timothy morton - art in the age of asymmetry: hegel, objects, aesthetics

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p. 121 Vol. 1, No. 1 (2012) Aesthetics After Hegel Morton, Timothy. “Art in the Age of Asymmetry: Hegel, Objects, Aesthetics,” Evental Aesthetics 1, no. 1 (2012): 121‐142. BSTR CT In this essay I argue that we have entered a new era of aesthetics. This new era is possible to predict using Hegel's lectures on aesthetics. But for reasons that I outline, Hegel himself would not have predicted it. The Hegelian thinking of art has an unconscious that is only now coming to light. This coming to light signals the collapse of the Romantic period — the “long march of the isms,” the most encompassing of which is consumerism, since the late eighteenth century, accompanied by the advent of modernity, the upsurge of industrial capitalism, and the subsequent geological shift we now call the Anthropocene: the fact that we have now entered a geological period in which humans have a direct affect on the substrata of their earthly reality. The Anthropocene has a very definite beginning indeed: 1945, when a thin layer of radioactive materials was deposited in Earth's crust. The new period we enter, I claim, is an ecological one. In this period, a new phase of art, unpredicted, and indeed I shall argue, unpredictable, by Hegel, comes about. This phase of art I call the Asymmetric Phase. KEYWORDS Hegel, Asymmetric Phase, hyperobjects, nonhuman, ecology

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Page 1: Timothy Morton - Art in the Age of Asymmetry: Hegel, Objects, Aesthetics

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