”๋‹ค๋ฅธ, ๊ฑด์ถ•์˜๊ณต๊ณต์„ฑ์—๋Œ€ํ•œ์ด์•ผ๊ธฐ๊ฐ€๋ ์ˆ˜์žˆ์„๊ฒƒ์ด๋‹ค.

๊ณต์—ฐ์„ํ•˜๋Š”๊ทน์žฅ์ด๋ฉด์„œ, ๋ฌธํ™”์ ์ธ์ •๋ณด๊ตํ™˜์˜์žฅ์ด๋˜๊ธฐ๋„ํ•˜๊ณ , ๋•Œ๋กœ๋Š”์‚ฌํšŒ์ ์ธ์˜๊ฒฌ์„๊ตํ™˜ํ•˜๋Š”๋„์‹œ์˜์†Œํ†ต๊ณต๊ฐ„์ด๋ ๊ฒƒ์ด๋‹ค.

๋Œ€์ง€์œ„์น˜์ง€์—ญ์ง€๊ตฌ์šฉ๋„๋Œ€์ง€๋ฉด์ ๊ฑด์ถ•๋ฉด์ ์—ฐ๋ฉด์ ๊ฑดํ์œจ์šฉ์ ๋ฅ 

์„œ์šธ์‹ ๋ฌธ๋กœ 1๊ฐ€, ๋‹น์ฃผ๋™์ผ๋Œ€์ผ๋ฐ˜์ƒ์—…์ง€์—ญ, ์ œ1์ข…๋ฏธ๊ด€์ง€๊ตฌ, ๋ฐฉํ™”์ง€๊ตฌ๋ฌธํ™”๋ฐ์ง‘ํšŒ์‹œ์„ค, ์—…๋ฌด์‹œ์„ค9,309ใŽก4,501ใŽก21,548ใŽก48%231%

many peopleprivate space

public space

PARK, EUN JOO 205

โ€˜์ด›๋ถˆ์‹œ์œ„โ€™, ํ˜น์€โ€˜์ด›๋ถˆ๋ฌธํ™”์ œโ€™๋กœ๋Œ€๊ทœ๋ชจ์˜๊ตญ๋ฏผ๋“ค์˜์˜๊ฒฌ์ด๋ฏธ๋””์–ด๊ฐ€์•„๋‹Œ๋ฌผ๋ฆฌ์ ์ธ๋„์‹œ๊ณต๊ฐ„๊ณณ๊ณณ์—์„œํ‘œํ˜„๋˜์—ˆ๋‹ค.์‹ค์ œ์ ์œผ๋กœ๋ฌธ์ œ์—๋Œ€ํ•œ์‚ฌํšŒ์˜์˜์‚ฌ์†Œํ†ต์ด์ž˜์ด๋ฃจ์–ด์ง€์ง€์•Š์•˜๊ธฐ๋•Œ๋ฌธ์—์ผ์–ด๋‚œ์ผ์ด์—ˆ๋‹ค.

์ด๋Ÿฌํ•œ์ง‘๋‹จ์ ํ–‰์œ„๋Š”๊ตญ๋ฏผ๋“ค์˜์˜๊ฒฌ์„๊ทน๋‹จ์ ์œผ๋กœํ‘œํ˜„ํ•˜๊ธฐ์œ„ํ•œ๊ฒƒ์ด์—ˆ๋‹ค.

Page 102: University of Seoul, Architectural Review 2010

present road

theater box

musical theater concert traditional preview recognition demonstrationfestival

traffic in ideas

ubiquitous communication

urban communication + expand seats

theater in the site theater + exterior auditorium by commerce

plan by seoul restore stream car people sight

PARK, EUN JOO 207

๊ทน์žฅ์˜๊ณต๊ฐ„๊ตฌ์„ฑ์ด๋‹ฌ๋ผ์ง€๋ฉด, ๊ทน์˜์„ฑ๊ฒฉ๊ณผ๊ด€๋žŒ๊ฐ์˜ํ–‰์œ„๋„ํ•จ๊ป˜๋‹ฌ๋ผ์ง„๋‹ค๊ฑด๋ฌผ์˜์ œ์ผ๋‚ด๋ถ€์—์ˆจ์–ด์žˆ๋Š”๊ทน์žฅ์ด์™ธ๋ถ€์™€์†Œํ†ตcommunicateํ•œ๋‹ค.

์ด๊ณณ์€์•ผ์™ธ๊ณต์—ฐ์žฅ์ด๋ ์ˆ˜์žˆ์œผ๋ฉฐ๋„์‹œ์™€์†Œํ†ตํ•˜๋Š”์ง‘ํšŒ์žฅ์ด๋ ์ˆ˜๋„์žˆ๋‹ค.

opened and expanded theater

closed theater: art program

closed theater : outside view is possible. conference

other program by flexible seats: flat floor. exhibition

+39500

+37000

+33400

+29800

+26200

+22600

+19000

+12000

+8000

+4000

ยฑ0

-8000

-10000

Page 103: University of Seoul, Architectural Review 2010

boundary flexible

movable stage expanding seats / urban communication

PARK, EUN JOO 209

Basement Plan 1/1500public communication

step 1. issue

step 2. recognition to public

step 3. traffic in ideas

step 4. gathering the opinion

Page 104: University of Seoul, Architectural Review 2010

PARK, EUN JOO 211

Page 105: University of Seoul, Architectural Review 2010

WALKING THE BOUNDARY

ARCHITECTURAL REVIEW 2010

CHO,HANSONG

๋„์‹œ์™€๊ฑด์ถ•์˜๊ฒฝ๊ณ„ : ํผ๋ธ”๋ฆญ๊ณผํ”„๋ผ์ด๋น—์˜๊ฒฝ๊ณ„ : ์ธ์‡„ํ”„๋กœ๊ทธ๋žจ๊ฐ„์˜๊ฒฝ๊ณ„

์‚ฐ์—…๊ณผ๋ฌธํ™”๊ฐ€๋ฐ”๋€Œ๋Š”๊ต๋ฌ˜ํ•œ๊ฒฝ๊ณ„์ ์ด์–ด๋””์ผ๊นŒ๊ณ ๋ฏผํ•ด๋ณธ๋‹ค.๋‚™ํ›„ํ•ด์žˆ๋Š”์ธ์‡„๊ฐ€๊ฒŒ๊ฐ€ ์ง‘ํ•ด์žˆ๋Š”์„์ง€๋กœ๊ฑฐ๋ฆฌ๋ฅผ์ตœ์†Œํ•œ์˜๋ฆฌ๋…ธ๋ฒ ์ด์…˜์ž‘์—…์„ํ†ตํ•ด์ƒˆ๋กœ์šด๋ฌธํ™”๊ฑฐ๋ฆฌ๋กœ

ํ™œ์„ฑํ™”์‹œํ‚ค๊ณ ์žํ•˜ ๋‹ค.

์กฐํ•œ์†ก

Page 106: University of Seoul, Architectural Review 2010

โ€˜๋ชจํ”ผ๋ฅผ ์ž…์€ ์•„์คŒ๋งˆ๊ฐ€ ๋…ผํ˜„๋™ ๊ณ ๊ธ‰์ฃผํƒ์—์„œ ๋ง‰ ๋‚˜์™”๋‹ค. ๊ฐ™์€ ์•„์คŒ๋งˆ๊ฐ€ ์—ญ์‹œ ๋ชจํ”ผ๋ฅผ ์ž…๊ณ  ์žˆ๋‹ค. ๊ฐ€๋‚œํ•œ๋™๋„ค์˜๋ฒ„์Šค์•ˆ์ด๋‹ค. ์ด๋•Œ๋‚ด๊ฐ€๋ณด๋Š”๋ชจํ”ผ์˜๊ฐ€๊ฒฉ์€๋‹ค๋ฅด๋‹ค. ๋ถ„์œ„๊ธฐ, ๋ฐฐ๊ฒฝ์˜์ด๋ฏธ์ง€์—์˜ํ•ด์„œ์ง„์‹ค์€์™œ๊ณก๋œ๋‹ค. ๋ฐฐ๊ฒฝ์„ ๋ฐ”๊ฟ”์คŒ์œผ๋กœ์จ ์‹ค์ฒด๊ฐ€ ๋‹ฌ๋ผ๋ณด์ผ ์ˆ˜ ์žˆ๋‹ค๋ฉด, ์ด๋ฏธ์ง€์™€ ์‹ค์ฒด ์‚ฌ์ด์˜ ๊ฒฝ๊ณ„๋Š” ๋ฌด์—‡์ผ๊นŒ. ๋„์‹œ์กฐ์ง์•ˆ์—์„œ์ตœ์†Œํ•œ์œผ๋กœ๋ฐฐ๊ฒฝ์„๋ฐ”๊ฟ”์ค„์ˆ˜์žˆ๋Š”๊ฒฝ๊ณ„๋Š”์–ด๋””์ผ๊นŒ.โ€™

CHO, HAN SONG 215

SITE PROBLEM

ํ˜„์žฌ ์„์ง€๋กœ 3๊ฐ€์—์„œ ์ถฉ๋ฌด๋กœ๋กœ ์ด์–ด์ง€๋Š” ๊ธธ์€ ์ธ์‡„, ์ถœํŒ, ์•„ํฌ๋ฆด ์ œ์ž‘์ด ์ฃผ ์‚ฐ์—…๊ธฐ๋ฐ˜์„ ์ด๋ฃจ๊ณ  ์žˆ๋‹ค. ์ฃผ๋กœ 2~5์ธต์˜ ์ €์ธต ๊ฑด๋ฌผ์ด๊ณ , ๋‹จ์ˆœ ์ƒ์‚ฐ์„ ์œ„ํ•œ ์†Œ๊ทœ๋ชจ ๊ณต์žฅ์˜ ์ง‘ํ•ฉ์†Œ๋ผ๋Š”์ธ์‹์ด๊ฐ•ํ•˜๊ฒŒ๋“ ๋‹ค. ์ฃผ๋ฌธ๋ฐ›์€์•„ํฌ๋ฆด์„์ œ๋‹จํ•˜๋Š”๊ฐ€๊ฒŒ, ์นดํƒˆ๋กœ๊ทธ๋‚˜๋ด‰ํˆฌ, ๋ช…ํ•จ๊ฐ™์€์ข…์ด์™€๊ด€๋ จ๋œ์ž‘์—…์„๋Œ€๋Ÿ‰์ƒ์‚ฐํ•˜๋Š”๊ฐ€๊ฒŒ, ์›์ข…์ด์žฌ๋ฃŒ๋ฅผํŒŒ๋Š”๊ฐ€๊ฒŒ, ์ฑ…์ถœํŒ์„ ์œ„ํ•œ ์ธ์‡„๊ฐ€๊ฒŒ, ๋Œ€ํ˜• ์‹ค์‚ฌ๋ฅผ ์ถœ๋ ฅํ•˜๋Š” ๊ฐ€๊ฒŒ, ๊ฐ„ํŒ ๋””์ž์ธ์„ ํ•˜๋Š” ๊ฐ€๊ฒŒ, LED๋ฅผ ์ œ์ž‘ํ•˜๋Š” ๊ฐ€๊ฒŒ, ๋œฌ๊ธˆ์—†์ด ๋…ธ๋ž˜๋ฐฉ ๋“ฑ์ด ์กด์žฌํ•œ๋‹ค. ๋ฌด์—‡์ธ๊ฐ€๋ฅผโ€˜์ƒ์‚ฐโ€™ํ•ด๋‚ธ๋‹ค๋Š” ๊ด€์ ์—์„œ๋ณด์•˜์„๋•Œ์ด๋Ÿฐํ–‰์œ„๋“ค๋„ํ•˜๋‚˜์˜โ€˜์ฐฝ์กฐํ™œ๋™โ€™์œผ๋กœ์Šนํ™”๋ ์ˆ˜์žˆ๋Š”๊ฐ€๋Šฅ์„ฑ์„๊ฐ€์ง€๊ณ ์žˆ๋‹ค๊ณ ์ƒ๊ฐํ•œ๋‹ค.

โ€˜์ผ์ƒโ€™์ด๋˜์—ˆ์„๋•Œ์‚ฌ์†Œํ•œ๊ฒƒ๋„๋ฌธํ™”๋กœ๋ณผ์ˆ˜์žˆ๋Š”๊ฐ€๋Šฅ์„ฑ์ด์ƒ๊ธด๋‹ค. ์ฑ…์„์ƒ์‚ฐํ•˜๊ณ , ์•„ํฌ๋ฆด์„์ƒ์‚ฐํ•˜๊ณ , ์นดํƒˆ๋กœ๊ทธ๋ฅผ์ƒ์‚ฐํ•˜๋Š”๊ณผ์ •์ด์ผ์ƒ์ด๋ ๋•Œ์šฐ๋ฆฌ๋Š”๋”ํ’๋ถ€ํ•œ๊ฒฝํ—˜์„ ํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค. ๋‹ค์–‘ํ•ด์ง€๋Š” ๋ฏธ๋””์–ด์— ์šฐ๋ฆฌ๋Š” ์–ด๋–ป๊ฒŒ ๋ฐ˜์‘ํ•˜๊ณ  ์žˆ๋‚˜. ๊ต๋ณด๋ฌธ๊ณ ์—์„œ ์ฑ…์„ ๋ถ„๋ฅ˜ํ•˜๋Š” ๋ฐฉ๋ฒ•์„ ๋ณด๋ฉดโ€˜์˜ˆ์ˆ โ€™โ€˜์ธ๋ฌธ๊ณผํ•™โ€™โ€˜์†Œ์„คโ€™๋น„์†Œ์„คโ€™์–ดํ•™โ€™๋“ฑ๋“ฑ ์ฃผ์ œ์—๋”ฐ๋ผ์ฑ…์ด๋ถ„๋ฅ˜๋˜์–ด์žˆ๋‹ค. ๋…์ž์˜์ž…์žฅ์—์„œ๋‹ค์‹œ์ฑ…์„๋ถ„๋ฅ˜ํ• ์ˆ˜๋Š”์—†์„๊นŒ.

์ถฉ๋ฌด๋กœ์—ญ

์ธ์‡„์‚ฌ

๋ด‰ํˆฌ, ๋ช…ํ•จ์ œ์ž‘

๋Œ€ํ˜•์‹ค์‚ฌ, ํ˜„์ˆ˜๋ง‰

์ œ์ง€ํšŒ์‚ฌ

์นดํƒˆ๋กœ๊ทธ์ œ์ž‘

์•„ํฌ๋ฆด

์„์ง€๋กœ3๊ฐ€

Page 107: University of Seoul, Architectural Review 2010

๋””์ž์ธ.๊ธฐํš ์†Œ๋Ÿ‰์ข…์ด๊ตฌ์ž…

์ข…์ด๋„๋งค

์ธ์‡„๊ธฐ์ˆ˜๋ฆฌ์ 

์ฑ…์ž์ธ์‡„

๋ช…ํ•จ, ์Šคํ‹ฐ์ปค

๋ด‰ํˆฌ์ œ์ž‘

์ œ๋ณธ์Šคํƒ€์ผ์ƒ๋‹ด์ œ๋ณธ

์ง‘

ํŒŒ๋Š”๊ณณ

๋ฐ•์Šคํฌ์žฅ

์ „์‹œ

์ฑ…๋ณด๋Š”๊ณณ

์‰ฌ๋Š”๊ณณ

์šด์†ก(ํƒ๋ฐฐํšŒ์‚ฌ)

์•„ํฌ๋ฆด์žฌ๋‹จ

๊ฐ„ํŒ, ํ˜„์ˆ˜๋ง‰(ํฐ์ธ์‡„)

scenario 1 BLOGER scenario 2 PAPER ARTIST

Publishing Process

printing printingprinting

printing

oneroom

paper market

package

small sizeprinting

office

convenient store

small sizeprinting

wor

ksho

p

printing

printing

printing printing

event

printing

poket park

2nd handbookstore

publishing planner

coverdesign

2F bar

exhib

ition

restau

rant

์ฑ…์ด๋‚˜ ์ข…์ด ์˜ˆ์ˆ ์ด ๋งŒ๋“ค์–ด ์ง€๋Š” ๊ณผ์ •์€ ์•„๋ž˜์˜ ๋‹ค์ด์–ด๊ทธ๋žจ๊ณผ ๊ฐ™๋‹ค. ํ˜„์žฌ ์ถฉ๋ฌด๋กœ์˜ ์ธ์‡„๊ณจ๋ชฉ์— ์กด์žฌํ•˜๊ณ  ์žˆ๋Š” ์ธ์‡„๊ณต์žฅ, ์ œ๋ณธ๊ฐ€๊ฒŒ, ๋ฐ•์Šคํฌ์žฅ, ๋ด‰ํˆฌ์ œ์ž‘์†Œ๋“ฑ์€์ถฉ๋ฌด๋กœ๊ฐ€์ถœํŒ์˜ˆ์ˆ ๋‹จ์ง€๋กœ๋ณ€ํ• ์ˆ˜์žˆ๋Š”๊ฐ€๋Šฅ์„ฑ์„๊ฐ€์ง€๊ณ ์žˆ๋‹ค. ์ „์ฒด์ ์œผ๋กœ ์ถœํŒ์„ ๊ด€๋ฆฌํ•ด ์ฃผ๋Š” ์‚ฌ๋ฌด์‹ค๊ณผ ๊ฐœ์ธ์ ์œผ๋กœ ์ถœํŒ์„ ์›ํ•˜๋Š” ์‚ฌ๋žŒ์„ ์œ„ํ•œ ์ถœํŒ ์ƒ๋‹ด์†Œ, ์†Œ๊ทœ๋ชจ ๋„์„œ๊ด€, ์ „์‹œ์‹ค๋“ฑ์˜ํ”„๋กœ๊ทธ๋žจ์ด๊ฐ–์ถฐ์ง„๋‹ค๋ฉด์‚ฌํ–ฅ๊ธธ์—๋“ค์–ด์„œ๊ณ ์žˆ๋Š”์ธ์‡„์‚ฐ์—…์ดํŠน์ƒ‰์žˆ๋Š”์ถœํŒ์˜ˆ์ˆ ๋กœ์Šนํ™”ํ• ์ˆ˜์žˆ์ง€์•Š์„๊นŒ.

CHO, HAN SONG 217

1:500 Site Plan modelLighting area is final alleyway that changed.

Page 108: University of Seoul, Architectural Review 2010

Type A ๊ฑด๋ฌผ์„ํ—Œ๋‹ค

Type B ๊ตฌ์กฐ์ฒด๋ฅผ๋‚จ๊ธด๋‹ค

Type C ์บ๋…ธํ”ผ๋ฅผ๋‹ฌ์•„์ค€๋‹ค

Type D ๋„๋กœํฌ์žฅ์„์ƒˆ๋กœํ•œ๋‹ค

Type E ์ƒˆ๋กœ์šด์ž…๋ฉด์„์ž…ํžŒ๋‹ค

Type F ์ฆ์ถ•ํ•œ๋‹ค

Type G ๊ธฐ์กด๊ฑด๋ฌผ์‚ฌ์ด์—๋ผ์šด๋‹ค

Type H ๊ธฐ์กด์ฝ”์–ด๋ฅผ์ด์šฉํ•œ๋‹ค

Type I ๊ฑด๋ฌผ๋‚ด๋ถ€๋กœํ†ต๋กœ๋ฅผ๋งŒ๋“ ๋‹ค

TYPE D Pocket space for small performance extention of the road. b-d

ํ”„๋กœ๊ทธ๋žจ์ƒ๋™์„ ์˜์—ฐ๊ฒฐ์ดํ•„์š”ํ• ๋•Œ, ๊ฑด๋ฌผ์ด๋ณด์กด๊ฐ€์น˜๊ฐ€์—†๊ณ ๋‚ก์•˜๋‹ค๊ณ ํŒ๋‹จ๋˜์—ˆ์„๋•Œ์ ์šฉํ•œ๋‹ค.

๊ณจ๋ชฉ๊ธธ์˜ํ”„๋กœ๊ทธ๋žจ์ด์ธ์‡„ํ•˜๋Š”๊ณณ์ด๋ฉด์„œ์ข์„๋•Œ์ผ์ธต์„ํ™•์žฅ์‹œ์ผœ๊ธธ์„ํ™œ์„ฑํ™”์‹œํ‚จ๋‹ค.

ํ•œ์ชฝ๊ฑด๋ฌผ์ด์™ธ๊ด€์ƒ๋‚™ํ›„๋˜์–ด์žˆ์„๊ฒฝ์šฐ์บ๋…ธํ”ผ์™€๊ฐ™์€์žฌ๋ฃŒ์˜๋ฒฝ์„์„ธ์šธ์ˆ˜์žˆ๋‹ค.

๋ฒฝ์—์—ฐ๊ฒฐ๋˜๋Š”์กฐ์ธํŠธ๋ถ€๋ถ„์˜๋””ํ…Œ์ผ์€๋น„๊ฐ€์ƒˆ์ง€์•Š๋„๋ก์ฃผ์˜ํ•œ๋‹ค.(๋น—๋ฌผ๋ฐ›์ด)

๊ธฐ์กด๊ฑด๋ฌผ์˜๋ณด์—์„œ๋น”์„๋ณด๋‚ด์บ๋…ธํ”ผ์˜์ƒ๋ถ€๊ณต๊ฐ„๋„์ด๋™ํ†ต๋กœ๋กœ์‚ฌ์šฉํ• ์ˆ˜์žˆ๋‹ค.

๊ฐ€์น˜์žˆ๋Š”๊ฑด๋ฌผ๋งž์€ํŽธ๊ธธ์„ํ™•์žฅํ•˜์—ฌ๊ณต์›์œผ๋กœ์“ธ์ˆ˜์žˆ๋‹ค.

๋„์‹œ์กฐ์ง์ƒ๋ถ™์–ด์žˆ๋˜๊ฑด๋ฌผ์ค‘ํ•œ๊ฑด๋ฌผ์„ํ—์—ˆ์„๋•Œ์ƒˆ๋กœ์ƒ๊ธฐ๊ฒŒ๋˜๋Š”์ž…๋ฉด์€์„ฑ๊ฒฉ์„๋‹ฌ๋ฆฌํ•œ๋‹ค.

์žฌ๋ฃŒ : ํƒ€๊ณตํŒ์ด๋‚˜๋ฒ ์ด์ŠคํŒจ๋„์„์‚ฌ์šฉํ• ์ˆ˜์žˆ๋‹ค.

๊ธฐ์กด์˜๊ฐœ๊ตฌ๋ถ€๋ณด๋‹คํ™•์žฅ๋œ๊ฐœ๊ตฌ๋ถ€๋ฅผ๋šซ์–ด๋‹ค๋ฅธ์žฌ๋ฃŒ๋ฅผํ†ตํ•ด์‹œ๊ฐ„์˜ํ๋ฆ„์„๋‚˜ํƒ€๋‚ผ์ˆ˜์žˆ๋‹ค.

์ผ์ธต๊ฑด๋ฌผ์ผ๊ฒฝ์šฐ์บ๋…ธํ”ผ์ƒ๋ถ€๋กœ์ง„์ž…ํ• ์ˆ˜์žˆ๋‹ค. ์ด๋ฅผ์ฆ์ถ•ํ•˜์—ฌbar, ํ—Œ์ฑ…๋ฐฉ๋“ฑ๊ณต๊ณต์ด์šฉ์‹œ์„ค๋กœ

์‚ฌ์šฉํ•œ๋‹ค.

์™ธ๋ถ€์—์„œ๋ฐ”๋ผ๋ณด์•˜์„๋•Œ์ž…๊ตฌ์„ฑ์„๋‚˜ํƒ€๋‚ผ์ˆ˜์žˆ๋„๋ก๊ณ„ํšํ•œ๋‹ค. ์ž‘์—…์‹ค๋“ฑ์œผ๋กœ์ด์šฉํ• ์ˆ˜์žˆ๋‹ค.

๋ฒฝ์€๊ทธ๋Œ€๋กœ๋‘๊ณ ๋‚ด๋ถ€๋กœํ†ต๋กœ๋ฅผ๋งŒ๋“ ๋‹ค. ํ†ต๋กœ๊ณต๊ฐ„์€๋‚ด๋ถ€์ฒ˜๋Ÿผ๋Š๊ปด์ง€์ง€๋งŒ์‚ฌ์‹ค์€์™ธ๋ถ€์ด๋‹ค.

ํ”„๋กœ๊ทธ๋žจ์ƒ์ด์šฉ์ž์˜๋นˆ๋„๊ฐ€๋†’์•„์•ผํ• ๊ฒฝ์šฐ์ ์šฉํ•œ๋‹ค.

๊ฑด๋ฌผ2์ธต์˜ํ”„๋กœ๊ทธ๋žจ์ด์ธ์‡„๋ฌผ๊ธฐํš์ด๊ฑฐ๋‚˜์ด์™€๋น„์Šทํ•œ๊ณต๊ณต์˜์„ฑ๊ฒฉ์„๋Œ๋•Œ๊ธฐ์กด์ฝ”์–ด๋ฅผ์ด์šฉํ•˜์—ฌ

์ƒ๋ถ€๋กœ์ง„์ž…ํ•œ๋‹ค.

ํ–‡๋น›์„๊ฐ€๋ฆฌ๊ธฐ์œ„ํ•ด, ์ธ์‡„๋œ์ข…์ด์šด๋ฐ˜์‹œ๋น—๋ฌผ์„๊ฐ€๋ฆฌ๊ธฐ์œ„ํ•ด, ๋”๋„“์€๊ณต๊ฐ„๊ฐ์„ํ™•๋ณดํ•˜๊ธฐ์œ„ํ•ด๊ธฐ์กด๊ฑด๋ฌผ์—์บ๋…ธํ”ผ๊ฐ€๋งŽ์ด์„ค์น˜๋˜์–ด์žˆ๋‹ค.

