today—art notes & ia conferences, ia worktime or groups for paper 1

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• Today—art notes & IA conferences, IA worktime or groups for Paper 1 • Tomorrow & Thursday—”Cabaret” Essay DUE and AP Review Enlightenment & French Revolution • Friday—AP Quiz • Next Wednesday—Paper 1 Projects DUE

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Today—art notes & IA conferences, IA worktime or groups for Paper 1 Tomorrow & Thursday—”Cabaret” Essay DUE and AP Review Enlightenment & French Revolution Friday—AP Quiz Next Wednesday—Paper 1 Projects DUE. Art in the pre-WWII & Weimar Era. - PowerPoint PPT Presentation

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Page 1: Today—art notes & IA conferences, IA worktime or groups for Paper 1

• Today—art notes & IA conferences, IA worktime or groups for Paper 1

• Tomorrow & Thursday—”Cabaret” Essay DUE and AP Review Enlightenment & French Revolution

• Friday—AP Quiz

• Next Wednesday—Paper 1 Projects DUE

Page 2: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Art in the pre-WWII & Weimar Era

• The pre-WWII era through the Weimar Republic was extremely productive for German modern artists.– Bleau Riders -Otto Dix -Wassily

Kandinsky– Franz Marc -Paul Klee -Max Beckmann

• During the Weimar Era (the interwar period between 1919 and 1933), Germany was filled with the living half-dead. – Many soldiers returned from war scarred, crippled and

missing limbs. – Many men were irreparably damaged, and their widows

were left to fend for themselves and their children. – For some war widows, prostitution--and the emotional

numbness that made that profession bearable--was the only option.

Page 3: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Art in the Hitler Era• The years 1927 to 1937 were critical for artists in Germany. • In 1927, the National Socialist Society for German Culture

was formed. – The aim of this organization was to halt the "corruption of art" and inform the

people about the relationship between race and art. – By 1933, the terms "Jewish," "Degenerate," and "Bolshevik" were commonly

used to describe almost all modern art. • In 1937, Nazi officials purged German museums of works the

Party considered to be degenerate. – From the thousands of works removed, 650 were chosen for a special

exhibit of Entartete Kunst. – The exhibit opened in Munich and then traveled to eleven other cities in

Germany and Austria. – In each installation, the works were poorly hung and surrounded by graffiti

and hand written labels mocking the artists and their creations. – Over three million visitors attended making it the first "blockbuster"

exhibition.

Page 4: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Hitler viewing art/speech

Page 5: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Painting, Sculpture, Architecture and Musicin the Third Reich

• Art was considered to be one of the most important elements to strengthening the Third Reich and purifying the nation. – Political aims and artistic expression became one. – The task of art in the Third Reich was to shape the population's attitudes

by carrying political messages with stereotyped concepts and art forms. – True art as defined by Hitler was linked with the country life, with health,

and with the Aryan race. • "We shall discover and encourage the artists who are able to

impress upon the State of the German people the cultural stamp of the Germanic race . . . in their origin and in the picture which they present they are the expressions of the soul and the ideals of the community.“ (Hitler, Party Day speech, 1935)

Page 6: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Hitler,Goebbels and Ziegler• Entartete Kunst Exhibit-Munich, 1937

Page 7: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Otto Dix: Horrors of War

• “The war was a horrible thing, but there was something tremendous about it too. I didn't want to miss it at any price. You have to have seen human beings in this unleashed state to know what human nature is... I need to experience all the depths of life for myself, that's why I go out, and that's why I volunteered.” (1).

Page 8: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Otto Dix Flanders, 1934

Page 9: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Sunrise

Page 10: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Self-portrait

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Self-portrait POW

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Hand to hand fighting

Page 13: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Trenches

Page 14: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Trenches

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Skull

Page 16: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Dance of Death

Page 17: Today—art notes & IA conferences, IA worktime or groups for Paper 1

A Dead Sapper (aka sentry)

Page 18: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Meal Time in the Trenches

Page 19: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Langemark

Page 20: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Machine Gun Advancing

Page 21: Today—art notes & IA conferences, IA worktime or groups for Paper 1

The Bombing of Lens

Page 22: Today—art notes & IA conferences, IA worktime or groups for Paper 1

A Dead Horse

Page 23: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Soldier and Nun

Page 24: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Retreating from the Battle of the Somme

Page 25: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Storm troopers during a gas attack

Page 26: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Transplantation

Page 27: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Otto Dix

Page 28: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Kathe Kollwitz

• She was considered a degenerate artist because of her anti-war stance.

• “Where do all the women who have watched so carefully over their loved ones get the heroism to send them to face the cannon? I toy with the thought (of) . . . mothers standing in a circle defending their children, as a sculpture in the round.”

• Kollwitz Kollwitz believed that art should reflect social conditions in one's time. – The Nazis forbade her work to be displayed, and banished her

work to the cellar of the Crown Prince Palace, declaring "In the Third Reich mothers have no need to defend their children. The State does that."

Page 29: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Mother Protecting Her Child

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Page 31: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Widows and Orphans

Page 32: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Woman and Death

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Max Beckmann:Self Portrait and Carnival

Page 34: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Night

Page 35: Today—art notes & IA conferences, IA worktime or groups for Paper 1

Departure