the significance of choral singing
TRANSCRIPT
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Article
MusicPerformance
Research
Copyright2010
RoyalNorthernCollegeofMusic
Vol3(1)SpecialIssueMusicandHealth:7996
ISSN17559219
The
significance
of
choral
singing
for
sustainingpsychological
wellbeing:
findings
from
a
survey
of
choristersinEngland,AustraliaandGermany
StephenClift
GrenvilleHancox
SidneyDeHaanResearchCentreforArtsandHealth
ABSTRACT:Previousresearchhashighlightedthepossiblebenefitsofactivepar
ticipation insingingforwellbeingandhealth. Shortcomings inthe literatureare
thelackofacommonunderstandingofwellbeingandhealth,andtheabsenceof
atheoreticalmodelofthecausalmechanismslinkingsingingwithwellbeing. The
presentstudyaimstoaddresstheseshortcomingsthroughalargecrossnational
survey of choral singers based on theWorldHealthOrganization definition of
healthandutilizingmeasuresdevelopedby theWHOQualityofLifeproject. A
totalof1124choralsingersdrawnfromchoirsinAustralia,EnglandandGermany
completedtheWHOQOLBREFquestionnairetomeasurephysical,psychological,
social and environmental wellbeing, and a 12item effects of choral singing
scale. Writtenaccountsoftheeffectsofchoralsingingonwellbeingandhealth
weregiveninresponsetoopenquestions. Ahighdegreeofconsensusemerged
onthepositivebenefitsofchoralsinging,withwomensignificantlymorelikelyto
endorsethevalueofsingingforwellbeingandhealthcomparedwithmen. Asig
nificantbut small correlationbetweenpsychologicalwellbeing andpositive ef
fectsofchoralsingingalsoemergedforwomen,butnotformen. Particularat
tentionisgiventoqualitativeaccountsoftheeffectsofchoralsingingonwellbe
ing from85participantswith relatively lowpsychologicalwellbeingasassessed
bytheWHOQOLBREF,andhighscoresonthesingingscale. Fourcategoriesof
significant personal and health challengeswere disclosed bymembers of this
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group:enduringmentalhealthproblems; family/relationshipproblems;physical
health challenges and recent bereavement. Their accounts also suggested six
generativemechanismsbywhichsingingmay impactonwellbeingandhealth:
positive affect; focused attention; deep breathing; social support; cognitive
stimulationand
regular
commitment.
KEYWORDS: Choral singing, psychological wellbeing, WHOQOLBREF, survey,
crossnational,health
Arecentsystematicmappingoftheempiricalliteratureonsingingandwellbeingidentified
35papersforreview(Clift,Hancox,Staricoff&Whitmore,2008). Thestudiesvariedconsid
erablyintermsoffocus,method,samplecharacteristics,samplesize,natureofthesinging
investigated,datagatheredandapproachtoanalysis. Thestudiesaresodiversethataco
herent synthesis of the evidence on the value of singing forwellbeingwas not possible.
Rather,studieswerecategorisedaccordingtotheirdesignandthenatureofdatagathered
andtheevidencetheyprovidedcriticallyevaluated.
Qualitativestudiesofsingingandhealth
Anumberofqualitativestudiesonthebenefitsofcommunitysinginghavebeenundertaken
withdiverse samplesofsingers,and theseprovideevidence from subjective reportsona
rangeofsocial,psychological,andhealthbenefitsassociatedwithsinging. BaileyandDavid
son(2002,2005)forexample,interviewedchoirsingersfromarangeofsocialbackgrounds
inCanada;Silber (2005)explored the impactofasinginggroupestablished inawomens
prisonin
Israel,
and
Watanabe
(2005)
explored
the
experience
of
individual
engagement
withKaraokelessonsandperformanceinJapan.
TheworkofBaileyandDavidson isofparticularrelevancetothestudyreportedhere.
Intheirfirststudy(2002)theyinterviewedmembersofasmallchoirsetupinMontrealfor
homelessmenandfourthemesemergedrepeatedlyinthemensaccounts:
Groupsingingalleviateddepressionandenhancedemotionalandphysicalwellbe
ing.
Performing to an audienceencouraged a senseofpersonalworth andprovideda
meansofreengagingwithwidersocialnetworks.
Thechoir
provided
asupportive
context
for
the
men
in
which
they
could
develop
theirsocialskillsandachievecollectivegoals.
Singingismentallydemanding,andrequiredthementoconcentrateandlearnnew
materialinordertoperform. Suchconcentrationalsodirectedtheirattentionaway
frominternalpreoccupationwiththeirproblems.
Infurtherwork,BaileyandDavidson(2005)interviewedmembersofasinginggroupin
aneconomicallydisadvantagedarea, togetherwithmoresociallyadvantagedandaffluent
choralsingers. Thethemesidentifiedinthe2002paperareconsideredtobebroadlyappli
cable
to
singers
irrespective
of
social
context
and
the
character
of
the
repertoire
being
sung,
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but some differences of emphasis did emerge. Both disadvantaged andmoreprivileged
singers,forexample,highlightedthebroadlytherapeuticvalueofparticipation insinging,
particularlyinrelationtocreatingenergy,positiveemotionalexperienceandrelaxation. For
otherthemes,some importantdifferencesemerged,particularlyinrelationtocognitivedi
mensionsandtheimpactofsinginginagroup. Forthemoremarginalisedparticipants,sing
ingprovidedastimulatingactivitywhichhelpedtopromoteconcentrationandanordering
oftheir innermentalspace. Forthemiddleclasssingers, incontrast,agreaterstresswas
placedondevelopingmusical knowledgeand skillwhichenabled them tomeet thechal
lengesofclassicalrepertoireandgainasenseofachievement.
Questionnairesurveysofsingingandhealth
Theideathatsingingcanbebeneficialforwellbeingandhealthisalsosupportedbysurveys
inwhichchoralsingershavebeenaskedtorespondtoarangeofstatementsabouttheef
fectsof
singing.
Beck,
Cesario,
Yousefi
and
Enamoto
(2000)
report
that
67
per
cent
of
semi
professionalchoralsingers intheirsurveyagreedorstronglyagreedthat Singinghascon
tributedtomypersonalwellbeing,andCliftandHancox(2001)reportthat71percentof
singers inauniversitychoralsocietyagreedorstronglyagreed thatsingingwasbeneficial
for their mentalwellbeing. CliftandHancox identifiedsixdimensionsofbenefitsassoci
atedwithchoralsingingfromaPrincipalComponentsAnalysisoftheirquestionnairedata.