๊ฑด๋ฌผ์ดํ—๋ฆฌ๊ณ ๊ทธ์ž๋ฆฌ๋ฅผ๊ณตํ„ฐ๋กœ๊ณ„ํšํ•˜ ๋‹ค๋ฉด์˜†๊ฑด๋ฌผ์˜์ž…๋ฉดํŒจํ„ด์„์—ฐ์†์ ์œผ๋กœ์‚ฌ์šฉํ• ์ˆ˜์žˆ๋‹ค.

CHO, HAN SONG 219

TYPE C The Proposal of canopy & Exteior. c-e

TYPE B Renovation of first floor. It can be used for exhibitionor space for party by useing opening door. e-f

Current condition of the Alleyway

๊ธฐ์–ต๋ ๊ฐ€์น˜๊ฐ€์žˆ๋Š”๊ณณ์€๋ณด์กดํ•˜๋ฉด์„œ์ตœ์†Œํ•œ์œผ๋กœ๋„์‹œ์กฐ์ง์„๋ฆฌ๋…ธ๋ฒ ์ด์…˜ํ• ์ˆ˜์žˆ๋Š”ํƒ€์ž…๋“ค์„์ œ์‹œํ•œ๋‹ค. ์ธ์‡„์™€์ œ๋ณธ์ด๋ผ๋Š”ํ”„๋กœ๊ทธ๋žจ, ๊ธฐ๋ณธ์ ์ธ๋„์‹œ์กฐ์ง, ๊ฑด๋ฌผ์˜๊ตฌ์กฐ์ด๋ ‡๊ฒŒ์„ธ๊ฐ€์ง€๋ฅผ๋ณด์กดํ•ด์•ผํ• ๊ฒƒ์œผ๋กœ์„ค์ •ํ•œ๋‹ค. ์ž‘์€๊ทœ๋ชจ์˜๋ ˆ๋…ธ๋ฒ ์ด์…˜์€๋ฐ”๋‹ฅ์„์ƒˆ๋กœ์ •๋น„ํ•˜๊ธฐ๋„ํ•˜๊ณ ,์ž…๋ฉด์„์ƒˆ๋กœ์ž…ํžˆ๊ธฐ๋„ํ•˜๋ฉฐ, ์ผ์ธต๊ณต๊ฐ„์„ํ—์–ด์ „์‹œ๊ณต๊ฐ„์œผ๋กœ์‚ฌ์šฉํ•˜๊ฑฐ๋‚˜, ๊ธฐ์กด๊ฑด๋ฌผ์˜์ฝ”์–ด๋ฅผ์ด์šฉํ•œ์ฆ์ถ•๋“ฑ์˜์ž‘์—…์„ํ†ตํ•ด์ด๋ฃจ์–ด์งˆ์ˆ˜์žˆ๋‹ค.

Page 109: University of Seoul, Architectural Review 2010

CENTER BUILDING

CENTER BUILDING

Gallery 1 Floor

Multy purpose Hall Under the Water. B1 Floor

ํ˜„์žฌ์ฃผ์ฐจ์žฅ์œผ๋กœ์‚ฌ์šฉ๋˜๊ณ ์žˆ๋Š”๊ณตํ„ฐ๋ฅผ์ด์šฉํ•˜์—ฌ๊ณจ๋ชฉ๊ธธ์—์‚ฝ์ž…๋ ํ”„๋กœ๊ทธ๋žจ์„์ด๊ด€๋ฆฌํ•ด์ฃผ๋Š”์—ญํ™œ์„์ฃผ๋กœํ•˜๋Š”๊ฑด๋ฌผ์„๊ณ„ํšํ•˜ ๋‹ค.์‚ฌ์ดํŠธ์˜ ๊ฐ€์šด๋ฐ์— ์œ„์น˜ํ•˜๊ณ  ์žˆ์œผ๋ฉฐ 6๊ฐœ์˜ ๊ณจ๋ชฉ์˜ ์—ฐ์žฅ์„ ์ƒ์—์„œ ๋ฐฐ์น˜ํ•˜ ๋‹ค. ๊ฐ๊ฐ์˜ ๊ณจ๋ชฉ์„ ํ†ตํ•ด ์ž์—ฐ์Šค๋Ÿฌ์šด ํ๋ฆ„์„ ์œ ๋„ํ•˜๊ธฐ ์œ„ํ•ด์ง€ํ•˜๋กœ ์ด์–ด์ง€๋Š” ๊ด‘์žฅ ๊ฐœ๋…์˜ ํฐ ๊ณ„๋‹จ์„ ๋‘์—ˆ์œผ๋ฉฐ ๊ฑด๋ฌผ ๋‘ ๋™์˜ ์ผ์ธต ๋ฒฝ์€ ์ ‘์ด์‹ ์œ ๋ฆฌ๋ฌธ์œผ๋กœ ํ•˜์—ฌ ๋ฌธ์„ ์™„์ „ํžˆ ์ –ํ˜”์„ ๊ฒฝ์šฐ ์™ธ๋ถ€๊ณต๊ฐ„์œผ๋กœ์˜ ํ™•์žฅ์ด ๊ฐ€๋Šฅํ•˜๋‹ค. ๋‚ด๋ถ€๊ฐ™์€ ์™ธ๋ถ€์ธ ๊ณจ๋ชฉ๊ธธ์„ ๊ฑท๋‹ค๊ฐ€ ๋ณด๋‹ˆ ์™ธ๋ถ€๊ฐ™์€ ๋‚ด๋ถ€๋กœ ๋“ค์–ด์™€ ์žˆ๋Š” ์ž์‹ ์„ ๋ฐœ๊ฒฌํ•œ๋‹ค. ๊ณจ๋ชฉ์˜ ๋ฐ”๋‹ฅ๋งˆ๊ฐ์žฌ๋ฃŒ๋ฅผ๊ฑด๋ฌผ์•ˆ๊นŒ์ง€๋Œ๊ณ ๋“ค์–ด์˜จ๋‹ค. ๊ฑด๋ฌผ์˜๊ฒฝ๊ณ„์—์„œ๋‹ค์‹œ๋‚ด๋ถ€์™€์™ธ๋ถ€์˜๊ฒฝ๊ณ„๊ฐ€ํฌ๋ฏธํ•ด์ง„๋‹ค.

1 Gallery2 Cafe & Book Museum 3 Publisher Consulting4 Publishers Central Office5 Individual Exhibition6 Artist's Lounge7 Collection Archive8 Parking9 Performing Hall10 Cafeteria11 Event Lobby (Info)12 Gift Shop

1

2

3

4

5

12

7 8

10 9

6

11

CHO, HAN SONG 221

TYPE E_ ENVELOPING

TYPE G_ BETWEEN BUILDING

1. Roof Structure Waterproofing roof board100mm Thermal proofing board AirspaceSteel sheeting H-Beam

2. 60/60/5mm steel T-beam3. 100/6mm steel sheeting4. 4mm Perforated copper sheet5. Perforated birch wood 16mm Condensed

Fiber 30mm thermal insulation T-beam6. Paired Low-E Glass7. Wall Structure Perforated birch wood

16mm Condensed Fiber Steel C-profilecoping Wood structure 150mm Limestonebrick Thermal insulation Fiber insulation

8. Paired translucence Low-E Glass 9. Lighting installation

Page 110: University of Seoul, Architectural Review 2010

LET ME INTRODUCE MYSELF

ARCHITECTURAL REVIEW 2010

JOO,JEONGMIN

๊ฐ„ํŒ์œผ๋กœ๋’ค๋ฎํžŒ๋„์‹œ์—์„œ๊ฐ„ํŒ์€๋”์ด์ƒํ›Œ๋ฅญํ•œ๊ด‘๊ณ ์ˆ˜๋‹จ์ด์•„๋‹ˆ๋‹ค.๊ทผ๋ฆฐ์ƒํ™œ์‹œ์„ค์˜์ƒˆ๋กœ์šดํƒ€์ดํด๋กœ์ง€๋ฅผ์ œ์•ˆํ•œ๋‹ค.

์ฃผ์ •๋ฏผ WHAT IS THE FACADE OF SEOUL?

Page 111: University of Seoul, Architectural Review 2010

LET ME INTRODUCE MYSELF

์ฃผ๊ฑฐ์ง€์—ญ ์ฃผ๋ณ€์˜ ๊ทผ๋ฆฐ์ƒํ™œ๊ฑด๋ฌผ์˜ ์ž…๋ฉด์€ ๊ฐ„ํŒ์œผ๋กœ ์ด๋ฃจ์–ด์ ธ์žˆ๋‹ค. ์ด๊ฒƒ์€ ํ•œ ๊ฑด๋ฌผ ๋‚ด์— ์ด์ข…์˜ ํ”„๋กœ๊ทธ๋žจ๋“ค์ด ๋“ค์–ด๊ฐ์— ๋”ฐ๋ผ ๊ฐ์ž์˜ ์ƒ์กด์„ ์œ„ํ•ด ์ž์‹ ์„ ์•Œ๋ฆฌ๋Š” ์ˆ˜๋‹จ์œผ๋กœ ๊ฐ„ํŒ์„ ์‚ฌ์šฉํ•˜๊ธฐ ๋•Œ๋ฌธ์— ์ผ์–ด๋‚˜๊ฒŒ ๋˜์—ˆ๋‹ค. TEXT๋กœ ์ด๋ฃจ์–ด์ง„ ๊ฐ„ํŒ์„ ํ†ตํ•ด ์ด์šฉ์ž(ํ˜น์€ ๋„์‹œ)์™€ ์†Œํ†ตํ•˜๋Š”๋ฐ์—๋Š” ํ•œ๊ณ„๊ฐ€ ์žˆ๋‹ค. TEXT ๋Œ€์‹  ๊ณต๊ฐ„์˜ ์ด๋ฏธ์ง€๋ฅผ ๋ณด์—ฌ์คŒ์œผ๋กœ์จ ์‚ฌ์šฉ์ž์™€ ์ ๊ทน์ ์œผ๋กœ๊ด€๊ณ„๋ฅผ๋งบ๊ณ ๋„“๊ฒŒ๋Š”์ฃผ๋ณ€์˜๋„์‹œ์™€์†Œํ†ต์„ํ• ์ˆ˜์žˆ๋Š”์ƒˆ๋กœ์šด๊ทผ๋ฆฐ์ƒํ™œ์‹œ์„ค์˜ TYPOLOGY๋ฅผ์ œ์‹œํ•œ๋‹ค.

JOO, JEONG MIN 225

PROGRAM CONCEPT

MASS CONCEPT

FACADE CONCEPT

์ƒˆ๋กœ์šด ๊ทผ๋ฆฐ์ƒํ™œ์‹œ์„ค์—์„œ๋Š” ํ”„๋กœ๊ทธ๋žจ์„ ์žฅ๊ธฐ๊ฐ„ ์ž„๋Œ€๋˜๋Š” FIXED PROGRAM๊ณผ ๋‹จ๊ธฐ๊ฐ„ ์ž„๋Œ€๋˜๋Š”FLEXIBLE PROGRAM์œผ๋กœ ๋‚˜๋‰œ๋‹ค. FIXED PROGRAM์€ ์ฃผ๋ณ€ ์ฃผ๊ฑฐ์ง€์—ญ์˜ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ์ธ์‹๋˜์–ด์žˆ๊ธฐ๋•Œ๋ฌธ์—์ž์‹ ์„์•Œ๋ฆดํ•„์š”์„ฑ์ด FLEXIBLE PROGRAM์˜๊ฒฝ์šฐ๋ณด๋‹ค์ค„์–ด๋“ ๋‹ค. FLEXIBLE PROGRAM ์ค‘์—์„œ๋„ ์ž์ฃผ ๋ฐ”๋€Œ๋Š” ์†Œ๊ทœ๋ชจ ๊ณต๊ฐ„, ์†Œ๊ทœ๋ชจ ์ž๋ณธ์˜ ๊ณต๊ฐ„์€ ๋‹ค๋ฅธ ๊ณต๊ฐ„๋ณด๋‹ค ๋”์šฑ ์ž์‹ ์„ USER์—๊ฒŒ ์•Œ๋ ค์•ผ ํ•œ๋‹ค. ๋”ฐ๋ผ์„œ FIXED์— ๊ฐ€๊นŒ์šธ์ˆ˜๋ก ์ ‘๊ทผ์„ฑ์ด ์ค‘์š”ํ•˜์ง€ ์•Š๊ณ  FLEXIBLE์— ๊ฐ€๊นŒ์šธ ์ˆ˜๋ก ์ ‘๊ทผ์„ฑ์ด์ค‘์š”์‹œ๋œ๋‹ค.

์ƒˆ๋กœ์šด ๊ทผ๋ฆฐ์ƒํ™œ์‹œ์„ค์—์„œ๋Š” ํ”„๋กœ๊ทธ๋žจ์„ ์žฅ๊ธฐ๊ฐ„ ์ž„๋Œ€๋˜๋Š” FIXED PROGRAM๊ณผ ๋‹จ๊ธฐ๊ฐ„ ์ž„๋Œ€๋˜๋Š” FLEXIBLE PROGRAM์œผ๋กœ ๋‚˜๋‰œ๋‹ค. FIXED PROGRAM์€ ์ฃผ๋ณ€ ์ฃผ๊ฑฐ์ง€์—ญ์˜์‚ฌ๋žŒ๋“ค์—๊ฒŒ์ธ์‹๋˜์–ด์žˆ๊ธฐ๋•Œ๋ฌธ์—์ž์‹ ์„์•Œ๋ฆดํ•„์š”์„ฑ์ด FLEXIBLE PROGRAM์˜๊ฒฝ์šฐ๋ณด๋‹ค์ค„์–ด๋“ ๋‹ค. FLEXIBLE PROGRAM ์ค‘์—์„œ๋„์ž์ฃผ๋ฐ”๋€Œ๋Š”์†Œ๊ทœ๋ชจ๊ณต๊ฐ„, ์†Œ๊ทœ๋ชจ์ž๋ณธ์˜๊ณต๊ฐ„์€๋‹ค๋ฅธ๊ณต๊ฐ„๋ณด๋‹ค๋”์šฑ์ž์‹ ์„ USER์—๊ฒŒ์•Œ๋ ค์•ผํ•œ๋‹ค. ๋”ฐ๋ผ์„œ FIXED์—๊ฐ€๊นŒ์šธ์ˆ˜๋ก์ ‘๊ทผ์„ฑ์ด์ค‘์š”ํ•˜์ง€์•Š๊ณ  FLEXIBLE์—๊ฐ€๊นŒ์šธ์ˆ˜๋ก์ ‘๊ทผ์„ฑ์ด์ค‘์š”์‹œ๋œ๋‹ค.

FIXED PROGRAM

๋ณ‘์›

๋‚ด๊ณผ, ์ด๋น„์ธํ›„๊ณผ, ์ •ํ˜•์™ธ๊ณผ, ํ”ผ๋ถ€๊ณผ ... ...

ํ•™์›

์–ดํ•™์›, ๋ณด์Šตํ•™์›, ๋ฏธ์ˆ ํ•™์›, ์ˆ˜ํ•™ํ•™์›, ํ”ผ์•„๋…ธํ•™์› ... ...

FLEXIBLE PROGRAM

BIG PROGRAM (area > 100m2)

THEY RECOGNIZE THE PROGRAM BY CHANCE THEY ARE LOOKING FOR PROGRAM BECAUSETHEY NEED IT.

KICHEN

USER

FLOOR

USER

FLOOR

BK BwK SI SG

WITHOUT KICHEN ISOLATED GROUP

SMALL PROGRAM (area < 100m2)

Page 112: University of Seoul, Architectural Review 2010

JOO, JEONG MIN 227

SECTION CONCEPT

MAKING A HOLE TO SHOW MY SPACE OPEN -> CLOSED ADD SPACE

Page 113: University of Seoul, Architectural Review 2010

CONCPET

NUDE ADD ON

LAYERED LAYER

LAYERS

OPEN / CLOSED

HOW TO DO EXAMPLE

JOO, JEONG MIN 229

START

NEED TO HIDE?

ACCESSIBLILITY?

NEED LIGHT?

FLEXIBLE PROGRAM?

CONTINUOUS IMAGE?

PRIVACY?

IMPORTANT

UNIMPORTANT

YES

YES

NO

NO

NO

NO

NO

YES

YES

YES

Page 114: University of Seoul, Architectural Review 2010

PLAN

JOO, JEONG MIN 231

PLAN

Page 115: University of Seoul, Architectural Review 2010

ZERO COMMUNITY

ARCHITECTURAL REVIEW 2010

SHIM,CHANGKYOUNG

๋„์‹œ์˜๋ฌด์งˆ์„œํ•œํ™•์žฅ์€์ƒํƒœ๊ณ„์˜ํŒŒ๊ดด์™€๋„์‹œ์ธํ”„๋ผ์—์˜์กดํ•œ๋น„์ž์ƒ์ ๊ทผ๊ต๊ฐœ๋ฐœ๋กœ์„œํ™˜๊ฒฝ๋ฌธ์ œ๋ฅผ๋„˜์–ด์ง€๊ตฌ์ดŒ์ƒ์กด์—์•… ํ–ฅ์„๋ฏธ์น˜๊ณ ์žˆ๋‹ค.

์ด๋ฅผ๋ง‰๊ธฐ์œ„ํ•ด๋„์‹œ์˜์™ธ๊ณฝ์ง€์—ญ์„๊ทธ๋ฆฐ๋ฒจํŠธ๋กœ์ง€์ •ํ•˜๊ฒŒ๋˜์—ˆ์œผ๋‚˜, ํ˜„์žฌ์„œ์šธ์€๋„์‹ฌ์˜ ๋„๋ฅผํ•ด๊ฒฐํ•˜๊ธฐ์œ„ํ•˜์—ฌ๊ทธ๋ฆฐ๋ฒจํŠธ๋ฅผํ•ด์ œํ•˜๊ณ ์žˆ์œผ๋ฉฐ๋„์‹œ์ ์ธํ”„๋ผ๋งŒ์˜

์ผ๋ฐฉํ–ฅ์ ์ธ๊ฐœ๋ฐœ๋ฐฉ์‹์œผ๋กœ๋„์‹œ์™€๊ทผ๊ต์—๋งŽ์€๋ฌธ์ œ์ ๋“ค์„์ดˆ๋ž˜ํ•˜๊ณ ์žˆ๋‹ค. ๋„์‹ฌ์ดํ™•์žฅ๋ ์ˆ˜๋ก์ž์—ฐ๊ณผ์ ‘ํ• ์ˆ˜์žˆ๋Š”๊ฐ€๋Šฅ์„ฑ์ดํฌ๋ฐ•ํ•ด์ง€๋Š”์ƒํ™ฉ์†์—๊ทธ๋ฆฐ๋ฒจํŠธ๊ฒฝ๊ณ„์˜

๊ฐœ๋ฐœ๋ฐฉํ–ฅ์€๋‹จ์ˆœํžˆ๋ฌผ๋ฆฌ์ ๊ฐ€์น˜๋กœ์„œ๋งŒ๊ตฌ์ถ•๋˜๋Š”๊ฒƒ์„๋ง‰๋Š”๊ฒƒ์—๊ทธ์น˜๋Š”๊ฒƒ์ด์•„๋‹ˆ๋ผ์ž์—ฐ๊ณผ๋„์‹œ์˜์‚ถ์ด๊ณต์กดํ• ์ˆ˜์žˆ๋Š”๊ธฐํšŒ์˜์žฅ์ด๋˜์–ด์•ผํ•œ๋‹ค.

์‹ฌ์ฐฝ๊ฒฝ self - sufficient I housing

Page 116: University of Seoul, Architectural Review 2010

๋„์‹œ์˜ ๋ฌด์งˆ์„œํ•œ ํ™•์žฅ์€ ์ƒํƒœ๊ณ„์˜ ํŒŒ๊ดด์™€ ๋„์‹œ ์ธํ”„๋ผ์— ์˜์กดํ•œ ๋น„์ž์ƒ์  ๊ทผ๊ต๊ฐœ๋ฐœ๋กœ์„œ ํ™˜๊ฒฝ๋ฌธ์ œ๋ฅผ ๋„˜์–ด ์ง€๊ตฌ์ดŒ ์ƒ์กด์— ์•… ํ–ฅ์„ ๋ฏธ์น˜๊ณ  ์žˆ๋‹ค. ์ด๋ฅผ ๋ง‰๊ธฐ ์œ„ํ•ด ๋„์‹œ์˜ ์™ธ๊ณฝ์ง€์—ญ์„ ๊ทธ๋ฆฐ๋ฒจํŠธ๋กœ ์ง€์ •ํ•˜๊ฒŒ ๋˜์—ˆ์œผ๋‚˜,ํ˜„์žฌ ์„œ์šธ์€ ๋„์‹ฌ์˜ ๋„๋ฅผ ํ•ด๊ฒฐํ•˜๊ธฐ ์œ„ํ•˜์—ฌ ๊ทธ๋ฆฐ๋ฒจํŠธ๋ฅผ ํ•ด์ œํ•˜๊ณ  ์žˆ์œผ๋ฉฐ ๋„์‹œ์  ์ธํ”„๋ผ๋งŒ์˜ ์ผ๋ฐฉํ–ฅ์ ์ธ ๊ฐœ๋ฐœ ๋ฐฉ์‹์œผ๋กœ ๋„์‹œ์™€ ๊ทผ๊ต์— ๋งŽ์€๋ฌธ์ œ์ ๋“ค์„ ์ดˆ๋ž˜ํ•˜๊ณ  ์žˆ๋‹ค. ๋„์‹ฌ์ด ํ™•์žฅ๋  ์ˆ˜๋ก ์ž์—ฐ๊ณผ ์ ‘ํ•  ์ˆ˜ ์žˆ๋Š” ๊ฐ€๋Šฅ์„ฑ์ด ํฌ๋ฐ•ํ•ด์ง€๋Š” ์ƒํ™ฉ ์†์— ๊ทธ๋ฆฐ๋ฒจํŠธ ๊ฒฝ๊ณ„์˜ ๊ฐœ๋ฐœ๋ฐฉํ–ฅ์€ ๋‹จ์ˆœํžˆ ๋ฌผ๋ฆฌ์ ๊ฐ€์น˜๋กœ์„œ๋งŒ ๊ตฌ์ถ•๋˜๋Š”๊ฒƒ์„๋ง‰๋Š”๊ฒƒ์—๊ทธ์น˜๋Š”๊ฒƒ์ด์•„๋‹ˆ๋ผ์ž์—ฐ๊ณผ๋„์‹œ์˜์‚ถ์ด๊ณต์กดํ• ์ˆ˜์žˆ๋Š”๊ธฐํšŒ์˜์žฅ์ด๋˜์–ด์•ผํ•œ๋‹ค.

์ตœ๊ทผ Greenbelt ๋‚ด์˜ ๋ฌด๋ถ„๋ณ„ํ•œ ์ฃผํƒ ๊ฐœ๋ฐœ์€ ์ฃผํƒ ์ˆ˜์š”๋ฅผ ๋งž์ถ”๊ธฐ ์œ„ํ•œ ๋‚œ๊ฐœ๋ฐœ๊ณผ ํ•จ๊ป˜ ๋„์‹ฌ์˜ ์ธํ”„๋ผ๋ฅผ ๊ตฌ์ถ•ํ•จ์œผ๋กœ์„œ ์ž์—ฐ์  ํ™˜๊ฒฝ์ด ์ ์  ์†์‹ค๋˜์–ด ๊ฐ€๊ณ  ์žˆ๋Š” ์‹ค์ •์ด๋‹ค. ๊ทธ๋ฆฐ๋ฒจํŠธ ๋‚ด์˜ ์ƒˆ๋กœ์šด ์ฃผ๊ฑฐ ๊ฐœ๋ฐœ์€ ์ธํ”„๋ผ์— ์˜์กดํ•˜๋Š” ๊ธฐ์กด ์•„ํŒŒํŠธ ์ฃผํ˜ธ์˜ ํƒˆํ”ผ, ๊ธฐ๋Šฅ๋งŒ ์ถ”๊ตฌํ•˜๋Š” LDK๋ฐฉ์‹์˜ ์žฌ์ •๋ฆฝ์™€Greenbelt ๋‚ด์—์ž ์žฌ๋˜์–ด์žˆ๋Š”์ž์—ฐ์ ์ธํ”„๋ผ์˜์ ๊ทน์ ์ˆ˜์šฉ์„ํ†ตํ•ด์ž์—ฐ์•ˆ์—์„œ์˜ ์ž์ƒ์  ์‚ถ์ด ๊ฐ€๋Šฅํ•˜๊ณ  ์ž์—ฐ๊ณผ ์ธ๊ฐ„์ด ๊ณต์กดํ•  ์ˆ˜ ์žˆ๋Š” ๊ฑด๊ฐ•ํ•œ๋ฐฉ์‹์„๋งŒ๋“ค์–ด๋‚ด๋Š” Zero ํƒ€์šด์˜์ž์ƒ์  Community๋ฅผ์ œ์•ˆํ•œ๋‹ค.

SPRAWL

SHIM, CHANG KYOUNG 235

SITE PHENOMENON

ZERO COMMUNITY NETWORK PER HOUSEHOLD= ???

