undergraduate architecture portfolio

CHLOE LOCKMAN

CHLOE LOCKMAN | UNDERGRADUATE PORTFOLIO | 2015

CHLOE LOCKMAN


04

CONTENT Name Chloe Marie Lockman

Date of Birth 08.11.1993

Hometown Kansas City, KS

Education University of Kansas

ARCHITECTURE

Venice Intersections

The Armitage Pavilion

The Secret Chord & The Timber Tower

GRAPHICS

Architecture Lecture Series & Events

RESEARCH

Laser Scanning

ABOUT THE AUTHOR

CONTENT

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PROJECT 01 02 03 04 05 06 | 07

01 | VENICE INTERSECTIONS | SPRING 2013

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Design PromptThe project site is one of the only blank spaces within Venice. How does its relation to the spaces around it change how you will design, and how will you design to fit within the historical context of Venice? Design a spatial sequence of buildings able to hold a performance space, art gallery, cafe, office space, and garden, able to host the Venice Biennale in the future.

ResponseVenice is a city set in the past and full of a culture all its own. In designing a space for Venice to display this culture, it only made sense to create more of a backdrop for the culture rather than a cultural symbol of its own. I examined the city grid based on the water, and the spacial patterns created by that orientation. I took what I learned in those studies and created a simple series of walls and planes in line with the city. These concrete planes create interesting spaces for art and culture to be presented, making the culture and people more important than the architecture itself. The city is projected on the architecture, rather than the architecture projected on the city.

VENICE INTERSECTIONSCategoryArchitectureIndividual

SettingSanta Marta, Venice, Italy

DateSpring 2013

InstructorRenee Diaz

01 | VENICE INTERSECTIONS | SPRING 2013

PROJECT 01 02 03 04 05 06 | 09

The architecture of Venice is built around the rivers that form the streets of the city. This pattern revolving around the rivers creates funnels of space found within the city.


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01 | CONTEXT & CONCEPT | SPRING 2013

PROJECT 01 02 03 04 05 06 | 011


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I overlapped the project site with two grids: The industrial orthogonal grid directly to the East, and the unorthodox grid aligning to the river. I used these grids as the basis for my massing.

01 | BASIC MASSING | SPRING 2013

PROJECT 01 02 03 04 05 06 | 013


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01 | SPATIAL SEQUENCE | SPRING 2013

PROJECT 01 02 03 04 05 06 | 015


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The tower creates a point of interest visible within the city, like a glass beam of light beckoning visitors

01 | PROGRAM | SPRING 2013

PROJECT 01 02 03 04 05 06 | 017

Exhibition Space

Casual Performance & Gathering Space

Lecture Hall

The general masses were intersected with floor plates and later walls

to create an interesting sequence of spaces through

the pavilion.

Cafe & Bar


018

01 | COURTYARD SPACE | SPRING 2013

PROJECT 01 02 03 04 05 06 | 019


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01 | SITE PLAN | SPRING 2013

PROJECT 01 02 03 04 05 06 | 021


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01 | SPATIAL SEQUENCE | SPRING 2013

PROJECT 01 02 03 04 05 06 | 023

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First Floor


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1. Auditorium2. Bar/Reception area3. Restrooms4. Lobby5. Kitchen6. Seating 7. Gallery8. Docking Area9. Walk through Coffee Shop10. Gathering Space11. Garden12. Classroom

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2

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77

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5

Second Floor

01 | FLOOR PLANS | SPRING 2013

PROJECT 01 02 03 04 05 06 | 025

1. Auditorium2. Bar/Reception area3. office and ticket counter4. Lobby5. deck6. Seating 7. Gallery


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01 | VIEW FROM TOWER | SPRING 2013

PROJECT 01 02 03 04 05 06 | 027


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PROJECT 01 02 03 04 05 06 | 029

02 | THE ARMITAGE PAVILION | SPRING 2014

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030

Design PromptDesign a dining pavilion for the University of Kansas Field Station adjacent to their headquarters. Use this structure to express a poetic sense of place while serving the pragmatic need for a gathering space out of the sun. Focus on the articulation of a larger narrative and the expression of details.

SolutionThe Armitage Pavilion is a series of earthen walls gradually growing as you approach from the parking lot. A red stripe, quite small initially, blossoms as the walls grow. The walls continue directly South while the existing sidewalk takes a 45 degree turn. The timber canopy is formed where the geometries intersect, creating a peaceful resolution. The canopy interweaves and flows with the prairie grass, creating a natural rhythm of colors and materials. Views to the prairie grass are framed by the earthen walls, as strong Northern winds are blocked, creating an inhabitable and inviting space for guests of the Field Station.