Thesewere labelled (in order) as: benefits forwellbeing and relaxation, benefits for
breathingandposture,socialbenefits,spiritualbenefits,emotionalbenefitsandbene
fitsfortheheartandimmunesystem. Thereisalsoaclearlinkbetweenthesetofcompo
nents emerging from this analysis and the model of positive benefits of group singing
emergingfrom
the
work
of
Bailey
and
Davidson
(2002,
2005).
For
the
first
and
most
impor
tant factorof wellbeing and relaxation,Clift andHancox found thatwomen had higher
scoresthanmen,suggestingthatwomenexperienceorperceivegreaterwellbeingbenefits
fromsinging.
BaileyandDavidson (2003)alsoconductedaquestionnairestudytocomparetheper
ceivedbenefitsof activeparticipation inmusic (singing in a choir), passive listening to
musicwithothers,andpassivelisteningtomusicalone. Choristersfromthreechoirs(N=
121)participated inthesurveyandwere invitedtocompletea100itemquestionnairede
scribedasmeasuringattitudesrelatedtomusic. Included inthequestionnairewerethree
setsof22 itemsconcernedwiththe holistichealtheffectsofmusic inthethreeparticipa
tioncategories.
Additional
items
relating
to
choir
practices,
performances,
voice
quality
andconductingtechniqueswereincludedtocamouflagethepurposeofthequestionnaire.
BaileyandDavidson report thatanumberof thegroup singing items receivedhigher
ratings than equivalent listening items, and indicated that singing promotes heightened
arousalonavarietyofbehaviouraldimensions. Theseitemswere:improvesmood,isan
exhilaratingactivity,givesmeasenseofachievement,isacreativeexperienceandgives
meakindofhigh. Bycontrast,thelisteningaloneitemswhichreceivedhigherratingswere
indicativeofprocesseswhichpromotestress reductionand restorationofahomeostatic
state.These itemswere:reducesstress,releasessuppressedemotions,isphysicallyre
laxingandreleasestension. BaileyandDavidsonconcludefromtheirfindingsthatdiffer
entlevels
of
music
participation
can
have
differential
yet
beneficial
effects.
(p.
223).
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Experimentalstudiesofsingingandhealth
Inaddition toqualitativestudiesandquestionnairesurveys,moreobjective,experimental
researchhasalsoassessedtheimpactofsingingonphysiologicalvariablesassumedtohave
wellbeingand
health
implications.
Several
studies,
for
example,
have
assayed
levels
of
im
munoglobulinAinsalivatakenfromparticipantsbeforeandaftersinging,andreportedsig
nificant increases, pointing to enhanced immune system activity (e.g. Beck et al., 2000;
Kuhn,2002;Kreutz,Bongard,Rohrmann,Grebe,Bastian,&Hodapp,2004).
Twoquasiexperimentalstudieshavealsoreportedpositivehealthbenefitsfromgroup
singingforelderlypeopleusingstandardisedmeasuresandobjectiveindicatorsofwellbeing
andhealth. Houston,McKee,CarrollandMarsh (1998) report improvements in levelsof
anxietyanddepressioninnursinghomeresidentsfollowingafourweekprogrammeofsing
ing,andCohen,Perlstein,Chapline,Kelly,FirthandSimmens(2006)foundimprovementsin
bothmentalandphysicalhealth inagroupofelderlypeopleparticipating inacommunity
choirfor
one
year.
Limitationsofexistingresearchandthepresentstudy
Theexistingresearchliteraturehassubstantiallimitations(seeClift,Hancox,Staricoff,etal.
2008). Manyofthestudiesaresmallscaleandessentiallyexploratoryandonlyonestudy
hasindependentlyreplicatedandimproveduponapreviousstudy(Kreutzetal.,2004repli
catingBecketal.,2000). Themainshortcomingsofthiscorpusofresearcharethelackofa
common conceptual understanding ofwellbeing and health, and the absence of a fully
elaborated theoreticalmodelof thecausalmechanisms linkingsingingwithwellbeingand
health.
Afurther limitationofparticular interestandrelevancetothestudyreportedbelow isthelackofattentiontothepotentialsignificanceofsexinrelationtochoralsingingandits
effects. Thesystematicreviewrevealedthat19ofthe35papersconsideredreportedre
searchongroupsinging. Threestudieswereconcernedwithsinglesexsinginggroups,and
therest includedbothsexes. However, fourstudies failedtoreport thenumbersofmen
andwomen intheirsamples. Inthe13studiesgivingdetailsofsexcompositionatotalof
763singerswereinvestigatedwith72percentwomenand28percentmen. Theonlystudy
toexaminesexasa factor in relation to their findings is the survey reportedbyCliftand
Hancox(2001). Asnotedabove,theyfoundevidencethatwomenreportedstrongerwell
beingbenefitsassociatedwithsingingthandidmen.
Thepresent
study
aims
to
address
these
limitations
in
the
previous
literature
through
a
largescalecrossnationalsurveyassessingtheviewsofchoralsingers inEngland,Germany
andAustraliaonthepossibleeffectsofsingingonwellbeingandhealth. Whiletheproject
was initiated by the SidneyDeHaan Research Centre in England, research colleagues in
Germany and Australia expressed an interest in using the same instruments in a cross
national collaboration. All three countries are affluent democracies, andmarked differ
encesbetweenthemwerenotexpected. Rather,thecrossnationaldimensiontothestudy
wasseenasprovidingabasisoftestingthegeneralityoffindingsacrossthreeindependent
nationalsamplesofsingers.
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ThestudyisbasedontheWorldHealthOrganizationsdefinitionofhealth(WHO,1946)
asastateofcompletephysical,mentalandsocialwellbeingandnotmerelyanabsenceof
illnessorinfirmity(p.100)(andusesacrossnationallyvalidatedqualityoflifeinstrument
theWHOQOLBREFdevelopedbytheWHOQualityofLifeproject(Power,Harper,Bullin
gerandtheWorldHealthOrganizationQualityofLifeGroup,1999). Foradetaileddescrip
tion of the study,methods and findings see Clift, Hancox,Morrison, Hess, Stewart and
Kreutz(2008).
