trinity centre soundproofing

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BREAKING NEWS 24/7 AT WWW.BRISTOLPOST.CO.UK @BRISTOLPOST BRISTOLPOST EPB-E01-S2 14 Tuesday, April 26, 2016 A COMMUNITY centre is set to tackle noise complaints from neighbours by sound- proofing its historic stained glass windows. Architects have been called in to improve soundproofing at the Trin- ity Centre on the border of Old Mar- ket and St Jude’s as part of a final phase of renovations at the former church. Emma Harvey, the manager of Trinity Centre, in Trinity Road, said: “We have had a few complaints about noise and need to make sure we are not causing disturbance to local residents. “We have told the architects that it’s not just about protecting the glass but it’s about the noise as well, we don’t want acoustic bleeding.” The centre is planning to replace the plastic glass on the windows with more effective soundproofing materials. “The external covers are very crudely attached to the outside of the windows and are coming off as The Trinity Centre, left, and Duran Duran, above, one of the many acts to have played there they are damaging the glass and ugly,” she said. Ms Harvey said the architects will offer soundproofing options but it will likely be some form of internal and external layer. She added: “Trinity has been a community centre and live music venue since 1976 and plays a huge part in Bristol’s cultural heritage.” A local resident said: “I live op- posite the centre and during the weekends you can hear the bass coming from the sound system. “I will be engaging more with Trinity now they have listened to the Soundproofing at venue after residents complain people of Newtown. It was a good move.” The centre also plans to move the smoking area after residents com- plained about hearing music goers making noise outside. Architects also inspected the church towers and iron clamps at the initial consultation for the third phase of renovations. In addition, some of the stained glass windows in the Grade II* listed building are set to be removed for cleaning and repairs. As a Grade II* property the venue is in the top 5.5 percent of protected buildings in the country. Bands such as U2, Massive Attack, Duran Duran and Public Enemy have performed at Trinity since it was deconsecrated as a church and became a music venue. A Night at the Musicals REVIEW ★★★★✩ Colston Hall by Pete Taberner THE Bristol Ensemble, conducted by Jae Alexander, were joined by six singers (The Westenders) who share an impressive background of London musical theatre experience for a show which delivered exactly what it promised. The programme included songs ranging from some earlier Gershwin and Rodgers & Hammerstein via West Side Story and Chicago to the contemporary big hitters Lion King and, of course, Les Misérables. There was something for everybody and it was encouraging to see a high proportion of young people in the audience, no doubt helped by the earlier timing of the show. The sound balance and acoustics did not help in the opening numbers, but once that was sorted it was possible to appreciate the musical arrangements for the voices and the backing orchestra, As an introduction to those in the audience coming to hear musical theatre perhaps for the first time, the Bristol Ensemble and Westenders provided an exciting taster menu. Matthew Dresch [email protected]

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BREAKING NEWS 24/7 AT WWW.BRISTOLPOST.CO.UK @BRISTOLPOST BRISTOLPOST

EPB-E01-S2

EPB-E01-S2

14 Tuesday, April 26, 2016

A COMMUNITY centre is setto tackle noise complaintsfrom neighbours by sound-proofing its historic stainedglass windows.

Architects have been called in toimprove soundproofing at the Trin-ity Centre on the border of Old Mar-ket and St Jude’s as part of a finalphase of renovations at the formerch u rch .

Emma Harvey, the manager ofTrinity Centre, in Trinity Road,said: “We have had a few complaintsabout noise and need to make surewe are not causing disturbance tolocal residents.

“We have told the architects thatit’s not just about protecting theglass but it’s about the noise as well,we don’t want acoustic bleeding.”

The centre is planning to replacethe plastic glass on the windowswith more effective soundproofingm at e r i a l s.

“The external covers are verycrudely attached to the outside ofthe windows and are coming off as

● The Trinity Centre, left, andDuran Duran, above, one of themany acts to have played there

they are damaging the glass andu g ly, ” she said.

Ms Harvey said the architects willoffer soundproofing options but itwill likely be some form of internaland external layer.

She added: “Trinity has been acommunity centre and live music

venue since 1976 and plays a hugepart in Bristol’s cultural heritage.”

A local resident said: “I live op-posite the centre and during theweekends you can hear the basscoming from the sound system.

“I will be engaging more withTrinity now they have listened to the

Soundproofing at venueafter residents complain

people of Newtown. It was a goodm ove. ”

The centre also plans to move thesmoking area after residents com-plained about hearing music goersmaking noise outside.

Architects also inspected thechurch towers and iron clamps atthe initial consultation for the thirdphase of renovations.

In addition, some of the stainedglass windows in the Grade II* listedbuilding are set to be removed forcleaning and repairs.

As a Grade II* property the venueis in the top 5.5 percent of protectedbuildings in the country.

Bands such as U2, Massive Attack,Duran Duran and Public Enemyhave performed at Trinity since itwas deconsecrated as a church andbecame a music venue.

A Night at the MusicalsR EV I EW

★★★★✩

Colston Hallby Pete Taberner

● THE Bristol Ensemble,conducted by Jae Alexander, werejoined by six singers (TheWestenders) who share animpressive background of Londonmusical theatre experience for ashow which delivered exactly whatit promised. The programmeincluded songs ranging from someearlier Gershwin and Rodgers &Hammerstein via West Side Storyand Chicago to the contemporarybig hitters Lion King and, of course,Les Misérables.

There was something foreverybody and it was encouragingto see a high proportion of youngpeople in the audience, no doubthelped by the earlier timing of thes h o w.

The sound balance and acousticsdid not help in the openingnumbers, but once that was sortedit was possible to appreciate themusical arrangements for thevoices and the backing orchestra,

As an introduction to those in theaudience coming to hear musicaltheatre perhaps for the first time, theBristol Ensemble and Westendersprovided an exciting taster menu.

Matthew [email protected]

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