transcription exercises & @ 3: o; v @u s z d t n w n Ù Í

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Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

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Page 1: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

Transcription exercises

& @ 3: O; V @US Z D T N w N Ù Í

Page 2: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

Phonemic alphabet in English

Only 44 phonemes?

i: I U u: I@ eI

e @ 3: O: U@ OI @U

& V A: Q e@ aI aU

p b t d tS dZ k g  

f v T D s z S Z  

m n N h l r w j  

Page 3: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

Matching exercise 1:Match pronunciation terms with their transcription.

pronunciation phonetic transcription phonemic symbols phonemes vowels consonants letters pronounce International Phonemic

Alphabet

/ vaUlz/ /"let@z/ / !Int@"n&S@n@l

f@U"ni;mIk "&lf@bet/ /"kQnts@n@nts/ /pr@"naUnts/ /f@U"ni;mIk "sImb@lz/ /"f@Uni;mz/ /f@U"netIk

tr&n"skrIpS@n/ /pr@%nVntsi"eISn/

Page 4: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

Matching exercise 1 :Pronunciation terminology & its transcription

KEY pronunciation phonetic transcription phonemic symbols phonemes vowels consonants letters pronounce International Phonemic

Alphabet

/pr@%nVntsi"eISn/ /f@U"netIk

tr&n"skrIpS@n/ /f@U"ni;mIk "sImb@lz/ /"f@Uni;mz/ /"vaUlz/ /"kQnts@n@nts/ /"let@z/ /pr@"naUnts/ / !Int@"n&S@n@l

f@U"ni;mIk "&lf@bet/

Page 5: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

Matching exercise 2: Match pronunciation terms with their transcriptions

slanting brackets square ones aspiration diacritics Roman alphabet animation British English American English features sound sequences minimal pairs vocal cords

/"slA;ntIN/ /"skwe@/ / !v@Uk@l"kO;dz/ /!&sp@"reIS@n/ /"&lf@bet/ /wVnz/ /"si;kw@ntsIz/ /@ !merIk@n/ /saUnd/ /!&nI"meIS@n/ / !brItIS/ /!r@Um@n/ /"INglIS/ /!daI@"krItIks/ /"br&kIts/ /"fi;Í@z/ / !mInIm@l"pe@/

Page 6: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

Matching exercise 2:Pronunciation terminology & its transcription

KEY slanting brackets square ones aspiration diacritics Roman alphabet animation British English American English features sound sequences

/"slA;ntIN "br&kIts/ /"skwe@ wVnz/ /!&sp@"reIS@n/ /!daI@"krItIks/ /"r@Um@n"&lf@bet/ /!&nI"meIS@n/ /!brItIS "INglIS/ /@ !merIk@n"INglIS/ /"fi;Í@z/ /"saUnd"si;kw@ntsI

z/

Page 7: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

Reading aloud 1From transcription to pronunciation

Can you read these words? /pr@%nVntsi"eISn/ /f@U"netIk

tr&n"skrIpS@n/ /f@U"ni;mIk "sImb@lz/ /"f@Uni;mz/ /"vaUlz/ /"kQnts@n@nts/ /"let@z/ /pr@"naUnts/ / !Int@"n&S@n@l

f@U"ni;mIk "&lf@bet/

/"slA;ntIN "br&kIts/ /"skwe@ wVnz/ /!&sp@"reIS@n/ /!daI@"krItIks/ /"r@Um@n"&lf@bet/ /!&nI"meIS@n/ /!brItIS "INglIS/ /@ !merIk@n"INglIS/ /"fi;Í@z/ /"saUnd"si;kw@ntsI

z/

Page 8: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

Reading aloud 2From spelling to pronunciation

Can you read these words? slanting brackets square ones aspiration diacritics Roman alphabet animation British English American English features sound sequences

pronunciation phonetic transcription phonemic symbols phonemes vowels consonants letters pronounce International Phonemic

Alphabet

Page 9: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

Writing 1From transcription to spelling.

Can you write these words? /pr@%nVntsi"eISn/ /f@U"netIk

tr&n"skrIpS@n/ /f@U"ni;mIk "sImb@lz/ /"f@Uni;mz/ /"vaUlz/ /"kQnts@n@nts/ /"let@z/ /pr@"naUnts/ / !Int@"n&S@n@l

f@U"ni;mIk "&lf@bet/

/"slA;ntIN "br&kIts/ /"skwe@ wVnz/ /!&sp@"reIS@n/ /!daI@"krItIks/ /"r@Um@n"&lf@bet/ /!&nI"meIS@n/ /!brItIS "INglIS/ /@ !merIk@n"INglIS/ /"fi;Í@z/ /"saUnd"si;kw@ntsI

z/

Page 10: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

The schwa /@/Circle all the syllables containig the schwa and then try to

sing the song. Glen Hansard - Broken Hearted Hoover Fixer Sucker Guy Lyrics

ONCE Ten years ago

I fell in love with an Irish girlShe took my heart

But she went and screwed some guy she knewand now I'm in Dublin with a broken heart

Oh broken hearted Hoover fixer sucker guyOh broken hearted Hoover fixer sucker, sucker guy

One day I'll go there and win her once againbut until then I'm just a sucker of a guy

(http://www.stlyrics.com/lyrics/once/brokenheartedhooverfixersuckerguy.htm)

Page 11: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

Here are all the schwas /@/in Hansard’s Broken Hearted Hoover Fixer Sucker

Ten years agoI fell in love with an Irish girl

She took my heart

But she went and screwed some guy she knewand now I'm in Dublin with a broken heart

Oh broken hearted Hoover fixer sucker guyOh broken hearted Hoover fixer sucker, sucker guy

One day I'll go there and win her once againbut until then I'm just a sucker of a guy

There is no schwa in THERE and AGO,GO as /@/ is part of two different diphthongs /e@/ and /@U/.