Morespecifically, thepresentpaperpresents findings fromanewlyconstructedscale
assessingtheperceivedwellbeingeffectsofparticipatinginchoralsinging,andexploresthe
relationshipsbetween thisscaleand theWHOQOLBREFmeasureofpsychologicalwellbe
ing. Intheconstructionandanalysisofthisscale,carefulattentionisgiventothequestion
ofdifferencesattributabletosex. Itwasexpected,onthebasisofthefindingsreportedby
CliftandHancox (2001) thatwomenwouldendorse thewellbeingeffectsofsingingmore
stronglythanmen.
Inorder
to
explore
further
the
value
of
choral
singing
for
health,
some
illustrative
ex
amplesaregivenofwrittencommentsaboutsinginganditseffectsfromchoristerswhore
portstrongwellbeingbenefitsfromsingingbutwhosegeneralpsychologicalwellbeingap
pearsrelatively low. Attention isgiven to thechallengessomeof thesechoristers face in
theirliveswhichmayaccountfortheirrelativelylowerpsychologicalwellbeing. Theircom
ments also serve to highlight a range ofmechanisms, some ofwhich have already been
identified inpreviousresearch,throughwhichsingingcanacttopromotepersonalwellbe
ing.
METHOD
Participatingchoralsocietiesandchoirs
Thesampleconsistedof1124choralsingersdrawn from21choralsocietiesandchoirs in
England(N=633),Germany(N=325)andAustralia(N=166). InEngland,asampleofcho
risters involved in an ongoing community singing project for elderly people also partici
pated. Theoverallresponseratewas61percent.
MostofthechoirsinthesurveysingmajorchoralworksfromtheWesternclassicalrep
ertoirefromthefifteenthtotwentiethcentury. Somechoirssingamoreeclecticrepertoire
includingwellknownsongsfrommusicalshowsandfilms. Onlysixofthe21choirsareaudi
tionedandtheremainderareopentoallcomers.
Severalofthechoirshavebeenestablishedalongtime. TheStuttgarterLiederkranzin
Germanyistheoldestchoirinthesurvey,foundedin1824,followedbytheEnglishAshford
ChoralSocietyfoundedin1857,andTheQueenslandChoir inAustraliasetup in1872. So
cietiesthathavecontinuedinexistenceforthislengthoftimeindicatetheappealofchoral
singingfromthenineteenthtothetwentyfirstcenturies. Therearealsosomerecentlyes
tablishedchoralsocietiesandchoirsinthestudy:theGermanEnsembleadlibitumStuttgart
was formed in2002,andTheSilverSingers,Gateshead,EnglandandTheEsplanados,Bris
bane,Australiaweresetupin2005.
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TheQuestionnaire
Thequestionnairewasstructuredinthreeparts. Thefirstpartaskedforpersonalinforma
tionanddetailsoftherespondents involvementwithmusicandsinging. Thesecondsec
tionfocused
specifically
on
the
effects
of
choral
singing
and
started
with
three
open
ques
tionsontheeffectsofsingingonqualityoflife,wellbeingandhealth:
1. Whateffects,ifany,doessinginginachoirhaveonyourqualityoflife?
2. Whateffects, ifany,does singing ina choirhaveon yourpsychologicaland social
wellbeing?
3. Whateffects,ifany,doessinginginachoirhaveonyourphysicalhealth?
Thesequestionswerewordedcarefullytoavoidbeing leading,andto indicatethatef
fectsmightbepositiveornegativeor that theremaybenoeffectsatall. Thequestions
werealso focusedon the respondentsownhealth, rather thanaskingaboutpossibleef
fectsofsingingonotherpeopleshealth.
Theseopenquestionswerethenfollowedby24statementsaboutchoralsingingusing
itemsdefining the firstmajor wellbeingand relaxationcomponent reportedbyCliftand
Hancox(2001)anditemsfromtheSingersEmotionalExperiencesScaledevisedbyBecket
al.(2000). The instrumentsdevisedbyCliftandHancox,andBecketal.couldbecriticised
forincludingonlypositivelywordeditems,whichcouldhelptoreinforceapositiveresponse
bias. In the present questionnaire, therefore, twelve itemswere positivelyworded and
twelve negativelyworded, and participants responded on a fivepoint Likert scale from
stronglydisagreeto stronglyagree. FollowingaPrincipalComponentsAnalysis (seebe
low)scoreson12oftheseitemsweresummedtoformasinglesingingandwellbeingscalewithahighdegreeofinternalconsistency. Scoresonthescalerangefrom1260(seebelow
fordetails).
ThethirdsectionofthequestionnairecontainedtheWHOQOLBREF. Thiswasdesigned
to assess fourmajor lifequality domains: physical (e.g.Howmuch do you needmedical
treatmenttofunctioninyourdailylife?),psychological(e.g.Howmuchdoyouenjoylife?),
social(e.g.Howsatisfiedareyouwiththesupportyougetfromyourfriends?)andenviron
mental(e.g.Howsatisfiedareyouwiththeconditionsofyourlivingplace?). Thequestion
nairehasbeenwidelyusedinternationallyandhashighlevelsofreliabilityandvalidity(e.g.
Skevington,Lofty,&OConnell,2004;Hawthorne,Herrman,&Murphy,2006). Itwascon
sideredespecially
suitable
for
across
national
survey
as
official
WHO
versions
of
the
ques
tionnaireareavailableforuseinAustralia,GermanyandtheUK. Attention inthispaperis
confinedtothepsychologicalwellbeingscale. Thisconsistsofsixstatementstowhichpar
ticipantsrespondusingfivepointLikertscales(thewordingvariesbyitem). Theitemscores
weresummed toprovide rawscoresonascaleranging from630,and thesewere trans
formedfollowingWHOQOLBREFguidelinestoascalerangingfrom420.
Questionnairesweredistributed tomembersofparticipating choirsduringMay2007
forcompletionathomeandreturninasealedenvelope.
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Ethics
Thestudyreceivedethicalapprovalthroughethicscommitteesinthecollaboratinguniversi
ties in each country. Participationwas entirely voluntary and questionnaireswere com
pletedanonymously.
It
was
assumed
that
singers
would
find
the
survey
of
interest
and
this
wasreflected inthecaretakentoprovideanswerstotheopenquestions. Areportbased
onapreliminaryanalysisofthedatagatheredwasmadeavailabletoallrespondentsafter
completionofthesurvey.
