JOSÉ MARÍA CIRIA

NACHKLANG 1

[TRÄGHEIT-STUDIE]

(2013)

FOR VIOLÍN, VIOLONCELLO AND PIANO

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Piece written on ocassion of the III International Young Composers Academy of

Moscow Contemporary Ensemble

GENERAL

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VIOLIN AND CELLO

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! !!! ! normal and harmonic left-hand pressure !

!

! !!!!!!!! !! tonlos pressure (on blocked open strings)!!

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! ! normal and high (noise) bow harmonic!

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! ! fermatas: short, long, very long

tie

tremolos always as fast as possible

glissandi always the value of the note

as fast as possible

quarter tone down

quarter tone up

dynamics in quotes refer to physical effort,

not to sound result

The metronome markings are

approximate. Tempo may

vary depending on the spread

of the resonante in the hall

The bar 88 is a four repetitions

process. Each one more

deformed than the previous one

as indicated.

[x4]

PERFORMANCE NOTES

! !!!! ! ! pizzicato Bartók!!

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! [s.p.] sul ponticello

[vibrat.] vibratissimo (quickly and open vibrato)

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bisbigliando between the two indicated strings as fast as possible

the lines indicate the duration of the gesture (each line is one pulse)

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PIANO

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Attention! the third stave contains an indication “alla octava bassa”, which remains throughout the

piece

these three pitches must be

blocked with a piece of rubber

trying to remove all possible

determinate sounds of them

adjust gradually the indicated resulting

harmonic to create a process from tonlos to

sound

the diamond-shaped notes must be

pressed without any resulting sound to

vibrate as sympathy resonators

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Copyright © 2013 José María Ciria Sobella

Violino

Violoncelo

Piano

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Nachklang 1

[Trägheit-Studie]José María Ciria

(2013)

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