CategoryDesign/Build StudioGroup Project

RoleProject Manager

SettingLawrence, Kansas

DateSpring 2014

InstructorChad Kraus

PhotographyMatt Kleinmann

Awards

AIA Kansas Honor Award 2014

PROJECT 01 02 03 04 05 06 | 031


THE ARMITAGE PAVILION

The underside of the louvers were carved and shifted to mimic the flowing nature of the prairie grass near the project site. The dynamic nature of the carvings pull visitors into the pavilion.


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PROJECT 01 02 03 04 05 06 | 033



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A series of rammed earth walls lead you from the parking lot into the Armitage Pavilion. The walls are divided to create a connection from the pavilion to the prairie grass beyond. The direct Northern axis of the walls helps to resolve the jumble of geometries present at the existing Armitage center.

PROJECT 01 02 03 04 05 06 | 035

02 | CONTEXT & CONCEPT | SPRING 2014


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The series of rammed Earth walls grow in stature as you are brought into the pavilion, creating a dramatic procession growing out of the prairie grass.

PROJECT 01 02 03 04 05 06 | 037

02 | APPROACH | SPRING 2014


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PROJECT 01 02 03 04 05 06 | 039

02 | RAMMED EARTH DETAIL | SPRING 2014

3’-0”

HEIGHT VARIE

S6”

CONCRETE CAP

1’-6”

3” 3”

RAMMED EARTH WALL

#4 REBAR @ 1’6” O.C.

2” CLEAN PEA GRAVEL

2” AB3 GRAVEL

EXISTING CONC. SLAB ON GRADE

CONC. BELL FOOTING

To create the evolving nature of the louvers, each louver was uniquely designed and hand carved. Louvers were labeled and stored in three groups: East, Middle, and West louvers. The louvers were then test fit together prior to transportation.


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PROJECT 01 02 03 04 05 06 | 041

02 | LOUVER DETAILS | SPRING 2014


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COLUMN TO WALL CONNECTION

COLUMN TO LOUVER CONNECTION

THREADED ROD DETAIL

2”x10” WOOD COLUMN

GALVANIZED STEEL STRAP

2”X10” WOOD LOUVER

(2)2”X10” SISTERED BEAM

(6)1/2”LAG BOLTS

2”x10” WOOD COLUMN

NEW RAMMED EARTH WALL

1/2” GROUT

1/2” STEEL PLATE

(4) 1/2” THREADED ROD

(4) 3/8” ANCHOR BOLTS

3/8” COUPLING NUT

3/8” THREADED ROD3/8” WASHER

2”X10” WOOD LOUVER

PROJECT 01 02 03 04 05 06 | 043

02 | LOUVER DETAILS | SPRING 2014


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PROJECT 01 02 03 04 05 06 | 045

02 | CANOPY ASSEMBLY | SPRING 2014

CABLE THIMBLE

HEX-HEAD LAG SCREW

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CABLE FERRULE

CABLE CRIMPTURN BUCKLE

The recycled telephone poles Westar donated could not span the 20’ plus lengths we wanted to achieve, so the group devised an interlocking scheme connected by cable to take advantage of the abundant smaller lengths we had in our possession.


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PROJECT 01 02 03 04 05 06 | 047

02 | CANOPY ASSEMBLY | SPRING 2014


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03

PROJECT 01 02 03 04 05 06 | 049

03 | THE SECRET CHORD & THE TIMBER TOWER | FALL 2014


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Design PromptAn acclaimed Finnish Luthier and her family have recently relocated to Kansas City, Missouri to open a luthier’s workshop - The Secret Chord. In addition to the workshop, she is envisioning a retail space to sell her work as well as an intimate performance space. In collaboration with an unorthodox local developer, with an interest in environmental stewardship, the team plans to create a mixed-use, mid-rise, timber tower. The developer aims to build residential units at a variety of price points and types. The client aims to create a work of architecture that will honor the material of wood with a CLT structure, and a shared sense of craft.

ResponseThe project site lay on the cusp of large and small, dramatic and quaint, engaging and calming. I felt the building needed to mediate this change in scenery and attempt to connect the polar aspects of the program. I aimed to connect to the drama of the Kauffman center and other performing arts spaces in the area, while still creating a residential feel. I drew attention to the wood by contrasting the solid nature of CLT with the light metal and glulam columns.