Analysis
NumericaldatafromthequestionnairewereanalysedusingSPSS16. PrincipalComponents
Analysiswasapplied to the24 singing items, for the totalsampleand forsixcountry/sex
groups. Theresultsforthefirstunrotatedcomponentprovidedjustificationforconstructing
a summed scale using 12 items to assess perceivedwellbeing effects of choral singing.
Comparisonsbetweenmenandwomenineachcountryandwithinthetotalsampleswere
madeusing independent ttests. Productmoment correlationswere computedbetween
thesingingscaleand theWHOQOLBREFpsychologicalwellbeingscale. Toexplorethe is
suesaddressedbythissurveymoreconcretely,attentionisgiventothecommentswritten
onthequestionnairebyrespondentswithrelativelylowscoresonthepsychologicalwellbe
ingscale,buthighscoresonthesingingscale. Asimplethematicapproachwasadoptedto
identifyexamplesof lifechallengeswhichmayexplain therelatively lowwellbeingscores,
togetherwithcommentsidentifyingpossiblemechanismswhichlinksingingwithbeneficial
outcomesforwellbeing.
Findings
Theaverageageofchoristerswasrelativelyhigh(M=57years(SD=15)withathirdaged
6069andafifthaged70andabove). Womensubstantiallyoutnumberedmen (72vs.28
percent). Choristersreportedengagementwithchoralsingingforameanof27years(SD=
11years);42percentreportedhavinghadsinginglessons;62percentplayedamusicalin
strumentandonly6percentweretoldaschildrenthattheycouldnotsing.
Withrespecttohealth,79percentwere satisfiedor verysatisfiedwiththeirhealth
(with21percentlessthansatisfied)and87percentdescribedtheirhealthasgood,very
goodorexcellent(with13percentdescribingtheirhealthaslessthangood). Justunder
halfof
the
sample
(N
=536,
49%)
reported
long
term
health
problems,
the
most
commonly
expressed issues being problemswith pain, emotional andmental health problems and
problemswithbreathing.
PrincipalComponentsAnalysis applied to the choral singing items identified a strong
first componentwith substantial loadings from 12 items (e.g. improvedmood,enhanced
qualityoflife,greaterhappiness,stressreduction,andemotionalwellbeing). Table1gives
the loadingsofthese items inseparateanalysesofdata fromsixcountryxsexsubgroups
anddemonstrates therobustnessofthispattern. It isstrikingthatasenseof happiness
producedbysingingistheitemwhichachievesthehighestloadingforthetotalsample,and
isalsothehighestloadingitemforfouroutofthesixsubgroups.
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Table1:Effectsofsingingquestionnaire:firstprincipalcomponentforsixcountryxsexgroups(12items)Totalsample
EnglishMen
English
Women
Australian
Men
Australian
Women
German
Men
German
Women
Makesmefeelalothappierafterwards .75 .74 .73 .66 .83 .72 .78
Singinggivesapositiveattitudetolife .74 .74 .74 .68 .78 .72 .74
Singinghasimprovedwellbeing/health .74 .68 .77 .76 .81 .71 .69
Singingreleasesnegativefeelings .73 .74 .75 .69 .82 .71 .73
Singinghelpsmakemeahappierperson .73 .72 .78 .78 .74 .69 .68
Singingdoesn'tgivemea'high' .70 .71 .71 .74 .61 .73 .67
Choirpositivelyaffectsqualityoflife .70 .66 .75 .64 .66 .74 .60
Relaxingand
helps
deal
with
stress
.69
.61
.70
.67
.70
.66
.74
Doesn'treleasenegativefeelingsinmylife .69 .72 .68 .65 .74 .67 .65
Singingmakesmoodmorepositive .69 .68 .71 .71 .71 .71 .60
Doesn'thelpgeneralemotionalwellbeing .67 .69 .68 .44 .75 .73 .62
Singinggivesnodeepsignificance .65 .65 .65 .68 .63 .66 .69
Varianceaccountedfor 50.1 48.4 51.9 46.2 53.8 49.5 46.7
Cronbachalpha 0.91 0.91 0.92 0.89 0.92 0.91 0.90
Theseitemswereusedtoconstructasinglesummedmeasureoftheperceivedeffects
ofsingingonwellbeing(Cronbachalpha=0.9forbothsexes). Ahighmeanscoreconfirmed
thata largemajorityofchoristers, ineachcountry,andamongmenandwomen,agreed
thatsinginghasapositiveimpactonpersonalwellbeing(seeTable2). Differencesbetween
thesexeswereapparent,however,andasexpectedwomengavehigherscoresthanmenin
eachcountryandinthetotalsample. FortheEnglishandGermansamplesandforthetotal
sample,thisdifferenceisstatisticallysignificant.
Table2:Singingscalestatisticsforcountryxsexsubgroups
England
Australia
Germany
Total
Men
N=134
Women
N=449
Men
N=51
Women
N=103
Men
N=100
Women
N=192
Men
N=285
Women
N=744
M SD M SD M SD M SD M SD M SD M SD M SD
48.1 6.8 50.2 6.7 49.5 5.6 50.7 6.9 47.0 7.0 49.5 6.6 48.0 6.7 50.1 6.7
t(584)=3.19,p=
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OntheWHOpsychologicalscale,amajorityofrespondentsscoredwellabovethescale
midpointindicatinggoodtoexcellentselfassessedpsychologicalwellbeing(seeTable3).
A small proportion of choristers, however, gave low scores,which could indicatemental
healthdifficulties. For the frequencyofnegative feelings item forexample,justoversix
percentofparticipantsgaveratingswhich indicated that they veryoftenor alwaysex
periencednegativefeelingssuchasbluemood,despair,anxiety,depression.
Table3:WHOQOLBREFPsychologicalwellbeingpercentageresponsestoindividualitems(totalsample)
N 1
Low
2 3 4 5
High
Enjoylife 1112 0.2 1.3 15.1 67.2 16.3
Lifeismeaningful 1097 0.7 2.8 17.5 54.3 24.6
Abletoconcentrate 1111 0.1 1.9 31.6 56.9 9.5
Acceptbodilyappearance 1113 1.1 4.5 18.3 51.8 24.3
Satisfactionwithself 1108 0.9 4.7 21.1 60.3 13.0
Frequencyofnegativefeelings 1112 0.7 5.4 27.7 54.9 11.2
Itemsarescaledsuchthathighscoresreflecthighwellbeing. Forthefrequencyofnegativefeelingsitem,for
example,ahighscoremeansthatthefrequencyofnegativefeelingswaslow(1=always,2=veryoften,3=
quiteoften,4=seldom,5=never).