In DUBLIN it is a minority pronunciation: /"dVbl@n/.There is /e/ in THEN.(http://www.stlyrics.com/lyrics/once/brokenheartedhooverfixersuckerguy.htm)

Page 12: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

Practice makes perfect.It’s not a piece of cake, is it? Now you deserve one. Or a cup of tea or coffee?

Page 13: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

Frequently asked questions

1. Why is there /@/ and /@/ in the word / !Int@"n&S@n@l/ ?

2. How do I know when to use a dotted /i/ or undotted /I/?

3. Why are some words (e.g./wVnz/) without stress marks?

4. Why is the grammatical ending transcribed sometimes as /s/, /z/, or /Iz/ in /"br&kIts/, /"fi;Í@z/, and /"si;kw@ntsIz/?

5. Why are stresses in /@ !merIk@n"INglIS/ like this when the dictionary tells us it should be /@"merIk@n/ /"INglIS/?

6. Why do they say /pr@"naUnts/ and not /pr@"naUns/?

Page 14: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

1. Why is there /@/ and /@/ in the word / !Int@"n&S@n@l/ ?

Because the second and the third schwa in the word / !Int@"n&S@n@l/ may be pronounced, or may be ommited.

It is called a superscript schwa and it is a non-phonemic symbol.

Page 15: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

2. How do I know when to use a dotted /i/ or undotted /I/?Can you spot any regularities stemming from these examples?

/i/ /i;/ /I/

/"praIm@ri//"3;li/

/f@U"ni;mIk//"si;kw@nts//"fi;Í@z/

/"slA;ntIN/ or /"br&kIts/

/"f&mIliz//"f&kt@riz/

/ !i;k@"nOmIk/

/ !Int@"n&S@n@l//"INglIS/

/greI/ or /seI/

/pr@%nVntsi"eISn//"h&pi@/, /ve@ri@s/

/!i;k@"nOmIk/ /!&nI"meIS@n/

Page 16: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

/i/ or /i;/ or /I/ ?

/i/ is used at the end of words when it is not part of the diphthong (e.g. /leIdi/) and in plural endings (e.g. /leIdiz/).

/i;/ occurs at the beginning and in the middle of a word to mark the long vowel. It never occurs at the end of a word (e.g. / !i;k@"nOmIk/, /ri;d/).

/I/ can be found only at the beginning or in the middle of a word. It also occurs at the end of a word when it is part of a diphthong (e.g. / !I"regj@l@, /bIt/, /bOI/).

/i/ can sometimes be in the middle of the word when it is in front of a stressed suffix, for example,

/pr@%nVntsi"eISn/, or in front of a vowel which is part of a suffix /"ve@ri@s/ or grammatical ending /"h&pi@/.

Page 17: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

3. Why are some words (e.g./wVnz/) without stress marks?

Because no one-syllable words are marked with stress marks in dictionaries.

Page 18: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

4. Why is the grammatical ending –s transcribed sometimes as /s/, /z/, or /Iz/?

/s/ /z/ /Iz/

/"br&kIts/ /"fi;Í@z/ /"si;kw@ntsIz/

/"kQnts@n@nts/

/wVnz/ /"bVsIz/

/k&ps/ /"sImb@lz/ /"m&ÍIz/

Page 19: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

/s/, /z/, or /Iz/? Unvoiced, voiced or sibilant?

What matters is what type of a consonant comes before the grammatical ending in pronunciation of a word.

When there is an unvoiced consonant, the grammatical ending –s is pronounced as /s/, e. g. /k&ps/.

When there is a voiced consonant or any vowel, the grammatical ending –s is pronounced as /z/, e. g. /"fi;Í@z/, /wVnz/.

When there is a sibilant consonant /s, z, S, Z, Í, Ù, the grammatical ending –s is pronounced as /Iz/, e. g. /"bVsIz/, /"m&ÍIz/

Page 20: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

5. Why does primary stress become secondary when two words meet?

The primary stress becomes secondary in /@ !merIk@n"INglIS/ because when two words meet in

speech, they influence each other in many different

ways in English even if the dictionary tells us it

should be /@"merIk@n/ and /"INglIS/. Have you spotted any other cases like thisin the exercises

above?

But it can be also the other way round:

/"fIfti;n !egz/ but /fIf"ti;n/ /egz/.

Page 21: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

6. Why do they say /pr@"naUnts/ and not /pr@"naUns/?

Because this is the trend in current development of RP.

Have a look at words such as pronunciation,

occurrence, difference, fence, or answer in the

3rd edition of LPD.

Page 22: Transcription exercises & @ 3: O; V @U S Z D T N w N Ù Í

Great. Well done. You’re the winner.