The Theater Does Not Exist That Life

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  • 8/3/2019 The Theater Does Not Exist That Life

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    The theater does not exist that life

    She cries

    At her side he does not notice it

    She cries

    He does not notice it

    She cries from the beginning touched by the fragility of this man

    She cries upset by what it is made enduring to this being on the border line in front of her

    She's crying now because nurses treat him like that

    Sitting next he did not see her

    Because he is also upset

    Because the nurses treat him like that like that yes like that how

    The theater does not exist any more

    That life

    Thus she cries for what the nurses impose to him for her a victim now not an actor no more an

    actor

    After she says to him after the representation

    She says to him he was not nasty

    For her right away he was only a helpless being as a child at night

    The theater does not exist any more

    That life

    What exists it is this

    What this

    This This terrible way of treating the others the other-livings to treat them as

    As what

    As if they were not human beings tres humains seres humanos

    As animals machines to repair your machine has broken down you understand you understand

    you cannot understand you cannot you are irresponsible

    Theater does not exist

    That life

    What exists this is that it is that

    What

    That

    This scene in this theater incredibly violent

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    What is this scene

    That's this a human Being a ser humano an tre humain a man not a puppet a being who has just

    crossed the line

    That just relive this event in his life

    This crossing of the line the crossing of the gate of the subway in pursuit of this young woman that

    he attacks that he attacks

    You can not use other words in other times it would have been her fault not to him in short

    Why was she wearing garters

    She cries by the fact that the nurses not the actresses the nurses make him undergo at his turn

    An aggression terrible

    As him

    Without wanting to hurt him

    As him

    In all innocence

    The theater does not exist

    That life

    We are again in the fifth floor of the theater of Nice in the rehearsal room where these nurses the

    actresses of the play come just to lead us

    Now they are doing to undergo to Paul In the fetishist this terrible ordeal of this inconceivably

    violence

    The theater does not exist

    That life

    To Paul not a puppet to Paul the fetishist who just tell them in a hilarious way in a his hilarious

    his misadventure in the subway in pursuit of this young woman because he glimpsed that she had a

    garter belt from whom he demanded and got the garter that he returns it triumphantly to his wife

    says he who does not understand who cries

    This story so excited him that nurses believe that there is only by this means

    What means

    This means that fire hose to calm him To put out this exaltation

    She cries at his side he does not see her because he is upset by this means used

    The theater does not exist

    That life

    In front of them not this enlightened well of " the connoisseur " but a ditch a corridor a ditch that

    of Kolyma of Auschwitz Of Rodez a ditch a corridor a corridor that of the infirmary of the labor

    camp of the kolyma Of the extermination camp of Auschwitz of the camp of slow death of the

    asylum of Rodez Of the asylum of Rodez where Artaud starves with all the other-livings those who

    go too fast who cross the line of border the border line the border between what and what

    between life and life

    He has always been afraid of the body him

    Paul the fetishist

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    It is true the naked body has an aura a mystery the naked body in its nudity is so fragile the

    naked body of the woman which we like who sleeps that we discover to the bends of a dream in

    the light let us have not fear of clichs in the light of the moon so abandoned so helpless so

    deprived so beautiful in its fragile nudity which palpitates

    Him

    The fetishist he is afraid of it in fact he does not know it but he likes it this bodyHe believes he loves clothes he believes the body is only a clothes-stand a coat stand

    So why bras panties garters fascinate him why he does not like the clothes of men which do him

    faint he says

    Because he loves women veiled women veiled by a hat veil

    He would have been happy at the end of the nineteenth century at that time impossible to see not

    even one inch of the skin of a woman he came too late in the twentieth century where the clothing

    of women has the same function always to stimulate the dreams of the female body to men and

    also to hide enough either completely this terrible fragility of these bodies when they are

    completely nakedShe cries he does not see

    She will tell him after the end

    The end of what

    From the representation of "the fetishist"

    This deeply moving fragility of the naked body which the nurse reveals when she washes him

    At the instant it is no more than a helpless child Paul

    Tap tap tap tap

    Here is it starts

    Tap tap tap

    This is the sound of heels the sound of heels down the hall of the infirmary of the Kolyma of

    Auschwitz of the asylum of Rodez

    Tap tap tap

    Throughout the performance there will be this tap tap tap before us but also behind us when the

    nurse moves from side courtyard to side garden to enter by one side or the other

    Tap tap tap

    As soon as he hears it Paul the fetishist in his asylum the man who loves women in clothes inunderwear this tap tap tap he shrinks he curls up frightened when he hears her

    She

    The nurse very professional very straight very nursing nurse he is no more than that

    That what

    That which should be treated by this nurse

    This man lapsed into one's second chilhood

    Tap tap tap

    The sound of heels of all the heels of all the prisons all the asylums all the camps

    Tap tap tap

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    Where are you taking me where are you taking me

    Tap tap tap

    The sound of heels

    Tap tap tap

    The theater does not existThat life

    Where are you taking me where are you taking me

    Tap tap tap

    The sound of the heels of all the prisons all the asylums all the camps t

    Tap tap tap

    The life one hour

    The life a whole life within one hour

    Tap tap tap

    The theater is the poetry of the space thus of time thus of life

    Tap tap tap

    The theater of the life within one hour

    Tap tap tap

    The theater does not exist

    That life

    Tap tap tap Tap tap tap Tap tap tap tap tap