AsTable4indicates,womenintheEnglishandGermansamplesandthesampleoverall
scoredslightlyloweronthepsychologicalwellbeingscale. ThesedifferencesintheEnglish
andtotal
samples
were
statistically
significant.
Table4:WHOQOLBREFPsychologicalwellbeingscores
England Australia Germany Total
Men
N=139
Women
N=463
Men
N=54
Women
N=106
Men
N=101
Women
N=201
Men
N=294
Women
N=770
M SD M SD M SD M SD M SD M SD M SD M SD
15.7 1.8 15.3 2.0 15.5 2.2 15.1 1.8 15.6 2.1 15.7 2.1 15.7 2.0 15.4 2.0
t(603)=2.17,
p
=
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geststhatallpossiblecombinationsofhighandlowscoresonbothscalesarerelativelysimi
larinfrequency.
Toexplore this finding further,data from theWHOQOLBREFpsychological scaleand
theeffectsofsingingscaleweredividedasneartothe33rd
and67th
percentilesaspossible
andthetworecodedscaleswerecrosstabulated. Respondents inthe lowestthirdonthe
psychologicalwellbeingscale,andthehighestthirdontheeffectsofsingingscalewerecon
sideredofparticularinterestforunderstandingthepotentialimpactofsingingonwellbeing.
Thesearepeoplewho report that theirgeneralpsychologicalwellbeingover theprevious
twoweekshadbeenrelativelylowcomparedwiththesampleoverall,butwhoalsoreporta
relativelyhighimpactonwellbeingfromsinging. Eightyfivepeopleinthetotalsamplefell
into thiscategory:15menand69women (onerespondentdidnotdisclose theirsex);51
English,19Germanand14Australian.
Justunder twothirds of this group (N = 55, 65%) reported longterm problemswith
theirhealth,comparedwith49percentinthetotalsample. Withrespecttopsychological
wellbeing,over
three
quarters
of
the
group
(N
=66,
78%)
gave
answers
of
quite
often,
veryoftenor always inresponsetothequestion Howoftendoyouhavenegativefeel
ingssuchasbluemood,despair,anxiety,depression? Thiscompareswith34percentof
thetotalsamplegivingthisrangeofanswers(seeTable3).
Writtencommentsfromchoristersrelativelylowinpsychologicalwellbeingbutstrongly
endorsingthewellbeingeffectsofsinging
Inanswerstotheopenquestionsdetailedabove,approximatelyonefifthofthisgroupgave
concreteinformationonsignificantchallengesintheirlivesimpactingontheirsenseofper
sonalwellbeing.
Respondents
comments
about
these
challenges
could
be
readily
catego
rised under the following headings:mental health problems, significant family problems,
physicalhealthdifficultiesandbereavement. Thefollowingexamplesare indicativeofthe
issues identified and also clearly express the benefits which the respondents felt they
gainedfromsinginginachoir.
EnduringmentalhealthproblemsThiswasthemostcommonlyexpressedchallenge,with
sixrespondentsdisclosingproblemswithclinicaldepressionoranxietyandafurthersixal
ludingtodifficultieswithdepression. Inthefollowingexamplessingingisdescribedasbeing
helpfulintheprocessofrecoveryorinthemanagementoftheseproblems:
Ihave
had
to
stop
working
due
to
an
on
going
medical
condition
(bi
polar
disorder).
I
havehadseveralepisodesofthis. Requiringvaryinglengthsoftimespentinhospital,fol
lowedbymonthsoftimeneedingsupportfordepressionandlackofselfconfidence. Be
ingamemberof thisparticularchoirhas liftedmyselfesteemagainand restoredself
belief.[Englishfemale54.]
Ihadafulltimepanicattack lastweek. Triedsomeswimmingexerciseswhichmade it
worsethensanginthecarforhalfanhour. Bytheendmyheartrateandbreathinghad
returned tonormal,neckand shoulders relaxed, stomachunknotted. Generally find it
unwindsandrelaxesme. Alwaysfeellooserafterrehearsals.[Australianmale,38.]
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Significantfamily/relationshipproblemsProblemswithinthefamilyorclosepersonalre
lationshipswerealsoasourceof significantstress for the following twoparticipants,and
singinghelpedthemtocopewiththesecontinuingchallenges:
Asacarer
of
two
relatives
stricken
with
schizophrenia,
Ihave
suffered
from
reactive
de
pression.()HavingapleasantstarttothedayknowingIshallmeetlikemindedpeople
andenjoymusicmaking,hopefullyhavingalaughalongtheway. Hearingtheharmonies
helpsmeforgetfamilyworries.[Englishfemale,70.]
AbletoenjoycompanionshipandmakesmefeelIamabletodosomething. Myhusband
isdepressedandthishelpsmetokeepgoing. Liftsmoodandhelpstoforgetproblems
inlife.[Englishfemale,65.]
Significantphysicalhealth issues/disabilityPhysical health problems can also result in
significantemotionalchallengesthatcanincreaserisksofmentalhealthdifficulties. Thefol
lowingparticipants
describe
the
consequences
of
stroke
and
insomnia,
with
the
first
indicat
inghowsinginghelpedhim:
Itplaysa significantpart inmyemotionalhealthandwellbeing. I findmusicuplifting.
Whenrecoveringfromamajorstroke,singingwasoneofthewaysofliftingmyspiritsout
ofdepression.[Englishmale,65.]
Severeinsomnia.Iwakeupbetween3and4am.MostofthetimeIcantgobacktosleep
oronlyshortlybeforeIgetupagain. Consequently,Iamextremelytiredintheevenings
andsuffermoodswings.[Germanfemale,67.]
RecentbereavementFinally,tworespondentsdisclosedrecentlossofclosefamilymem
bers.Bereavement
substantially
increases
risks
to
emotional
and
mental
health,
and
for
thesechoristerssingingclearlyhelpedthemtocopewithsignificantpersonalloss:
Myhusbanddiedthreemonthsagosoallthequestionsaboutnegativefeelingsetc.are
distortedbythisfact. Oneofthegreatestsupportsinmylifeatthisdifficulttime isthe
[choir Ibelong to]. I thinkchoralsinging is fantastic foremotionalhealth. [English fe
male,64.]
