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To Avoid Reputation Status of Women in the Tang and Song Dynasties

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To Avoid Reputation. Status of Women in the Tang and Song Dynasties. - PowerPoint PPT Presentation

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Page 1: To Avoid Reputation

To Avoid ReputationStatus of Women in the Tang and Song

Dynasties

Page 2: To Avoid Reputation

In conjunction with the backlash against Buddhism and the revival of Confucianism that began under the Tang and intensified under the Song, women entered a long period of cultural subordination, legal disenfranchisement, and social restriction

Page 3: To Avoid Reputation

Merchants spent long periods away from home, and many maintained several wives in different locations

Frequently they depended on wives to manage their homes and even their businesses in their absence

Page 4: To Avoid Reputation

But though women took on responsibility for the management of their husbands’ property, their own property rights suffered under legal erosion

Under Song law, a woman’s property automatically passed to her husband, and women could not remarry if their husbands divorced them or died

Page 5: To Avoid Reputation

The subordination of women proved compatible with Confucianism, and it became fashionable to educate girls just enough to read simplified versions of Confucian philosophy that emphasized the lowly role of women

Page 6: To Avoid Reputation

Modest education made these young women more desirable as companions for the sons of gentry or noble families, and as literate mothers in low ranking families aspiring to improve their status

Page 7: To Avoid Reputation

Only rarely did a woman of extremely high station with unusual personal determination, as well as uncommon encouragement from father and husband, manage to acquire extensive education and freedom to pursue the literary arts

Page 8: To Avoid Reputation

The poet Li Qingzhao (1083 – 1141) acknowledged and made fun of her unusual status as a highly celebrated female writer:

Although I have studied poetry for thirty yearsI try to keep my mouth shut and avoid reputationNow who is this nosy gentleman talking about my poetryLike Yang Ching-chihWho spoke of Hsiang Su everywhere he went

Page 9: To Avoid Reputation

Her reference is to a hermit poet of the ninth century who was continually and extravagantly praised by a court official, Yang Ching-chih

Page 10: To Avoid Reputation

Female footbinding first appeared among slave dancers at the Tang court, but it did not become widespread until the Song period

Page 11: To Avoid Reputation

Women – often enslaved – entertained at Chinese courts from early times

Tang art often depicts women with slender figures, but Tang taste also admired more robust physiques

Song women, usually pale with willowy figures, popularly appeared with bound feet at court

Page 12: To Avoid Reputation

Though the practice of footbinding appeared in Tang times, it was not widespread until the Song, when the image of weak, housebound women unable to work became a status symbol and pushed aside the earlier enthusiasm for healthy women who participated in family business

Page 13: To Avoid Reputation

The bindings forced the toes under and toward the heel, so that the bones eventually broke and the woman could not walk on her own

Page 14: To Avoid Reputation

In noble and gentry families, footbinding began between ages five and seven

In less wealthy families, girls worked until they were older, so footbinding began only a girl’s teens

Page 15: To Avoid Reputation

Many literate men condemned the maiming of innocent girls and the general uselessness of footbinding

Page 16: To Avoid Reputation

Nevertheless, bound feet became a status symbol

Page 17: To Avoid Reputation

By 1200 a woman with unbound feet had become undesirable in elite circles, and mothers of elite status, or aspiring to such status, almost without exception bound their daughters’ feet

Page 18: To Avoid Reputation

They knew that girls with unbound feet faced rejection by society, by prospective husbands, and ultimately by their families

Page 19: To Avoid Reputation

Working women and the indigenous peoples of the south, where northern practices took a longer time to penetrate, did not practice footbinding

As a consequence, they enjoyed more mobility and economic independence than did elite Chinese women

Page 20: To Avoid Reputation

Yet in 1949, the Chinese Communist Party (CCP) would come to power

Page 21: To Avoid Reputation

Mao Zedong, the leader of the Chinese Communist Party, was an advocate of women’s equality

Page 22: To Avoid Reputation

Radical ideas such as those of Margaret Sanger, the American leader of the birth-control movement, and the feminist play A Doll’s House by the Norwegian playwright Henrik Ibsen inspired veterans of the May Fourth Movement (a movement of students protesting in front of the Forbidden City of Beijing in May 1919 after Japan’s seizure of the German enclaves in China following World War I)

Page 23: To Avoid Reputation

Before 1927 the Communists had organized the women who worked in Shanghai’s textile mills, the most exploited of all Chinese workers

Page 24: To Avoid Reputation

Later, in their mountain stronghold in Jiangxi, they organized women farmers, allowed divorce, and banned arranged marriages and footbinding

Page 25: To Avoid Reputation

But they did not admit women to leadership positions, the party was still run by men whose primary task was warfare due to a civil war between Communist soldiers and Nationalist forces