“the swing” by jean-honore fragonard “the death of marat” jacques-louis david, 1793 marat as...

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Page 1: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure
Page 2: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure

“The Swing” by Jean-Honore Fragonard

Page 3: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure

““The Death of The Death of Marat”Marat”

Jacques-Louis David, Jacques-Louis David, 17931793

““The Death of The Death of Marat”Marat”

Jacques-Louis David, Jacques-Louis David, 17931793

Marat as a “Christ-like”

figure.

Page 4: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure

““Napoleon at the Napoleon at the Saint-Bernard Saint-Bernard

PassPass ” ”Jacques-Louis David, Jacques-Louis David,

18011801

““Napoleon at the Napoleon at the Saint-Bernard Saint-Bernard

PassPass ” ”Jacques-Louis David, Jacques-Louis David,

18011801

Page 5: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure

Overview of Neo-Overview of Neo-ClassicismClassicism

Overview of Neo-Overview of Neo-ClassicismClassicism$ A reaction against the Rococo.

$ Return to the perceived “purity” of the arts of Greek and Rome.

$ Linked to contemporary political events:

S French and American Revolutions.

S Napoleon used the style for propaganda.

Page 6: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure
Page 7: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure

““The Death of Socrates”The Death of Socrates”Jacques-Louis David, 1787Jacques-Louis David, 1787

““The Death of Socrates”The Death of Socrates”Jacques-Louis David, 1787Jacques-Louis David, 1787

The death of Socrates was a symbol of republican virtue.

Page 8: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure

““The Oath of the Horatii”The Oath of the Horatii”Jacques-Louis David, 1784Jacques-Louis David, 1784

““The Oath of the Horatii”The Oath of the Horatii”Jacques-Louis David, 1784Jacques-Louis David, 1784

A depiction of dutiful patriotism.

Page 9: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure

““The Oath of Brutus”The Oath of Brutus”Gavin Hamilton, 1767Gavin Hamilton, 1767

““The Oath of Brutus”The Oath of Brutus”Gavin Hamilton, 1767Gavin Hamilton, 1767

The oath was sworn as a promise of individual revenge against a corrupt monarchy.

Page 10: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure

““The Consecration of Napoleon & The Consecration of Napoleon & Josephine”Josephine”

Jacques-Louis David, 1805-1807Jacques-Louis David, 1805-1807

““The Consecration of Napoleon & The Consecration of Napoleon & Josephine”Josephine”

Jacques-Louis David, 1805-1807Jacques-Louis David, 1805-1807

A very different theme:The celebration of worldly splendor and power.

Page 11: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure

““Napoleon on His Napoleon on His Imperial Crown”Imperial Crown”

Jean-Auguste-Jean-Auguste-Dominique Ingres, Dominique Ingres,

18061806

““Napoleon on His Napoleon on His Imperial Crown”Imperial Crown”

Jean-Auguste-Jean-Auguste-Dominique Ingres, Dominique Ingres,

18061806

Page 12: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure

Liberty Leading the People, Eugène Delacroix, 1830

Liberty Leading the People, Eugène Delacroix, 1830

Page 13: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure

Lion Hunt, Delacroix (1861)

Page 14: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure

Grande Odalisque - Ingres (1814)

Grande Odalisque - Ingres (1814)

Page 15: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure
Page 16: “The Swing” by Jean-Honore Fragonard “The Death of Marat” Jacques-Louis David, 1793 Marat as a “Christ-like” figure

Brandenburg Gate, Berlin

Buckingham Palace, London

The Gate of Alcala, Madrid