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The power of “Rhetoric”
Marine and Environmental Sciences Faculty Av. República Saharaui, s/n 11510-Puerto Real (Cádiz) Phone: +34 956 01 6875 Fax: +34 956 01 6078
E-mail: [email protected]
University of Cádiz EMMA REYES REYES
Contact:
OUTLINES
1. INTRODUCTION 1
1.1. What is “Rhetoric”? 1-3
1.2. The power of “Rhetoric” 4-5
1.3. The use of “Rhetoric” for Stakeholders 5-12
2. BASICS FOR ORAL PRESENTATIONS 12
2.1. Content: Information to be included 12-13
2.2. Format: Information design 14-17
3. GIVING AN ORAL PRESENTATION 17
3.1. 10 Simples Rules for making a good oral
presentation (Philip E. Bourne)
17-19
3.2. Good and Bad practices 19-20
4. POSTER PRESENTATIONS 20
4.1. How to design a poster? 21-23
4.2. How to present a poster? 23-25
5. AKNOWLEDGMENTS 25
6. REFERENCES 25
1. INTRODUCTION
1.1. What is “Rhetoric”? First, ask your students this question: What is “Rhetoric”?
Probably, more than half of the answers will have negative connotations. People
who are deceived and lured by hype are sometimes described as having
"succumbed to the rhetoric." If politicians make promises they do not keep,
those promises are likely to be criticized as "empty campaign rhetoric."
While it is true that rhetoric can have negative connotations, that is, rhetorical
skills can be used to deceive or to sway people unethically these conceptions of
rhetoric are misleading and fail even to scratch the surface of what rhetoric is all
about.
During the 4th century B.C., Aristotle wrote the Rhetoric in which he defined
rhetoric as discovering all available means of persuasion on a topic.
Thus, for Aristotle, rhetoric has a clear persuasive function, but also an
epistemic function. It serves as a way to discover what is known and what
can be known about a subject. Every time we use language, in speech or in
writing, we engage in a rhetorical act. Another way of saying this would be to
say that all communication is rhetorical. In fact, a useful modern definition of
rhetoric is simply the intentional use of language to influence an
audience.
Aristotle and other classical rhetoricians, both Greek and Roman, worked to
codify rhetoric, to identify its parts and its functions. Much of our modern
understanding of rhetoric is derived from these classical sources. Part of this
classical heritage is our understanding of the 5 canons of rhetoric:
1
Table 1: The five Canons of Rhetoric
Invention=>
prewriting
The Latin term inventio means "invention" or
"discovery."
It is a process of systematically discovering arguments
about a given topic.
It is refered to this part of the writing process as
"prewriting."
Arrangement=>
organization
The classical rhetoricians refered to this canon as
dispositio, meaning "disposition" or "arrangement."
It is the process of arranging the parts of a discourse in
the order that will be most effective to achieve the rhetorical
goal or intention.
It is refered to this as "structure" or "organization."
Style=> design
Because of their focus on spoken delivery, classical
rhetoricians refered to style as elocutio.
Particular elements of style are: word choice (diction),
sentence and paragraph length and arrangement, use of
imagery and metaphor, etc.
Memory=>
mental skills,
notes or
PowerPoint
slides
This canon gets the least emphasis in modern rhetorical
studies. In Aristotle and Plato's day, each copy of a text had
to be created by hand, and paper was much harder to come
by. Plato, in fact, distrusted writing because he believed that
it became a crutch, allowing rhetors to depend on the written
text rather than on developing their mental skills.
Classical rhetoricians stressed memory, what they called
memoria and used several mnemonic devices to help them
remember the parts of an oration.
We tend to rely on notes or PowerPoint slides!
Delivery=>
manner of
speaking or
communicating
Classical rhetoricians focused mostly on oral presentation
when they talked about delivery and refered to it as
pronuntiatio.
Visual elements as part of the message we communicate
2
One useful way for us to think about rhetoric now is to understand that every
rhetorical act, every use of language, occurs within a rhetorical context,
which includes at least 4 elements:
The speaker or writer's goal. The effect you want to have on a specific audience.
The topic of the rhetorical discourse.
The specific person or group of people you are addressing. The method of delivery, newspaper, flyer, radio or television broadcast, poster, letter, speech, academic paper, etc.
A
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A
UDIENCE
MEDIUM
Figure 1: Factors in a Rhetorical Context (ASAM)
To be an effective speaker or writer, you must begin by analyzing the rhetorical
context of your discourse:
Why are you speaking or writing?
What is your message about?
To whom are you speaking or writing?
How will your message be delivered or received?
These factors exert significant impact on what you will say or write and how you
will say or write it.
Suppose, for example, that you want to quit a job you currently have and take a
new job. You might explain your reasons to your friends and/or your parents
quite differently than you would to your current boss. Maybe you would tell your
friends and parents that you just hate the job or that you are not paid enough.