CategoryArchitecture StudioIndividual

SettingKansas City, Missouri

DateFall 2014

InstructorChad Kraus

PROJECT 01 02 03 04 05 06 | 051

THE SECRET CHORD & THE TIMBER TOWER

03 | THE SECRET CHORD & THE TIMBER TOWER | FALL 2014

8th St

9th St

10th St

11th St

12th St

13th St

The project site is located on 10th street in Kansas City, Missouri in-between Central and Broadway. It is on the cusp of the large scale downtown and the smaller scale residential area of Quality Hill. Central street is known for its performing arts background, creating a direct axis between our site and the Kauffmann Center of Performing Arts. The map is cropped at a 15 minute walk radius.

Projected streetcar line

B-cycle Station

Heritage Bike Trail

cultural points

KEY:


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The project program creates an automatic discrepancy between the retail and residences. I chose to draw attention to this concept and create a more private, idealized form for the residences, and a more engaging front for the retail with a courtyard space.

PROJECT 01 02 03 04 05 06 | 053

03 | CONTEXT & CONCEPT | FALL 2014

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The courtyard and street front are engaged by bifolding aluminum panels, creating an extention of of the performance space. This space can be fitted with removable seating or simply used as an overflow space during a performance.

PROJECT 01 02 03 04 05 06 | 055

03 | SITE PLAN & GROUND FLOOR PLAN | FALL 2014

The bifolding aluminum panels are set back 1’6” from a glass curtain wall, creating a metal veil around the wooden struc-ture within. Steel angles on the corners where two panels meet, create a cohesive edge.


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10” by 10” Glulam Column

Welded connection

1’6”

Schweiss Bi-fold Door

Perforated Aluminum

3”x3” Steel Angle Side Rail

6”x6” Hollow Steel Tube

Wind Rail

PROJECT 01 02 03 04 05 06 | 057

03 | SOUTH ELEVATION & BIFOLD DETAIL | FALL 2014


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PROJECT 01 02 03 04 05 06 | 059

03 | WESTERN APPROACH | FALL 2014

Volume of wood products used:

57951 cubic feet of lumber and sheathing

U.S. and Canadian forests grow this in:

5 minutes

Carbon stored in wood:

1140 metric tons of carbon dioxide

Avoided greenhouse gas emissions:



Energy to operate a home for 135 years

Equivalent to:

303 cars off the road for a year

Total potential carbon benefit:

West Elevation


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North Elevation

PROJECT 01 02 03 04 05 06 | 061

03 | ELEVATIONS | FALL 2014

First-Third Floors


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Fourth Floor Penthouse

PROJECT 01 02 03 04 05 06 | 063

03 | RESIDENTIAL FLOOR PLANS | FALL 2014

Lavender

Goldear Grass

Ozark Sundrop

Sea Thrift

Caucasian Chamomile

Stonecrop

The interaction of two masses created an interesting opportunity for interaction. Placing inset balcononies in the apartments and a green roof on the retail level roof, one can now directly interact with the green roof from their homes.

7-Layer (10.5) CLT Slab

7-Layer(10.5”) CLT

Moisture Barrier

4” sloped XPS Insulation

12” Acoustic Drop Ceiling,with roof drainage

30” Acoustic Drop Ceiling,with roof drainage & HVAC

Root Barrier

Moisture Barrier8” XPS Insulation

42 lb/sqft, 1.8 gal/sqft water retention rate

5” “ZinCo Blend Growing Medium

Filter Sheet SFDrainage Element

6-20” Ornamental Sedum

2x4” Treated Wood Sleepers,16” OC,wedging

1x6” Cumaru Decking

5/ 8” tongue and groove wood flooring

7 Layer (10.5”) CLT with Radiant Tubing

1/4” Acoustic Mat & 3/4” Underlayment

1/2” Gypsum Board

5 Layer (7.5“) Non-Bearing CLT Wall

4” Polyiso with foil

Tyvek Wrap

1” Horizontal Cumaru Rain Screen attached by Cladding Clips

R- Value 38


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7-Layer (10.5) CLT Slab

7-Layer(10.5”) CLT

Moisture Barrier

4” sloped XPS Insulation

12” Acoustic Drop Ceiling,with roof drainage

30” Acoustic Drop Ceiling,with roof drainage & HVAC

Root Barrier

Moisture Barrier8” XPS Insulation

42 lb/sqft, 1.8 gal/sqft water retention rate

5” “ZinCo Blend Growing Medium

Filter Sheet SFDrainage Element

6-20” Ornamental Sedum

2x4” Treated Wood Sleepers,16” OC,wedging

1x6” Cumaru Decking




1/2” Gypsum Board



Tyvek Wrap


R- Value 38

PROJECT 01 02 03 04 05 06 | 065

03 | BALCONY DETAIL | FALL 2014


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1/2” Tempered Glass

Aluminum Flashing

Sloped Wood Blocking

Drip Edge

Concealed Railing Connection

3 Coat Stucco 1/2” backing board

Termination Bead

The upper balconies are not in direct relation with the greenroof. They are outfitted with frameless glass railings and sloped wood blocking to create an almost invisible barrier between the carved wood balcony and the city beyond.

