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Page 1: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion
Page 2: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

THIS

IS

Page 3: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

With

Host...

Your

Page 4: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

100 100 100 100 100 100

200 200 200 200 200 200

300 300 300 300 300 300

400 400 400 400 400 400

500 500 500 500 500 500

Analysis & Interp

Short Fiction Nonfiction Drama

Long FictionPersuasion

Page 5: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

The use of surrounding words

in a sentence to predict an unknown

word meaningA 100

Page 6: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

The literary term used to describe the word choice

of an author

A 200

Page 7: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

The literary term used to describe when an author

manipulates time by retelling the past

A 300

Page 8: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

The common central idea between MLK

and Malcolm X

A 400

Page 9: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

List four of the five methods of

characterization

A 500

Page 10: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Setting for “Story of an Hour”

--time period

B 100

Page 11: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

The common experience shared

between the protagonist of

“Adam” and his wifeB 200

Page 12: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

The point of view of “The Tell Tale

Heart”

B 300

Page 13: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Create a relevant theme statement for the central idea of

“Greed” in “The Devil and Tom Walker”

B 400

Page 14: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

The literary term that creates the

manipulation of time that occurs in “An Occurrence at Owl

Creek Bridge”B 500

Page 15: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

C 100

The dominant appeal of “The Declaration of Independence”

Page 16: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

The author’s perspective and purpose in the “Declaration of

Sentiments”C 200

Page 17: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

The Miranda rights serves as example of

an explanation of what U.S. document.

C 300

Page 18: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

DAILY DOUBLE

C 400

DAILY DOUBLE

Place A Wager

Page 19: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Finish this main idea: ____________ are created

and given power by the ________ of the governed;

when they no longer represent the _________ they must be changed.

C 400

Page 20: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Put the texts in the appropriate order for their development of ideas about the individual and

society:

“Walden”

“Self-Reliance”

“Civil Disobedience”C 500

Page 21: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

The setting for the play

D 100

Page 22: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Which classic dramatic structure is present in The

Crucible

D 200

Page 23: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Contextualizing the play reveals that the

events and characters serve as a parallel

for….

D 300

Page 24: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Name three compositional elements of the drama genre

D 400

Page 25: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Create a relevant theme statement for “hysteria” in

the play.

D 500

Page 26: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Identify the setting of the novel

E 100

Page 27: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Identify the point of view and author’s

purpose in the novel

E 200

Page 28: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Identify the plot structure of the novel and the

critics least favorite section of the book.

E 300

Page 29: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Identify the primary foil of the novel (character

development pairing)

E 400

Page 30: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Identify the three central ideas

discussed in class for the novel

E 500

Page 31: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Name the dominant appeal of “Sinners in the Hands of an

Angry God”F 100

Page 32: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Identify Patrick Henry’s tone in “Speech in VA Convention”

F 200

Page 33: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Identify the primary literary

device used in the list of complaints

(D of I)F 300

Page 34: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Which term does MLK refine in “Letter from

Birmingham Jail”

Hint: connotationF 400

Page 35: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Name the five steps of the persuasion

process

F 500

Page 36: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

The Final Jeopardy Category is:

Persuasive Rhetoric and Argument

Foundation U.S. Documents

Please record your wager.

Click on screen to begin

Page 37: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Click on screen to continue

Final Jeopardy: Written Response

Identify the main idea/argument, purpose, and rhetorical features (appeals and devices) from “The

Declaration of Independence”

Page 38: THIS IS With Host... Your 100 200 300 400 500 Analysis & Interp Short Fiction NonfictionDrama Long Fiction Persuasion

Thank You for Playing Jeopardy!

Game Designed By C. Harr-MAIT