PRODUCTION CONSUMPTION EMMISSION

RETURN TO NATURE

Page 117: University of Seoul, Architectural Review 2010

MASTERPLAN

Food Utility District[FUD]์˜ ์ƒˆ๋กœ์šด ๊ฐœ๋…์€ ์ž์—ฐ์  ์ธํ”„๋ผ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ Community๋ฅผ ๊ตฌ์„ฑํ•˜๊ณ  FUD Zone์€ ๋ณดํ–‰๊ถŒ ๋‚ด์—์„œ์ž์ƒ์ ์‚ถ์ด๊ฐ€๋Šฅํ•˜๊ฒŒํ•จ์œผ๋กœ์จ์ƒ์‚ฐ๋…น์ง€๋‚ด์˜์ž์—ฐ์ ์ธํ”„๋ผ๊ฐ€๊ฐ๊ตฌ์„ฑ์›๋“ค์˜ํ•ฉ๋ฆฌ์ ์†Œ๋น„์™€๋ฐฐ์ถœ๋Ÿ‰์—๋งž์ถฐ๊ตฌ์„ฑ๋œ๋‹ค. ์ด๋Š” Greenbelt๋‚ด์˜ ์ƒ์‚ฐ๋…น์ง€์™€ ์ฃผ๊ฑฐ๋ฅผ ์ ๊ทน์ ์œผ๋กœ ์กฐํ•ฉํ•˜๊ณ  ์ˆœํ™˜ ์‹œ์Šคํ…œ์„ ๋งŒ๋“œ๋Š” ๋ฐฉ์‹์œผ๋กœ CommunityScale์—์„œ Micro Scale๋กœ ํ™•์žฅ๋˜์–ด ๊ฐ ๊ตฌ์„ฑ์›๋“ค์˜ ์‚ถ ๊นŠ์ˆ™ํžˆ ์—ฐ๊ด€์„ ๋งบ๊ณ  ๋ฐ˜๋Œ€๋กœ Urban Scale์—์„œ Greenbelt ๊ฒฝ๊ณ„ ์—ญ์˜๊ฐ€๋Šฅ์„ฑ์„ํ†ตํ•˜์—ฌ๊ธฐ์กด๋„์‹œ๊ตฌ์„ฑ๋ฐฉ์‹๊ณผ๋‹ค๋ฅธ์ž์—ฐ์ ์ธํ”„๋ผ๋ฅผ๊ตฌ์ถ•ํ•ด๋‚˜๊ฐ€๋Š”๋ฐฉ์‹์„์ทจํ•œ๋‹ค.

SHIM, CHANG KYOUNG 237

PLAN

CO-DiningCO-LivingCO-ToiletKindergardenVegetable Plot

StorageWaste ProcessingHydroponicsFoodforum

Food Lab.

Public DeckMarketDuplex Type Housing

One Room Type Housing

1st Floor

2nd Floor

Page 118: University of Seoul, Architectural Review 2010

SECTION

A-Aโ€™ Section

B-Bโ€™ Section

์นœํ™˜๊ฒฝ์ ์ธ Factor๋“ค์€ ๊ฐ ์ฃผ๊ฑฐ์— ์ ‘ํ•˜๊ฒŒ ๊ตฌ์„ฑ๋˜์–ด ํด๋Ÿฌ์Šคํ„ฐ๋ฅผ ์ด๋ฃจ๊ณ  ์ด๋Š” ์นœํ™˜๊ฒฝ์  ์ปค๋ฎค๋‹ˆํ‹ฐ๋ฅผ ์œ„ํ•œ ๊ณต๋™์˜ LDK๋กœ์„œ ์ž์—ฐ์  ์‚ถ์ด์ฃผ๊ฑฐ์™€ ์ ‘ํ•˜๊ฒŒ ์—ฐ๊ณ„์‹œ์ผœ์ฃผ๋Š” ์žฅ์น˜๋กœ ์ž‘์šฉํ•œ๋‹ค. ๋˜ํ•œ, ์ฃผ๊ฑฐ์™€ co-op system๋“ค์ด ์œ ๊ธฐ์ ์œผ๋กœ ์—ฐ๋™๋˜๋ฉด์„œ ๊ฐ€์กฑ ๋‹จ์œ„์˜ ์ฃผ๊ฑฐ๊ฐœ๋…์ด ์•„๋‹Œํ•˜๋‚˜์˜๊ณต๋™์ฒด(๋งˆ์„)๊ฐœ๋…์œผ๋กœํ™•์žฅ๋œ์ฃผ๊ฑฐ๋ฅผํ˜•์„ฑํ•œ๋‹ค.

Greenbelt ๋‚ด์˜ ์ƒ์‚ฐ์„ ๋‹ด๋‹นํ•˜๋Š” ์ž์—ฐ์  ์ธํ”„๋ผ์˜ ์‹๋ฌผ๋“ค์€ ๊ฐ ์ฃผ๊ฑฐ์™€ ์ปค๋ฎค๋‹ˆํ‹ฐ ์•ˆ์—์„œ ์ ‘ํ•˜๊ฒŒ ๊ด€๊ณ„๋ฅผ ๋งบ๊ณ  ์‹œ๊ธฐ๋ณ„, ์–‘์ง€/์Œ์ง€ ์‹๋ฌผ๋“ค์„๊ณต๊ฐ„๊ณผ์—ฐ๊ณ„์‹œํ‚ค๋ฏ€๋กœ์„œ์ ๊ทน์ ์œผ๋กœ์ƒ์‚ฐํ• ์ˆ˜์žˆ๋Š”๊ณต๊ฐ„์œผ๋กœ๊ณ„ํšํ•œ๋‹ค. ์ด๋Š” Housing & Nature์˜์ƒํ˜ธ์ž‘์šฉ์ด์—ฐ์‡„์ ์œผ๋กœ์ผ์–ด๋‚˜๋‹ค์–‘ํ•œ๊ฒฝํ—˜์„์‚ฌ๋žŒ๋“ค์—๊ฒŒ ์œ„ํ• ์ˆ˜์žˆ๋„๋กํ•œ๋‹ค.

SHIM, CHANG KYOUNG 239

ISOMETRIC

Zero Community๋ฅผ ์ด๋ฃจ๋Š” ์ธํ”„๋ผ๋Š” ๊ฐ ์„ธ๋Œ€ ๊ตฌ์„ฑ์›์˜ ์ƒ์‚ฐ๊ณผ ์†Œ๋น„์˜ ํ•ฉ์„ ์ œ๋กœ๋กœ๋งŒ๋“ค๊ธฐ ์œ„ํ•œ Food System๊ณผ Energy System์„ ๊ตฌ์ถ•ํ•˜๊ณ  ๊ฐ ์ƒ์‚ฐ๊ณผ ์†Œ๋น„์˜ ์ˆœํ™˜์€ ์†์‹ค์„์ค„์ด๊ธฐ์œ„ํ•ด์ตœ์†Œํ™”๋œ๋‹ค.๊ฐ ์ฃผ๊ฑฐ์˜ ๊ด€๊ณ„๋Š” ๋…๋ฆฝ๋œ ๊ฐœ์ฒด๋กœ์„œ ์ฃผ๊ฑฐ์˜ ๊ฐœ๋…์„ ๋„˜์–ด์„œ ๊ด€๊ณ„๋œ ๊ฐœ์ฒด๋กœ์„œ์˜ ๋ฐฉ๊ฐœ๋…์ด๋ฉฐ, ์ด๋Ÿฌํ•œ ๋ฐฉ๊ณผ ๋ฐฉ์€ ๊ฐ€๋ณ€์  ๊ฐœํ๋ฐฉ์‹์„ ํ†ตํ•ด ์—ฐ์†์  ๊ณต๊ฐ„์„ ์œ ์ง€ํ•˜๋Š” ๋น„ํ™•์ •์  ๊ณต๊ฐ„ ์ฒด๊ณ„๋ฅผ ๊ฐ–๊ฒŒ ๋œ๋‹ค. 1์ธต์€ CO-OP SYSTEM, 2์ธต์€ ๋ฐํฌ๋กœ์˜ D,K์˜ ํ™•์žฅ์„ ํ†ตํ•˜์—ฌ ๊ณต๊ฐ„์˜ ์‹œํ€€์Šค๋ฅผ ๊ฐ€์ง€๋ฉฐ, ์ด๊ฒƒ์€ ์ž์—ฐ๊ณผ ํ•จ๊ป˜ ์ ์œ ํ•˜๊ฒŒ ๋œ ๊ณต๊ฐ„์— ์˜ํ•ด ๊ทธ ๊ธฐ๋Šฅ์ ๊ฑด๋ฌผ์€์ง‘ํ•ฉ์„ฑ์œผ๋กœ์กด์žฌํ•˜๊ฒŒ๋˜๋ฉด์„œ์ด์›ƒ๊ฐ„์˜์ปค๋ฎค๋‹ˆํ‹ฐ๋ฅผ๊ทน๋Œ€ํ™”์‹œํ‚จ๋‹ค.

Page 119: University of Seoul, Architectural Review 2010

SHIM, CHANG KYOUNG 241

Thanks to... ์–‘Bro, ์žฌ๋‚จ, ๊ธฐ์„, ์„ฑํ˜ธ, ์Šนํƒ, ํฌ์›, ํ˜„์ง„, ์Šน์ง„ํ˜•, ๋ˆ„๋‚˜, ์•„๋ฒ„์ง€, ์–ด๋จธ๋‹ˆ.

Page 120: University of Seoul, Architectural Review 2010

MULTI-FUNCTIONALITY

ARCHITECTURAL REVIEW 2010

SHIN,DONGKWAN

์ง‘๋œ์ฃผ๊ฑฐ์ง€์—ญ์—์„œ์ง€์—ญ์ฃผ๋ฏผ์—๊ฒŒํ•„์š”ํ•œํ”„๋กœ๊ทธ๋žจ์„์ œ๊ณตํ•˜๋Š”๋ฐฉ๋ฒ•์œผ๋กœํ•˜๋‚˜์˜๊ณต๊ฐ„์ด๋‘๊ฐ€์ง€์ด์ƒ์œผ๋กœ์‚ฌ์šฉ๋˜๋Š” Multi-functionality๋ฅผ์ œ์•ˆํ•˜๊ณ ์žํ•œ๋‹ค.

๋Œ€๋ฆผ 2๋™์—์„œ์ฃผ๋ฏผ๋“ค์˜๊ต๋ฅ˜๊ฐ€๊ฐ€์žฅํ™œ๋ฐœํžˆ์ผ์–ด๋‚˜๋Š”๊ณณ์€์ค‘์•™์‹œ์žฅ์ด๋‹ค. ์ด๊ณณ์—์œ„์น˜ํ•œ๊ณต ์ฃผ์ฐจ์žฅ์€๋ฐค์—๋Š”์ด์šฉ์œจ์ด 100%์—๊ฐ€๊น์ง€๋งŒ๋‚ฎ์—๋Š”์ด์šฉ์œจ์ด 40% ๋‚ด์™ธ์ด๋‹ค. ๋‚ฎ์—์ด์šฉ๋˜์ง€์•Š๋Š”์ฃผ์ฐจ์žฅ๊ณต๊ฐ„์„ํ™œ์šฉํ•˜์—ฌ์ง€์—ญ์ฃผ๋ฏผ์—๊ฒŒํ•„์š”ํ•œํ”„๋กœ๊ทธ๋žจ์„์ œ๊ณตํ•˜๊ณ ์‹œ์žฅ์˜ํŠน์„ฑ์„๋ฐ˜ ํ• ์ˆ˜์žˆ๋Š”๊ฑด๋ฌผ์„์„ค๊ณ„ํ•˜์—ฌ์ด์ง€์—ญ์—๋งŽ์ด์‚ด๊ณ ์žˆ๋Š”๋‹ค๋ฌธํ™”๊ฐ€์ •, ์™ธ๊ตญ์ธ์ด๋ฏผ์ž์™€์šฐ๋ฆฌ๋‚˜๋ผ์ง€์—ญ์ฃผ๋ฏผ๋“ค๊ฐ„์˜

์†Œํ†ต์˜์žฅ์„๋งˆ๋ จํ•˜๊ณ ์žํ•œ๋‹ค.

์‹ ๋™๊ด€ Parking lot + Community center

Page 121: University of Seoul, Architectural Review 2010

ISSUE

Inception

๋งŽ์€์™ธ๊ตญ์ธ์ด๋ฏผ์ž์™€๋‹ค๋ฌธํ™”๊ฐ€์ •์ด๊ตํ†ต์ดํŽธ๋ฆฌํ•˜๊ณ ์ง‘๊ฐ’์ด์‹ผ๋Œ€๋ฆผ2๋™์—๋ชจ์—ฌ๋“ค๊ฒŒ๋˜์—ˆ๋‹ค.

Problem

๊ทธ๋“ค์€ํ•œ๊ตญ์‚ฌํšŒ์—์ ์‘ํ•˜๊ณ ๋ณด๋‹ค๋‚˜์€์‚ถ์„์œ„ํ•ด์ž๊ธฐ๋“ค๋งŒ์˜์ƒํ™œ๊ถŒ์„ํ˜•์„ฑํ•ด๊ฐ„๋‹ค. ์ •๋ถ€์˜์ง€์›์„๋ฐ›์ง€๋งŒ์ด๋Š”์ง€์—ญ์ฃผ๋ฏผ๋“ค์˜ํ˜œํƒ์„๋นผ์•—์•„๊ฐ€๋Š”๋“ฑ์˜๋ถ€์ž‘์šฉ์œผ๋กœ์ฃผ๋ฏผ๋“ค๊ณผ์™ธ๊ตญ์ธ์ด๋ฏผ์ž๊ฐ„์˜๋‹จ์ ˆ์„๋‚ณ๋Š”๋‹ค.

Solution

์ฃผ๋ฏผ๋“ค๊ณผ์™ธ๊ตญ์ธ์ด๋ฏผ์ž์˜์†Œํ†ต์ด๊ฐ€์žฅํ™œ๋ฐœํžˆ์ผ์–ด๋‚˜๋Š”์ค‘์•™์‹œ์žฅ์†์—๋ชจ๋‘์—๊ฒŒํ•„์š”ํ•œํ”„๋กœ๊ทธ๋žจ์„์ œ๊ณตํ•˜์—ฌ๋ฒฝ์„ํ—ˆ๋ฌผ๊ณ ์†Œํ†ต์˜์žฅ์ด๋˜๋„๋กํ•œ๋‹ค.

Goal

์†Œํ†ต์˜์žฅ์„๋งˆ๋ จํ•˜์—ฌ์ง€์—ญ์ฃผ๋ฏผ๋“ค๊ณผ์™ธ๊ตญ์ธ์ด๋ฏผ์ž์™€์˜์†Œํ†ต์„์›ํ™œํžˆํ•˜๊ณ ์™ธ๊ตญ์ธ์ด๋ฏผ์ž๊ฐ€ํ•œ๊ตญ์‚ฌํšŒ์—์ž˜์ ์‘ํ•˜์—ฌ์‚ฌํšŒ์˜์ผ์›์ด๋˜๋„๋กํ•œ๋‹ค.

SHIN, DONG KWAN 245

MARKET

Page 122: University of Seoul, Architectural Review 2010

DRAWINGS

3F

2F

1F

basement

SHIN, DONG KWAN 247

ELEVATION

USAGES OF PARKING LOT

SECTION

parking lot rest place maket

parking lot+bar event place playground

Page 123: University of Seoul, Architectural Review 2010

SHIN, DONG KWAN 249

Page 124: University of Seoul, Architectural Review 2010

CURRENT PARKING LOT SITUATION

PROCESS

Day - half empty

Parking : 100%

Rate of land utilization

-Day : 30~60%

-Night : 100%

Parking : 50~70%

Non-parking : 30~50%

Rate of land utilization

-Day : 80~100%

-Night : 70~100%

Segment programs Decentralize programs

Night - full

๋ฉด์  : 1,967m2

์ง€์—ญ์ง€๊ตฌ: ๋„์‹œ์ง€์—ญ, ์ œ2์ข…์ผ๋ฐ˜์ฃผ๊ฑฐ์ง€์—ญ (7์ธต์ดํ•˜)๊ฑดํ์œจ: 60 % ์ดํ•˜์šฉ์ ๋ฅ : 150 ~ 250 %

์šฉ๋„: ๋…ธ์™ธ์ฃผ์ฐจ์žฅ๊ทœ๋ชจ: ์ง€์ƒ 2์ธต์ง€ํ•˜ 1์ธต (154๋Œ€์ˆ˜์šฉ)

SHIN, DONG KWAN 251

ALTERNATIVES

Alt 1

Alt 2

Alt 3

Grid for parking lot

Grid for parking lot

Grid for parking lot Decentralize parking lot

into all levels

Put the circulation inside Decentralize programs

into all levels

Decentralize parking lot

into all levels

Put the circulation outside Arrange programs

along the circulation

Centralize parking lot

on the low level

Put the circulation outside Centralize programs

on the high level

Page 125: University of Seoul, Architectural Review 2010

HAVE A TWIST: CINEMATHEQUE IN CHUNGMURO

ARCHITECTURAL REVIEW 2010

AHN,SUNGCHUL

What is the CinemaTheque?ํ™”์‚ฌ์ ์œผ๋กœ์ค‘์š”ํ•œ์˜๋ฏธ๋ฅผ๊ฐ–๋Š”์ž‘ํ’ˆ๋“ค์„์„ ์ •, ๋ณด๊ด€, ์†Œ๊ฐœํ•˜๋Š”ํ™œ๋™์„ํ–‰ํ•˜์—ฌ์ฃผ๋Š”์žฅ์†Œ๋กœ, ๊ต์œก์ ์ด๊ณ ๋ฌธํ™”์ ์ธ๋ชฉ์ ์œผ๋กœ ํ™”๋ฅผ

์ƒ ํ•˜๋Š”๋น„ ๋ฆฌ๊ธฐ๊ด€์ž…๋‹ˆ๋‹ค. ์ผ์ฐ๋ถ€ํ„ฐ ํ™”๋ฅผ๋ฐ›์•„๋“ค์ด๊ณ ๊ทธ๊ฒƒ์˜์˜ฌ๋ฐ”๋ฅธ๋ฐฉํ–ฅ์˜๋ฐœ์ „์„๊ณ ๋ฏผํ•ด์˜จ์—ฌ๋Ÿฌ๋‚˜๋ผ์—์„œ๋Š”,์‹œ๋„ค๋งˆํ…Œํฌ๋ผ๋Š”์ด๋ฆ„์œผ๋กœ๊ณผ๊ฑฐ์˜ ํ™”๋ฅผ๋ณด์กดํ•˜๊ณ , ์ž๋ผ๋‚˜๋Š”๋‹ค์Œ์„ธ๋Œ€์™€๊ทธ๊ฒƒ์„๊ณต์œ ํ•˜๋Š”์ž‘์—…์„๋‹น์—ฐํžˆ๋„์ง€์†ํ•ด์™”์Šต๋‹ˆ๋‹ค.

๊ฐ๊ตญ์˜, ํ˜น์€๊ฐ์ง€์—ญ์˜ํฌ๊ณ ์ž‘์€์‹œ๋„ค๋งˆํ…Œํฌ๋Š” ํ™”๋ฅผ๊ธฐ์–ตํ•˜๊ณ ๋ณด์กดํ•˜๋Š”๋ฐ•๋ฌผ๊ด€์ด์ž, ์ผ๋ฐ˜์ธ๋“ค์—๊ฒŒ๋นผ๋†“์„์ˆ˜์—†๋Š”๋ฌธํ™”๊ณต๊ฐ„์ด๋ฉฐ, ํ™”์ธ์„๊ฟˆ๊พธ๋ฉฐ์ž๋ผ๋‚˜๋Š”์ Š์€์„ธ๋Œ€๋“ค์—๊ฒŒ ํ™”์ ์ž์–‘๋ถ„์„๊ณต๊ธ‰ํ•˜๋Š”๊ต์œก๊ณต๊ฐ„์œผ๋กœ์„œ์˜์—ญํ• ์„ํ•˜๊ฒŒ๋ ๊ฒƒ์ž…๋‹ˆ๋‹ค.

Why CinemaTheque?ํ™”์‚ฌ์ ์œผ๋กœ์ค‘์š”ํ•œ์˜๋ฏธ๋ฅผ๊ฐ–๋Š”์ž‘ํ’ˆ๋“ค์„์„ ์ •, ๋ณด๊ด€, ์†Œ๊ฐœํ•˜๋Š”ํ™œ๋™์„ํ†ตํ•ด๊ตญ๋‚ด์˜ ํ™”ํ™˜๊ฒฝ์„๋ฐ”๋žŒ์งํ•˜๊ฒŒ๋ณ€ํ™”์‹œ์ผœ๊ฐ์œผ๋กœ์จ

ํ•œ๊ตญ ํ™”์˜์ง„ํฅ๊ณผ๋ฐœ์ „์—๊ธฐ์—ฌํ•˜๊ณ ์žํ•ฉ๋‹ˆ๋‹ค. ์‹œ๋„ค๋งˆํ…Œํฌ๋ฅผํ†ตํ•˜์—ฌ ํ™”๋ฌธํ™”์˜ํ„ฐ์ „์ด๋ ์ˆ˜์žˆ์Šต๋‹ˆ๋‹ค.์ž๊ตญ์˜ ํ™”์‚ฐ์—…์„์ง€์ผœ๋‚ด์ง€๋ชปํ•˜๊ณ ์‚ฌ๋ฉธ์‹œ์ผœ์˜จ์ˆ˜๋งŽ์€๋‚˜๋ผ๋“ค๊ณผ๋‹ฌ๋ฆฌ๊ทผ๋ž˜ํ•œ๊ตญ์€์ ์–ด๋„์‚ฐ์—…์ ์ธ์ธก๋ฉด์—์„œ๋น„์•ฝ์ ์ธ๋ฐœ์ „์„

์ด๋ฃฉํ•ด์™”๊ณ , ๊ทธ๊ฒฐ๊ณผํ•œ๋ฐœ์•ž์„œ ํ™”๋ฅผ์‹œ์ž‘ํ–ˆ๋˜๋‚˜๋ผ๋“ค๋กœ๋ถ€ํ„ฐ๋ฏธ๋ž˜์˜ํ–ฅ๋ฐฉ์„์ฃผ๋ชฉ๋ฐ›์„์ •๋„๊ฐ€๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜์‚ฐ์—…์—๋งŒ์น˜์šฐ์นœ์ด๋Ÿฌํ•œ๋ฐœ์ „์€ ํ™”๋ฅผํŽธํ–ฅ๋˜๊ฒŒํ˜๋Ÿฌ๊ฐ€๊ฒŒํ• ์šฐ๋ ค๋ฅผ๋‚ณ๊ณ ์žˆ์œผ๋ฉฐ, ์ด๊ฒƒ์€์‹œ๋„ค๋งˆํ…Œํฌ๋ผ๋Š”์™ธ๋ž˜์–ด๊ฐ€์šฐ๋ฆฌ์—๊ฒŒ์—ฌ์ „ํžˆ๋‚ฏ์„ ์ค‘์š”ํ•œ์ด์œ ์ด๊ธฐ๋„ํ•ฉ๋‹ˆ๋‹ค. ๊ธฐ์–ตํ•ด์•ผํ• ์œ ์ˆ˜ํ•œ๊ณผ๊ฑฐํ•œ๊ตญ ํ™”๋“ค๋ฟ๋งŒ์•„๋‹ˆ๋ผ์ด๋ฏธ๊ทธ๊ฐ€์น˜๋ฅผ์ธ์ •๋ฐ›์€

์„ธ๊ณ„์ ์ธ ํ™”๋ฌธํ™”์œ ์‚ฐ๋“ค์„๋ณด์กดํ•˜๊ณ ๊ณต์œ ํ•ด์•ผํ•œ๋‹ค๋Š”๊ฐœ๋…์ด์•„์ง์šฐ๋ฆฌ์—๊ฒŒ๋Š”์ž๋ฆฌ์žก๊ณ ์žˆ์ง€๋ชปํ•œ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ „์—์—†๋Š”์„ฑ์žฅ๊ณผ๋ณ€ํ™”๋ฅผ๊ฒช๊ณ ์žˆ๋Š”ํ•œ๊ตญ์˜ ํ™”์‚ฌ์—…์ด๋ณด๋‹ค๋‚ด์‹ค์„๊ธฐํ•˜๊ณ , ๊ทธ๊ฒƒ์ด์ผ์‹œ์ ์ธ๊ฑฐํ’ˆ์œผ๋กœ๋งŒ์กด์žฌํ•˜์ง€์•Š๋„๋กํ•˜๊ธฐ์œ„ํ•ด์„œ๋Š” ํ™”์˜

๋ฌธํ™”์ ๊ฐ€์น˜๋ฅผ์ œ๋Œ€๋กœ์ธ์‹ํ• ์ˆ˜์žˆ๋Š”๋น„์˜ฅํ•œํ† ์–‘์ดํ•„์š”ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์ด๋ฐ”๋กœ CinemaTheque๊ฐ€ํ•„์š”ํ•œ์ด์œ ์ž…๋‹ˆ๋‹ค.

์•ˆ์„ฑ์ฒ 

Page 126: University of Seoul, Architectural Review 2010

AHN, SUNG CHUL 255

ISSUE & HISTORY OF CINEMATHEQUE CONCEPT

PROGRAM

ํ•œ๊ตญ ํ™”์˜์˜ค๋žœ์—ญ์‚ฌ๋ฅผ๋งํ•ด์ฃผ๋Š”๋ฌธ์„œ, ์ƒ, ์†Œํ’ˆ, ์‚ฌ์ง„, ๋ชจํ˜•๋“ฑ์„์ „์‹œ.๋ฐฉ๋ฌธ๊ฐ๋“ค์˜ํฅ๋ฏธ๋ฅผ์ž๊ทนํ•˜๋Š”ํŠน๋ณ„์ „์‹œํšŒ๋„๊ฐœ์ตœํ•˜์—ฌ์šฐ๋ฆฌ๋‚˜๋ผ๋ฟ๋งŒ์•„๋‹ˆ๋ผ์„ธ๊ณ„๊ฐ๊ตญ์˜ ํ™”์ž๋ฃŒ๋“ค์„์ ‘ํ• ์ˆ˜์žˆ๊ฒŒํ•จ.์ฒจ๋‹จ์ƒ ๊ด€์—์„œ๋Š”์ƒ์—…์„ฑ์ด๋‚˜๊ฒ€์—ด์—์–ฝ๋งค์ด์ง€์•Š๊ณ ์„ ์ •๋œ๋‹ค์–‘ํ•œ์žฅ๋ฅด์˜ ํ™”๋“ค์„์ƒ .