Intodaysworld,choralsingingofferspeopleoneoutletfromstressandworry. It isan
experiencenottobemissed,andhashelpedmethroughtherecentlossofmydaughter.
[Englishfemale,59.]
The
accounts
given
above
also
suggest
some
of
the
ways
in
which
singing
can
help
ad
dresschallengestopsychologicalwellbeing,andthisissuewasexploredfurtherbycodingall
examples inwhichrespondents themselvesofferedsomeexplanationofhowsingingpro
videdpsychologicalandemotionalbenefits. Thisanalysis identifieddescriptionsofatleast
sixgenerativemechanisms linkingchoralsingingwithwellbeingandhealth,mostofwhich
havebeenpreviously identified in the research literature (e.g.BaileyandDavidson,2003,
2005,refertoimprovementsinmoodandtheroleofdistraction). Thepurposehereisnot
to present a thoroughgoing documentation of the incidence of comments indicative of
thesemechanisms,butsimplytoprovideillustrationsoftheintuitivehypothesesemployed
bysingerstoexplainhowsingingcanbebeneficial.
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Agivenmechanismmayhavemorethanoneoutcomeforwellbeing,andtwoormore
mechanismsmayhaveasimilarimpact. Themechanismsareasfollows:positiveaffect,fo
cusedconcentration,controlleddeepbreathing, socialsupport,cognitivestimulation,and
regularcommitment. Eachof thesemechanismsserves tocounter factorsandprocesses
thatarepotentiallydetrimentaltowellbeingandhealth. Thegeneralprincipleatworkhere
appearstobeoneofrebalancingorcounteraction.
PositiveaffectRespondentsinthisgroupcommentedthatsingingmadethemfeelhappier
and improvedtheirmood. Inthefollowingcomments,thecapacityofsingingtogenerate
positivefeelingsislinkedtoaprocessofcounteractingfeelingsofsadness,anxietyandde
pressioninotherareasoftheirlives:
Whenyousing,youcannotbesad for long. It really liftsyourspirits. Being inachoir
meansyouare inateamyouallhelpeachotherwhichgivestremendoussatisfaction.
[Englishfemale,
52.]
Singingimprovesmymoodandmyhealth. Ihavetobeonguardconstantlyagainstmy
medicalcondition(anxietyanddepression).[Australianfemale,49.]
Focusedattention Inaddition to generatingpositive feelings, singing canbeaveryde
mandingactivity involvingfocusedconcentration. Thefollowingrespondentsexplicitlylink
this featureof singing as an activity toblockingpersonalpreoccupationswith sourcesof
worry,andpromotingrelaxationandthereliefofstress:
Singinginachoirputstroublesonhold,asconcentratingonthemusicrequiresallones
attention.[English
female,
65.]
Ithasgreateffects.Ithelpsmetoswitchoffeverydayconcernsandalsotoconcentrate.
Result:Icanrelax.[Germanfemale,56.]
ControlleddeepbreathingControlledbreathing isof course, intrinsic to the activityof
singing,andwaswidelyidentifiedasaphysicalbenefitassociatedwithbeingamemberofa
choir. Inaddition, the following respondentsweremoreexplicit in suggesting thatdeep
controlledbreathingcancounteractanxietyandstress,andalsogiveasenseoffitness:
Deepbreathing,essentialforsinging,isonemethodofhelpingwithsignsofanxietyand
stress.[English
female,
70.]
Ithinkthatyouarekeptfitbychoralsingingbecauseyoubreathecorrectlyandyouen
gage yourwholebody in theactivity, like youdowhenpractisingyogaorwhendoing
sports(walkingforfitness).[Germanfemale,50.]
Socialsupport Choralsinging isalsoan intrinsicallysocialactivity, involvingprocessesof
socialcooperationandcoordination. Thevalueofgroupmembershipand friendly rela
tionshipswithin thegroupwerewidelycommentedon. Inaddition the followingrespon
dents are explicit in suggesting that singing in a choir offers them social support,which
serves to ameliorate feelings of isolation and loneliness, and provides a sense ofwider
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communityandsocialinclusion:
Theeffectofsingingwithagrouphelpstomakefriends,sothishaswidenedmyhorizons
quiteabit,andgetsmeoutandaboutmore. Thesupportyoureceivefromotherpeople
helpsingeneralwellbeing.[Englishfemale,78.]
The communityaspectofchoralsinging isparticularly significant. Achoir isacommu
nityofsingersdrawn fromallwalksof life, coming together tomakeaunified impact.
Thatteamworkanddisciplinedfocusonathinggreaterthanourselves(namelyachoral
work)isanexampleofhowtheworldmight/couldbe![Australianfemale,66.]
Cognitive stimulation Choral singing involves education and learning,which keeps the
mindactive,andgivesasenseofachievement. Thefollowingrespondentshighlightwaysin
whichchoralsingingcanofferachallengingandworthwhileactivityandpossiblyserve to
counteractagerelateddeclineofcognitivefunction:
[Choralsinging
is]
A
very
satisfying
activity
to
be
involved
in
at
any
age,
but
Ithink
espe
ciallyvaluabletopeopleintheirlateryearswhentheyhavetimeontheirhands. Ithink
choralsinging isaparticularlyvaluableandworthwhileactivity to fillsomeof this time
andgivearealsenseofachievementatatimewhenonemightbefeelingonesuseful
nessisdeclining.[Australianfemale,60.]
Apartfromtherelaxationbenefits,Ibelievethatforme,aged57,keepingthebrainactive
andhavingtoconcentrateforlongperiodswilldelayifnotcompletelypreventsenilede
mentia![Englishfemale,57.]
RegularcommitmentFinally, likeallworthwhileactivities,choralsingingrequiresregular
practiceand
so
involves
aregular
commitment
to
attend
rehearsal,
which
motivates
people
toavoidbeingphysicallyinactive:
Itmakesmegetupinthemorning[rehearsalsareduringtheday]andputsmeinagood
moodfortherestofthedayandmakesmemorealert.[Englishfemale,65.]
Makingtheefforttoattendchoirpracticeonwet,coldevenings insteadofwatchingTV
mustbebetterforhealth.[Englishfemale,69.]
