theory 05 melodic minor scales sharp keys level 2
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8/10/2019 Theory 05 Melodic Minor Scales Sharp Keys Level 2
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music-scores Theory
Melodic Minor Scales: One Octave
A minor (melodic): 6th and 7th notes = F# and G#
© 2002 Anne Christopherson GRSM ARCM
In Melodic Minor scales,
the 6th and 7th notes are sharpened (raised) by a semitone on the way up,and lowered again on the way down.
The fingering of A minor is exactly the same as C major!
It is also used in the scales of E, C*, G* and D* minor:
RH: 1 2 3 1 2 3 4 5 4 3 2 1 3 2 1
LH: 5 4 3 2 1 3 2 1 2 3 1 2 3 4 5
Useful tip:
When playing with both hands, your 3rd (middle) fingers always play at the same time.
This fingering also applies separately to:
Right Hand only: B minor
Left Hand only: F minor*
*C, G, D and F minor are "flat" b keys - see separate sheet
A.L.C.
1
A
2
B
3
C
1
D
2
E
3
F
4
G
5
A
4
G
3
F
2
E
1
D
3
C
2
B
1
A
%
5
A
4
B
3
C
2
D
1
E
3
F
2
G
1
A
2
G
3
F
1
E
2
D
3
C
4
B
5
A
E minor (melodic) - 1 sharp: F#, plus 6th and 7th notes C# and D#
"Sharp" Keys
#
1
E
2
F
3
G
1
A
2
B
#
3
C
4
D
5
E
4
D
3
C
2
B
1
A
3
G
2
F
1
E
#
% #
5
E
4
F
3
G
2
A
1
B
#
3
C
2
D
1
E
2
D
3
C
1
B
2
A
3
G
4
F
5
E
#
B minor (melodic) - 2 sharps: F#, C#, plus 7th note A#
#
#
1
B
2
C
3
D
1
E
2
F
#
3
G
4
A
5
B
4
A
#
3
G
2
F
1
E
3
D
#
2
C
1
B
#
% ##
4
B
3
C
2
D
1
E
4
F #
3
G
2
A
1
B
2
A #
3
G
4
F
1
E
2
D #
3
C
4
B #
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8/10/2019 Theory 05 Melodic Minor Scales Sharp Keys Level 2
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F# minor (melodic) - 3 sharps: F#, C#, G#, plus 6th and 7th note D# and E#
#
#
#
2
F
3
G
1
A
2
B
3
C
#
#
4
D
1
E
3
F
2
E
#
#
1
D
3
C
2
B
1
A
#
3
G
2
F
#
#
% #
#
#
4
F
3
G
2
A
1
B
3
C
#
#
2
D
1
E
2
F
1
E
#
#
D
3
C
1
B
2
A
#
3
G
4
F
#
#
C# minor (melodic) - 4 sharps: F#, C#, G#, D#, plus 6th and 7th notes A# and B#
####
2
C
3
D
1
E
2
F
3
G
#
#
#
4
A
1
B
3
C
2
B
#
#
1
A
3
G
2
F
1
E
#
#
3
D
2
C
#
#
% #
#
#
#
3
C
2
D
1
E
4
F
3
G
#
#
#
2
A
1
B
2
C
1
B
#
#
2
A
3
G
4
F
1
E
#
#
2
D
3
C
#
#
G# minor (melodic) - 5 sharps: F#, C#, G#, D#, A#, plus 6th and 7th notes E# and Fx
In every scale you have to use one note of each letter-name.
This is why we use Double Sharps ( ) here:
#
#
#
#
#
2
G
3
A
1
B
2
C
3
D
#
#
#
1
E
2
F×
3
G
2
F
#
#
1
E
3
D
2
C
1
B
#
#
#
3
A
2
G
#
#
% #
#
#
#
#
3
G
2
A
1
B
4
C
3
D
#
#
#
2
E
1
F×
2
G
3
F
#
#
1
E
2
D
3
C
1
B
#
#
#
2
A
3
G
#
#
D# minor (melodic) - 6 sharps: F#, C#, G#, D#, A#, E#, plus 6th and 7th notes B# and Cx
Enharmonic equivalent (same notes as): Eb minor
#
#
#
#
#
#
2
D
1
E
2
F
3
G
4
A
#
#
#
#
1
B
2
C×
3
D
2
C
#
#
1
B
4
A
3
G
2
F #
#
#
1
E
2
D
#
#
#
% ######
2
D
1
E
4
F
3
G
2
A
#
#
#
#
1
B
3
C×
2
D
3
C
#
#
1
B
2
A
3
G
4
F
# #
#
1
E
2
D
#
#
#
www.music-scores.com
music-scores Theory
Melodic Minor Scales: One Octave - "Sharp" Keys
2
8/10/2019 Theory 05 Melodic Minor Scales Sharp Keys Level 2
http://slidepdf.com/reader/full/theory-05-melodic-minor-scales-sharp-keys-level-2 3/3
music-scores Theory
-5-
Theory of a Melodic Minor Scale
Major and Minor keys are related. Each Minor key has a relative major,and each Major key has a relative minor.
They share the same key signature.
C major’s relative minor is A minor.C is 3 SEMITONES (a minor 3
rd) higher than A.
A minor’s relative major is C major.A is 3 SEMITONES (a minor 3
rd) lower than C.
To make a Melodic Minor Scale, you start on the Minor Keynote but you
use the same notes as the relative major - except for the 6 th and 7
th notes
of the ascending scale. When you go up the scale, the 6th and 7
th notes
are raised (sharpened) by 1 semitone. For the descending scale, use
exactly the same notes as the relative major.
The 6th
and 7th notes push their way up, but they fall back down.
3 examples:Ascending: Descending:
C major: C D E F G A B C / C B A G F E D C
A minor: A B C D E F# G# A A G F E D C B A
Ascending: Descending:
Eb major: Eb F G Ab Bb C D Eb / Eb D C Bb Ab G F Eb
C minor: C D Eb F G A B C C Bb Ab G F Eb D C
Ascending: Descending:
B major: B C# D# E F# G# A# B / B A# G# F# E D# C# B
G# minor: G#A# B C# D# E# Fx G#* G# F# E D# C# B A# G#
*Remember that you must have ONE of each letter name in every scale,which is why we use double sharps (you can’t use “F, G natural, G#” - it
must be “E#, Fx, G#”).
www.music-scores.com ©2002 Anne Christopherson GRSM ARCM