CinemaTheque

์ƒ ๊ณต๊ฐ„์ƒ ๊ด€

์‹œ์‚ฌ์‹ค

์ „์‹œํšŒ์žฅ

๋ฐ•๋ฌผ๊ด€

์ „๋ฌธ๋„์„œ๊ด€

ํšŒ์ „ & ์œตํ•ฉ & ๊ต๋ฅ˜

๊ณ„๋‹จ & ํ๋ฆ„ & ๋ผ์ธ

์ž๋ฃŒ๋ณด๊ด€์‹ค

๊ธฐ์ž์žฌ์‹ค

์„ธ๋ฏธ๋‚˜์‹ค

ํŽธ์ง‘์‹ค

์นดํŽ˜ํ…Œ๋ฆฌ์•„

์ƒํ’ˆ์ 

์Œ์‹์ 

์ „์‹œ๊ณต๊ฐ„

๊ต์œก๊ณต๊ฐ„

ํœด๊ฒŒ๊ณต๊ฐ„

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WHERE IS THE SITE?By Subway

By Bus

By Car

์ข…๋กœ๊ทน์žฅ๊ฐ€

๋™๋Œ€๋ฌธ๋ฌธํ™”์—ญ์‚ฌ๊ณต์›

๊ตญ๋ฆฝ๊ทน์žฅ

์•„์‹œ์•„๋ฏธ๋””์–ดํƒ€์›Œ๋ช…๋ณด์•„ํŠธํ™€

๋งค๊ฒฝ๋ฏธ๋””์–ด์„ผํ„ฐ

ํ™”์ธ์˜๊ฑฐ๋ฆฌ, โ€˜์ถฉ๋ฌด๋กœโ€™์ถฉ๋ฌด๋กœ๊ตญ์ œ ํ™”์ œ์ฃผ๋ณ€์—์œ„์น˜ํ•œ ํ™”๊ด€๋“คํŽธ๋ฆฌํ•œ๊ตํ†ต

SITE Panorama

๋ฏผ์†๊ทน์žฅ๋‚จ์‚ฐ๊ณจ๊ณต์›

์ถฉ๋ฌด๋กœ๊ตญ์ œ ํ™”์ œ์กฐ์ง์œ„์›ํšŒ

๋™๊ตญ๋Œ€ํ•™๊ต์„œ์šธ์บ ํผ์Šค

๋…น์ง€ํ˜„ํ™ฉ

ํ˜„์กด์‹์ƒ๋„

ํ† ์ง€์ด์šฉํ˜„ํ™ฉ๋„

์šฉ๋„์ง€๊ตฌ

์šฉ๋„์ง€์—ญ

ํ•œ๊ตญ ํ™”๊ต์œก์›๊ทน๋™๊ทน์žฅ๋Œ€ํ•œ๊ทน์žฅ

์ถฉ๋ฌด๋กœ

-์„œ์šธ๊ทน์žฅ-ํ”„๋ฆฌ๋จธ์Šค์‹œ๋„ค๋งˆ-์”จ๋„ˆ์Šค

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4F1:300

3.5F1:300

3F1:300

2F1:300

8F1:300

7F1:300

6F1:300

5F1:300

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THE SEVEN

ARCHITECTURAL REVIEW 2010

KIM,SUNWOO

We all became REFUGEES. However, No one knows this fact, because we are not in a great poverty, war or any kind of catastrophe.

We are living in the era of making ourselves REFUGEES. We are REFUGEES OF TECHNOLOGY. If I lost my CELL-PHONE, it means

the loss of pictures, friends, or any sort of connection to the world.Technology is a man-made catastrophe.

๊น€์„ ์šฐ Poetic and Imaginative Reaction for Information Age

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Human civilization prospers all around the world within a few thousand years. The diversity of human civilization and physical distance among themselves madepeople to have a desire to be connected with each other where or when they can find something in common. This desire leads us to invent โ€œNetwork Technologyโ€such as โ€˜Internetโ€™, โ€˜Cell-Phoneโ€™ and so on. Revolution of Network Technology led us to โ€œthe Network Societyโ€ or โ€œINFORMATION AGEโ€. The age grants the bestvalue to INFORMATION.This phenomenon made our city full of INFORMATION (Sign Boards, LCD TVs, Cell-Phones, MP3s, iPods). It`s no longer an important matter to get anINFORMATION, INFORMATION is everywhere. Actually INFORMATION is now stalking us on our cell-phones, internet or on signboards. People no longer reviewtheir daily lives from time to time. If they have little time off, they are just too busy to use their iPods and browse on the internet.WE DON`T THINK ANY MORE, OUR RATIONALITY IS PARALYZED BY OVERWHELMING INFORMATIONS.

1. Elevator ShaftsThis is space for outcasts always who are affected or controlledby metropolitan lives which is represented by the movement ofelevators which mostly used by metropolitan lives. They arecompletely forgotten from our fancy daily lives. Elevator Shaftswill be shelter for outcasts.

2. Central Bus WayThis place is allowed only to buses for 24 hours a day to promotemaximum efficiency in public transportation. This fact makes this systemcompletely forgotten between ending time to starting time of publictransportation. We can use this place as a Clinic for Sleep disorders dueto its available time. By this treatment people who suffer from sleepdisorder can get a fresh sleep to rest their brain from metropolitaninformation.

Early Stage

SEGMENTED IMAGINATIONS

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SEGMENTED IMAGINATIONS

Design Strategy

Alan Sekula stated that People living in the age of INFORMATION are severely obsessed with cyber space such as INTERNET, also said โ€œWe are still living inThe World of Materials. We cannot ignore physical exchange which is happening all over the world still in un-measurable scale.โ€In INFORMATION AGE, producers always and only show an EFFECT(ํšจ๊ณผ) of their products not how they OPERATE(์ž‘๋™). Consumers also purchase anEFFECT not a good, they don`t really give a damn about how Products OPERATE or they`re made.

Early Stages

3. In-Between SpacesThere are a lot of In-Between Spaces in theMetropolitan perimeter, I found a proper site formy REFUGEE CAMP among them. It has anentrance to unreachable, non-spatial place whichis full of mechanical equipments. This is a door toThe AUTISM which is an illness isolating oneselffrom outside world both physically andCONSCIOUSLY(Escaping from INFORMATIONS infull scale of our body and spirit). The condition ofAUTISM will be granted by series of devices whichmake centrifugal and centripetal forces.

4. OverpassesOverpass is born to make more SPEED to our city and efficiency to traffic system. Itโ€™s a device to produce โ€˜SPEEDโ€™. Ironically, we alsomake a constitution for speed regulation to take away the SPEED which we produced. There are EVIL SPEED and GOOD SPEED at thesame time in our society.

In INFORMATION AGE, the concept of SPEED is no longer limited in physical matter. Its SPEED to get INFORMATION is extremelyincreased by the INTERNET. We donโ€™t need to go to library and look up right information for us through several hours. However, ourworking time is still 8 hours a day, increased SPEED led us to an increased DENSITY OF OUR WORKS.

Overpass The SPEED PRODUCER but its UNDERNEATH PART is going to work as an ANTI-SPEED DEVICE. Increased PHYSICAL SPEEDof overpass will reduce THE DENSITY of our working time.

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For example, Steam Locomotive, which showed its mechanism entirely to its users, developed to Diesel Engine which only produces noises and Nowadays, RapidElectronic Railway shows us nothing about its mechanism, but we love its silence and comfort. WE ARE BLIND.

MY REFUGEE CAMPS FROM INFORMATION WILL ACCEPT THIS PHILOSOPHY AS A DESIGN METHODOLOGY which is to show people how my devices OPERATE.THEY ARE MACHINES OR EQUIPMENTS TO GET US OUT OF INFORMATION FLOOD.

SEGMENTED IMAGINATIONS

5. Retaining WallsThis wall is boundary of sectional difference notplanar one. Behind this wall, There will be aboundary of our memory(different name forINFORMATIONS in our brain), MEMORYDELETING CLINIC.

Plan Section

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SEGMENTED IMAGINATIONS

EPILOGUE

We are living in the era of INFORMATION, TELEPORTING from place to place through the HIGHWAY of INFORMATION (INTERNET). INFORMATIONS no longer usephysical transportation to be inserted into our perception. It is no longer a major discourse of discussing about Modern technology which is made of metals, injectingfuels and noisy exploding sounds of engines because we are living in Post-Modern Time. However, this Post-Modern Time is a perfect time to make a thoroughcriticism about Machines, representing Modernism Era. We do not even get the outline of Technology we are using now and keep inventing new Technology whichwe don`t even know. We need a time to retrospect.

6. Underground SpacesThere are no signs or any kind of indexes in Underground Space. It isimpossible to get lost in metropolitan area nowadays due tosignboards and indexes(INFORMATIONS). No INFORMATIONS lead usto THE LABYRINTH with NO WALLS.

7. RooftopsThis space is used very occasionally because it takes certain distance and time to get there from our daily lives. However, Rooftops are always loved byHeroes of This Era. They could watch people in the city to rescue them. We can be heroes now. Heroes of INFORMATION AGE are no longer obligatedto rescue people who are in danger but rescue themselves from overwhelming INFORMATIONS.

Plan

Section

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| ์ค‘๊ฐ„ํฌ๋ฆฌํ‹ฑ๊ฐ•์‚ฌ๋ช…๋‹จ

1. ์กฐ์žฌ์› / 01 ์ŠคํŠœ๋””์˜ค๋Œ€ํ‘œ์ด์‚ฌ2. ์œค์Šนํ˜„ / (์ฃผ) ๊ฑด์ถ•์‚ฌ์‚ฌ๋ฌด์†Œ์ธํ„ฐ์ปค๋“œ3. ๋‚จ์ˆ˜ํ˜„ / ๋ช…์ง€๋Œ€ํ•™๊ต๊ต์ˆ˜4. ํ™ฉ๋‘์ง„ / ํ™ฉ๋‘์ง„๊ฑด์ถ•์‚ฌ์‚ฌ๋ฌด์†Œ

| ์ตœ์ข…ํฌ๋ฆฌํ‹ฑ๊ฐ•์‚ฌ๋ช…๋‹จ

1. ์ตœ์šฑ / ONE O ONE ์ŠคํŠœ๋””์˜ค๋Œ€ํ‘œ2. ์กฐ์žฌ์› / 01 ์ŠคํŠœ๋””์˜ค๋Œ€ํ‘œ์ด์‚ฌ3. ์œค์Šนํ˜„ / (์ฃผ) ๊ฑด์ถ•์‚ฌ์‚ฌ๋ฌด์†Œ์ธํ„ฐ์ปค๋“œ4. ๋‚จ์ˆ˜ํ˜„ / ๋ช…์ง€๋Œ€ํ•™๊ต๊ต์ˆ˜

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4-1

ARCHITECTURAL DESIGN STUDIOARCHITECTURAL REVIEW 2010

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HWANG, JI YONG 277

ํ™ฉ์ง€์šฉ

๋„์‹œ์†์—์กด์žฌํ•˜๋Š”๋Œ€๋ถ€๋ถ„์˜๊ทผ๋ฆฐ์ƒํ™œ์‹œ์„ค๋“ค์€๊ทธ๊ฒƒ๋“ค์˜๋‚ด๋ถ€์—๋‹ด๊ฒจ์ง€๋Š”ํ”„๋กœ๊ทธ๋žจ์˜์ˆ˜์ง์ ๋ฐฐ์—ด์—์ผ์ •ํ•œํŒจํ„ด์„๊ฐ€์ง€๊ณ ์žˆ๋‹ค.์ €์ธต๋ถ€์—์ƒ์—…์‹œ์„ค์œ„์ฃผ๋กœ์“ฐ์ด๊ณ ์ƒ์ธต๋ถ€์—๋Š”์นดํŽ˜๋‚˜์˜คํ”ผ์Šค๋กœ๋ฐ–์—์“ฐ์ผ์ˆ˜์—†๋Š”๊ทผ๋ฆฐ์ƒํ™œ์‹œ์„ค์˜ํ”„๋กœ๊ทธ๋žจ์˜๋ฐฐ์—ด์˜ํ•œ๊ณ„๋ฅผ๊ทน๋ณตํ•˜๋ฉด์„œ์นœํ™˜๊ฒฝ์ด๋ผ๋Š”ํ™”๋‘๋ฅผ๋‹ด์„์ˆ˜์žˆ๋Š”๋ฐฉ๋ฒ•์„๋ชจ์ƒ‰ํ•ด๋ณด๋„๋กํ•œ๋‹ค.

BREAK THE BOUNDARYSustainable Memory

HWANG, JI YONG

CONCEPT

Site have Program Sequence

But..... Concentrate 1st floor

What will be happen if the boundary is breaked?

HousingOfficeAtelierCafe / GalleryShop

ํ˜„์žฌ site๋‚ด์—์กด์žฌํ•˜๋Š”์—ฌ๋Ÿฌ๊ฐ€์ง€ํ˜ผํ•ฉ๋œํ”„๋กœ๊ทธ๋žจ๋“ค์ด๊ฐ€์ง€๋Š”์ˆ˜์ง์ ํŒจํ„ด์„๊ทธ๋Œ€๋กœ์ˆ˜์šฉํ•˜๋ฉด์„œ๊ฐ€๋กœ๋‚ด์—์„œ์ €์ธต๋ถ€์—ํ•œ์ •๋˜์–ด๊ฑด๋ฌผ์ด์ด์šฉ๋˜๋Š”ํ•œ๊ณ„๋ฅผ๊ทน๋ณตํ•˜๊ณ ์žํ•œ๋‹ค.

Renovation๊ณผ Addition์„๋™์‹œ์—์ง„ํ–‰ํ•˜๋ฉด์„œ๋‘๊ฐœ์‚ฌ์ด์— Buffer๊ณต๊ฐ„์„์‚ฝ์ž…ํ•˜๊ณ ๊ทธ๊ณต๊ฐ„์„์นœํ™˜๊ฒฝ์ „๋žต์œผ๋กœ์„œ์˜ Atrium์œผ๋กœํ™œ์šฉํ•จ๊ณผ๋™์‹œ์—์‚ฌ์šฉ์ž์˜์ˆ˜์ง์ ์ด๋™ํ†ต๋กœ๋กœ์จ๊ฑด๋ฌผ์˜์ˆ˜์ง์ ๊ฒฝ๊ณ„๋ฅผํ—ˆ๋ฌด๋Š”์—ญํ• ์„ํ•˜๊ฒŒํ•œ๋‹ค.

SUSTAINABLE STRATEGY SECTION

Atrium:Lighting/Ventilation

summer

Section A-A'

winter

Atrium:Lighting/Ventilation louver:Reflect sunset

Section B-B'

louver 0mm louver 450mm louver 700mm

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SECTION & ELEVATION DETAIL

Atelier

Gallery

Gallery

Atelier

3D PERSPECTIVE

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YANG, JEONG WON 281

์–‘์ •์›

๋ˆํ™”๋ฌธ๋กœ๋Š”์–‘์ชฝ์˜์„œ๋กœ๋‹ค๋ฅธํ‘œ์ •elevation,๋ถ€ํ”ผ๊ฐvolume ๊ทธ๋ฆฌ๊ณ ์ƒ์—…ํ”„๋กœ๊ทธ๋žจ์„๊ฐ€์ง€๋Š”๊ฑด๋ฌผ๋“ค์—์˜ํ•ด์—์›Œ์‹ธ์—ฌ ์žˆ์—ˆ๊ณ ๊ทธ๊ธธ์„์ค‘์‹ฌ์œผ๋กœ๊ณต๊ฐ„์ ๋ถ€ํ”ผ๊ฐ๊ณผ๋ถ„์œ„๊ธฐ๋ฅผํ˜•์„ฑํ•˜๊ณ ์žˆ๋‹ค.์ด๊ณณ์—์‹ ์ถ•๋ฐ๊ฐœ์ถ•๋ ๊ฑด๋ฌผ์€์ด์žฅ์†Œ๊ฐ€๊ฐ€์ง€๊ณ ์žˆ๋Š”์žฅ์†Œ์ ํŠน์ง•์€์ด๊ฑด๋ฌผ์˜๋‚ด๋ถ€๊ณต๊ฐ„์„์กฐ์งํ•˜๋Š”๊ฐœ๋…์˜์‹œ์ž‘์ด์ž์ง€์†๊ฐ€๋Šฅํ•œ๋””์ž์ธ์„์‹คํ˜„ํ•˜๋Š”์•„์ด๋””์–ด์˜์‹œ์ž‘์ด๋œ๋‹ค.

SUSTAINABILITYencloser SHOP & shop

YANG, JEONG WON

Corridor Natural Lighting Ventilation Passive Cooling Passive Heating

Shop type A type B type C type D type E

Sustainable Design Strategy

Sketch Variation of shops

SKETCH UP & ECOTECT ANALYSIS

Summer Winter

RENDERING IMAGE

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YANG, JEONG WON 283

Inner Corridor Stack for Natural light

detail A 1:30

detail C

detail B

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์กฐ์ •์ง„

๋‘๊ฐ€์ง€์ƒ๋ฐ˜๋œํ”„๋กœ๊ทธ๋žจ์ด๋‘์ง‘๋‹จ์„์œ„ํ•ด๋“ฑ์„๋งž๋Œ€๊ณ ์ž๋ฆฌ์žก๋Š”๋‹ค.๋ˆํ™”๋ฌธ๋กœ์—์ง์ ‘๋ฉดํ•˜๊ณ ์žˆ๋Š”๋ธ”๋Ÿญ์€์•ž์œผ๋กœ์—ฌํ–‰์ž๋ฅผ์œ„ํ•œํ”„๋กœ๊ทธ๋žจ์ด๋“ค์–ด์„ค์˜ˆ์ •์ด๋‹ค.ํ”ผ๋ง›๊ธธ์ดํ˜•์„ฑํ•˜๊ณ ์žˆ๋Š”ํ•œ์ผœ์•ˆ์ชฝ์˜๊ธธ๊ณผ๋ธ”๋Ÿญ์€์—ฌํ–‰์ž๊ฐ€์•„๋‹Œ๋ฐฉ๋ฌธ์ž๊ฐ€์ด์šฉํ• ์ˆ˜์žˆ๋Š”ํ”„๋กœ๊ทธ๋žจ์œผ๋กœ๊ณ„ํšํ•œ๋‹ค.๋‹ค๋ฅธ๊ณณ์„๋ฐ”๋ผ๋ณด๋Š”๋‘๊ฐœ์˜ํ”„๋กœ๊ทธ๋žจ์€ํ•˜๋‚˜์˜๋•…์œ„์—์„œ, ์ƒˆ๋กœ์šด๊ด€๊ณ„ํ˜•์„ฑ์„์œ„ํ•ด์กด์žฌํ•œ๋‹ค.๊ฒฐ๊ณผ๋กœ๊ฐ€๋“์ฐฌ๊ณต๊ฐ„์€์–ด๋””๊นŒ์ง€ํ™•์žฅํ• ๊ฒƒ์ธ๊ฐ€?.....

A SPACE FROM;local community center

JO, JEONG JIN

Program_eco center

information

exchange

rest naturecommunity

STUDY MODELS

LOUVER DESIGN.

ROOF PV SYSTEM.

rotate_30~45ใ€‚

output/a year_53100kWh

DAYLIGHT FACTOR.

ENERGY ANALYSIS.

existing office average value:3.22%

new office average value:16.27%

infilled mass average value:26.21%

monthly heating/cooling load_+954299Wh954299-53100000-light energy=Saving enery

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FINAL REVIEW MODEL

Section detail_1/50

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MOON, SHIN HONG 289

๋ฌธ์‹ ํ™

ํ™•์žฅ๋˜๋Š”๋„์‹œ๊ณต๊ฐ„์†์—์ˆ˜์ง์ ๊ณต๊ฐ„์˜๋ฐฐ์—ด์€ํ•„์ˆ˜๋ถˆ๊ฐ€๊ฒฐ์˜์š”์†Œ์ด๋‹ค.ํšจ์œจ์„ฑ์˜๊ฒฝ์ œ์ ๋…ผ๋ฆฌ์—์˜ํ•œ๋‹จ์ˆœํ•œ์ˆ˜์ง์ ๋ฐฐ์—ด์€์‹œ๊ฐ์˜์—ฐ์†์„ฑ์„๊ธฐ๋ณธ์œผ๋กœํ•œ์‚ฌ๋žŒ์˜์ธ์‹ํ”„๋กœ์„ธ์Šค์—๋‹จ์ ˆ์„๋ถˆ๋Ÿฌ์ผ์œผํ‚ค๋Š”๋ฌผ๋ฆฌ์ ์š”์†Œ๋กœ์„œ์ž‘์šฉํ•œ๋‹ค.์ด์—ํšจ์œจ์ ๊ณต๊ฐ„์˜์œ ์ง€์™€๋”๋ถˆ์–ด์ˆ˜์ง์ ์—ฐ๊ฒฐ์„ฑ์—๋Œ€ํ•œ๊ณ ๋ ค์„ํ•ด๋ณด๊ณ ์žํ•œ๋‹ค.

SUSTAINABILITYThe expantion of your sight

MOON, SHIN HONG

THE CHARACTER OF THE STREET

Structure systemusing trimmer beams

diffuser

Fritted glass

Air supply route

Cool air supplying to reduce rising temperature by sunlight in the summer

Removing route for Hot air that contains heats from the sun

by using termodeck system

floor covering 30screed 80

hollow core unit 220structure beam 300 air supply from the bottom for reducing heat through the

window in the summer

Utilization of thermal storage

Machinery zone for ventilation

A Aโ€™

The location of the diffusers & inhalers in the 6th floor Fresh air supplying route through the hollow core unit Cool air supplying route in summer Hot air removing route in summer

A

Aโ€™

stack effect zone

HVAC in the building

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MOON, SHIN HONG 291

-PROVED EFFICIENCY IN SPACE BY ECOTECT

3F:Heating oriented 6F:Cooling oriented

Intended root in the building

Section

Detail part

outer fritted glass600mm air gapinner laminated glass

200mm reinforced concrete20mm waterproof sheet80mm screed220mm hollow core unit300mm structure beam

parapet

operable window

metal tread

Details

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LEE, JAE WOONG 293

์ด์žฌ์›…

์ฒœ๋™์„ค : ์ง€๋™์„คํšŒ์ „ํ•˜๋ฉด์„ธ์ƒ์„๋ฐ”๊ฟ€์ˆ˜์žˆ๋‹ค.

ECLIPSE์ฐจ๊ฐ€์šด๋‹ฌ์ด๋œจ๊ฑฐ์›Œ์ง€๋Š”์ผ์ˆœ๊ฐ„.๋‹ฌ์€ํƒœ์–‘์„์ง€๋ฐฐํ•œ๋‹ค

LEE, JAE WOONGSUSTAINABLE SECTION STUDY

Stack effect wind pressurLow pressure Cross ventilation through

differnt level window

NATURAL VENTILATION DIAGRAM GABION WALL HEATING DIAGRAM

Return Air

Dressing room

Traditional Stage

Gabion Wall for Thermal Massand Ligntning effect

Natural Ventilration Atrium

Cross Ventilarion

Cross Ventilarion

CONCEPT

[ROTATION]

ํšŒ์ „ํ•˜๋Š” ๋‹ฌ์€ ํƒœ์–‘์„ ์ง€๋ฐฐํ•  ์ˆ˜์žˆ๋‹ค. ๊ฑด๋ฌผ๋„์™ธํ”ผ๋ฅผํšŒ์ „์‹œํ‚ค๋ฉดํƒœ์–‘์„์ง€๋ฐฐํ• ์ˆ˜์žˆ๋‹ค.

-์™ธํ”ผ์˜ํšŒ์ „

[ENERGY]

ํšŒ์ „ํ•˜๋Š”๋‹ฌ์€์ง€๊ตฌ๊ฐ€๋ฐ›์•„์•ผํ• ํƒœ์–‘์˜์—๋„ˆ์ง€๋ฅผํก์ˆ˜ํ•ดํƒ€์˜ค๋ฅด๋“ฏ์ด ๊ฑฐ๋ฆฐ๋‹ค.๊ฑด๋ฌผ๋„ํƒœ์–‘๋ณ•์„ Thermal mass์—์ €์žฅํ•˜์—ฌํƒœ์–‘์˜์—๋„ˆ์ง€๋ฅผ์‚ฌ์šฉํ• ์ˆ˜์žˆ๋‹ค.

- Thermal mass

[MATERIAL]

THERMAL MASS๋Š”ํ•„์š”์ด์ƒ์˜๋งค์Šค๋ฅผ์š”๊ตฌํ•œ๋‹ค.๊ธฐ์กด๊ฑด๋ฌผ์˜๋ฆฌ๋ชจ๋ธ๋ง๊ณผ์ •์—์„œ์ƒ๊ฒจ๋‚˜๋Š”์ฝ˜ํฌ๋ฆฌํŠธ๋งค์Šค๋ฅผ์žฌ์‚ฌ์šฉํ•˜์—ฌ๊ฐ€์น˜๋ฅผ๊ทน๋Œ€ํ™”์‹œํ‚จ๋‹ค.

-์ง€์†๊ฐ€๋Šฅ์„ฑ

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LEE, JAE WOONG 295

WALL SECTION DETAIL 1:30

Page 147: University of Seoul, Architectural Review 2010

BAEK, SOO JIN 297

๋ฐฑ์ˆ˜์ง„

๋„์‹œ์†๊ธธ์—๋Š”๋งŽ์€๊ฒƒ์ดํ๋ฅด๊ณ ์†Œํ†ตํ•œ๋‹ค.๋„์‹œ์ ๊ฐ€๋กœ์™€๋งž๋‹ฟ์€ํ™˜๊ฒฝ์นœํ™”๊ฑด์ถ•์œผ๋กœ์„œ์—ฌ๋Ÿฌ๊ฐœ์˜๊ธธ์„ํ’ˆ๋Š”์‹œ๋„๋ฅผํ•ด๋ณด๊ณ ์žํ•œ๋‹ค.์‚ฌ๋žŒ์„์œ„ํ•œ๊ธธ, ๊ณต๊ธฐ๊ฐ€ํ๋ฅด๋Š”๊ธธ, ๋น›์ด๋ป—์–ด๋‚˜๊ฐ€์ง€๋Š”๊ธธ...

