unit 25
DESCRIPTION
Unit 25. Lesson 6. Connections. WALT. We are learning to expand our knowledge of vowel sounds, engorge ourselves in new spelling words, practice fluency, reviewing attributes, focusing on idioms, review sentence types, and utilize punctuation. WHY is this important?. - PowerPoint PPT PresentationTRANSCRIPT
UNIT 25
L E S S O N 6
WALTWe are learning to expand our
knowledge of vowel sounds, engorge ourselves in new spelling words, practice fluency, reviewing attributes, focusing on idioms, review sentence types, and utilize punctuation.
WHY IS THIS IMPORTANT?Using punctuation correctly will
change the sentence’s meaning.
Urge Complex illegiblePondered Accident managerExceed Large apologizedPosted Parcel complicatedTangible Postmarked incentive
FLUENCYTurn to Fluency in the backPAGE R15Give your binder to your partner and take
theirs. Each will take turns reading as many words
as they can in one minutes. Their partner will write down errors and the last word on their sheets.
Using the count column – calculate the words read per minute.
Place that number on the chart on page R43
http://www.online-stopwatch.com/large-stopwatch/
IDIOM FOCUS
English learners are often confused by idioms because their meanings differ from the literal meanings of the words. Because idioms such as add fuel to the fire. Students need to know the meanings of common idioms.
Grab an idiom focus
Fat Chance
ATTRIBUTESAttributes refine meaning and build
associations between words. An attribute is a characteristic or quality,
such as size, part, color, or function.
Turn to page 5 in your hardcover.
ATTRIBUTESPAGE 38-39
ATTRIBUTESPAGE 38-39
Minute
ATTRIBUTESPAGE 38-39
Minute Average
ATTRIBUTESPAGE 38-39
Minute Average Miniature
ATTRIBUTESPAGE 38-39
Minute Average Big Miniature
ATTRIBUTESPAGE 38-39
Minute Average Big Miniature Miniscule
ATTRIBUTESPAGE 38-39
Minute Average Big Miniature Middling Miniscule
ATTRIBUTESPAGE 38-39
Minute Average BigEnormous
Miniature Middling Miniscule
ATTRIBUTESPAGE 38-39
Minute Average BigEnormous
Miniature Middling BulkyMiniscule
ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous Miniature Middling BulkyMiniscule
ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous Miniature Middling BulkyGiganticMiniscule
ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous Miniature Middling BulkyGiganticMinisculeMassive
ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous Miniature Middling BulkyGiganticMiniscule MedianMassive
ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous Miniature Middling BulkyGiganticMiniscule Median GreatMassive
ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous Miniature Middling BulkyGiganticMiniscule Median GreatMassive
Giant
ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous Miniature Little Middling BulkyGiganticMiniscule Median GreatMassive
Giant
ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous Miniature Little Middling BulkyGiganticMiniscule Median GreatMassive
GiantVast
ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous Miniature Little Middling BulkyGiganticMiniscule Petite Median GreatMassive
GiantVast
ATTRIBUTESPAGE 38-39
Minute Puny Average Big Enormous Miniature Little Middling BulkyGiganticMiniscule Petite Median GreatMassiveMicroscopic Giant
Vast
ATTRIBUTESPAGE 38-39
ATTRIBUTESPAGE 38-39
Microscopic
ATTRIBUTESPAGE 38-39
Microscopic big
ATTRIBUTESPAGE 38-39
Microscopic big
giant
ATTRIBUTESPAGE 38-39
microscopic big
giantaverage
ATTRIBUTESPAGE 38-39
microscopic big
giantaverage
petite
SENTENCE TYPESDeclarative Sentence states a fact
or opinion and ends with a period.
Interrogative Sentence asks a question and ends with a question mark.
Imperative Sentence gives a command and ends with a period.
Exclamatory Sentence expresses strong emotions and ends with an exclamation mark.
