the renaissance 1375-1525 raphael, the school of athens, 1510

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Page 1: The Renaissance 1375-1525 Raphael, The School of Athens, 1510
Page 2: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

The Renaissance1375-1525

Page 3: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Raphael, The School of Athens, 1510

Page 4: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

The Rebirth of Classical Antiquity

•Jacob Burckhardt: The Civilization of the Renaissance in Italy (1860)

•Italy close to the remnants of Rome

•New study of Latin and Greek sources (also Hebrew and Arabic)

•Appreciation of virtues of classical (pagan) Greece and Rome

•Study of Nature

•Study of History

•Secular theories of power

Sandro Botticelli, The Birth of Venus, 1486

Page 5: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Botticelli, Madonna and Child, 1468

Page 6: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Renaissance Italy

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Page 7: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Petrarch (Francesco Petrarca), 1304-74

The Father of Humanism

•The bourgeoisie searches for an alternative to medieval ideals

Page 8: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

– Stressed the individual’s creativity, reason, and free will.

– Rejected original sin.– Belief in the

perfectibility of man.– Self cultivation and

virtue through education.

– The well rounded individual-- “Renaissance Man.”

– The good life is the life that is pleasing to the senses and intellect.

Humanism: Man as the Measure of All Things

Page 9: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Renaissance Art

• The Artist as Hero• Studied the remains of Roman

sculpture• Observations of the human

body• Mathematical perspective• Themes from classical

mythology and Old Testament • Anatomy, physiology, and

nature• Engineering

Donatello, David, 1440

Page 10: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

The Artist as Hero

Page 11: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Giotto, The Mourning of Christ, 1305

Composition

Foreshortening

Chiariscuro

Perspective

Page 12: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Michelangelo , David, 1504

Fifth Century BCE Greek Bronze

Page 13: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Study of Anatomy: Leonardo Da Vinci (1452-1519)

Page 14: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Michelangelo’s Slaves for the tomb of Pope Julius, 1515

Page 15: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Sistine Chapel

Page 16: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Michelangelo, The Pieta, 1499

Page 17: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Brunelleschi’s Duomo, Florence

and Masaccio’s Holy Trinity, 1425

Page 18: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Donatello, The Feast of Herod, 1425

Page 19: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Leonardo, The Last Supper, 1498

Page 20: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

St. Peter’s Basilica, Vatican City, Rome

Page 21: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

The Renaissance Man

Page 22: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Jan van Eyck, Giovanni Arnolfini and His Bride, 1434

The Northern Renaissance

Page 23: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Albrecht Durer, (1471-1528), Self Portrait, 1500

Mathematical Perspective: The Lucinda

Page 24: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Johannes Gutenberg and moveable type printing

Gutenberg’s 1454 Bible

Page 25: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Hans Holbein, Desiderius Erasmus (1466-1536) and the Greek New Testament 1516

Christian Humanism

Page 26: The Renaissance 1375-1525 Raphael, The School of Athens, 1510

Hans Holbein, Sir Thomas More, 1527