SUSTAINABILITYCommunication

BAEK, SOO JIN

DESIGN SIMULATION + FEEDBACK PROCESS

without Louvers with Louvers

PIN-UP MODEL STUDY

STUDY MODEL

MID-TERM MODEL IMAGE

๋งค์Šค์˜์ „์ฒด์ ์ธ๋ณผ๋ฅจ๊ฐ์„์ •ํ•˜๊ฒŒ๋œ์Šคํ„ฐ๋””3๊ฐœ์˜๋งค์Šค๋ฅผ๊ฐ๋Š” circulation ๊ณต๊ฐ„

๊ฑด๋ฌผ์˜๋””ํ…Œ์ผ context์™€ facade์—๊ด€ํ•œ์Šคํ„ฐ๋””louver or perforated mesh sheet

tilted facade์˜์กฐ์ ˆ๊ณผ์œค๊ณฝ fixproject์˜์ „์ฒด์ ์ธ๋‚ด์šฉ almost fix

SUSTAINABLE STRATEGY DIAGRAM

SUSTAINABLE STRATEGY ACTIVE STRATEGY

TILTED FACADE, LOUVERS

GREEN ROOF, INTERIOR GARDEN

LIGHT WELL

winter summer

ceramic roofing tile(Giwha) thermal wall

FACILITY PRISM

PHOTOVOLTAIC PANELS

ATRIUM

THERMAL WALL

summer

Air Duct as an art object

-Vertically connected Void-Diffuse Light

winter

29ใ€‚winter sunlight76ใ€‚summer sunlight

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BAEK, SOO JIN 299

LOUVERSRARE FACADEPRISMTILTED FACADESTRAIGHT STAIRS

3D PERSPECTIVEDRAWING

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3-1

ARCHITECTURAL DESIGN STUDIOARCHITECTURAL REVIEW 2010

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KIM, SOO HEE 303

๊น€์ˆ˜ํฌ

ํ•œ์„ค๋ฌธ์กฐ์‚ฌ๊ฒฐ๊ณผ,์ง€๊ธˆ์˜ ๋ชธ๋ฌด๊ฒŒ์—์„œ 50Kg์„ ๋”ํ•œ ์ฑ„ ํ‰์ƒ์„ ์‚ด์•„์•ผ ํ•˜๋Š” ๊ฒƒ๊ณผ ์†๊ฐ€๋ฝ ํ•˜๋‚˜๋ฅผ ์ž๋ฅด๋Š” ๊ฒƒ ์ค‘ ์–ด๋–ค๊ฒƒ์„ํƒํ•˜๊ฒ ๋ƒ๊ณ ๋ฌผ์—ˆ์„๋•Œ๋Œ€๋‹ค์ˆ˜์˜์‚ฌ๋žŒ๋“ค์ด์†๊ฐ€๋ฝ์„์ž๋ฅด๊ฒ ๋‹ค๊ณ ๋Œ€๋‹ตํ–ˆ๋‹ค.

What is chosen?1. Live through a life while having added 50Kg by the weight at present.2. Cut one finger.The majorityโ€™s people who participated in a question chose the twice.

BUKCHON ARCHIVEInfromation Center in Bukchon

KIM, SOO HEE

Travel Route for Visitors

Buckchon

Communication with Buckchon District by Archive

Existed Information center in BuckchonInformation center in Site

Transparency Bookshelf Funiture Media Wall

100% 0%

Stool

BUCKCHON ARCHIVE

Page 151: University of Seoul, Architectural Review 2010

BUKCHON ARCHIVE

Lv.0.8

Lv.3.6

Lv.6.3

KIM, SOO HEE 305

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HAN, YU RIM 307

ํ•œ์œ ๋ฆผ

๊ฐ€ํšŒ๋™์˜๋น„๊ฐœ๋ฐฉํ•œ์”จ๊ฐ€์˜ฅ์—์„œ๊ด€๊ด‘์•ˆ๋‚ด์†Œ์™€์œ ์ผํ•˜๊ฒŒ์ ‘์ด‰ํ•˜๊ณ ์žˆ๋Š”๋‹ด์žฅ์˜์•„๋ฆ„๋‹ค์›€๊ณผ๊ฐ€ํšŒ๋กœ์˜๊ฒฝ๊ด€์„๊ณ„๋‹จ์ด๋ผ๋Š”โ€˜๊ธธโ€™์„ํ†ตํ•ด์ด๋Œ์–ด๋‚ธ๋‹ค.

Stair + Way = Stairway

๋ถ์ดŒ๊ด€๊ด‘์•ˆ๋‚ด์†ŒStair+Way

HAN, YU RIM+PROCESS

+VIEW

๊ธฐ์กด์˜์†”๋ฆฌ๋“œํ•œ๋งค์Šค์—์„œ์ ‘๊ทผ์„ฑ์„๋†’์ด๊ธฐ์œ„ํ•ด์•ˆ๋‚ด์†Œ๋กœ์ง„์ž…ํ•˜๋Š”

์—ฌ๋Ÿฌ๊ฐœ์˜๊ณต๊ฐ„์„์—ด์–ด์ฃผ์—ˆ๋‹ค.

adopting flow new stairs relationship expansion

+CONCEPT

๋ ˆ๋…ธ๋ฒ ์ด์…˜๊ฑด๋ฌผ์˜์ „๋ฉด์—๋Š”๊ฐ€ํšŒ๋กœ์˜์ „๊ฒฝ์ดํŽผ์ณ์ ธ์žˆ๋‹ค.๋ถ์ดŒ์Šค๋Ÿฌ์›€์„๊ฐ„์งํ•˜๊ณ ์žˆ๋Š”๊ฐ€ํšŒ๋กœ์˜์—˜๋ ˆ๋ฒ ์ด์…˜์„๊ด€๊ด‘์•ˆ๋‚ด์†Œ์˜์•ˆ์œผ๋กœ๋Œ์–ด๋“ค์ด๊ณ , ์ด๊ณณ์„์ฐพ๋Š”์ด๋“ค๋กœํ•˜์—ฌ๊ธˆ๋ฉ‹์ง„๊ฒฝ๊ด€์„์ „ํ•ด์ฃผ๊ณ ์‹ถ๋‹ค.๋น„๊ฐœ๋ฐฉํ•œ์”จ๊ฐ€์˜ฅ์˜ํ–‰๋ž‘์ฑ„์ž…๋ฉด์€๊ฑด๋ฌผ์˜ํ›„๋ฉด์—๋ฐ”๋กœ๋งž๋‹ฟ์•„์žˆ๋‹ค.์†”๋ฆฌ๋“œํ•œ๊ฑด๋ฌผ๋กœ๊ฐ€๋ ค์ ธ์žˆ๋Š”์ž…๋ฉด์ด๋ฐ–์œผ๋กœํ‘œ์ถœ๋˜๋„๋กํ•จ๊ณผ๋™์‹œ์—๋ถ์ดŒ๊ด€๊ด‘์•ˆ๋‚ด์†Œ์˜๋ถ„์œ„๊ธฐ์—๊ฑธ๋งž๋Š”๋‚ด๋ถ€ํšจ๊ณผ๋ฅผ์ผ์œผํ‚จ๋‹ค.

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HAN, YU RIM 309

+MODEL

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๋ฐฑ๋™์ผ

๊ฐ€ํšŒ๋™์˜์†Œํ†ต์„์ž‡๋‹ค

A WALL IS TEARD DOWN BY STAIRSRENOVATION

BAIK, DONG IL

๊ฐ€ํšŒ๋™๊ธธ๊ฐค๋Ÿฌ๋ฆฌ, ๊ณจ๋ชฉ๊ธธ๋“ฑ์—์„œ์ธ๋„์™€์ˆ˜์ง์ ์œผ๋กœ์ƒ๊ธฐ๋Š”๋‹ค์–‘ํ•œํ–‰์œ„๋“ค์ด์ด๊ณณ์—์„œ๋Š”ํ•˜๋‚˜์˜๋ฒฝ์ด์žˆ๋Š”๊ฒƒ์ฒ˜๋Ÿผ์—ฌ๋Ÿฌํ–‰์œ„๋“ค์˜๋งฅ์ด๋Š๊ธด๋‹ค. RENOVATION๋˜๋Š” 1,2์ธต์€์ด๋Ÿฌํ•œ๋‹ค์–‘ํ•œํ–‰์œ„๋“ค์˜๋งฅ์„์ด์–ด์ฃผ๊ณ ๋™์‹œ์—๊ด€๊ด‘์•ˆ๋‚ด์†Œ์™€ํ™”์žฅ์‹ค์˜๊ธฐ๋Šฅ์„๋‹ด๋Š”๋‹ค.

BAIK, DONG IL 311

Page 155: University of Seoul, Architectural Review 2010

SECTION

SECTION A-Aโ€™

EXISTING

SECTION B-Bโ€™

FINAL MODEL

BAIK, DONG IL 313

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์ด๊ฒฝํ•˜

์‹œ๊ฐ„์˜์ ์ธตstack the layer.

LEE, KYUNG HA

LEE, KYUNG HA 315

STUDY

Page 157: University of Seoul, Architectural Review 2010

FINAL MODEL AND COMPUTER WORK

LEE, KYUNG HA 317

Page 158: University of Seoul, Architectural Review 2010

์ง„์ •์™„

โ€˜๊ฐ€ํšŒ๋™ํ•œ์”จ๊ฐ€์˜ฅโ€™์€์†Ÿ์„๋Œ€๋ฌธ์•ž๋‘๊ฑด๋ฌผ๋•Œ๋ฌธ์—์‚ฌ๋žŒ๋“ค๊ณผ์†Œํ†ตํ•˜์ง€๋ชปํ•œ๋‹คํ•œ๋‹ค๋ฌธ์„์—ด์–ด๋†“์ง€์•Š๊ณ ์„œ์‚ฌ๋žŒ์„์˜ค๋ผํ•˜์ง€๋ง๊ณ ์ƒˆ๋กœ์šด๋ฌธ์„์—ด์–ด์ฃผ์–ด,์ฐพ๋Š”์ด๋“ค๊ณผ์ข€๋”๊ฐ€๊นŒ์›Œ์ง€๋Š”๊ฒƒ์ด์ข‹์ง€์•Š์„๊นŒ.

๊ณต์œ ๅ…ฑๆœ‰Gahoe-Dong, Renovation Project.

JIN, JEONG WAN

๊ด€๊ด‘์•ˆ๋‚ด์†Œ

๊ณต์ค‘ํ™”์žฅ์‹คSITE

๊ฐ€ํšŒ๋กœ

PROGRAM + SPACE LOGIC

- Renovation Project

Program :

JIN, JEONG WAN 319

3D MOCK-UP STUDY

Page 159: University of Seoul, Architectural Review 2010

MODEL

JIN, JEONG WAN 321

Page 160: University of Seoul, Architectural Review 2010

๋ฐ•์ •์€

RENOVATION๋ถ์ดŒ๊ด€๊ด‘์•ˆ๋‚ด์†Œ

PARK, JEONG EUN

PARK, JEONG EUN 323

Page 161: University of Seoul, Architectural Review 2010

PARK, JEONG EUN 325

Page 162: University of Seoul, Architectural Review 2010

์„ ์ง„์šฐ

ํ•œ๊ตญ์ „ํ†ต๋ฌธํ™”๋ฅผ๋Œ€ํ‘œ์ ์œผ๋กœ๋ณด์—ฌ์ฃผ๋Š”๋ถ์ดŒ์˜๊ด€๊ด‘์•ˆ๋‚ด์†Œ๋ผ๋ฉด์–ด๋– ํ•ด์•ผํ• ๊นŒ?์ฃผ๋ชฉํ• ์ ์€์‚ฌ์ดํŠธ๋’ทํŽธ์—ํ•œ์”จ๊ฐ€์˜ฅ๋ผ๋Š”๋ฌธํ™”์žฌ๊ฐ€์žˆ๋‹ค๋Š”๊ฒƒ...

๋ถ์ดŒ๊ด€๊ด‘์•ˆ๋‚ด์†Œ๋ถ์ดŒ์ž„์„๋“œ๋Ÿฌ๋‚ด๊ธฐ

SUN, JIN WOO

ํ•œ์”จ๊ฐ€์˜ฅ๊ณผ์˜๊ด€๊ณ„์—์˜ํ•œ์Šฌ๋ผ๋ธŒ์˜๊ธฐ์šธ๊ธฐ๋ณ€ํ™”

๊ฑด๋ฌผ์˜๋’ท๋ถ€๋ถ„์„ํ„ธ์–ด๋‚ด์–ดํ•œ์˜ฅ์œผ๋กœ์˜๊ฐœ๋ฐฉ์„ฑ์„ํ™•๋ณดํ•˜๊ณ ๊ทธ์ ์„๋”์šฑ๊ทน๋Œ€ํ™”ํ•˜๊ธฐ์œ„ํ•˜์—ฌํ•œ์˜ฅ์„ํ–ฅํ•˜๋Š”์ชฝ์˜ 2์ธต๋ฐ”๋‹ฅ์Šฌ๋ผ๋ธŒ๋ฅผ์‚ฌ์„ ์œผ๋กœ๋“ค์–ด์˜ฌ๋ฆฐ๋‹ค.

ํ•œ์”จ๊ฐ€์˜ฅํ–‰๋ž‘์ฑ„

ํ•œ์”จ๊ฐ€์˜ฅํ–‰๋ž‘์ฑ„

SUN, JIN WOO 327

STUDY MODEL

1์ธต์™ธ๋ถ€๋งˆ๊ฐ์žฌ๋ฅผ๋ฐ˜์‚ฌ์žฌ์งˆ์˜๊ธˆ์†์„์‚ฌ์šฉํ•˜์—ฌ๋”์ ๊ทน์ ์œผ๋กœํ•œ์˜ฅ์„๋Œ์–ด๋‚ด๋Š”์žฅ์น˜๋กœ์จ์ด์šฉํ•œ๋‹ค.

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์ตœ์ข…๋ชจํ˜•

SUN, JIN WOO 329

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๋ฌธํ™๊ท 

BUCHON VISUAL EXHIBITION &INFOMATION CENTERmedia facade

MOON, HONG GYUN

MOON, HONG GYUN 331

STUDY PHASE

STUDY MODEL 1

STUDY MODEL 2

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MOON, HONG GYUN 333

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KIM, HWAN 335

๊น€ํ™˜

๋งŽ์€์œ ๋™์ธ๊ตฌ์—๋น„ํ•ด์ฃผ๋ฏผ๋“ค๊ณผ๊ด€๊ด‘๊ฐ์ด์‰ด์ˆ˜์žˆ๋Š”๊ณต๊ฐ„์ด๋ถ€์กฑํ•œ๋ถ์ดŒ๊ฐ€ํšŒ๋™.์‹œ๊ฐ์ ์œผ๋กœ๋ˆˆ์—์ž˜๋„๋Š”๊ณณ์—์˜ค๋ธŒ์ œ๊ฐ€๋ ๋งŒํ•œ๊ฑด๋ฌผ์„๋งŒ๋“ค์–ด๋†“์Œ์œผ๋กœ์จ๊ฐ€ํšŒ๋™์•ˆ์—์‰ผํ„ฐ๋ฅผ๋งŒ๋“ค๊ณ ์žํ•œ๋‹ค.

๋ถ์ดŒํŠน๋ณ„ํ•œ์ผ์ƒ๊ฑด์ถ•Iโ€˜m HERE

KIM, HWAN

CONCEPT

DIAGRAM

์ด๋ฒˆ์„ค๊ณ„์˜ํŠน์ง•์€๊ฐ€ํšŒ๋กœ์™€๋ฐฑ์ธ์ œ๊ฐ€์˜ฅ๊ณผ์˜๊ด€๊ณ„๋ฅผ์ƒ๊ฐํ•˜์—ฌ๊ฑด๋ฌผ์„๋ฐฐ์น˜ํ•˜๋ฉด์„œ์ƒ๊ธด๋‹ค. ์ด๋Ÿฌํ•œ๋ฐฐ์น˜๋Š”๋‘๊ฐœ์˜๋งˆ๋‹น์„๊ฐ–๊ฒŒํ•˜๊ณ ,๋‘๊ฐœ์˜๋งค์Šค์‚ฌ์ด์—๋ฐฐ๊ฒฝ๊ณผ์˜ค๋ธŒ์ œ๋ผ๋Š”๊ด€๊ณ„๋ฅผ๋งŒ๋“ ๋‹ค.

public pirviate

obje

ctop

en sp

ace

divid

em

ass

deve

lop

view

media wall

์•ž๋งˆ๋‹น

ํ™€

๋ถ์นดํŽ˜

์™ธ๋ถ€ํ…Œํฌ

์™ธ๋ถ€์ด๋ฉด์„œ๊ฐ€์žฅprivate ํ•œ๊ณต๊ฐ„

Page 167: University of Seoul, Architectural Review 2010

MODEL

study1.

study2.

study4.

study3 ์ค‘๊ฐ„์ตœ์ข….

FINAL MODEL

KIM, HWAN 337

Page 168: University of Seoul, Architectural Review 2010

LEE, WOO JOE 339

์ด์šฐ์กฐ

๊ฐ€ํšŒ๋™์—์œ„์น˜ํ•œ๋Œ€์ง€์˜ context์™€ํ•œ์˜์›๊ณผ๊ณต์ค‘๋ชฉ์š•ํƒ•์ด๋ผ๋Š”์ƒ์ดํ•œ์„ฑ๊ฒฉ์˜๊ณต๊ฐ„์„์กฐํ™”๋กญ๊ฒŒ๊ตฌ์ถ•ํ•˜๋Š”๋ฐฉ๋ฒ•์„๋ชจ์ƒ‰ํ•œ๋‹ค.

LIFT UPoriental medical clinic+a public bath in Gahoe-dong

LEE, WOO JOE

a b c d e f

a. objectb. sparatec. rotated. re_separatee. removef. lift up

SITE RESEARCH & DESIGN PROCESS

Accessibility

Function

์ƒ์—…, ๊ทผ๋ฆฐ์‹œ์„ค์ฃผ๊ฑฐ

๋Œ€์ง€๋ฉด์  573m3

๊ฑดํ์œจ 60%343.8m3

์šฉ์ ์œจ 150%859.5m3

๋„๋กœ์‚ฌ์„ ์ œํ•œ ์ผ์กฐ๋Ÿ‰์‚ฌ์„ ์ œํ•œ ๋ฌธํ™”์žฌ๋ณดํ˜ธ์‚ฌ์„ ์ œํ•œ

a

a aโ€™

a aโ€™

aโ€™

๊ด€๊ด‘๊ฐ์„์œ„ํ•œ์ƒ์—…์‹œ์„ค๋ถ์ดŒ๊ด€๋ จ์—…๋ฌด์‹œ์„ค์ผ๋ฐ˜์—…๋ฌด์‹œ์„คํŽธ์˜์‹œ์„ค์ฃผ๊ฑฐ

Restricted

Accessible

average levelground level

Page 169: University of Seoul, Architectural Review 2010

MODEL & SECTION

day time

night time

LEE, WOO JOE 341

Page 170: University of Seoul, Architectural Review 2010

KIM, JU TAE 343

๊น€์ฃผํƒœ

๋ถ์ดŒ์˜๊ธธ์€ํ•์ค„๊ณผ๋„๊ฐ™์ด๋„์‹œ์กฐ์ง์„์—ฐ๊ฒฐํ•œ๋‹ค.

PATH MAKES SPACE,SOLID IS FORCED BY PATHPATH / SOLID

KIM, JU TAE

1912 1929 1936 1967 1989 2001

CONCEPT

+ ๊ธธ์˜๋์—์„œ๊ณต๊ฐ„์ดํ˜•์„ฑ๋˜๊ณ ํฌ๊ณ ์ž‘์€์ค„๊ธฐ๋“ค์€๊ณต๊ฐ„์œผ๋กœํ–ฅํ•œ๋‹ค

Page 171: University of Seoul, Architectural Review 2010

KIM, JU TAE 345

STUDY MODEL

Page 172: University of Seoul, Architectural Review 2010

LEE, KYUNG HA 347

์ด๊ฒฝํ•˜

Keyword : ๋ถ์ดŒ์˜์ผ์ƒ๊ฑด์ถ• : ์›€์ง์ž„. ์—ญ๋™์ . ๊ณค์ถฉ๋ฐ•๋ฌผ๊ด€

BREATHING์‚ด์•„์ˆจ์‰ฌ๋‹ค.

LEE, KYUNG HA

Land Path Building

STUDY

Page 173: University of Seoul, Architectural Review 2010

LEE, KYUNG HA 349

FINAL MODEL AND COMPUTER WORK

Page 174: University of Seoul, Architectural Review 2010

KIM, JI HOON 351

๊น€์ง€ํ›ˆ

๊ต๊ฐํ•˜๋‹ค๋…ธ์ธ์ •ใ…ฃ๋ณด์œก์›

KIM, JI HOON

PROCESS

ALTERNATIVE

MASS STUDY

THOUGHTS I HAD

THE WAY I HAVE TO GO

Page 175: University of Seoul, Architectural Review 2010

KIM, JI HOON 353

MODEL

Page 176: University of Seoul, Architectural Review 2010

YOON, HONG DOO 355

์œคํ™๋‘

๋ถ์ดŒ์€์šฐ๋ฆฌ๋‚˜๋ผ์˜์ „ํ†ต์ฃผ๊ฑฐํ˜•ํƒœ์ธํ•œ์˜ฅ์ด๋ณด์กด๋˜์–ด์žˆ๋Š”์ง€์—ญ์ด๋‹ค. ์ง€๊ธˆ์€๊ณผ๊ฑฐ์˜์ฃผ๊ฑฐํ˜•ํƒœ์™€ ํ˜„๋Œ€์˜์ฃผ๊ฑฐ์ƒํ™œ์˜์š”๊ตฌ์—๋งž์ถ”์–ดโ€˜๋„์‹œํ•œ์˜ฅโ€™์ด๋ผ๋Š”ํ˜•ํƒœ๋กœ์กด์žฌํ•˜๊ณ ์žˆ์œผ๋ฉฐ, ์ด๋ชจ์Šต์€๋งค์šฐ์ด์ƒ‰์ ์ด๊ณ ์•„๋ฆ„๋‹ค์šดํ’๊ฒฝ์„์ž์•„๋‚ธ๋‹ค. ๊ทธ๋ฆฌํ•˜์—ฌ์ตœ๊ทผ์™ธ๊ตญ์ธ, ๋‚ด๊ตญ์ธ๊ตฌ๋ณ„์—†์ด๋ฐฉ๋ฌธ์ดํฌ๊ฒŒ์ฆ๊ฐ€ํ•˜๊ณ ์žˆ๋Š”์ƒํƒœ์ด๋‹ค.

FALLING IN WATER, FALLING IN BUKCHON, KOREABUKCHON IS NO LONGER THE PLACE FORANYONE LOOKING FOR THE OLD TIMES. NOW IS TOURIST ATTRACTION!!

YOON, HONG DOO

MODEL

Page 177: University of Seoul, Architectural Review 2010

YOON, HONG DOO 357

Page 178: University of Seoul, Architectural Review 2010

SUN, JIN WOO 359

์„ ์ง„์šฐ

๋ถ์ดŒ์—๋Š”์ž‘๊ณ ์˜ค ์กฐ ํ•œ์กฐ์ง๋“ค์ด๋ชจ์—ฌ์žˆ๋‹ค.๊ทธ๋Ÿฌํ•œ๊ณณ์—๋Š”ํ•˜๋‚˜์˜๊ฑฐ๋Œ€ํ•œ๊ฑด๋ฌผ๋Œ€์‹ ์—์ž‘์€์กฐ์ง๋“ค์ด๊ฒน์ณ์ ธํ•˜๋‚˜๋ฅผ์ด๋ฃจ๋Š”๊ฑด๋ฌผ์ด์žˆ์–ด์•ผํ•œ๋‹ค๊ณ ์ƒ๊ฐํ•œ๋‹ค.

CLOUDMultipurpose building์–ด๋ฆฐ์ด์ง‘/ ๊ฒŒ์ŠคํŠธํ•˜์šฐ์Šค/ ๋„์˜ˆ๊ฐ€์˜์ž‘์—…์‹ค

SUN, JIN WOO

๋‹จ๋ฉด์Šค์ผ€์น˜

๋ถ์ดŒ์€์ž‘์€๋„์‹œ์กฐ์ง๋“ค์ด์„ž์—ฌ์žˆ๋Š”๊ณณ์ด๋‹ค. ๊ทธ๋Ÿฌํ•œ๊ณณ์—๊ทธ๋“ค๋ณด๋‹คํฐ๊ทœ๋ชจ์˜๊ฑด๋ฌผ์ด๊ฐ‘์ž๊ธฐ๋“ค์–ด์„œ๋Š”๊ฒƒ์€์–ด์ƒ‰ํ•˜๊ณ ๋ถ€์ ์ ˆํ•˜์ง€์•Š์„๊นŒ. ๊ทธ๋ž˜์„œ์ด๊ฑด๋ฌผ๋„๋งˆ์ฐฌ๊ฐ€์ง€๋กœ์ž‘์€์กฐ์ง๋“ค์ด์—ฎ์—ฌ์žˆ๋Š”๋ชจ์Šต์„๋„๊ฒŒํ•˜๊ณ ์žํ•˜ ๋‹ค.

concept diagram

์ •๋ฐฉํ˜•์˜๋‹จ์œ„์œ ๋‹›์ƒ์ž๋“ค์ด๋ชจ์—ฌ์–ด๋ฆฐ์ด์ง‘, ๊ฒŒ์ŠคํŠธํ•˜์šฐ์Šค,์ž‘์—…์‹ค์ด๋ผ๋Š”์„ธ๊ฐ€์ง€ํ”„๋กœ๊ทธ๋žจ์—๋”ฐ๋ผ๊ฐ๊ฐ์˜๊ธฐ๋Šฅ์—๋งž์ถฐ์ ์ ˆํ•˜๊ฒŒ๋ฐฐ์—ด๋˜๊ณ ์—ฐ๊ฒฐ๋˜๋Š”๋ฐฉ์‹์„์ทจํ•œ๋‹ค.