DISCUSSION
AND
IMPLICATIONS
Thisstudycontributestoaprocessofaddressingtheshortcomingsofpreviousresearchby
undertakingalargescalecrossnationalsurveyofsingersinchoirsinEngland,Germanyand
Australia. ThestudyisbasedontheWHOdefinitionofhealth,andusesarigorouslydevel
oped crossnational instrument for assessinghealth relatedqualityof life, theWHOQOL
BREF. Inaddition,thestudyallowedfortheconstructionofanewscale forassessingthe
wellbeingeffectsof choral singing,whichdemonstrates substantial construct validityand
internalconsistency.
TheresultsconfirmpreviousfindingsfromCliftandHancox(2001)andBecketal.(2000)
thatamajorityofchoristersexperiencesingingasbeneficial forwellbeing. Nevertheless,
thereis
variation
in
the
extent
to
which
singers
endorse
the
idea
that
singing
has
benefits
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for their wellbeing, and an important finding is that women are more likely to report
strongerbenefitscomparedwithmen. Thisconfirmstheearlierfindingofsuchasexdiffer
encereportedbyCliftandHancoxinasmallscalestudyofasinglechoir. Thecurrentfind
ingisparticularlystrong,giventhatthedifferencebetweenwomenandmenappearsinde
pendently ineachnationalsampleofchoristersstudied. Inspectionof individual items in
thescaleshowsthatwomenweremorelikelythanmentostronglyagreethatsingingmade
them feelhappier,madetheirmoodmorepositive,helped improvewellbeingandhealth,
andhelpedthemrelaxanddealwithstress. Similarly,theyweremorelikelytostronglydis
agreethatsingingdoesnthelptoreleasenegativefeelings.
Suchsexdifferencesareintriguing,andmeritfurtherstudy. Theymayreflectabroader
sexdifferenceinemotionalsensitivityandexpressiveness,withwomenandmenexperienc
ingsimilarbenefits,butwithwomenexpressing themselvesmorestrongly in thisrespect.
Thesedifferencesmayalsohelptowardsexplainingwhychoralsingingshouldbeanactivity
whichtendstoattractmorewomenthanmen. Certainly, inthepresentsampleofchoirs,
womenwere
in
the
majority.
On
the
other
hand,
the
men
in
the
sample
are
actively
in
volvedinchoralsinging,andwhiletheyendorsethewellbeingbenefitsoftheactivity,itmay
bethatotherfactors,suchasthevalueplacedonmusicortheopportunitytosocialise,are
strongermotivatorsfortheirinvolvement.
ThefindingsfromtheWHOQOLBREFalsodemonstratethatalargemajorityofsingers
ratetheirqualityoflifeandtheirhealthasgoodorbetter. Thisisanimpressivefinding,es
peciallygiven thehighaverageageof thesample,and the fact thata largeproportionof
peoplewereinretirement. Thismaypartlypointtothehealthpromotingbenefitsofchoral
singing,butitshouldalsoberecognisedthatastheparticipantsgetolder,thesamplemay
increasinglyrepresentthemoreactiveandhealthymembersoftheiragegroup,asindivid
ualchoristers
retire
due
to
health
and
mobility
problems
or
afading
voice.
It
is
notable,
however, thataminorityofparticipantsdogive lowscoreson theWHOQOLBREFscales,
whichindicatethattheyarenotsatisfiedwiththeirqualityoflifeandhealth. FortheWHO
psychologicalwellbeing scale,approximately10per centof the sample scoredbelow the
scalesmidpoint suggesting that theymay be copingwith significantmental health chal
lenges. Asmallsexdifferencealsoemergesonthisscalewithwomenreportingloweraver
agelevelsofwellbeing.
Afurtherfindingfromthissurveywhichhasnotbeenreportedsofarintheliteratureis
thesexdifferenceinthecorrelationbetweenperceptionsofthewellbeingbenefitsofsing
ing and selfassessed general psychologicalwellbeing. In the total sample and for each
countryindependently,
asignificant
positive
correlation
was
observed
between
the
two
scalesforwomen,butnotformen. Higherscoresonthesingingwellbeingscalewereasso
ciatedwithhighergeneralwellbeingscores. Correlationsareofcoursedifficulttointerpret
fromacausalperspective. Thisfindingmayindicatethatwomenwithhighergeneralwell
beingaremore likelytoexperiencewellbeingbenefitsfromsinging,or itmaysuggestthat
theexperienceofwellbeingbenefitsfromsingingcontributestoabroadersenseofpsycho
logicalwellbeing. Itisimportantnottomaketoomuchofthecorrelationfound,however,
as it represents nomore than five per cent of shared variance. What the findingmore
stronglyindicatesisthatforwomenperceptionsofthebenefitsofsingingaresubstantially
independentofgeneralpsychologicalwellbeingasmeasuredby theWHOQOLBREF. The
factthat
no
significant
correlation
emerged
for
the
men
further
underlines
this
point.
For
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thisreason,attentionwasgiven inthispapertoasubgroupconsideredtobeofparticular
interest inexploring the valueof choral singing forwellbeing andhealthnamely those
choristerswithlowgeneralwellbeingwhohighlyendorsedthebenefitsofsinging.
Withinthissubgroup,manyparticipantsdisclosedpersonalchallengesintheirlivesthat
havecompromisedtheirsenseofpersonalwellbeing. Nevertheless,itisclearthatparticipa
tion insinginghasbeenofconsiderablebenefittothem. More importantly, fromatheo
reticalpointof view, the choristers accountsprovide valuable insights into a numberof
possiblecausalmechanismslinkingsingingwithimprovedwellbeingandhealth. Thesefind
ingsareconsistentwith insightscoming frompreviousqualitativeresearchonsingingand
wellbeing(seeClift,Hancox,Staricoffetal.,2008),andreflectsomeoftheprocesseshigh
lightedintheworkofBaileyandDavidson(2005),Becketal.(2000)andKreutzetal.(2004).
Thisstudybuildsonpreviousresearch,however, inhighlighting the fact that inanymain
streamchoirorchoralsociety, therewillbememberswithexistinghealthchallengesand
thatsinging isactivelyemployed inanumberofwaystohelp incopingwithoraddressing
thesechallenges.
The
specific
mechanisms
identified
should
also
be
the
focus
of
more
de
tailedresearchtoexploretheirsignificanceandinterconnectednesswithinarangeofsing
inggroups. Howforexample,dothemechanismsofcontrolleddeepbreathingandfocused
attention relate toone another and impact uponexperiencesofwellbeing? If singing is
widelyperceived tohavebenefits forbreathing,wouldsingingasanactivitybeuseful for
peoplewithcompromisedlungfunction(e.g.asthmaorchronicobstructivepulmonarydis
ease)? ResearchbyEngen (2005)andarecentstudyreportedbyBonilha,Onofre,Vieira,
Prado,andMartinez(2008)providesomeevidenceinsupportofthispossibility.
