tuning in to the neo-avant- garde ghent university, ghent...
TRANSCRIPT
Tuning in to the Neo-Avant-Garde
[conference programme: day one]
Ghent University, Ghent (Belgium), Wednesday 28 November 2018
CoffeeOpeningKeyNote i: Daniel Gilfillan (Arizona State University): ‘Poetry on the Austrian Radio: Sound,Voice, and Intermediality’BreakSession i: Voice | Chair: Janine Hauthal Adam Frank (University of British Columbia): ‘Many Many Voices: Glenn Gould’s Contrapuntal Radio’Inge Arteel (Vrije Universiteit Brussel): ‘A Theatre of Choric Voices: Mayröcker’s and Jandl’s Radio Plays of the Late 1960s and Early 1970s’BreakSession ii: Composition | Chair: Janine Hauthal Giuseppe Episcopo (University of Edinburgh): ‘Speech Patterns and Electronic Serialism. Berio and Eco’s Thema; Berio and Sanguineti’s Laborintus ii’Siebe Bluijs (Ghent University): ‘Literary and Audiophonic Collage in Dutch and Flemish Radio Plays’LunchSession iii: institution | Chair: Helga Mitterbauer Tatiana Eichenberger (University of Basel): ‘Electronic Music or Radiophonic Sound? The “Ideological Struggles” during the Establish-ment of the BBC Radiophonic Workshop’Philomeen Lelieveldt (Utrecht University): ‘Verbosonic Explorations in Dutch Radio Broadcasting (1962-1974)’BreakSession iV: transgression | Chair: Helga MitterbauerNeil Verma (Northwestern University): ‘Screamlines’Lars Bernaerts (Ghent University): ‘Transnational, Untranslatable: Freddy de Vree and the Multilingual Radiophony of A Pollen in the Air’ BreakKeyNote ii: Jesper OlssOn (Linköping University): ‘More-Than-Human Media Ecologies: Radiophonic Poetry and Text-Sound in the (Swedish) 1960s’ Dinner at Het Pakhuis
8:30-9:009:00-9:159:15-10:15
10:15-10:3010:30-11:40
11:40-11:5011:50-13:00
13:00-14:0014:00-15:10
15:10-15:2015:20-16:30
16:30-17:0017:00-18:00
19:30
Tuning in to the Neo-Avant-Garde Ghent University, Ghent (Belgium),
thursday 29 November 2018
CoffeeKeyNote iii: Jarmila milDOrf (Paderborn University): ‘“Ja, ja, so schön klingt das Schreckliche”: An Audionarratological Analysis of Andreas Ammer’s Lost & Found: Das Paradies’BreakSession V: Media | Chair:Vincent BroquaLouis Armand (Charles University Prague): ‘Radio Pictures, Blank Transmissions’Per Bäckström (Karlstad University): ‘Öyvind Fahlström’s Radio Compositions Fåglar i Sverige & Den heliga Torsten Nilsson’Ania Mauruschat (University of Basel): ‘Symphony of Sirens – revisited: Andreas Ammer & FM Einheit and their Entanglements with the Histori-cal Avant-Garde’LunchSession Vi: Poetics | Chair: Gunther MartensChiara Nannicini Streitberger (University Saint-Louis Brussels): ‘Voice and Music: Savinio’s and Perec’s Radio Plays’ Pim Verhulst (University of Antwerp): ‘Identical Twins Between Me-dia: Caryl Churchill’s Genre-busting (Radio) Drama’BreakSession Vii: Modernisms | Chair: Gunther MartensHarry Heuser (Aberystwyth University): ‘Another “Air Raid”: Moder-nism and US Network Radio in the Eisenhower Era’Birgit Van Puymbroeck (Ghent University): ‘“The Homeric or Icelan-dic bard shouting over the clamour of the banquet”: Orality in Edward Sackville-West’s The Rescue and Louis MacNeice’s The Dark Tower’BreakKeyNote iV: Karin BiJstervelD (Maastricht University): ‘Analyzing and Creating Narrative Audiophonic Art: What Sound Stu-dies Can Contribute’Roland Innerhofer (University of Vienna): ‘Concluding remarks’
9:00-9:309:30-10:30
10:30-10:4510:45-12:30
12:30-13:3013:30-14:40
14:40-14:5014:50-16:00
16:00-16:3016:30-17:30
17:30-17:50
[conference programme: day two]