๋ถ์ดŒ์˜์•ˆ๊ณผ๋ฐ–์˜๊ด€๊ณ„์™€๊ทธ๋Œ€์‘

S P A C E

S P A C E

๊ฑด๋ฌผ์€๋•…๊ณผ์–ด๋Š์ •๋„๊ฐ„๊ฒฉ์„๋‘๊ณ ๋– ์˜ค๋ฅธ๋‹ค. ๊ทธ๋Ÿผ์œผ๋กœ์ธํ•ด์•„๋ž˜๊ณต๊ฐ„์€์™ธ๋ถ€์˜์—ฐ์žฅ์„ ์ƒ์˜๊ณต๊ฐ„์ด๋˜๊ณ ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ๋™์„ ์˜์—ฐ์žฅ์ด์ด๋ฃจ์–ด์ง„๋‹ค.๋˜ํ•œ์ƒ๋ถ€๋Š”์ฃผ๋ณ€์—๋†“์ธ์ž‘์€๋ถ์ดŒ์˜์กฐ์ง๋“ค์˜๋ชจ์Šต์„๋ฐ˜ ํ•˜์—ฌ์ž‘์„์ƒ์ž๋“ค์ด์˜ฌ๋ผ์™€๊ธฐ๋Šฅ์„์ถฉ์กฑํ•˜๋Š”๋ชจ์Šต์„๋„๊ณ ์žˆ๋‹ค.

๊ณต๊ฐ„

์‚ฌ์ด๊ณต๊ฐ„ ์–ด๋ฆฐ์ด์ง‘

๋„์˜ˆ๊ฐ€์˜์ž‘์—…์‹ค ์˜ฅ์ƒ๊ณต๊ฐ„

๋‹จ๋ฉด๋„๊ฐ€-๊ฐ€โ€™

Page 179: University of Seoul, Architectural Review 2010

SUN, JIN WOO 361

์ตœ์ข…๋ชจํ˜•

Page 180: University of Seoul, Architectural Review 2010

KIM, HAE NA 363

๊น€ํ•ด๋‚˜

๋ถ์ดŒ์ด๋ถ์ดŒ๋‹ต๊ธฐ์œ„ํ•ด์„œ๋Š”๋ถ์ดŒ์˜๊ณต๋™์ฒด๊ฐ€ํ™œ์„ฑํ™”๋˜์–ด์•ผํ•œ๋‹ค.

๋ถ์ดŒ์˜ํŠน๋ณ„ํ•œ์ผ์ƒ๊ฑด์ถ•interaction_

KIM, HAE NA

PROLOGUE

๋ถ์ดŒ, ๋ถ์ดŒ๋‹ค์šด๊ฒƒ.. ๋ถ์ดŒ์˜์‚ฌ๋žŒ๋“ค....๋ถ์ดŒ์„โ€œ๋ณด๋‹คโ€

๋ถ์ดŒ์ด๋ถ์ดŒ๋‹ต๊ธฐ์œ„ํ•ด์„œ๋Š”๋ถ์ดŒ์˜๊ณต๋™์ฒด๊ฐ€ํ™œ์„ฑํ™”๋˜์–ด์žˆ์–ด์•ผํ•œ๋‹ค.

์–ด๋ฆฐ์ด๊ฐ€๋›ฐ์–ด๋…ธ๋Š”๊ฑด๋ฌผ.๊ทธ๊ณณ์œผ๋กœ๋ถ์ดŒ์˜๊ฐ€์กฑ๋“ค์ด๋ชจ์ด๊ณ , ๊ณต๋™์ฒด๊ฐ€ํ˜•์„ฑ๋œ๋‹ค.

์ด์šฉ์ž๋“ค์€๋‚ด๋ถ€์—์„œ์„œ๋กœ๋ฅผ๋ณด๊ณ , ๋ณด์—ฌ์ง€๋ฉฐ์†Œํ†ตํ•œ๋‹ค.

๊ทธ๋ฆฌ๊ณ , ๋ถ์ดŒ์„์ฐพ์€๋ฐฉ๋ฌธ์ž๋“ค์€ํ™œ๋ฐœํžˆ์›€์ง์—ฌ์ง€๊ณ ์žˆ๋Š”๋ถ์ดŒ์˜๊ณต๋™์ฒด๋ฅผ๋ณธ๋‹ค..

Page 181: University of Seoul, Architectural Review 2010

KIM, HAE NA 365

MODEL

Page 182: University of Seoul, Architectural Review 2010

2-1

ARCHITECTURAL DESIGN STUDIOARCHITECTURAL REVIEW 2010

Page 183: University of Seoul, Architectural Review 2010

YOUN, SO HEE 369

์œค์†Œํฌ

Art meet in streets๊ทน์žฅ๊ณผ๊ฐค๋Ÿฌ๋ฆฌ, ๊ทธ๋ฆฌ๊ณ ์ฃผํƒ์œผ๋กœ ์ง‘๋˜์–ด์žˆ๋Š”์‚ฌ์ดํŠธ์—๋น„์›Œ๋ƒ„์„ํ†ตํ•ด๊ธธ์„๋งŒ๋“ ๋‹ค. ์ด๊ธธ์€๋ฒฝ์œผ๋กœ์„œํ‘œํ˜„๋˜๋ฉฐ๋ฒฝ์€๋˜๋‹ค์‹œ๊ฐค๋Ÿฌ๋ฆฌ๋ฅผ๊ตฌ์„ฑํ•˜๋Š”๋ฒฝ์ด๋œ๋‹ค.

๋ฒฝ์ด๋งŒ๋“ค์–ด๋‚ธ๊ฐค๋Ÿฌ๋ฆฌ, ๊ธธ์ด๋งŒ๋“ค์–ด๋‚ธ๊ฐค๋Ÿฌ๋ฆฌ, walk gallery

walk gallery ์•ˆ์—๋Š”๋ฒฝ์ด๋งŒ๋“ค์–ด๋‚ด๋Š”๋‹ค์–‘ํ•œ๊ณต๊ฐ„์ด์กด์žฌํ•˜๋ฉฐ๋น„์›Œ์ ธ์žˆ๋Š”๊ณต๊ฐ„๋“ค์„ํ†ตํ•ด๋‹ค์–‘ํ•œํ™œ๋™์ด์ด๋ฃจ์–ด์ง„๋‹ค.

SMALL GALLERYWALK GALLERY

YOUN, SO HEE

STUDY MODELStudy 1 : 50%

Study 2 : outside?

Study 3 : outside-walk!

Study

4 : in

side?

Study

5 : in

side-R

oad!

Page 184: University of Seoul, Architectural Review 2010

KIM, TAE HWAN 371

๊น€ํƒœํ™˜

SMALL GALLERYCOMPARTMENT

KIM, TAE HWAN

STUDY PROCESS

VEIW

์ „์ธก์ž…๋ฉด๋„

์ ‘๊ทผ 1

์ ‘๊ทผ 2 ์ ‘๊ทผ 3

ํšก๋‹จ๋ฉด๋„

์šฐ์ธก์ž…๋ฉด๋„

์ข…๋‹จ๋ฉด๋„

Page 185: University of Seoul, Architectural Review 2010

HONG, SANG WON 373

ํ™์ƒ์›

SMALL GALLERYBetween Areas

HONG, SANG WONSECTION.

Filter.

Program.

Nature.

to comm.

for people.

for resident.

Page 186: University of Seoul, Architectural Review 2010

YOON, HWI CHI 375

์œคํœ˜์ทจ

SMALL GALLERYA PLACE FOR REFRESHMENT

YOON, HWI CHI

์ด๊ณณ์€์ƒ์—…์ง€์—ญ๊ณผ์ฃผ๊ฑฐ์ง€์—ญ์˜๊ฒฝ๊ณ„์—์œ„์น˜ํ•œ๊ณณ์œผ๋กœ๋‘์ง€์—ญ์‚ฌ์ด์˜๋งŒ๋‚จ์˜์žฅ์†Œ๋กœ์จ๊ด‘์žฅ์˜์—ญํ• ์„ํ•˜๋Š”๊ฐค๋Ÿฌ๋ฆฌ๋ฅผ๋งŒ๋“ค๊ณ ์žํ•˜ ๋‹ค. ๋˜ํ•œ์ฃผ๊ฑฐ์ง€์—ญ์—์‚ฌ๋Š”์‚ฌ๋žŒ๋“ค์„์œ„ํ•œ๋…น์ง€๊ณต๊ฐ„์ด๋ถ€์กฑํ•จ์„์•Œ๊ณ ์ด๋“ค์„์œ„ํ•œ๊ณต์›์œผ๋กœ์จ์˜๊ฐค๋Ÿฌ๋ฆฌ๋ฅผ๋งŒ๋“ค๊ณ ์‹ถ์—ˆ๋‹ค. ๋”ฐ๋ผ์„œ๊ฒฝ์‚ฌ์ง„๋Œ€์ง€๋ฅผ์ด์šฉํ•˜๋ฉด์„œ๊ณต์›๊ณผ๊ด‘์žฅ์˜๋Š๋‚Œ์„์ฃผ๊ธฐ์œ„ํ•ด์ˆ˜์ง์ ๋†’์ด๋ฅผ๊ฐ์†Œ์‹œํ‚ค๋Š”๋ฐฉ๋ฒ•์œผ๋กœ์ง€ํ•˜๋ ˆ๋ฒจ์„๋ฉ”์ธ์ธต์œผ๋กœ์‚ฌ์šฉํ•จ์œผ๋กœ์จ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ๋™์„ ์ด๋‚ด๋ถ€์—์„œ์™ธ๋ถ€๋ฐํฌ๋กœ์ด์–ด์ง€๋„๋กํ•˜ ๋‹ค.

๋˜ํ•œ์ ‘๊ทผ์„ฑ์ด๋‚ฎ์€๊ณณ์—์œ„์น˜ํ•ด์žˆ๊ธฐ๋•Œ๋ฌธ์—์ž…๊ตฌ๋ฅผํ•˜๋‚˜์˜๊ณต์›์œผ๋กœ๋ณด๊ณ ๋„“๊ฒŒ์˜คํ”ˆ์‹œํ‚ด์œผ๋กœ์จ์ ‘๊ทผ์„ฑ์„๋†’์ด๊ณ ์žํ•˜ ๋‹ค.

START & FINISH<open>

HALL<middle open>

PARK & PLAZA

GALLERY

CAFE

<close>

START & FINISH<open>

Page 187: University of Seoul, Architectural Review 2010

GWAK, YE JIN 377

๊ณฝ์˜ˆ์ง„

SMALL GALLERYwalk in the woods

GWAK, YE JIN

STUDY

MODEL

Page 188: University of Seoul, Architectural Review 2010

AHN, HONG SEOB 379

์•ˆํ™์„ญ

SMALL GALLERYFOR KINETIC ART

AHN, HONG SEOBSITE AREA

buildingarea

exterior exhibition

ground level

b1 level

pathways

green

gallery

penetrate through the site

Page 189: University of Seoul, Architectural Review 2010

LIM, HWA RYONE 381

์ž„ํ™”๋ จ

SMALL GALLERYFOLK GUITAR GALLERY

LIM, HWA RYONE

๋Œ€์ง€์ „์ฒด๋ฅผ์ˆœํ™˜ํ•˜๋Š”์ „์‹œ๋ฃจํŠธ๋ฅผ๋งŒ๋“ค์–ด์ž์—ฐ์Šค๋Ÿฝ๊ฒŒํฐ์ค‘์ •์ด์ƒ๊ธฐ๋„๋กํ•˜ ๋‹ค.

์•ˆ๋‚ด์†Œ๋ฌด๋Œ€์‚ฌ๋ฌด์‹ค์ˆ˜์žฅ๊ณ -์‚ฌ๋ฌด๊ณต๊ฐ„์•ผ์™ธ๊ฐค๋Ÿฌ๋ฆฌ, ์นดํŽ˜, ํ™”์žฅ์‹ค, ๊ฐค๋Ÿฌ๋ฆฌ1, ๊ฐค๋Ÿฌ๋ฆฌ2, ์ฃผ์ฐจ์žฅ-์ „์‹œ & ํœด์‹๊ณต๊ฐ„์‚ฌ๋ฌด๊ณต๊ฐ„๊ณผ์ „์‹œ๊ณต๊ฐ„์„๋‹ค๋ฅธ๋‘๋งค์Šค๋กœ๋‘์–ด๊ด€๋žŒ๊ฐ์˜์ „์‹œํ๋ฆ„์ด๋ˆ๊ธฐ๊ฒŒํ•˜์ง€์•Š๋„๋กํ•˜๊ณ ์žํ•˜ ๋‹ค.

Page 190: University of Seoul, Architectural Review 2010

YOUN, SO HEE 383

์œค์†Œํฌ

Between outside and inside

WORK IN THE SITEPOCKET STUDIO

YOUN, SO HEE

0. DIAGRAM1. Work-Animator

+Teacher

๊ฐœ์ธstudio + ์‘์ ‘์‹ค

ํ•™์ƒstudio

๊ฐ•์˜์‹ค+ ์ƒ์‹ค

3. Concept-pocket

2. Program

Page 191: University of Seoul, Architectural Review 2010

KIM, JUNG TAE 385

๊น€์ •ํƒœ

Bookstore

WORK IN THE SITESHOW YOUR TRACE

KIM, JUNG TAE

CONCEPT DESIGN PROCESS

Page 192: University of Seoul, Architectural Review 2010

์ด๊ฒฝํ˜ธ

WORK IN THE SITE์ผํƒˆ

LEE, KYEONG HO

์ฃผ๋ณ€๋Œ€์ง€๋ฅผ๋”ฐ๋ผ๊ฐ€๋Š”์™ธํ˜•

๋Œ€์ง€์˜๊ฒฝ์‚ฌ๋ฅผ๊ฑด๋ฌผ๋‚ด๋ถ€์—์„œ๋Š๋ผ๊ฒŒํ•จ

CONCEPT์ƒํ™œ์†์—์„œ๋Š๋ผ๋Š”์˜ˆ์ˆ , ์˜ˆ์ˆ ์„ํ†ตํ•œ์ผํƒˆ

LEE, KYEONG HO 387

Page 193: University of Seoul, Architectural Review 2010

HONG, SANG WON 389

ํ™์ƒ์›

WORK IN THE SITEDesign Center

HONG, SANG WON

DESIGN CENTER Gallery Studio

FLEXIBLE WALL

Studio Studio

Page 194: University of Seoul, Architectural Review 2010

LEE, HYUN SUK 391

์ดํ˜„์ˆ™

๋„์ž๊ธฐ๊ณต๋ฐฉ

WORK IN THE SITETO PAST

LEE, HYUN SUK

PROCESS

Comfortโ€˜ใ„ทโ€™Arrangement Courtyard

Past

Present

PROGRAM

Page 195: University of Seoul, Architectural Review 2010

PARK, SANG HEE 393

๋ฐ•์ƒํฌ

WORK IN THE SITEArt Therapistโ€™s building

PARK, SANG HEE

PROGRAM

๊ฐ๊ณต๊ฐ„์„์™ธ๋ถ€๊ณต๊ฐ„๊ณผ์—ฐ๊ณ„ํ•˜์—ฌ์‹ฌ๋ฆฌ์ ์•ˆ์ •์„์ทจํ• ์ˆ˜์žˆ๊ฒŒํ•œ๋‹ค.

๊ฐœ์ธ์˜๊ณต๊ฐ„๊ณผ๊ณต์ ์ธ๊ณต๊ฐ„์„๋‹จ๋ฉด์ ๋ถ„๋ฆฌ1์ธต์€๊ธฐ๋‹ค๋ฆฌ๋Š”๊ณต๊ฐ„2์ธต์€์น˜๋ฃŒ๋ชฉ์ ์˜์ •์ ์ธ๊ณต๊ฐ„3์ธต์€๊ฐœ์ธ์˜์ฃผ๊ฑฐ๊ณต๊ฐ„

์ž์—ฐ์ ์š”์†Œ์™€์˜๊ฒฐํ•ฉ

๋‹จ๋ฉด์ ์ธ๋‚˜๋‰จ

์ •์ ์ธ๊ณต๊ฐ„

์ •์ ์ธ๊ณต๊ฐ„

๋™์ ์ธ๊ณต๊ฐ„

Private

Public

Public

์•ผ์™ธ์ •์›๊ณผํ…Œ๋ผ์Šค๋ทฐ

MODEL

Page 196: University of Seoul, Architectural Review 2010

KO, KWANG YOUNG 395

๊ณ ๊ด‘

WORK IN THE SITECOMPOSERโ€™S HOUSE

KO, KWANG YOUNG

PROCESS

์„ฌ์€๋ฌผ๋กœ๋‘˜๋Ÿฌ์‹ธ์ธ์œก์ง€์ด๋‹ค.๊ทธ๋ž˜์„œ์„ฌ์€์ ‘๊ทผ์ด์ œํ•œ๋˜๋Š”๊ณณ์ด๋ฉฐ๋…๋ฆฝ์ ์ธ๊ณต๊ฐ„์ด๋‹ค.์‚ฌ๋ฌด+์ฃผ๊ฑฐ๋ผ๋Š”ํ”„๋กœ๊ทธ๋žจ์•ˆ์—์„œ์„ธ์†๊ณผ๋Š”๋–จ์–ด์ง„๋งˆ์น˜์„ฌ๊ณผ๊ฐ™์€๊ณต๊ฐ„์„๋งŒ๋“ค๊ณ ์žํ•˜ ๋‹ค.

VIEW

Page 197: University of Seoul, Architectural Review 2010

AHN, HONG SEOB 397

์•ˆํ™์„ญ

WORK IN THE SITEstudio for the kinetic artist

AHN, HONG SEOB

1. east elevation2. south elevation

1 2

AWNING WINDOW EXTERIOR PLAN

slightly rotatedalong the pathw

ay

Page 198: University of Seoul, Architectural Review 2010

YU, JI HYUN 399

์œ ์ง€ํ˜„

WORK IN THE SITE3D ANIMATOR

YU, JI HYUNFINAL MODEL

์™ธ๋ถ€ ์—๋‹ˆ๋ฉ”์ดํ„ฐ๊ด€์ฐฐ ์™ธ๋ถ€

ART COMPUTER

REST

์—๋‹ˆ๋ฉ”์ดํ„ฐ์ƒ

Page 199: University of Seoul, Architectural Review 2010

1-1

ARCHITECTURAL DESIGN STUDIOARCHITECTURAL REVIEW 2010

Page 200: University of Seoul, Architectural Review 2010

CHOL, KYUNG IL 403

์ตœ๊ฒฝ์ผ

OBSERVATION AND DESCRIPTIONROCK AND CAT

CHOL, KYUNG IL

Observation and Description of Rock Observation and Description of Cat

Page 201: University of Seoul, Architectural Review 2010

CHOI, HYUN JIN 405

์ตœํ˜„์ง„

OBSERVATION AND DESCRIPTION์ถ”์ƒ์ ํ‘œํ˜„

CHOI, HYUN JIN

Page 202: University of Seoul, Architectural Review 2010

LEE, SUE JIN 407

์ด์ˆ˜์ง„

OBSERVATION AND DESCRIPTION์ถ”์ƒ์ ํ‘œํ˜„

LEE, SUE JIN

Page 203: University of Seoul, Architectural Review 2010

KANG, SOL BI 409

๊ฐ•์†”๋น„

OBSERVATION AND DESCRIPTION

KANG, SOL BI

1. ๊ฐ๊ด€์ ์ •๋ณด์˜ํ‘œํ˜„์‚ฌ๋ฌผ์ด๋†“์ธ์œ„์น˜๋ฐ๋น›์˜์กฐ๊ฑด์—๋”ฐ๋ผ๋‹ค๋ฅด๊ฒŒ๋ณด์ด๋Š”๊ฒƒ์„์ž…์ฒด์ ์œผ๋กœํ‘œํ˜„ํ•˜๊ธฐ

2. ์ถ”์ƒํ™”ํ•˜์—ฌํ‘œํŽธ์‚ฌ๋ฌผ์„๊ธฐํ•˜ํ•™์ ์œผ๋กœ๋ถ„ํ•ดํ•˜๊ณ ์ถ”์ƒํ™”ํ•˜์—ฌํ‘œํ˜„ํ•˜๊ธฐ

3. ๋ฌผ์„ฑ์˜ํ‘œํ˜„/๋‹ค์–‘ํ•œ์žฌ๋ฃŒ์˜์‚ฌ์šฉ์‚ฌ๋ฌผ์˜๋ฌผ์„ฑ์—๋”ฐ๋ผ์ ํ•ฉํ•œ์žฌ๋ฃŒ๋ฅผ์‚ฌ์šฉํ•˜์—ฌ๊ทธ๋ฆฌ๊ธฐ

Page 204: University of Seoul, Architectural Review 2010

SEO, HYUN MIN 411

์„œํ˜„๋ฏผ

JOINT

์—ฐ๊ฒฐ์—๋Š” Connection, Link, Joint ๋“ฑ์—ฌ๋Ÿฌ์ข…๋ฅ˜๊ฐ€์žˆ๋‹ค.์ด๋ฒˆ๊ณผ์ œ์—์„œ๋Š”์—ฌ๋Ÿฌ๊ฐœ์˜์ง์‚ฌ๊ฐํ˜•๊ด€์„์‚ผ๊ฐํ˜•์˜๊ด€์ ˆํ˜น์€์ง์ ‘์—ฐ๊ฒฐ์ง“๋Š”ํ˜•ํƒœ, ์ฆ‰ Joint๋ฅผ๋‚˜ํƒ€๋‚ด์–ด๋ณด์•˜๋‹ค.๊ทธ๋ฆฌ๊ณ ์ด์—ฐ๊ฒฐ๋œํ•œ Set๋ฅผ๋‹ค๋ฅธ Set๊ฐ€๊ฐ์‹ธ์„œ๋งˆ์น˜์ƒˆ๋กœ์šดํ•˜๋‚˜์˜์ง‘ํ•ฉ์ฒด๊ฐ€๋˜๋„๋ก๋ชจํ˜•์„์ œ์ž‘ํ–ˆ๋‹ค.์ด๋•Œ์ง์ ‘๋งž๋‹ฟ์ง€๋Š”์•Š์ง€๋งŒํ•œ์ง‘ํ•ฉ์ฒด๋กœ๋ณด์ผ์ˆ˜์žˆ๊ฒŒํ•ด์ฃผ๋Š”๊ฐ€์ƒ์˜์—ฐ๊ฒฐ๋„ํ‘œํ˜„ํ•ด๋ณด์•˜๋‹ค.

FROM 2D TO 3D

SEO, HYUN MIN

OPEN LIBRARY

1st Floor Plan 2nd Floor Plan Section + Perspective Axonometric

Page 205: University of Seoul, Architectural Review 2010

JOO, YEONG CHAN 413

์ฃผ ์ฐฌ

FLOATED CASTLE

Unrealistic Mass

Tension

Balance Light

FROM 2D TO 3D

JOO, YEONG CHAN

2D์˜๊ทธ๋ฆผ์„ 15cm์—์„œ์ž๋ฅธํ‰๋ฉด๋„๋ผ๊ฐ€์ •ํ•˜๊ณ  3D์˜์ž…์ฒด๋กœ๋ฐ”๊พธ๋Š”์ž‘์—…์ด์—ˆ๋‹ค.๊ทธ๋ฆผ์„์‹ค์ œํ‰๋ฉด๋„๋ผ๊ฐ€์ •ํ•˜๊ณ ๊ทธ๋ฆผ์˜๊ฐ๋ถ€๋ถ„์˜๋ฐ๊ณ ์–ด๋‘ก๊ณ ์˜์ฐจ์ด๋ฅผ์‹ค์ œ๋น›์˜์„ธ๊ธฐ๋กœํ‘œํ˜„ํ•˜๋Š”๊ฒƒ์„๋ชฉ์ ์œผ๋กœํ–ˆ๋‹ค.

ELEMENTARY DESIGN 2ND WORK 2D -> 3D

FLOOR PLAN A FRONT VIEW (SECTION)

Page 206: University of Seoul, Architectural Review 2010

CHO, A RAN 415

์กฐ์•„๋ž€

FROM 2D TO 3DBUTTERFLY

CHO, A RAN

MOTIVE CONCEPT MODEL

MODEL IMAGE

STUDY MODEL

์ฃผ์–ด์ง„์‚ฌ๊ฐํ˜•์„ํ‰๋ฉด๋„๋กœ์ „์ œํ•˜๋Š”๊ณผ์ œ์—์„œโ€˜๋‚˜๋น„โ€™๋ผ๋Š”์ปจ์…‰์„๊ฐ€์ง€๊ณ  ํ’€์–ด๋‚˜๊ฐ€๊ธฐ๋กœํ–ˆ๋‹ค.์‚ฌ๊ฐํ˜•ํ‰๋ฉด๊ณผ๋‚˜๋น„๋ชจ์–‘์ธก๋ฉด์˜๊ต์ฐจ๊ณต๊ฐ„์„์ฐพ์Œ์œผ๋กœ์จ์ „์ฒด์ ์œผ๋กœ๋‚˜๋น„์˜ํ˜•ํƒœ๋ฅผ๋„๋„๋ก๊ณ ๋ คํ•˜ ๋‹ค.

Page 207: University of Seoul, Architectural Review 2010

๊ฐ•์†”๋น„

FROM 2D TO 3D

KANG, SOL BI

SKTECHES

Elevation

KANG, SOL BI 417

3D MODELLING

Page 208: University of Seoul, Architectural Review 2010

CHOI, JUN HO 419

์ตœ์ค€ํ˜ธ

FROM 2D TO 3DTrack

CHOI, JUN HO

์ „์ฒด์ ์ธ์œค๊ณฝ์„ ์€๊ณก์„ ์„์ด์šฉํ•˜ ๋‹ค. ๋˜ํ•œ์žฌ๋ฃŒ๋ฅผ์‚ฌ์šฉํ•จ์—์žˆ์–ด๊ณจํŒ์ง€๋ฅผ์‚ฌ์šฉํ•˜์—ฌํ‘œ๋ฉด์กฐ์ฐจ๋„๊ณก์„ ์œผ๋กœํ‘œํ˜„ํ•˜ ๋‹ค. ํ•œํŽธ์ด๊ณต๊ฐ„์€์‚ฌ๋žŒ์ด์ฒดํ—˜ํ• ์ˆ˜์žˆ๋Š”๊ณต๊ฐ„์œผ๋กœ์„œ๊ธธ์„ํ‘œํ˜„ํ•จ๊ณผ๋™์‹œ์—์œ„๊ทธ๋ฆผ์˜๋‹จ๋ฉด๋„๋ชจ์–‘์˜์ผ๋ถ€๋ฅผ๋”ฐ๋ผ๊ธธ์ฒ˜๋Ÿผ๊ตฌ์„ฑํ•˜ ๋‹ค.