Theanalysisofthemesinthequalitativedatareportedhereispreliminaryandconsiders
onlyafractionoftheavailableaccountsprovidedbythetotalsampleofchoristers. Afuller,
moresophisticated
analysis
is
currently
in
progress
using
the
MAXQDA2007
qualitative
analysis software programme (http://www.maxqda.com), (see Clift, Hancox, Morrison,
Hess,Kreutz,&Stewart,2009forfindingsfromchoristersaccountsoftheeffectsofchoral
singingonphysicalhealth).Oncecompleted,thisanalysiswillallowforemergentthemesto
beorganisedintoamoredetailedmodelofmechanismsandbeneficialimpacts,andrelate
the informationprovided in response toopenquestions, to the structureddataavailable
fromtherestofthequestionnaire.
Inaddition to thisstudyhelping tohighlight thewellbeingandhealthbenefitsassoci
atedwithchoralsinging,italsohasanumberofimplicationsforthewiderissueofencour
agingmorepeopletoparticipateinchoralsingingforthepotentialbenefitsitcanbringfor
wellbeing.
Itisclearthatmanyparticipants inthestudyhavehad longexperienceofinvolvement
inchoralsinging,andmanyhavehadsinging lessonsandcanplayan instrument. Inaddi
tion,very fewoftherespondentsweretoldaschildren that theycouldnotsing. It isnot
difficulttoimagine,therefore,thattheabilityofpeople intheir lateryearstobenefitfrom
groupsingingderives inconsiderablepartfromtheskillandconfidencethatcomesfroma
lifetimeinvolvementwithmusicandsinging. Thissuggeststhatifsingingistobeapoten
tialresourceinlaterlifethattheearlyfoundationsarecrucial,asareopportunitiesthrough
outearlyandmidadulthoodtoengageincommunitysinging. Itisofinterestinthisrespect
that inboththeBaileyandDavidson (2005)andSilber (2005)studies, inwhichspecialef
fortswere
made
to
recruit
disadvantaged
adults
into
singing
projects,
those
most
ready
to
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engagedidhavesomebackgroundinmusic. Theissueofhavingagoodfoundationinmusic
andpositiveencouragementtosingappearstobeparticularlyrelevantforboys,asthere
sultsofthisstudyunderlinethewellknownpatternthatmenarelesslikelytobeinvolvedin
choralsingingthanwomen.
Although this study strongly indicates the importance of a history of engagement in
singing,this isnottosaythatadultswith littleornopreviousexperienceofsingingmight
notfinditenjoyableandbeneficialiftheyweretohavetheopportunityandencouragement
toparticipate in their localcommunities. And indeed, thereweremembers in thechoirs
studiedwith relatively littlepreviousexperienceof choral singing. A further implication,
therefore, isthatmoreeffortsareneededtoexpandcommunityopportunitiesforinvolve
ment insinging,andtoeducateadultsaboutthevalueofsuchengagementonamusical,
personalandsociallevel,andalsoforthebenefitsitcanpotentiallybringforwellbeingand
health.
Thestudycontributestobuildinganevidencebasetosupportgreaterpublicinvestment
bylocal
government
and
health
authorities
in
community
music
and
singing
provision
in
the
interestsofpromotingwellbeingandhealth,especially frommidlifeonwards. Given that
throughout theworld, increased lifeexpectancyhasresulted inacontinuingdemographic
shifttowardslargerproportionsofelderlypeopleinnationalpopulations,thereisaneedto
lookafreshat theopportunitiesavailable tohelpencouragepeople to remainphysically,
sociallyandmentallyactivepostretirement. Itisarguedthatsingingisavaluableactivityin
alloftheserespectsanddeservestobemorewidelyrecognisedassuch.
ACKNOWLEDGEMENTS:OurthanksareduetotheRogerDeHaanFamilyTrustforfunding
thatmade
this
work
possible;
Canterbury
Christ
Church
University
for
supporting
the
work
oftheSidneyDeHaanResearchCentre forArtsandHealth;ourcolleaguesandcollabora
tors:Dr.IanMorrison,Ms.BrbelHess,Dr.GunterKreutz,Prof.DonaldStewart,Mrs.Isobel
Salisbury,andnot least,thechoralsingers inEngland,GermanyandAustraliawhoshared
theirexperiencesofchoralsingingwithus.
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Clift,S.,&Hancox,G. (2001).Theperceivedbenefitsofsinging:Findings frompreliminary
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singerssayabouttheeffectsonchoralsingingonphysicalhealth? Paperpresentedat
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UniversityofJyvskyl,Finland,August1216.
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Hancox,
G.,
Staricoff,
R.,
&
Whitmore,
C.
(2008).
Singing
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health:
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systematic
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ofprofessionallyconductedculturalprogramson thephysicalhealth,mentalhealth,
andsocialfunctioningofolderadults.TheGerontologist,46(6),726734.
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intoforceon7April1948.
ForfurtherinformationabouttheworkoftheSidneyDeHaanResearchCentreforArtsand
Health,see:http://www.canterbury.ac.uk/centres/sidneydehaanresearch/index.asp
STEPHENCLIFT,FRSPH,isProfessorofHealthEducationintheFacultyofHealthandSocial
Care,Canterbury
Christ
Church
University,
co
Director
of
the
Sidney
De
Haan
Research
Cen
treforArtsandHealthandDirectorofacharitablecompanySingForYourLifeLtdwhich
promotesopportunities forcommunitymusicandsingingamongelderlypeople. Contact:
SidneyDeHaanResearchCentre forArtsandHealth,UniversityCentreFolkestone,Folke
stone,KentCT201JG,UK. [Email:[email protected]]
GRENVILLEHANCOX,MBE,FRSA, isProfessorofMusic intheFacultyofArtsandHumani
ties,CanterburyChristChurchUniversity,UniversityDirectorofMusicandcoDirectorofthe
SidneyDeHaanResearchCentreforArtsandHealth. Heisachoralconductorandclarinet
player. Contact: SidneyDeHaanResearchCentre forArts andHealth,UniversityCentre
Folkestone,Folkestone,
Kent
CT20
1JG,
UK.
[E
mail:
96
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