travis winn portfolio

Travis Winn!!"!"1310 500 8336 [email protected]

Travis Winn! !"1310 500 8336 [email protected] Travis Winn!!"!"1310 500 8336 [email protected]

Picasso’s Women, 2007

Fifty-six page catalog for gallery in Bev-erly Hills. One of over sixty catalogues created over eight years. All design, layout, editing, photography, typography, pre-press delivery to printer. We had eight to ten shows a year that required catalogues or brochures, newspaper, magazine and web advertising, invita-tions, etc. They were essentially similar shows each year, the challenge was to work within a conservative minimalistic client guidance yet keep the designs interesting under tight deadlines.

In addition to the design, I set up an in-house photo studio and photographed over 10,000 color correct pieces of artwork and integrated it into the data-!"#$%&&'($&)*#+&,-.*&/$"*#0&1&2"33."44/&programmed the 1000+ page website, but someone else took over the website eventually.

The more edgy designs begin after page

16 if you want to skip forward, but remember that publishing a book is in some ways like creating software in the sense that there are multiple versions before the )3"4&5*-6.7+&"36&any edit towards the end can mess something else up. That is what at-tracted me to this job after seven years of designing for the web from 1995-2002, I began as a web/UI designer and then went to print, not the other way around. The amount of details to editing of these books was im-mense.


AE Digital Networks, 2000 Project Alma, 2008 The design above for AEDigital MediaNetworks is old, but considering it was either 1999 or 2000 I feel that the design was pretty ahead of it’s time. I did all of the graphics including the logo work pretty much in a few hours in one sitting. For a one person operation (AEDig-ital Media Networks was one person), I feel like it made it look important. Quite a contrast from the years on Rodeo Drive at Galerie Michael, but being well rounded as a designer both in traditional contexts and in vanguard design and software development is important.

Flyer design is a lot of fun, I did this one for a friend as a side project. After so many art catalogues it was nice to do something “cool” and edgy again. I liked the art catalogues because of the scholarly essays and the actual art I was around and photographing on Rodeo Drive. When I have good guidance and data provided, I can produce extremely fast. Especially under pressure. Designing and laying out 60 page catalogues sometimes in less +($3&+(*$$&8$$9#&:374.6:3;&$6:+:3;&:#&*$"4&5*$##.*$%&&<-:3;&+($&)3"4&7-4-*&7-**$7+:-3#&8"#&always fun because the job was almost done.


The Last Supper Club, 2000

Photos of television and animation installation at nightclub, logo anima-tion keyed out so that can be run over miscellaneous video. After Effects, Illustrator & Photoshop. Seattle night-club.

Beginning in about 1997, I did art and video installations in night clubs, events and galleries. The technology at the time was pretty analog, but it was a lot of fun. I remember the ex-7:+$2$3+&-,&!./:3;&+($&)*#+&=:*$8:*$&native Mac and troubleshooting Final Cut Pro 1.0. System 9 kind of sucked. It kept me abreast of the coming digit-al video revolution while I was working with companies like Encoding.com (Loudeye) and having art installations at COCA, William Traver Gallery and Consolidated Works in Seattle, and later in Los Angeles with a few instal-lations and a documentary in a cou-54$&-,&)42&,$#+:>"4#&+($*$%

Genmobi, 2007

Mockups of Java UI interfaces for de-velopers, Silicon Valley startup.This now defunct company got me in-terested in mobile phone design and the limitations that are imposed by small screens. Lately I have been at-tending introduction Java and Python classes at iTunes University as well as HCI graduate classes from Stanford on iTunesU. No student debt, Ma!


Genmobi, 2007

This company was an interesting one based in Silicon Valley. I met it’s co-founders at the Coffee Bean in Beverly Hills by chance. I happened to be wanting to get more into tech again at the time and they needed a UI Designer for their website and mobile java apps to work with their programmers.So, I went up to Palo Alto and San Jose and did some meet-ings and cranked out these designs on the side while keeping my day job. It was kind of fun to do something a little more innovative than art catalogue design.

?-#+&5$-54$&6-3@+&*$"4:A$&:+&!.+&)3"4&*$#.4+#&4:9$&-3&+($&4$,+&,*$B.$3+4/&(">$&"3&CD&4"/$*&Photoshop document behind it. It’s not programming, but it’s pretty complex in the back-;*-.36&+-&2"9$&+($&)3"4&-3$&#:254$&4--9:3;&5";$&4--9&"36&,.37+:-3&;*$"+%&&E&,$8&#7*$$3&shots of the process are shown. A great book I am reading called “Designing Interactions” !/&F:44&?-;;*:6;$0&,-.36$*&-,&1<GH0&#5$"9#&-,&6$#:;3@#&:3I.$37$&"36&:25"7+&-3&+$7(3-4-;/%


Origin, 1999

A 15,000 person consultancy based in the Netherlands, Origin needed some concepting for an ad agency based in Seat-tle, working with art directors I came up with mock-ups and ideas.


Sucker Punch, 1999

A Redmond based video game company. Design layout and programming of website. This is not anything like the website I made, but just a fun idea I liked, the site I programmed was very straight and corporate.

Microsoft, 1996, 1997, 1999

These were some layouts for an ad agency, in addition I worked as an HTML programmer/designer on Visual InterDev 1.0 onsite at Microsoft on their )*#+&%EJK&6$>$4-52$3+&+--4&,-*&$:;(+&2-3+(#"36&6:6&#-2$&?"7*-2$6:"&<:-rector design and animation for Microsoft as a vendor a year later.


Titus Fine Art, 2006 This was an in-house website for Galerie Michael. Titus Fine Art was a wholesale division of Galerie Michael. All design, layout, CSS, site architecture and programming.

Thomas Paul Fine Art, 2003 This was a website for an art consultant. All design, layout, CSS, site architecture and pro-gramming.


Glenn Richards, 2000

Large Flash, HTML website, worked as designer, art director & producer managing an illustrator and Flash programmer/designer. Two hundred page website.

Travis Winn! !"1310 500 8336 [email protected]

Thank you for getting this far and taking the time to look at my portfolio.

I look forward to hearing from you

Travis Winn !"1310 500 8336 [email protected]

travis winn portfolio

Design

page travis winn

vanguard design

flyer design

page website

page catalogues

edgy designs

designing interactions

pretty complex