umt complete rudiments course final exam · final exam - advanced rudiments ___ 10 2. for each of...

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Final Exam - Advanced - Page 1 of 10 UMT - COMPLETE MUSIC THEORY COURSE FINAL EXAM - ADVANCED RUDIMENTS Total Score: ____ 100 b) Invert the above intervals in the Treble Clef. Use whole notes. Name the inversions. __________ __________ __________ __________ __________ 1. a) Name the following intervals. __________ __________ __________ __________ __________ ___ 10 UltimateMusicTheory.com © Copyright 2015 Gloryland Publishing. All Rights Reserved. d) Invert the above intervals in the Bass Clef. Use whole notes. Name the inversions. __________ __________ __________ __________ __________ Major 7 Perfect 12 Augmented 9 minor 10 Major 3 c) Write the following harmonic intervals below the given notes. Use whole notes. Name: _______________________________ UMTS Number: ____________

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Page 1: UMT Complete Rudiments Course Final Exam · FINAL EXAM - ADVANCED RUDIMENTS ___ 10 2. For each of the following seventh chords, name: ... UMT Complete Rudiments Course Final Exam

Final Exam - Advanced - Page 1 of 10

UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS Total Score: ____

100

b) Invert the above intervals in the Treble Clef. Use whole notes. Name the inversions.

__________ __________ __________ __________ __________

1. a) Name the following intervals.

__________ __________ __________ __________ __________

___ 10

UltimateMusicTheory.com © Copyright 2015 Gloryland Publishing. All Rights Reserved.

d) Invert the above intervals in the Bass Clef. Use whole notes. Name the inversions.

__________ __________ __________ __________ __________

Major 7 Perfect 12 Augmented 9 minor 10 Major 3

c) Write the following harmonic intervals below the given notes. Use whole notes.

Name: _______________________________ UMTS Number: ____________

Page 2: UMT Complete Rudiments Course Final Exam · FINAL EXAM - ADVANCED RUDIMENTS ___ 10 2. For each of the following seventh chords, name: ... UMT Complete Rudiments Course Final Exam

Final Exam - Advanced - Page 2 of 10

UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS

___ 10

2. For each of the following seventh chords, name: a) the key to which it belongs. b) the type of seventh chord (Dominant seventh or diminished seventh).

a) ____________ ___________ ___________ ___________ ___________

b) ____________ ___________ ___________ ___________ ___________

c) Write the following seventh chords in the Bass Clef. Use the correct Key Signature and any necessary accidentals. Use whole notes.

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i. The diminished seventh chord of g sharp minor in root positionii. The Dominant seventh chord of B flat Major in 3rd Inversion.iii. The Dominant seventh chord of E Major in 2nd inversion.iv. The Dominant seventh chord of e flat minor in 1st inversion.

v. The diminished seventh chord of b flat minor in root position.

i. ii. iii. iv. v.

Page 3: UMT Complete Rudiments Course Final Exam · FINAL EXAM - ADVANCED RUDIMENTS ___ 10 2. For each of the following seventh chords, name: ... UMT Complete Rudiments Course Final Exam

Final Exam - Advanced - Page 3 of 10

___ 10

UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS

Key: ____________

Key: ____________

The following melody is written for French Horn in F. c) Name the key in which it is written. d) Transpose it to concert pitch, using the correct Key Signature. Name the new key.

3. The following melody is written for Clarinet in B flat. a) Name the key in which it is written. b) Transpose it to concert pitch, using the correct Key Signature. Name the new key.

Key: ____________

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Key: ____________

Page 4: UMT Complete Rudiments Course Final Exam · FINAL EXAM - ADVANCED RUDIMENTS ___ 10 2. For each of the following seventh chords, name: ... UMT Complete Rudiments Course Final Exam

Final Exam - Advanced - Page 4 of 10

4. Write the following scales and modes ascending and descending one octave. Use accidentals. Use whole notes.___ 10

UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS

UltimateMusicTheory.com © Copyright 2015 Gloryland Publishing. All Rights Reserved.

a) Relative Major scale of b flat minor in the Alto Clef.

b) Tonic minor scale, natural form, of C sharp Major in the Treble Clef.

c) Enharmonic Tonic minor scale, melodic form, of d sharp minor in the Bass Clef.

d) Phrygian mode starting on C sharp in the Treble Clef.

e) Mixolydian mode starting on A flat in the Tenor Clef.

Page 5: UMT Complete Rudiments Course Final Exam · FINAL EXAM - ADVANCED RUDIMENTS ___ 10 2. For each of the following seventh chords, name: ... UMT Complete Rudiments Course Final Exam

Final Exam - Advanced - Page 5 of 10

5. For each of the following melodic fragments: a) Name the key. b) Write a cadence in Keyboard Style below the bracketed notes. c) Name the type of cadence (Perfect, Imperfect or Plagal).

UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS

___ 10

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___________________Key: ____________

___________________Key: ____________

d. Complete the following chart by providing the new key names for each transposition.

Original Key Name Interval of Transposition New Key Name

B flat Major Up a Major 6

D Major Down an Augmented 2

d sharp minor Up a minor 3

G Major Up a diminished 4

Page 6: UMT Complete Rudiments Course Final Exam · FINAL EXAM - ADVANCED RUDIMENTS ___ 10 2. For each of the following seventh chords, name: ... UMT Complete Rudiments Course Final Exam

Final Exam - Advanced - Page 6 of 10

UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS

UltimateMusicTheory.com © Copyright 2015 Gloryland Publishing. All Rights Reserved.

6. For each of the following chords: a) Name the chord type as: triad, Dominant seventh chord, diminished seventh chord, cluster or quartal chord. b) Rewrite the chord in the specified type of open score. c) Name each voice/instrument in the open score. Do not use abbreviations.

___ 10

Chord Type:

_______________________

Chord Type:

_______________________

Open Score for String Quartet

Modern Vocal Score

________________

________________

________________

________________

________________

________________

________________

________________

Page 7: UMT Complete Rudiments Course Final Exam · FINAL EXAM - ADVANCED RUDIMENTS ___ 10 2. For each of the following seventh chords, name: ... UMT Complete Rudiments Course Final Exam

Final Exam - Advanced - Page 7 of 10

7. a) Add rests below each bracket to complete each measure.

UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS

___ 10

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b) Add the correct Time Signature at the beginning of each of the following excerpts.

c) Add bar lines to complete each of the following rhythms.

Page 8: UMT Complete Rudiments Course Final Exam · FINAL EXAM - ADVANCED RUDIMENTS ___ 10 2. For each of the following seventh chords, name: ... UMT Complete Rudiments Course Final Exam

Final Exam - Advanced - Page 8 of 10

UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS

UltimateMusicTheory.com © Copyright 2015 Gloryland Publishing. All Rights Reserved.

8. For each of the following triads, name: a) the root. b) the quality/type (Major, minor, Augmented or diminished). c) the position (root pos, 1st inv or 2nd inv).___ 10

e) Add accidentals where necessary to form the following triads.

a) _____________ _____________ _____________ _____________

b) _____________ _____________ _____________ _____________

c) _____________ _____________ _____________ _____________

d) Identify the name of the scale which contains all of these triads.

A Major scale

E Major scale

c sharp minor harmonic scale

f sharp minor harmonic scale

i) the Leading note triad of e minor melodic.

ii) the Dominant triad of a flat minor harmonic

iii) the Submediant triad of D Major

Page 9: UMT Complete Rudiments Course Final Exam · FINAL EXAM - ADVANCED RUDIMENTS ___ 10 2. For each of the following seventh chords, name: ... UMT Complete Rudiments Course Final Exam

Final Exam - Advanced - Page 9 of 10

UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS

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9. a) Match each musical term with its English definition. (Not all definitions will be used.)

___ 10

Term Definition

molto

sempre

senza

sopra

pesante

arco

tacet

troppo

subito

sostenuto

_____ b)

_____ c)

_____ d)

_____ e)

_____ f)

_____ g)

_____ h)

_____ i)

_____ j)

_____ k)

always

with

suddenly

sustained

much, very

above

too much

loud

without

weighty, with emphasis

l) for stringed instruments: resume bowingafter a pizzicato passage

a) be silent

b) Give the English definition for each of the following musical signs.

%ma15

Sz

fp

______________________________________________________________

______________________________________________________________

______________________________________________________________

______________________________________________________________

______________________________________________________________

Page 10: UMT Complete Rudiments Course Final Exam · FINAL EXAM - ADVANCED RUDIMENTS ___ 10 2. For each of the following seventh chords, name: ... UMT Complete Rudiments Course Final Exam

Final Exam - Advanced - Page 10 of 10

UMT - COMPLETE MUSIC THEORY COURSEFINAL EXAM - ADVANCED RUDIMENTS

UltimateMusicTheory.com © Copyright 2015 Gloryland Publishing. All Rights Reserved.

10. Analyze the following excerpt by answering the questions below.

a) Name the key of this excerpt. ____________________________________________

b) Explain the tempo of this excerpt. _________________________________________

c) Add the Time Signature directly on the music.

d) Give the term for the relationship between the notes at the letters A and B. __________________________________________

e) For the triad at C, name: Root: ____ Type/Quality: ________ Position: _________

h) Identify the number of: Ties: _________ Slurs: _________ Triplets: __________

i) Give the technical degree name of the root of the triad at G: ____________________

The Lonely Willow___ 10

j) Locate and circle a Tritone. Name the interval. ______________________________

S. McKibbon

Adagio e dolenteA B

D

CF

E

f) Give the term for the relationship between the notes at the letters D and E. __________________________________________

g) For the triad at F, name: Root: ____ Type/Quality: ________ Position: _________

G