You would probably express yourself quite differently to your boss if he/she
asked for your reasons, especially if you wanted a job reference for your next
employer! This is just one example of how factors in the rhetorical context work
together to influence what is written or said and how.
3
1.2. The power of “Rhetoric”
Within the rhetorical context, we, as speakers and writers, make three types of
appeals to our audience:
Table 2: Three types of appeals to your audience.
Ethos =>
You as
speaker
or writer
Ethos is the Greek word from which we get our word "ethics."
It is all about your credibility, reliability, and authority as a
speaker or writer.
It is your reputation with your audience and the strategies you
use to convince your audience that you should be believed or taken
seriously.
It had a lot to do with a rhetor's status in the community, for
the Greeks. For Quintilian, being a "good man" was equally as
important as having the ability to "speak well."
It focuses on you as the speaker or writer.
Logos=>
Message
or Text
Logos sounds a lot like our word "logic”
It focuses on the text or the message that is being delivered,
the data, examples, statistics, facts, reasoning, etc. which are part
of your message.
We often refer to the logos portion of writing as "support
material"
Pathos=>
Audience
The root of the word,"path", actually means "feeling or
suffering."
It is all about appealing to feelings or emotions.
Thus, the focus of pathos is on the audience.
Aristotle believed that the most significant of the appeals was ethos, that
someone will be believed because of his/her reputation or charisma even if the
facts of the message are weak.
Aristotle believed that ideally, people would be persuaded by logos, but he
acknowledged that most people are more swayed by what we feel and care
about than by what we believe to be factual.
A skilled writer understands that all three appeals work together within a
specific rhetorical context and uses all of them to accomplish his rhetorical aim.
4
Figure 2: The Three Rhetorical Appeals
Now that we do so much of our reading and writing online, we are paying a lot
more attention to the fact that the visual elements of a text are equally as
important as the language of the text in communicating meaning.
These are the two tools that speakers and writers use to make the three
rhetorical appeals: Language and image.
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AUDIENCE
MEDIUM
Ethos
Pathos Logos
The person who understands rhetoric and who perfects his or her rhetorical
skills is the person who is most likely to get what is needed or wanted. When
you study rhetoric, as you are in this class, you are perfecting skills that will
influence every area of your life and work. These both sections have been
compiled on the basis of the E-book “An Introduction to Rhetoric” available on
the web site www.letu.edu/people/annieolson/online/intro.html.
1.3. The use of “Rhetoric” for Stakeholders
Rachel Thompson, Experienced Project Manager
"Stakeholder management is critical to the success of every project in
every organization I have ever worked with. By engaging the right people
in the right way in your project, you can make a big difference to its
success... and to your career."
5
The European Commission defines ICZM as “a dynamic, multidisciplinary and
iterative process to promote sustainable management of coastal zones. It
covers the full cycle of information collection, planning (in its broadest
sense), decision making, management and monitoring of implementation”.
ICZM uses the
informed
participation and
cooperation of all
stakeholders
(person or
organization that
has a legitimate
interest in a project
or entity) to assess
the societal goals in
a given coastal
area, and to take
actions towards
meeting these
objectives (ENCORA
Coastal WIKI).
Figure 3: Different kind of Stakeholders
(source: www.csr2006.cadburyschweppes.com)
The following information has been compiled on the basis of “Stakeholder
Engagement: A Good Practice Handbook for Companies Doing Business in
Emerging Markets” – Appendix 3 - belonging to the International Finance
Corporation -World Bank Group- and available on the web
www.ifc.org/ifcext/enviro.nsf/AttachmentsByTitle/p_StakeholderEngagement_F
ull/$FILE/IFC_StakeholderEngagement.pdf)
As you become more successful in your career, the actions you take and the
projects you run will affect more and more people. The more people you affect,
the more likely it is that your actions will impact people who have power and
influence over your projects. These people could be strong supporters of your
work or they could block it.
6
There are two major elements to Stakeholder Management:
Stakeholder Analysis: it is the technique used to identify the key people
who have to be won over.
Stakeholder Planning: You then use this element to build the support that
helps you succeed, to work out their power, influence and interest, so you know
who you should focus on.
The benefits of using a stakeholder-based approach are that:
The opinions of the most powerful stakeholders
shape and improve the quality of your project.
Gaining support from powerful stakeholders can help you to win
more resources -> your projects will be successful.
The communication with stakeholders ensure that
they can support you actively when necessary.
You can anticipate what people's reaction to your project
may be, and build into your plan the actions that will win
people's support.
Figure 4: Scheme of the benefits of using stakeholder-base approach.
Probably, you have already learned or you are going to study Stakeholder
Analysis in other subject, it is not the aim of this case study. Once you have
identified who your stakeholders are, the next step is to work on their influence
and interest. We are going to focus on the “Stakeholder planning” element, to
plan how you will communicate with each stakeholder.