๊ณก์„ ์„๊ตฌ์„ฑํ• ๋•Œ๋„์ˆ˜์ง์ ์ธ๋Š๋‚Œ์˜๊ณก์„ ์ด์ง€์†๋˜๋‹ค๊ฐ€์–ด๋Š์ˆœ๊ฐ„์ˆ˜ํ‰์ ์ธ๋Š๋‚Œ์˜๊ณก์„ ๊ณผ์˜์—ฐ๊ณ„๋กœ์ข€๋”๋‹ค์–‘ํ•œ๋Š๋‚Œ์„๋‚˜ํƒ€๋‚ด๊ณ ์žํ•˜ ๋‹ค.

Page 209: University of Seoul, Architectural Review 2010

SEO, HYUN MIN 421

์„œํ˜„๋ฏผ

OPEN LIBRARY

์นœ๊ตฌ์™€์˜์•ฝ์†์ด์žˆ๋Š”ํ•œ์‚ฌ๋žŒ์ด๋„์„œ๊ด€์˜๋กœ๋น„์—์„œ๋ฒฝ์—๊ธฐ๋Œ„์ฑ„์นœ๊ตฌ๋ฅผ๊ธฐ๋‹ค๋ฆฐ๋‹ค.๋ณต๋„๋ฐ˜๋Œ€ํŽธ๋์—์„œ์นœ๊ตฌ๊ฐ€์†์„ํ”๋“œ๋Š”๋ชจ์Šต์ด๋ณด์—ฌ์นœ๊ตฌ๊ฐ€์žˆ๋Š”์ชฝ์œผ๋กœ๋‹ค๊ฐ€๊ฐ„๋‹ค.์นœ๊ตฌ์™€ํ•จ๊ป˜์„œ๊ณ ๋ฅผ๋Œ์•„๋‹ค๋‹ˆ๋ฉฐ์ฑ…์„๊ณ ๋ฅธ๋‹ค.์—ด๋žŒ์‹ค์—์„œ์ฑ…์„์ฝ๊ณ ์•ผ์™ธ๋ฐํฌ๋กœ๋‚˜๊ฐ€์นœ๊ตฌ์™€์ด์•ผ๊ธฐ๋ฅผ๋‚˜๋ˆˆ๋‹ค.

BODY & SCALE

SEO, HYUN MIN

SCHEME MODELโ€˜์œก๊ตโ€™

FINAL MODELโ€˜ํ•ต์‹ฌ๋ถ€๋ถ„์˜ํ™•์žฅโ€™

STUDY MODELโ€˜๊ณต๊ฐ„์˜์—ฐ๊ฒฐโ€™

FINAL MODELโ€˜2 setsโ†’1 setโ€™

3D

FRONT

From DOWNSIDE

JOINTMODEL

PROCESS

๋งจ ์ฒ˜์Œ ์Šคํ„ฐ๋”” ๋ชจ๋ธ์„ ๋งŒ๋“ค๋ฉด์„œ๋Š”๊ฐ ์‚ฌ๊ฐํ˜•์—์„œ ๋งŒ๋“ค์–ด์งˆ ์ˆ˜ ์žˆ๋Š” ์š”์†Œ๋“ค์„๋‹ค์–‘ํ•˜๊ฒŒ๋งŒ๋“ค์–ด๋ณด์•˜๋‹ค.์—ฌ๊ธฐ์„œ ์ฒ˜์Œ์˜ Concept์™€ ์ผ์น˜ํ•˜๋Š”ํ•œ ์š”์†Œ๋ฅผ ๊ณ ๋ฅด๊ณ  ๋‚˜๋จธ์ง€ ์š”์†Œ๋“ค์€ํฌ๊ธฐํ–ˆ๋‹ค.๊ทธ๋ฆฌ๊ณ  ์„ ํƒํ•œ ์š”์†Œ๋ฅผ ํ™•์žฅ์‹œ์ผœ ํ•˜๋‚˜์˜๊ณ ๋ฆฌ๋กœ๋ฐœ์ „์‹œ์ผฐ๋‹ค.๋˜ ๊ทธ ๊ณ ๋ฆฌ์™€ ์ „์ฒด์ ์ธ ํ‹€์€ ๊ฐ™์œผ๋ฉด์„œ๋„ ์„ธ๋ถ€์ ์ธ ์„ฑ๊ฒฉ์ด ๋‹ค๋ฅธ ๋˜๋‹ค๋ฅธ์š”์†Œ๋ฅผ๋งŒ๋“ค์–ด๊ฒฐํ•ฉ์‹œ์ผฐ๋‹ค.

Page 210: University of Seoul, Architectural Review 2010

MIN, BYEONG MUN 423

๋ฏผ๋ณ‘๋ฌธ

BODY & SCALEJoint with Slab

MIN, BYEONG MUN

์ผ๋ฐ˜์ ์œผ๋กœ์ƒ๊ฐํ• ์ˆ˜์žˆ๋Š”๋ฒฝ๊ณผ์˜๊ฑฐ๋ฆฌ๋‚˜๋‚œ๊ฐ„์˜๋†’์ด, ์ฐฝํ‹€์˜๋†’์ด๊ฐ™์€๋‹จ์ˆœํ•œ์ฒ™๋„์—์„œ๋ฒ—์–ด๋‚˜์Šฌ๋ผ๋ธŒ์™€์Šฌ๋ผ๋ธŒ์˜๋ ˆ๋ฒจ์ฐจ์—์˜ํ•œ๊ณต๊ฐ„๊ตฌ์„ฑ๋“ฑ์„์ƒ๊ฐํ•ด๋ณด์•˜๋‹ค.

Page 211: University of Seoul, Architectural Review 2010

LEE, TAE LIM 425

์ดํƒœ๋ฆผ

BODY & SCALE

LEE, TAE LIM ์•…์†Œ๋…ธ๋ฉ”ํŠธ๋ฆฟ

๋‹จ๋ฉด๋„

ํ‰๋ฉด๋„

๋‚ด๋ถ€ Scatch3๊ฐ€์ง€ํ–‰๋™์„ํ•œ๊ณต๊ฐ„์œผ๋กœ - ์ฒญ๋‹ด๋™์—์žˆ๋Š”๋ถ€ํ‹ฐํฌ๋ฅผ๋ชจํ‹ฐ๋ธŒ๋กœํ–ˆ์Œ

์˜ท์ž…๊ธฐ+๋ชจ๋ธ๋˜๊ธฐ+์˜ท๊ตฌ๊ฒฝํ•˜๊ธฐ

Page 212: University of Seoul, Architectural Review 2010

KIM, YOUNG HYUN 427

๊น€ ํ˜„

BODY & SCALE๊ธธ๊ทธ๋ฆฌ๊ณ ๋งŒ๋‚จ

KIM, YOUNG HYUN

๊ธธ๊ทธ๋ฆฌ๊ณ ๋งŒ๋‚จ์˜์ด์•ผ๊ธฐ..

์šฐ๋ฆฌ๋Š”๊ธธ์„๊ฑธ์–ด๊ฐ€๋ฉด์„œ์‚ฌ๋žŒ๋“ค๊ณผ๋งˆ์ฃผ์น˜๊ณ ์Šค์ณ๊ฐ„๋‹ค.๊ณต๊ฐ„๊ณผ์‚ฌ๋žŒ๊ณผ์˜๊ด€๊ณ„๋ฅผ์ƒ๊ฐํ•ด๋ณด๋Š”๊ณต๊ฐ„์„๋งŒ๋“ค๊ณ ์žํ•˜ ๋‹ค.

ํ‰๋ฉด๋„๋ฐํฌํ‰๋ฉด๋„

Page 213: University of Seoul, Architectural Review 2010

KIM, MIN KYU 429

๊น€๋ฏผ๊ทœ

BODY & SCALEmurder scene

KIM, MIN KYU

๊ฑด๋ฌผ๋‚ด๋ถ€์˜๊ณต๊ฐ„์„์œ„๊ณ„๋ ˆ๋ฒจ๋กœ์ฐจ๋ณ„ํ™”ํ•˜๋ฉด์„œ๊ฑด๋ฌผ์˜์ค‘์•™์—์›€ํ‘น๋“ค์–ด๊ฐ„๊ณต๊ฐ„์„๋งŒ๋“ค์—ˆ๋‹ค.์ด๊ณต๊ฐ„์€๋‹ค๋ฅธ๊ณณ๋“ค๋กœ๋ถ€ํ„ฐ๊ด€์ฐฐ์„๋ฐ›๋Š”๊ณต๊ฐ„์ด๋œ๋‹ค.

Page 214: University of Seoul, Architectural Review 2010

2010๋…„๋„๊ณต๋ชจ์ „์ˆ˜์ƒ์ž‘2010 COMPETITION PRIZE

ARCHITECTURAL REVIEW 2010

์ œ29ํšŒ๋Œ€ํ•œ๋ฏผ๊ตญ๊ฑด์ถ•๋Œ€์ „๋ฐ•๋™์ฒ , ๋ฐ•์€์ฃผ, ์ดํฌ์›, ์ •์€์ฃผ, ์ •์šฉ์ˆ˜์†๊ฒฝ๋ฏผ, ๋ฌธ์ธ์„, ์‹œ์˜๋ฏธ, ๊น€์œ ๋‚˜, ๊น€ํ˜•์ผ

๋Œ€ํ•œ๊ฑด์ถ•ํ•™ํšŒ2010 ํ•™์ƒ์ž‘ํ’ˆ์ „์œค๋ณ‘๋‹ด, ๊น€ํ•œ๊ฒฐ

์ œ7ํšŒ์ธ์ฒœํ•™์ƒ๊ณต๋ชจ์ „์ •๋ณ‘๊ทœ

2010 ํ•œ๊ตญ๊ฑด์ถ•๋ฌธํ™”๋Œ€์ƒ์‹ฌ์ฐฝ๊ฒฝ

์ œ2ํšŒํ‘ธ๋ฅด์ง€์˜ค๋””์ž์ธ๊ณต๋ชจ์ „์ •์šฉ์ˆ˜, ์„œ๊ฐ€

์ œ7ํšŒ๋„์ฝ”๋ชจ๋ชจ์ฝ”๋ฆฌ์•„๋””์ž์ธ๊ณต๋ชจ์ „๊น€ํ˜๊ทœ

์ œ13ํšŒ๊ฐ•๊ตฌ์กฐ๊ฑด์ถ•์„ค๊ณ„๊ณต๋ชจ์ „๊น€์žฌ๋ฒ”, ๋ฐฑ์ข…์—ฝ, ๊น€์œ ๋‚˜, ์˜ค๋ฏผํ˜„, ํ™ฉ์ง€์šฉ

2010 ๋ž˜๋ฏธ์•ˆ๋””์ž์ธํŽ˜์–ด๊น€ํ˜•์ผ, ์†๊ฒฝ๋ฏผ

Page 215: University of Seoul, Architectural Review 2010

2010 COMPETITION PRIZE 433

์ œ29ํšŒ๋Œ€ํ•œ๋ฏผ๊ตญ๊ฑด์ถ•๋Œ€์ „

๋Œ€์ƒ๋ฐ•๋™์ฒ  ํŠน์„ ์ดํฌ์› ์ž…์„ ์ •์šฉ์ˆ˜ ์ž…์„ ๋ฌธ์ธ์„ ์ž…์„ ๊น€์œ ๋‚˜ ์ž…์„ ๋ฐ•์€์ฃผ

Page 216: University of Seoul, Architectural Review 2010

2010 COMPETITION PRIZE 435

์ž…์„ ์ •์€์ฃผ ์ž…์„ ์†๊ฒฝ๋ฏผ ์ž…์„ ์‹œ์˜๋ฏธ ์ž…์„ ๊น€ํ˜•์ผ ์ตœ์šฐ์ˆ˜์ƒ์œค๋ณ‘๋‹ด ์šฐ์ˆ˜์ƒ๊น€ํ•œ๊ฒฐ

๋Œ€ํ•œ๊ฑด์ถ•ํ•™ํšŒ 2010 ํ•™์ƒ์ž‘ํ’ˆ์ „

Page 217: University of Seoul, Architectural Review 2010

2010 COMPETITION PRIZE 437

๋Œ€์ƒ์ •๋ณ‘๊ทœ ์šฐ์ˆ˜์ƒ์‹ฌ์ฐฝ๊ฒฝ ์šฐ์ˆ˜์ƒ์ •์šฉ์ˆ˜์„œ๊ฐ€ ์ž…์„ ๊น€ํ˜๊ทœ

์ œ7ํšŒ์ธ์ฒœํ•™์ƒ๊ณต๋ชจ์ „ 2010 ํ•œ๊ตญ๊ฑด์ถ•๋ฌธํ™”๋Œ€์ƒ ์ œ2ํšŒ 2010 ํ‘ธ๋ฅด์ง€์˜ค๋””์ž์ธ๊ณต๋ชจ์ „ ์ œ7ํšŒ๋„์ฝ”๋ชจ๋ชจ์ฝ”๋ฆฌ์•„๋””์ž์ธ๊ณต๋ชจ์ „

Page 218: University of Seoul, Architectural Review 2010

2010 COMPETITION PRIZE 439

์ œ13ํšŒ๊ฐ•๊ตฌ์กฐ๊ฑด์ถ•์„ค๊ณ„๊ณต๋ชจ์ „ 2010 ๋ž˜๋ฏธ์•ˆ๋””์ž์ธํŽ˜์–ด

๋™์ƒ๊น€์žฌ๋ฒ”๋ฐฑ์ข…์—ฝ ์ž…์„ ๊น€์œ ๋‚˜์˜ค๋ฏผํ˜„ํ™ฉ์ง€์šฉ ์ž…์„ ๊น€ํ˜•์ผ์†๊ฒฝ๋ฏผ

Page 219: University of Seoul, Architectural Review 2010

LEE, CHUNG KEEยทKIM, SO RAยทCHOE, SAN KIยทKOO, SEUNG HOI 441

ํ•œํ•™๊ธฐ๋™์•ˆ์˜์กธ์—…์„ค๊ณ„๊ฒฐ๊ณผ๋ฅผ์ฑ…์œผ๋กœ๋ฌถ์–ด๋‚ด๊ฒŒ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

์ด์ œ ํ•™์ƒ๋“ค์˜ ์ž‘์—…์„ ํ•œ๊ถŒ์˜ ์ฑ…์œผ๋กœ ๋งŒ๋“œ๋Š” ์ผ์€ ์ปดํ“จํ„ฐ์˜ ๋„์›€์„ ์–ป์–ด์„œ์ด๊ธด ํ•˜์ง€๋งŒ ์„ค๊ณ„๊ณผ์ œ ๋ณด๋‹คํ•œ๊ฒฐ ์‰ฌ์›Œ ๋ณด์ž…๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ณผ ๊ทธ๋ฆผ์œผ๋กœ ๋ณด์ด๋Š” ์ด๋ฏธ์ง€๋ฅผ ํ™•๋Œ€ํ•˜๋ฉด ๊ฒ‰์œผ๋กœ ๋“œ๋Ÿฌ๋‚˜์ง€ ์•Š์€ ํ•œํ•™๊ธฐ๋™์•ˆ์˜๋•€๊ณผ๋…ธ๋ ฅ๊ณผ์‹œ๊ฐ„๋“ค์ด๋…น์•„์žˆ๊ณ ์ ‘ํ˜€์ ธ(folding)์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€์ด์ฑ…์ด๊ทธ๋“ค์—๊ฒŒ๋‚˜์ €์—๊ฒŒ๋‚˜์—ญ์‹œ ๋ฟŒ๋“ฏํ•˜๊ฒŒ ๋‹ค๊ฐ€์˜ฌ ์ˆ˜๋ฐ–์— ์—†๋Š” ์ด์œ ์ด๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ ๋‚ด์šฉ์ด๋‚˜ ํ˜•์‹์ด ๋ถ€์กฑํ•˜๊ฒŒ ๋ณด์ผ์ง€๋ผ๋„ ๋Š˜๋ฐค์ƒˆ๊ณ  ๋งž์ดํ•˜๋Š” ์ˆ˜์—…์‹œ๊ฐ„์˜ ๋ถ€์‹œ์‹œํ•œ ๋ชจ์Šต๋“ค์„ ๋– ์˜ฌ๋ฆฌ๋ฉด ๊ทธ์ € ๊ทธ๋“ค๋งŒํผ์ด๋‚˜ ์˜ˆ์˜๊ณ  ์ž๋ž‘์Šค๋Ÿฌ์šด์กธ์—…์ž‘ํ’ˆ์ง‘์ž„์„ ๋ถ€์ธํ•˜์ง€ ๋ชปํ•˜๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค. ๋ˆˆ๋ณด๋ผ์น˜๋Š” 1์›”๋ถ€ํ„ฐ ํญ์—ผ์˜ ์—ฌ๋ฆ„๊นŒ์ง€ ๊ทธ๋“ค๊ณผ ํ•จ๊ป˜ ํ•œ ๋ชจ๋“ ๊ณผ์ •์—๊น€์†Œ๋ผ๊ต์ˆ˜๋‹˜, ์ตœ์ƒ๊ธฐ๊ต์ˆ˜๋‹˜, ๊ตฌ์ŠนํšŒ๊ต์ˆ˜๋‹˜์ด๋™ํ–‰ํ•˜๋ฉฐ์ˆ˜๊ณ ๋กœ์›€์„๋งˆ๋‹คํ•˜์ง€์•Š์œผ์…จ์Šต๋‹ˆ๋‹ค.

์ง€๋‚œ ๋ด„, ์บ ํผ์Šค์˜ ๋ง‘์€ ๋ฐ”๋žŒ๊ณผ ํŒŒ๋ฆ‡ํŒŒ๋ฆ‡ํ•œ ํ’€๋น›์ด ๋ชธ์„œ๋ฆฌ์น˜๋„๋ก ์˜ˆ๋ปค๋‹ค๋Š” ๊ฑธ ๊ทธ๋“ค์€ ๋ชฐ๋ž์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.์ถ•์ œ๋‹ค ์šด๋™์ด๋‹ค ํ•ด์„œ ์บ ํผ์Šค๊ฐ€ ๋– ๋‚˜๊ฐˆ ๋“ฏํ•ด๋„ ๋ชฉ์†Œ๋ฆฌ ํ•œ๋ฒˆ ํฌ๊ฒŒ ์ง€๋ฅด์ง€ ๋ชปํ–ˆ์„ ๊ทธ๋“ค ์ƒ๊ฐ์— ๋งˆ์Œ์ด์ €๋ ธ์Šต๋‹ˆ๋‹ค. ์„ค๊ณ„๊ฐ€๋ฌด์—‡์ด๊ด€๋Œ€.... ๊ทธ๋“ค์„์ด๋ฆฌ๋„ํž˜๋“ค๊ฒŒํ–ˆ์„๊นŒ?

4์›”์˜ ํ–‡์‚ด์ด ๋‚ด๋ฆฌ ์ฌ๋Š” ์บ ํผ์Šค ์ž”๋””๋ฐญ์—์„œ ๊ทธ๋“ค์˜ ์•ž๋‚ ์„ ๊บผ๋‚ด์–ด ๋ณด๊ธธ ํฌ๋งํ–ˆ์ง€๋งŒ ์‹œ๊ฐ„์— ์ซ“๊ธฐ๊ณ ๋งˆ์Œ์—์ซ“๊ธฐ์–ด์ž˜๋˜์ง€์•Š์•˜์Šต๋‹ˆ๋‹ค. ํ›„ํšŒ๊ฐ€๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

๋‚˜๋Š” ๊ทธ๋“ค์ด ๊ฐ€์ง€๋Š” ์•ž๋‚ ์— ๋Œ€ํ•œ ๋ง‰์—ฐํ•œ ๋ถˆ์•ˆ์„ ๋–จ์น˜๊ธฐ ์œ„ํ•ด ๋Š˜ ๊ฑธ์–ด ๊ฑธ์–ด ๊ฐ€๋ผ๊ณ  ๊ฐ•์š”๋งŒ ํ–ˆ์—ˆ์Šต๋‹ˆ๋‹ค.๋ชจ๋“  ์ผ์— ๊ฐ์‚ฌํ•ด ํ•  ๋•Œ๊นŒ์ง€.... ๋‚ด๊ฒŒ๋Š” ๋งŽ์€ ํ›„ํšŒ์™€ ์•„์‰ฌ์›€์„ ๋‚จ๊ธด ์ฑ„ ๊ทธ๋ ‡๊ฒŒ ๊ฑธ์–ด ๊ฑธ์–ด ๊ทธ๋“ค์ด ๋“œ๋””์–ด์„ธ์ƒ์œผ๋กœ๋‚˜๊ฐ€๊ฒŒ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

๊ทธ๋“ค์ด ๋ณด์ด์ง€๋„ ์•Š๋Š” ๋ง‰์—ฐํ•œ ๊ฟˆ๊ณผ ๋‘๋ ค์›€์„ ๋–จ์น˜๊ณ  ๋“œ๋„“์€ ์„ธ์ƒ์˜ ๊ฝƒ๋ฐญ์— ๋ˆ„์›Œ ํ–‡์‚ด์„ ๋ณด๋Š” ์ถ•๋ณต์ด์žˆ๊ธฐ๋ฅผํฌ๋งํ•ฉ๋‹ˆ๋‹ค.

์„ค.๊ณ„.์‹ค.์—.๋”ด.์‚ด.๋ฆผ.์„.์ฐจ.๋ฆฌ.๊ณ .๋ฐค.์ƒˆ.์› .๋˜.๊ทธ.๋“ค.์—.๊ฒŒ.๋œจ.๊ฑฐ.์šด.๋งˆ.์Œ.์œผ.๋กœ.์ด.๋…ธ.๋ž˜.๋ฅผ.๋ณด.๋ƒ….๋‹ˆ.๋‹ค.

ํ๋ฅด๋Š” ๊ฐ•๋ฌผ์„ ๊ฑฐ๊พธ๋กœ ๊ฑฐ์Šฌ๋Ÿฌ ์˜ค๋ฅด๋Š” ์—ฐ์–ด๋“ค์˜ ๋„๋ฌด์ง€ ์•Œ ์ˆ˜ ์—†๋Š” ๊ทธ๋“ค๋งŒ์˜ ์‹ ๋น„ํ•œ ์ด์œ ์ฒ˜๋Ÿผ ๊ทธ ์–ธ์ œ์„œ๋ถ€ํ„ฐ์ธ๊ฐ€๊ฑธ์–ด๊ฑธ์–ด์˜ค๋Š”์ด๊ธธ. ์•ž์œผ๋กœ์–ผ๋งˆ๋‚˜๋”๋งŽ์ด๊ฐ€์•ผ๋งŒํ•˜๋Š”์ง€.

์—ฌ๋Ÿฌ ๊ฐˆ๋žซ๊ธธ ์ค‘ ๋งŒ์•ฝ์— ์ด ๊ธธ์ด, ๋‚ด๊ฐ€ ๊ฑธ์–ด๊ฐ€๊ณ  ์žˆ๋Š”. ๋Œ์•„์„œ ๊ฐˆ ์ˆ˜๋ฐ–์— ์—†๋Š” ๊ผฌ๋ถ€๋ผ์ง„ ๊ธธ์ผ์ง€๋ผ๋„๋”ฑ๋”ฑํ•ด์ง€๋Š”๋ฐœ๋ฐ”๋‹ฅ๊ฑธ์–ด๊ฑธ์–ด๊ฐ€๋‹ค๋ณด๋ฉด์ €๋„“์€๊ฝƒ๋ฐญ์—๋ˆ„์›Œ์„œ๋‚˜์‰ด์ˆ˜์žˆ๊ฒ ์ง€.

์—ฌ๋Ÿฌ ๊ฐˆ๋žซ๊ธธ ์ค‘ ๋งŒ์•ฝ์— ์ด ๊ธธ์ด, ๋‚ด๊ฐ€ ๊ฑธ์–ด๊ฐ€๊ณ  ์žˆ๋Š”. ๋ง๋ง‰ํ•œ ์–ด๋‘ ์œผ๋กœ ๋ณ„ ๋น›์กฐ์ฐจ ์—†๋Š” ๊ธธ์ผ์ง€๋ผ๋„ ํฌ๊ธฐํ• ์ˆœ์—†๋Š”๊ฑฐ์•ผ. ๊ฑธ์–ด๊ฑธ์–ด๊ฐ€๋‹ค๋ณด๋ฉด๋œจ๊ฒ๊ฒŒ๋‚ ์œ„ํ•ด๋ถ€์„œ์ง„ํ–‡์‚ด์„๋ณด๊ฒ ์ง€.

๊ทธ ํ›„๋กœ๋Š” ๋‚˜์—๊ฒŒ ๋„ˆ๋ฌด๋‚˜๋„ ๋งŽ์€ ์ถ•๋ณต์ด๋ผ๋Š” ๊ฑธ ์•Œ์•„. ์ˆ˜์—†์ด ๋งŽ์€ ๊ฑธ์–ด ๊ฐ€์•ผํ•  ๋‚ด ์•ž๊ธธ์ด ์žˆ์ง€ ์•Š๋‚˜.๊ทธ๋ž˜๋‹ค์‹œ๊ฐ€๋‹ค๋ณด๋ฉด, ๊ฑธ์–ด๊ฑธ์–ด๊ฑธ์–ด๊ฐ€๋‹ค๋ณด๋ฉด์–ด๋Š๋‚ ๊ทธ๋ชจ๋“ ์ผ๋“ค์„๊ฐ์‚ฌํ•ดํ•˜๊ฒ ์ง€ .