PROJECT 01 02 03 04 05 06 | 067

03 | BALCONY DETAIL | FALL 2014




1/2” Gypsum Board



Tyvek Wrap


R- Value 38


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PROJECT 01 02 03 04 05 06 | 069

04 | ARCHITECTURE LECTURE SERIES & EVENTS | FALL 2014


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Oct

17

- 31 W

ater

colo

r S

erie

s

Jun 01 - 07 Design Futures Conference

Mar 27 - 28 Studio 804 20th Anniversary

Portfolio Review

Oct 20 G. Halegoua

Nov 24 M. Kleinmann

Nov 10 F. Karim

In P

rogr

ess

Lect

ure

Ser

ies

Nov 21 J. Brandt Oct 18 J. Good

Aug 29 N. Gilliland

Alumni Lecture Series

Oct 19 Workshop

Jan 23 Port Architects

Jan 22 - 24 Water Charrette

Architecture Events & Lectures

Sep 19

- 20 F

amily W

eekend

2014

-201

5Mar 28 [RE]engaged

Architecture

Sep

20

- Oct

06

Les

niko

wsk

i Ret

rosp

ecti

ve

Sep 20 P. Engel

Sep 04 - 06 Chicago Trip

Nov 4

Nov 06 - Dec 02 TransformKC

Design PromptThe School of Architecture desired a calendar to display the up-coming events of the semester in a fun and exciting way.

SolutionEach pipe line on the poster describes a theme. Lectures and events emerge through the course of the pipes. Many of the events fall under multiple themes, emerging from the intersections of these pipes.

CategoryProfessionalGraphic Design


DateFall 2014

EmployerUniversity of Kansas

PROJECT 01 02 03 04 05 06 | 071

04 | ARCHITECTURE LECTURE SERIES & EVENTS | FALL 2014

ARCHITECTURE LECTURE SERIES & EVENTS


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PROJECT 01 02 03 04 05 06 | 073

04 | LASER SCANNING RESEARCH | SUMMER - FALL 2014


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Research PromptLaser scanning technologies have been present in the design community for a period of time from suppliers such as Trimble, but those resources come with a large price tag. More and more companies are coming out with products using hardware, such as the xbox kinect to accomplish the same goal for a much lower cost. This low tech version is much more accessible, and could be used much more casually on a job site.

SolutionWe are proposing that these low tech technologies could be used in conjunction with Building Information Modeling (BIM) to connect designers and job sites at different locations. An object could be fabricated at one location based on a laser scan from the actual job site to insure correct placement, and prevent loss in time and money in the case of incorrect fabrication.

CategoryProfessional

HardwareTrimble TX5XBOX KinectStructure SensorIpad

SoftwareFaro ScenectTrimble RealworksRhinoGrasshopper3DS MaxRevit


Date05.2014-Present

EmployerKU, Paola Sanguinetti

PROJECT 01 02 03 04 05 06 | 075

05 | LASER SCANNING RESEARCH | 05.2014-PRESENT

LASER SCANNING RESEARCH


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Faro Scenect

BIM

Revit

Data Collection Data Registration Geometry Creation

Calibrate Device ScanMicrosoft Kinect Initial Auto Index Create Reference Objects Place Scans by Objects Delete Unwanted Points Export .PTS File

36.6 MB.PTS File

PC

Import .PTS File

Grasshopper WeaverbirdKangaroo Rhino

3D Proximity Mapping Create Mesh from LinesDelete Duplicate Lines Mesh Blur Export .DXF File

53 MB.DXF File

444208 Faces

MS

Mesh Optimization

Calculate # of Faces Decrease # of Faces Export .DXF File

9 MB.DXF File

31529 Faces

MS

Import .DXF FileSelect/Segment Points Import .DXF File

3DS Max ProOptimizer Tool

$$$$

Show ease of use of laser scanner for prework scan and post intallation scan• Laser scan before• Laser scan after

Trimble RealWorks

BIM

Revit


Set Parameters ScanTrimble TX5 Initial Auto Index Segment Area of Interest Clean Mesh

MS

Mesh Optimization


3DS Max

MS

Import .DXF FileCreate Mesh

191 MB.DXF File

473,253 Faces

Export .DXF File Import .DXF File

12 MB.DXF File

31793 Faces

Place Reference Objects

PC

106.8 MB.RWP File

ProOptimizer ToolMesh Creation Tool Mesh Edit Tool

PHASE ONE:I began by comparing scan data previously captured using a Trimble TX5 & Trimble Realworks and data captured using an XBOX Kinect and Scenect. My thesis was that one could accomplish the same goal of moving a mesh created from a scanned point cloud into BIM using the Kinect for much less money than Trimble.