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COMPOUND SENTENCESCompound Sentences are two independent
clauses that are joined by a comma conjunction or semicolon.
And is used to combine similar sentences.But is used for contrasting sentences.Or is used when a choice is offered in the
sentences.A semicolon take the place of the comma and
conjunction.
PAGE 41
Barbara Juster Esbensen wrote an experimental poem; she combined different patterns in it.
PAGE 41
Barbara Juster Esbensen wrote an experimental poem; she combined different patterns in it.
Experimental poems generally sound like conversational talk; they do not sound like closed form poetry.
PAGE 41
Barbara Juster Esbensen wrote an experimental poem; she combined different patterns in it.
Experimental poems generally sound like conversational talk; they do not sound like closed form poetry.Hearing the poem “Circles” is not enough; it needs to be seen.
PAGE 41
Barbara Juster Esbensen wrote an experimental poem; she combined different patterns in it.
Experimental poems generally sound like conversational talk; they do not sound like closed form poetry.Hearing the poem “Circles” is not enough; it needs to be seen.
My friend likes poetry by E.E. Cummings; I prefer poetry by Esbensen.
PAGE 41
Barbara Juster Esbensen wrote an experimental poem; she combined different patterns in it.
Experimental poems generally sound like conversational talk; they do not sound like closed form poetry.Hearing the poem “Circles” is not enough; it needs to be seen.
My friend likes poetry by E.E. Cummings; I prefer poetry by Esbensen.
Read the three poems; choose the one you like best.
ELEMENTS TO BE DISCUSSED
Thought/Theme: Universal Truth – not limited to space or time.
Forms: Closed, Open, Haiku, and Concrete
CIRCLES IN NATURE
WHO KNOWS IF THE MOON’SListen for information about the
definition of experimental poetry.Be able to answer the following
questions:What does the moon become in the poem?Does this poem rhyme?
CIRCLES IN NATUREPAGE 23-28
PAGE 42-43
The theme of “who knows if the moon’s” I that our imagination can take us anyplace we'd like to go. The theme of “circles” is that we can observe magnificence in ordinary everyday things as well as in our universe.
PAGE 42-43
The theme of “who knows if the moon’s” I that our imagination can take us anyplace we'd like to go. The theme of “circles” is that we can observe magnificence in ordinary everyday things as well as in our universe.
Esbensen repeats the phrases did you see, out and out and out, and think of. The phrase out and out and out I stretched across several lines. This adds to the meaning of the poem because it actually shows the words moving out. The phrases did you see and think of make the poem sound like a conversation. The poet uses these phrase to establish intimacy with the reader.
The narrator imagines the moon as a hot-air balloon taking him and the reader up to a marvelous city in the sky where everything is perfect. The example of the balloon is symbolic; it represents our imaginations: the poet is telling us that our imaginations can take us away; we are not as limited as we may think we are.
The narrator imagines the moon as a hot-air balloon taking him and the reader up to a marvelous city in the sky where everything is perfect. The example of the balloon is symbolic; it represents our imaginations: the poet is telling us that our imaginations can take us away; we are not as limited as we may think we are.Cummings uses typography as well as punctuation to make certain words and sounds seem longer. Esbensen puts words on the page in such a way that they look somewhat like half circles, like ripples of previous stanzas bouncing off the sides of the margins. She also uses typography to visually represent the outward movement of some circles in nature, particularly with the lines that include out and out and out.
The narrator imagines the moon as a hot-air balloon taking him and the reader up to a marvelous city in the sky where everything is perfect. The example of the balloon is symbolic; it represents our imaginations: the poet is telling us that our imaginations can take us away; we are not as limited as we may think we are.Cummings uses typography as well as punctuation to make certain words and sounds seem longer. Esbensen puts words on the page in such a way that they look somewhat like half circles, like ripples of previous stanzas bouncing off the sides of the margins. She also uses typography to visually represent the outward movement of some circles in nature, particularly with the lines that include out and out and out.
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