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The Romantic Period 1798-1832

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Page 1: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

The Romantic Period

1798-1832

Page 2: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

Historical Context

Response to the rationalism of the Enlightenment

Response to the French Revolution (1789) The revolutionaries in France

fought for “liberty, equality, and fraternity”

Ideas of the French Revolution influenced writers in England – they were inspired by the fight for democracy and the common man

Response to industrialism Longing for nature and

simplicity

Page 3: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

Literary Context

British Romantic writers responded to the political and social climate of the time

Idealized nature, simplicity, and innocence in response to the ugliness of industrialization

Greater emphasis on the imagination Compare to values of Englightenment-17th/18th Century Writers

Influenced by philosopher Jean-Jacques Rousseau Rousseau believed that society was a force that imprisoned human

nature “Man was born free, and everywhere he is in chains.”

Most important genres were poetry and novels Gothic novels (Frankenstein) and Historical Romances (Sir Walter Scott)

Page 4: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

Pre-Romantic Poetry

Combination of forms of Neoclassical poetry (think Ben Jonson and his balanced, classical style) with a thematic focus on nature and the life of common folk

Emphasis shifts toward the expression of heightened feeling

Thomas Gray (1716-1771) “Elegy Written in a Country Churchyard” (1762) Setting Imagery Emotion

Page 5: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

William Blake: A Pre-Romantic(1757-1827)

A visionary and genius – he was ahead of his time (and largely unappreciated while he lived)

Known for both poetry and art – made engravings to accompany his writing

Major books of poetry: Songs of Innocence and of Experience

Explores themes of childhood and innocence Shows darker side of human nature, disillusionment that

comes with age The Marriage of Heaven and Hell America A Prophecy Europe A Prophecy The First Book of Urizen

Blake saw the world in necessary opposites

Page 6: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

Blake’s Artwork

Page 7: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

Blake’s Artwork

Page 8: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

Ancient of Days

Page 9: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

Newton

Page 10: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

Blake’s Poetry

“The Lamb” p. 640

“The Tyger” p. 641

“The Chimney Sweeper” p. 643

“Infant Sorrow” p. 644

Page 11: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

“The Chimney Sweeper”

http://www.blakearchive.org/exist/blake/archive/object.xq?objectid=songsie.z.illbk.37&java=yes

Page 12: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

Romantic Poetry 1798 marks the beginning of

Romantic poetry w/ publication of Lyrical Ballads

Lyrical Ballads - volume of poetry by William Wordsworth and Samuel Taylor Coleridge

In the preface, they define good poetry as “the spontaneous overflow of powerful feelings”

Poetry also “takes its origin from emotion recollected in tranquility”

These ideas about poetry were revolutionary and brought about new ways of writing

Page 13: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

Characteristics of Romantic Thought and Poetry

Increasing interest in Nature, and in the natural, primitive and uncivilized way of life

Growing interest in wild and untamed scenery

Association of human moods with “moods” of Nature

Emphasis on a need for spontaneity in thought and action and expression

Power of imagination Power of the individual and the

need for freer and more personal expression

Page 14: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

William Wordsworth

1770-1850

Grew up in the Lake District of England, spent childhood exploring the outdoors – loved nature from an early age

Page 15: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

The Lake District

Page 16: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

The Lake District

Page 17: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

Wordsworth

Graduated from Cambridge in 1787 – spent time afterward traveling in France and embraced the ideals of the French Revolution

Shows these ideals in his poetry by rejecting conventional rules about language and form

Poetry features ordinary people, uses more natural language

Page 18: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

“Lines Composed a Few Miles Above Tintern Abbey”

Written in 1798 during Wordsworth’s 2nd visit

Expresses a deep joy in returning to Tintern Abbey and how his first visit sustained him over five years

Look for key ideas of romanticism

Page 19: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

Bellringer – January 24th

Considering the intellectual and artistic interests of the Romantics, why does fantasy and the fantastical figure so prominently in their works?

Page 20: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

Samuel Taylor Coleridge 1772-1834

Poet of fantasy and the imagination

Co-author of Lyrical Ballads w/ Wordsworth

Coleridge focuses on the strange and exotic

Both poets share same goal – to express essential truths about the human soul

Page 21: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

Samuel Taylor Coleridge

As a child was an avid reader, had a very active imagination

Attended Cambridge

Health problems required him to take painkillers – became addicted to opium

Became friends w/ Wordsworth in 1795

Friendship dissolved in 1810

Page 22: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

“The Rime of the Ancient Mariner”

Considered to be Coleridge’s masterpiece

Published in Lyrical Ballads

Basis of the poem was a friend’s dream

Wordsworth helped him elaborate on the dream – suggested that the poem be centered around a crime that happens at sea

Page 23: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

George Gordon, Lord Byron 1788-1824

2nd generation Romantic poet

Family was aristocratic but poor

Inherited his great-uncle’s title and became Lord Byron

Attended Cambridge, traveled in Europe and Middle East after graduating

Known for being wild and reckless from a young age

Page 24: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

George Gordon, Lord Byron

First work, the book-length poem Childe Harold’s Pilgrimage, made him famous overnight

Lived the life of a “celebrity poet”

Pet bear

“Mad, bad, and dangerous to know.”

Byronic hero – combination of Byron himself and his characters A dark, brooding hero Mysterious, passionate, irresistibly attractive

Page 25: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

Percy Bysshe Shelley 1792-1822

2nd generation Romantic poet

Born into a wealthy family

Attended Oxford got expelled for writing an essay

supporting atheism

Saw society as corrupt

Married to Mary Wollstonecraft Shelley (2nd wife) – author of Frankenstein

Was good friends w/ Lord Byron

Died in a boating accident at age 29

Page 26: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

John Keats

1795-1821

2nd generation Romantic poet

Unlike Byron and Shelley, born to working-class parents

Studied medicine in London but gave it up to write poetry

Page 27: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

John Keats

1818 – brother dies of TB but John meets the love of his life, Fanny Brawne

John and Fanny become engaged in 1819, he begins to get very sick w/ TB

Moves to Italy, dies in Rome in 1821- -he was only 25

His legacy: Lyric poetry One of the best poets in the English language Deeply devoted to the art of poetry Very sensitive to beauty, time, and the

contradictions of life (ex: sadness mixed with joy)

Page 28: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

John Keats

“Here lies One Whose Name was writ in Water” Epitaph on Keats’

tombstone in Rome

Page 29: The Romantic Period 1798-1832. Historical Context  Response to the rationalism of the Enlightenment  Response to the French Revolution (1789)  The

John keats

“When I Have Fears That I May Cease to Be” p. 748

“Ode on a Grecian Urn” p. 754 Ode: a lyric poem that pays respect to a person or

thing, usually addressed directly by the speaker