POINT CLOUD COLLECTION & DATA REGISTRATION: Both techniques collect the data as points, rather than directly into mesh form. Trimble data registration was done by an employee of Trimble, while registration for the Kinect data needed to be aligned by hand using Scenect.

GEOMETRY CREATION: The point cloud output is not very useful, so one would need to convert this data into a mesh to import into a building modelling program. All of this can be done within Trimble Realworks, which I broke down into more manageable segments. The kinect data I brought into Rhino, in order to use accessible software. Using the grasshopper plug-in I was able to create a fairly accurate mesh from the kinect point cloud.

Faro Scenect

BIM

Revit


Calibrate Device ScanMicrosoft Kinect Initial Auto Index Create Reference Objects Place Scans by Objects Delete Unwanted Points Export .PTS File

36.6 MB.PTS File

PC

Import .PTS File

Grasshopper WeaverbirdKangaroo Rhino

3D Proximity Mapping Create Mesh from LinesDelete Duplicate Lines Mesh Blur Export .DXF File

53 MB.DXF File

444208 Faces

MS

Mesh Optimization


9 MB.DXF File

31529 Faces

MS

Import .DXF FileSelect/Segment Points Import .DXF File

3DS Max ProOptimizer Tool

$$$$

Show ease of use of laser scanner for prework scan and post intallation scan• Laser scan before• Laser scan after

Trimble RealWorks

BIM

Revit


Set Parameters ScanTrimble TX5 Initial Auto Index Segment Area of Interest Clean Mesh

MS

Mesh Optimization


3DS Max

MS

Import .DXF FileCreate Mesh

191 MB.DXF File

473,253 Faces

Export .DXF File Import .DXF File

12 MB.DXF File

31793 Faces

Place Reference Objects

PC

106.8 MB.RWP File

ProOptimizer ToolMesh Creation Tool Mesh Edit Tool

PROJECT 01 02 03 04 05 06 |

MESH OPTIMIZATION: In order to bring either mesh into Revit, they need to be optimized using 3DS Max. This brings down the number of faces on the mesh to roughly lower than 40000 ideally. Any more faces creates issues within Revit.

05 | LASER SCANNING RESEARCH: PHASE ONE | 05.2014-PRESENT


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Thank you for listening


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AUTHOR

ABOUT THE

ABOUT THE AUTHOR

913-909-6103

1117 Kentucky Street Apt A Lawrence, Kansas 66044

[email protected]

http://issuu.com/chloelockman

Paola Sanguinetti | [email protected] Kraus | [email protected]

EXPERIENCE

Research Assistant | KU | 05.2014-Present

Intern | Ecoabet | 05.2014-10.2014

Graphic Design Assistant | KU | 08.2014-10.2014

Project Manager | Dirt Works | 02.2014-05.2014

EDUCATION

University of Kansas | 09.2011-05.2016

Danish Inst. of Study Abroad | 08.2013-12.2013

RECOGNITION

AIA Kansas Honor Award | 09.2014

Earthen Architecture: Past, Present, and Future| 10.2014

SKILLS

Adobe Creative Suite (Id, Il, Ps)RevitRhinoGrasshopper3DS MaxMeshlab

Designed and fabricated promotional materials for the School of Architecture, including a abstracted Calendar for the year & fundraising graphics.

Developed a project master schedule using critical path method for an 8 week design build project, and used this schedule to monitor day-to-day activities, including team meetings, cooridnation with outside resources, and construction management. I helped to bring in the project on time and below budget.

Aided in the planning of a Summer design charrette benefiting local non-profit groups, by creating promotional materials for the charrette & consolidating the results of the charrete for participants.

Researching and testing various laser scanning technologies in order to compare their efficiency and accessibility, and developing this research into a series of workflow diagrams.

PROJECT 01 02 03 04 05 06 | 081

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Watkins-Berger Scholar Mount Oread ScholarPresident’s Honor RollWomen in Design ScholarshipAIA Kansas City ScholarshipCurtis Besinger ScholarshipCL Burt Architecture ScholarshipHorner Study Abroad ScholarshipDonald Ewart Memorial ScholarshipIP Study Abroad Scholarship

undergraduate architecture portfolio

Documents

architecture of venice

city grid

courtyard space spring

venice biennale

design promptthe project

spatial sequence spring

performance space

site plan spring