๋ณด์ด์ง€๋„ ์•Š๋Š” ๊ฟˆ.... ์ง€์นœ ์–ด๊นจ ๋–จ๊ตฌ๊ณ  ํ•œ์ˆจ์ง“๋Š” ๊ทธ๋Œ€ ๋‘๋ ค์›Œ ๋ง์•„์š”. ๊ฑฐ๊พธ๋กœ ๊ฐ•์„ ๊ฑฐ์Šฌ๋Ÿฌ ์˜ค๋ฅด๋Š” ์ € ํž˜์ฐฌ์—ฐ์–ด๋“ค์ฒ˜๋Ÿผ๊ฑธ์–ด๊ฑธ์–ด๊ฐ€๋‹ค๋ณด๋ฉด ,๊ฑธ์–ด๊ฑธ์–ด๊ฐ€๋‹ค๋ณด๋ฉด. (๊ฐ•์‚ฐ์—)

๊ทธ๋“ค์˜ ์ˆœ์ˆ˜ํ•˜๊ณ  ํ•ด๋ง‘์€ ๊ฐ€๋Šฅ์„ฑ์˜ ๋ฏธ๋ž˜๋ฅผ ์ ‘ํ•˜๋ฉฐ ์‚ด ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์ด ํฐ ํ–‰๋ณต์ด์ž ํ–‰์šด์ž„์„ ๊ฐ์‚ฌํ•˜๊ฒŒ๋ฉ๋‹ˆ๋‹ค.

2010 ์กธ์—…์ž‘ํ’ˆ ์ฝ”๋””๋„ค์ดํ„ฐยท์ง€๋„๊ต์ˆ˜ ์ด์ถฉ๊ธฐ

2010 ์กธ์—…์ž‘ํ’ˆ ์ง€๋„๊ต์ˆ˜ ์ตœ์ƒ๊ธฐ

๊ฑด์ถ•์„ค๊ณ„ VII์€ ์ง€๊ธˆ๊นŒ์ง€ ๊ฑด์ถ•ํ•™ ๊ต๊ณผ๊ณผ์ •์—์„œ ์Šต๋“ํ•œ ์ „๋ฌธ ์ง€์‹๊ณผ ํ•™์ƒ ๊ฐœ์ธ์˜ ๊ด€์‹ฌ๋ถ„์•ผ๋ฅผ ์œตํ•ฉ์‹œ์ผœ์„œ ํ”„๋กœ์ ํŠธ์˜ ๊ตฌ์ƒ๋ถ€ํ„ฐ ์ตœ์ข… ํ”„๋ ˆ์  ํ…Œ์ด์…˜๊นŒ์ง€ ํ•™์ƒ์ด์ž์œจ์ ์œผ๋กœ์šด ํ•ด๋‚˜๊ฐ€๋Š”์„ค๊ณ„๊ณผ๋ชฉ์ด๋‹ค.

๊ฐœ์ธ๋ณ„๋กœ๋‹ค์–‘ํ•œ๋ฒ”์œ„์˜๊ด€์‹ฌ์‚ฌ์™€ํ•ด๊ฒฐ๋ฐฉ๋ฒ•์ด์ œ์‹œ๋˜์—ˆ์ง€๋งŒ, ๊ณตํ†ต๋œ์š”์†Œ๋ฅผ์ฐพ๋Š”๋‹ค๋ฉด๋„์‹œ์ปจํ…์ŠคํŠธ์˜๋ฐ˜ ๊ณผ๊ทธ๊ฒƒ์˜๊ฑด์ถ•์ ํ•ด๊ฒฐ์ด๋ผ๋Š”๋ฉด์ด๋‹ค.

๋„์‹œ๊ฐ€์ƒ์‚ฐํ•ด๋‚ด๋Š”๋‹ค์–‘ํ•œ์‚ฌํšŒ์ , ์ธ๋ฌธํ•™์ ๊ด€์‹ฌ์‚ฌ์™€, ๊ฑด์ถ•์ด๊ฐ–๊ณ ์žˆ๋Š”๋ฌผ๋ฆฌ์ , ๊ณต๊ฐ„์ ํ‘œํ˜„์ด๋ผ๋Š”๊ฐ„๊ทน์„ํ™”ํ•ด์‹œํ‚ค๊ณ ์†Œํ†ต์‹œํ‚ค๋Š”๋‹ค์–‘ํ•œ๋ฐฉ๋ฒ•๋ก ๋“ค์ด์ œ์‹œ๋˜์—ˆ๋‹ค.

ํ•™์ƒ๋“ค์€ ํ˜„์‹ค์ ์ธ ํ•ด๊ฒฐ ๋ฐฉ๋ฒ•๊ณผ ๊ฐœ๋…์ ์ธ ๋ณตํ•ฉ์„ฑ์„ ๋™์‹œ์— ์œ ์ง€ํ•˜๊ธฐ ์œ„ํ•ด ์™ธ์ค„ํƒ€๊ธฐํ•˜๋“ฏ ๊ท ํ˜•์„ ๋งž์ถ”๋ฉฐ ์•ž์œผ๋กœ ๋‚˜์•„๊ฐ”๊ณ , ๊ทธ ์™€์ค‘์—์„œ๋„ ์ž์‹ ๋งŒ์˜ ํŠน๋ณ„ํ•œ์ƒ‰์ฑ„๋ฅผ๊ฐ€๋ฏธํ•˜๋Š”๊ฒƒ์„๊ฒŒ์„๋ฆฌํ•˜์ง€์•Š๋Š”๋…ธ๋ ฅ์„๋ณด์—ฌ์ฃผ๋ฉฐ, ์ด์ œ๋Š”๋‹น๋‹นํžˆ๊ฑด์ถ•์ „๋ฌธ์ธ์œผ๋กœ๋ถˆ๋ฆด๋งŒํ•œ๊ด€๋ฌธ์„ํ†ต๊ณผํ•˜๋Š”๋ชจ์Šต์„๋ณด์—ฌ์ฃผ์—ˆ๋‹ค.

์กธ์—…์„ค๊ณ„๋ฅผํ†ตํ•ด์–ป์€๊ฒฝํ—˜๊ณผ๊ฐ๋™์€์‹ค๋ฌดํ˜„์žฅ์—์„œ๊ณ„์†ํ•ด์„œ๊ฑด์ถ•๊ฐ€๋กœ์„ฑ์žฅํ•ด๋‚˜๊ฐ€๋Š”๊ทธ๋“ค์˜์ปค๋ฆฌ์–ด์—ํ•ญ์ƒํž˜์ด๋˜๊ณ ์ž๊ทน์„์ฃผ๋Š”์—๋„ˆ์ง€๋กœ์˜ค๋ž˜๊ธฐ์–ต๋ ๊ฒƒ์ด๋‹ค.

2010 ์กธ์—…์ž‘ํ’ˆ ์ง€๋„๊ต์ˆ˜ ๊ตฌ์Šนํฌ

๊ฑด์ถ• ๊ต์œก ๊ณผ์ •์— ์žˆ์–ด์„œ ์กธ์—… ์„ค๊ณ„๋ผ๋Š” ๊ฒƒ์€ ๊ทธ ๋™์•ˆ ๋ฐฐ์šฐ๊ณ  ์—ฐ๊ตฌํ•˜๊ณ  ๊ฐœ๋ฐœํ•œ ์ž์‹ ์˜ ๋Šฅ๋ ฅ์„ ์ด์ฒด์ ์œผ๋กœ ๊ฒ€์ฆํ•˜๋Š” ๋งˆ์ง€๋ง‰ ํ†ต๊ณผ์˜๋ก€์ผ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๊ทธ๊ณผ์ •์„ํ†ตํ•ด๊ตฌ์ถ•ํ•œ์ž์‹ ์˜๋ฏฟ์Œ๊ณผ์ƒ๊ฐ์„์„ธ์ƒ์„ํ–ฅํ•ด๋˜์ง€๋Š”์ฒซ๋ฒˆ์งธ์‹œ๋„์ž…๋‹ˆ๋‹ค.

๋ฌธ์ œ์˜์‹์˜ ํ˜•์„ฑ, ๋ฌธ์ œ์˜ ๋ถ„์„, ๋ฌธ์ œํ•ด๊ฒฐ์˜ ๋ฐฉ๋ฒ•๋ก  ๊ตฌ์„ฑ๊นŒ์ง€ ๋…์ž์ ์ด๊ณ  ์ž๋ฐœ์ ์ธ ์ž์‹ ์˜ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ์ฐพ๊ธฐ ์œ„ํ•ด Studio ์ „์ฒด๊ฐ€ ์ˆฑํ•œ ๋ฐค์„ ์ง€์ƒˆ์› ๊ณ , ๊ทธ ๊ฒฐ๊ณผ๋Š”๋งค์šฐํฅ๋ฏธ๋กœ์šด๊ฒƒ์ด์—ˆ์Šต๋‹ˆ๋‹ค.

๋„์‹œ context, ๊ฑด์ถ•์˜ ์‚ฌํšŒ์  ์ด์Šˆ, program ์œตํ•ฉ, digital tooling, ๊ฑด์ถ•์„ค๊ณ„์— ๋Œ€ํ•œ ์žฌ์ •์˜๊นŒ์ง€ ๋งค์šฐ ๋‹ค์–‘ํ•˜๊ณ  ์ค‘์š”ํ•œ ์ด์•ผ๊ธฐ๋“ค์ด ๋…ผ์˜๋˜์—ˆ๊ณ , ์ƒˆ๋กœ์šด ๊ด€์ ๊ณผ๋…ผ๋ฆฌ๊ฐ€์†Ÿ์•„๋‚ฌ์Šต๋‹ˆ๋‹ค.

์ด๋“ค์ด ์„ธ์ƒ์— ๋‚˜์•„๊ฐ€ ๋‹ค์Œ ์„ธ๋Œ€์˜ ๊ฑด์ถ•์„ ๋งŒ๋“ค์–ด๊ฐˆ ์‚ฌ๋žŒ๋“ค์ž„์„ ์ƒ๊ฐํ•  ๋•Œ ๊ทธ๋“ค์ด ๋…ผ์˜ํ–ˆ๋˜ ์ด์Šˆ๋“ค์˜ ๋‹ค์–‘์„ฑ์ด ํ’๋ถ€ํ•œ ํ† ์–‘์ด ๋˜์–ด ๊ทธ๋“ค์˜ ์•ž์œผ๋กœ์˜์ปค๋ฆฌ์–ด์™€๊ฑด์ถ•๋ฌธํ™”์ „๋ฐ˜์—ํž˜์ฐฌ๋™๋ ฅ์ด๋˜๊ธธ๋ฐ”๋ผ๋ฉฐ, ํ•œํ•™๊ธฐ๋™์•ˆ์ด๋ ‡๊ฒŒ์ฆ๊ฒ๊ณ ํ’๋ถ€ํ•œ๊ฒฝํ—˜์„๋‚˜๋ˆ„๊ฒŒํ•ด์ค€ Studio ์ „์ฒด์—๊ณ ๋งˆ์›€์„ํ‘œํ•ฉ๋‹ˆ๋‹ค.

2010 ์กธ์—…์ž‘ํ’ˆ ์ง€๋„๊ต์ˆ˜ ๊น€์†Œ๋ผ

์ด์ „ 4๋…„๊ฐ„์˜ ๊ต์œก๊ณผ์ •์„ ํ†ตํ•˜์—ฌ ์Šต๋“๋œ ์ง€์‹๊ณผ ๊ธฐ์œจ์ด ์‘์ถ•๋˜์–ด ๋‚˜ํƒ€๋‚˜๊ฒŒ ๋˜๋Š” ํ•™์ƒ๋“ค์˜ ์กธ์—…์ž‘ํ’ˆ์€ ๊ฐœ๊ฐœ์ธ์˜ ๊ฑด์ถ•์  ์„ฑํ–ฅ๊ณผ ๊ด€์‹ฌ์‚ฌ๋ฅผ ๋ณด์—ฌ ์ค„ ๋ฟ ์•„๋‹ˆ๋ผ๊ทธ ์ž‘ํ’ˆ๋“ค์˜ ๊ทผ๊ฐ„์„ ์ด๋ฃจ๋Š” ๊ต์œก๊ณผ์ •์˜ ์„ฑํ–ฅ๊ณผ ๊ทธ ์‹œ๊ธฐ์  ์ถ”์„ธ๋„ ํ•จ๊ป˜ ์—ฟ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๊ธˆํ•ด ์ €ํฌ ์ŠคํŠœ๋””์˜ค์˜ ์กธ์—…์ž‘ํ’ˆ๋“ค์—์„œ๋Š” ํ•™์ƒ๋“ค์˜ ์‚ฌ์œ ์™€ ๋‹ด๋ก ์ด๋„์‹œ๋ฅผ๊ธฐ๋ฐ˜์œผ๋กœํ•œ๊ฑด์ถ•์˜์‚ฌํšŒ์ ๊ธฐ๋Šฅ์„์ค‘์‹ฌ์œผ๋กœ๋”์šฑ๋‹ค์–‘ํ•˜๊ฒŒํ™•์žฅ๋˜์—ˆ์Œ์„์•Œ์ˆ˜์žˆ์Šต๋‹ˆ๋‹ค.

๋ฒ„๋ ค์ง„ ๋ด‰์ฒœ๋™ ์‹œ์žฅ์„ ๋Œ€์ƒ์œผ๋กœ ์ง€์†๊ฐ€๋Šฅํ•œ ์ƒˆ๋กœ์šด ๊ฑด๋ฌผ์œ ํ˜•์„ ์ œ์‹œํ•œ ๊น€ํ•œ๊ฒฐ ํ•™์ƒ์˜ ์ž‘ํ’ˆ์—์„œ๋ถ€ํ„ฐ ๊ทน์žฅ์ด๋ผ๋Š” ์˜ค๋ž˜๋œ ์ •์น˜์  ๊ธฐ๋Šฅ์˜ ํ˜„๋Œ€์  ํ•ด์„๊ณผ ํšŒ๋ณต์—๊ด€์‹ฌ์„ ๋‘” ๋ฐ•์€์ฃผ ํ•™์ƒ, ๊ทธ๋ฆฐ๋ฒจํŠธ์˜ ํ•ด์ œ์™€ ๊ณ  ๋„ ์ฃผ๊ฑฐ๊ฐœ๋ฐœ์— ๋Œ€ํ•œ ๋ฐ˜๋ฐœ๋กœ๋ถ€ํ„ฐ ์‹œ์ž‘ํ•œ ์†Œ๊ทœ๋ชจ ์ง€์†๊ฐ€๋Šฅํ•œ ๋„์‹ฌ๋†์—… ์ฃผ๊ฑฐ ์ปค๋ฎค๋‹ˆํ‹ฐ๋ฅผ ์ œ์•ˆํ•œ ์‹ฌ์ฐฝ๊ฒฝ ํ•™์ƒ,๋ฌผ์žฌ์ƒ์„ผํ„ฐ์˜ ๋ณธ์งˆ์  ์˜๋ฏธ๋ฅผ ๊ฐ•ํ™”์‹œํ‚ค๋Š” ๊ณต์›์˜ ๊ธฐ๋Šฅ์— ์ฃผ๋ชฉํ•œ ์œค๋ณ‘๋‹ด ํ•™์ƒ, ์Šคํฌ์ธ ๋กœ์„œ์˜ ์žฅ์• ์ธ ์ฒด์œก์ข…๋ชฉ์˜ ํ™œ์„ฑํ™”์™€ ๋ณด๋Š” ๊ณต๊ฐ„๊ณผ ๋ณด์ด๋Š” ๊ณต๊ฐ„์˜ ๊ฑด์ถ•์ ๊ธด์žฅ๊ฐ ๊ตฌํ˜„์— ์ดˆ์ ์„ ๋‘” ์œค์ˆ™ํ˜„ ํ•™์ƒ, ์„œ์šธ์˜ ๋งˆ์ง€๋ง‰ ์ค€๊ณต์—…์ง€์—ญ์— ์ž๋™์ฐจ ์ •๋น„์‹œ์„ค๊ณผ ํ•™๊ต๋ฅผ ์„ค๊ณ„ํ•œ ์œค์ง„ ํ•™์ƒ, ๋‹ต์‹ญ๋ฆฌ ํ™”์ดฌ ์†Œ์˜ ์˜ค๋ž˜๋œ ์žฅ์†Œ์ ์˜๋ฏธ๊ตฌํ˜„์— ์ดˆ์ ์„ ๋งž์ถ˜ ์ดํ˜„๋ฏผ ํ•™์ƒ, ๊ฐœ์ธ๋“ค์˜ ์†Œ๊ทœ๋ชจ ์ฐฝ์ž‘ํ™œ๋™์˜์ง€์™€ ๋‚จ์•„์žˆ๋Š” ์˜ค๋ž˜๋œ ๋„์‹œ์กฐ์ง์˜ ํšŒ๋ณต์„ ํ•จ๊ป˜ ์—ฐ๊ณ„ํ•˜์—ฌ ์†Œ๊ทœ๋ชจ ์ถœํŒ๋‹จ์ง€๋ฅผ ์ œ์•ˆํ•œ ์กฐํ•œ์†กํ•™์ƒ, ํ˜„ ์šฐ๋ฆฌ ๋„์‹œ์˜ ๋ฌผ๋ฆฌ์  ๋ชจ์Šต์„ ์ขŒ์šฐํ•˜๋Š” ๊ทผ๋ฆฐ์ƒํ™œ ์‹œ์„ค์˜ ๋„์‹œ์  ์˜๋ฏธ๋ฅผ ํ•ด์„ํ•˜๊ณ  ์‹œ์Šคํ…œํ™”๋œ ๋ ˆ๋…ธ๋ฒ ์ด์…˜ ๋ฐฉํ–ฅ์„ ์ œ์•ˆํ•˜๊ณ ์ž ํ–ˆ๋˜ ์ฃผ์ •๋ฏผ ํ•™์ƒ, ์ค‘๊ตญ๊ณ ๋น„์‚ฌ๋ง‰์„ ๋Œ€์ƒ์œผ๋กœ ์‚ฌ๋ง‰ํ™”๋ฐฉ์ง€๋ฅผ ์œ„ํ•œ ๋ฐฉ์•ˆ๊ณผ ์ˆœํ™˜ํ˜• ๋„์‹œ ๊ฑด์„ค๋ฐฉ์•ˆ์„ ๊ทน์ง€์—ฐ๊ตฌ์†Œ์™€ ํ•จ๊ป˜ ์ œ์‹œํ•œ ํ•œ์›์ค€ ํ•™์ƒ ์ž‘ํ’ˆ์— ์ด๋ฅด๊ธฐ๊นŒ์ง€ ์—ฌ๋Ÿฌ ๋ฒ”์ฃผ๋ฅผ ๋‹ค์–‘ํ•˜๊ฒŒ์•„์šฐ๋ฅด๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์ด๋Ÿฌํ•œ ๋‹ค์–‘์„ฑ ์•ˆ์— ํ๋ฅด๊ณ  ์žˆ๋Š” ๊ทผ๋ณธ ๊ธฐ์กฐ๋Š” ๊ฑด์ถ•์„ ํ•˜๋‚˜์˜ ๋…๋ฆฝ์  ๊ฐœ์ฒด๋กœ ๋ฐ”๋ผ๋ณด๊ธฐ ๋ณด๋‹ค๋Š” ๊ฑด์ถ•์ด ๋„์‹œ, ์‚ฌํšŒ์™€ ๊ฐ€์ง€๊ฒŒ ๋˜๋Š” ๋‹ค์–‘ํ•œ๊ด€๊ณ„๋“ค์˜๊ฐ€์น˜์—์ฃผ๋ชฉํ•˜๊ณ ์žˆ๋‹ค๋Š”๊ฒƒ์œผ๋กœ, ์ด๋Š”์„œ์šธ์‹œ๋ฆฝ๋Œ€ํ•™๊ต๊ฑด์ถ•ํ•™์ „๊ณต์˜์˜ค๋žœ๊ต์œก์ด๋…์ด๊ธฐ๋„ํ•ฉ๋‹ˆ๋‹ค.

ํ•™๋ถ€์—์„œ์˜ ๋งˆ์ง€๋ง‰ ์„ค๊ณ„ ์ž‘ํ’ˆ์ด์ž ์˜ˆ๋น„ ๊ฑด์ถ•๊ฐ€๋กœ์„œ์˜ ์ฒซ ์ž‘ํ’ˆ์ด ๋˜๋Š” ์กธ์—… ์ž‘ํ’ˆ์„ ์„ฑ๊ณต์ ์œผ๋กœ ๋งˆ์นœ ํ•™์ƒ๋“ค์—๊ฒŒ ๋งŽ์€ ์ถ•ํ•˜๋ฅผ ๋ณด๋ƒ…๋‹ˆ๋‹ค. ์˜ค๋žœ ๊ธฐ๊ฐ„ ๋™์•ˆ๊ณ ์‹ฌํ•˜๊ณ ๋•€ํ˜๋ฆฌ๋ฉฐ์ตœ์„ ์„๋‹คํ•œ์—ด์ •๊ณผ๋…ธ๋ ฅ์ด๊ฒฐ์‹ค์„๋งบ์–ด๋งˆ์นจ๋‚ด์‚ฌํšŒ์—์ฒซ๋ฐœ์„๋‚ด๋”›๊ฒŒ๋˜๋Š”์šฐ๋ฆฌ์˜์ Š์€๊ฑด์ถ•๊ฐ€๋“ค์—๊ฒŒ๋งŽ์€๊ฒฉ๋ ค๋ฅผ๋ณด๋ƒ…๋‹ˆ๋‹ค.

Page 220: University of Seoul, Architectural Review 2010

FULL - TIME FACULTY 443

FULL - TIME FACULTYDepartment of Architecture, School of Architecture & Architectural Engineering University of Seoul

Professor EmeritusLee, Teuk-Koo ์ดํŠน๊ตฌProfessor / Architectural Planning and DesignPh.D. Hanyang University, Seoul, KoreaB.S., M.S. in Architecture, Hanyang University, Seoul, Korea

Professor EmeritusAhn, Young-Bae ์•ˆ ๋ฐฐArchitectural DesignPh.D., Yonsei University, Korea B.S., M.S. in Seoul National University, Korea

Program FounderThe late Ryu, Young-Jin (๊ณ )์œ  ์ง„Honorable ProfessorB.S., M.S. in Architecture, Hanyang University, Seoul, Korea

Song, In-Ho ์†ก์ธํ˜ธProfessor / Architectural Design and TheoryPh.D. Seoul National University, Korea B.S., M.S. in Architecture, Seoul National University, Korea

Pai, Hyung-Min ๋ฐฐํ˜•๋ฏผProfessor / Architectural History, Theory, and CriticismPh.D. in Architecture, Art and En-vironmental Studies,Department of Architecture, MIT, USA B.S., M.U.D., Seoul National University, Korea

Kim, Sung-Hong ๊น€์„ฑํ™Professor / Architectural Design and TheoryPh.D. in Architecture, Georgia Institute of TechnologyM.Arch., University of California, Berkeley, USAB.S. in Architecture, Hanyang University, Seoul, Korea

Hong, Dae-Hyung ํ™๋Œ€ํ˜•Professor / Architectural History, Architectural DesignPh.D. Seoul National University, Korea B.S., M.S. in Architecture, Seoul National University, Korea

Choi, Chan-Hwan ์ตœ์ฐฌํ™˜Professor / Public Policy and Regulations, Urban PlanningPh.D. of Engineering, Yonsei University, Korea M.S. in Architecture, Seoul National University B.S., M.S. in Architecture, Yonsei University Korea

Shin, Buhm-Shik ์‹ ๋ฒ”์‹Professor / Architectural Design and TheoryPh.D. Hanyang UniversityM.Arch, Oklahoma State University, USA B.S. in Architecture, Hanyang University, Seoul, Korea.

Lee, Chung-Kee ์ด์ถฉ๊ธฐAssistant Professor / Architectural DesignM.S. in Architecture, Yonsei University, KoreaB.S. in Architecture, Sungkyunkwan University, Korea

Choe, Sanki ์ตœ์ƒ๊ธฐAssistant Professor / Architectural DesignM.Arch., Harvard University, USA B.S. in Architecture, Yonsei University, Korea

Hwang, Jie-Eun ํ™ฉ์ง€์€Assistant Professor / Design Technology & InformaticsD.Des., concentrated on Design Informatics, HarvardUniversity Graduate School of Design, USAM.S., in Housing & Interior Design, Yonsei University, KoreaB.E., in Architectural Engineering, Yonsei University, KoreaB.S., in Housing & Interior Design, Yonsei University, Korea

Rieh, Sun-Young ์ด์„ Professor / Architectural Design, Sustainable ArchitectureM. Arch., University of California, Berkeley, USAB.S., M.S. in Architecture, Seoul National University , Korea

Park, Cheol-Soo ๋ฐ•์ฒ ์ˆ˜Associate Professor / Housing and Urban DesignPh.D. University of Seoul, Korea B.S. M.S. in Architecture, University of Seoul, Korea

Kim, So-Ra ๊น€์†Œ๋ผAssistant Professor / Architectural Design M.Arch., University of Pennsylvania, USAB.S. in Architecture, Hong-ik University, Seoul, Korea

Blaz Krizinik Visiting Professor / Architectural Design, SociologyPh.D., in sociology, University of Ljubljana, SloveniaM.Arch., Academy of Architecture, Rotterdam B.S.,in Architecture, University of Ljubljana

Bart ReuserVisiting Professor / Architectural Design and TheoryB.S., in Architecture, University of Technology Delft,Netherlands Postgraduate study in fine Arts, Jan van Eijck, Academy ofDesign, Maasstricht, Netherlands

Page 221: University of Seoul, Architectural Review 2010

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Page 222: University of Seoul, Architectural Review 2010