7
Key principles for stakeholder’s engagement
Stakeholder engagement is about building and maintaining constructive
relationships over time. It is an ongoing process between a company and its
project stakeholders that extends throughout the life of the project and
encompasses a range of activities and approaches, from information sharing
and consultation, to participation, negotiation, and partnerships. The nature and
frequency of this engagement should reflect the level of project risks and
impacts.
The purpose of a Stakeholder Engagement Plan is to describe a company’s
strategy and program for engaging with stakeholders in a culturally appropriate
manner (whether it is for a single project or a range of company operations).
The goal is to ensure the timely provision of relevant and understandable
information. It is also to create a process that provides opportunities for
stakeholders to express their views and concerns, and allows the company to
consider and respond to them.
PROJECT STAKEHOLDERS
S
COMPANY
Partnerships
Stakeholder Engagement
Information sharing and consultation
Participation Negotiation
Figure 5: Scheme of the activities and approaches
of the Stakeholder Engagement Plan
8
9
STAKEHOLDERS COMPANY
Providing meaningful information in advance
Diemination information
Respect for local traditions Two way dialogue
Feed ackb
Reporting back
NO Intimidation NO coercion
Inclusiveness in representation
Clear mechanisms
Disseminating information
Key principles of effective engagement include:
1) Providing meaningful information in a format and language that is readily
understandable and tailored to the needs of the target stakeholder group(s).
2) Providing information in advance of consultation activities and decision-
making.
3) Disseminating information in ways and locations that make it easy for
stakeholders to access it.
4) Respect for local traditions, languages, timeframes, and decision-making
processes.
5) Two-way dialogue that gives both sides the opportunity to exchange views
and information, to listen, and to have their issues heard and addressed.
6) Inclusiveness in representation of views, including women, vulnerable
and/or minority groups.
7) Processes free of intimidation or coercion.
8) Clear mechanisms for responding to people’s concerns, suggestions, and
grievances.
9) Incorporating feedback (information assimilation) into project or program
design, and reporting back to stakeholders.
Figure 6: Scheme of the key principles of effective engagement
When developing stakeholder engagement strategies it is important to remember that no one size fits all.
Environmental Resources Management (ERM), recommends utilizing different approaches based on the scenario
(“Communication Strategies for Stakeholder Engagement” from Tanya Martin, Leah Anderson and Theodora
Overfelt which is available on the web site www.mindtools.com/pages/article/newPPM_08.htm).
The following table shows the stakeholder engagement strategies based on different scenarios, as well as their
goals, advantages and disadvantages to use them:
Table 3: Stakeholder Engagement strategies based on the scenario
APPROACH
GOALS ADVANTAGE DISADVENTAGE WHEN TO USE
ONE -ON– ONE
To talk to your stakeholders directly
Most intimate and two-way
Less danger of concern at voicing opinion
Relatively inefficient Singles out, may
legitimize some stakeholders
For highest priority
stakeholders When you have time
and resources Data collection
FOCUS GROUPS
Convened discussions with groups that have interests or characteristics in common
Stimulates interactive discussion among a small group
Places people in common
Requires expert facilitation
To solicit feedback from an important segment of community
OPEN HOUSES
Public comes to circulate freely among booths and experts
Allows for a flow of small group interactions
Stakeholders can seek information on what concerns/interests them most
Requires most logistical preparation
Less formal inseeking feedback
When communities expect a wealth of information plus time to interact individually with experts
In conjunction with Town Hall
10
11
TOWN HALLS
Like a political town hall with microphone
Can convey messages to large group at one time
Stakeholders can listen to and respond to a public exchange
Very public – you “have the floor”
Most vocal and strident stakeholders can dominate
Requires skilful facilitation
Very public – you're most exposed
At key milestones – later stages of an impact assessment, when a big announcement needs to be made
PANELS Public comes to hear panellists interact among themselves and to ask questions
Expert group, discussion more focused
Inevitably excludes stakeholders not on panel
Dependent on participation of panellists
Does not seek formal feedback
When technical information needs to be shared and there is some distrust on all information coming from The Company
COMMUNITY ADVISORY BOARDS
Insert more formal description of this
Empowers communities with decision-making power
Requires expert facilitation to establish governance
Empowerscommunities with decision-making power
When project needsto give stakeholders decision-making ability to gain “social license to operate”
When there is a pooof representative and skilled members
l
There are many forms of stakeholder engagement. To be an effective speaker
or writer, you must begin by analyzing the rhetorical context of your discourse.
It means, you have to take into account the four factors in a Rhetorical Context
(section 1.1), it says, who is going to attend to the conference, the effect you
want to have on this specific audience, which is the subject of your conference,
and how are you going to present is.
In order to make your work better understood and be ready for participation,
basic communication skills should be developed as follow:
• Basics for oral presentations
o Information to be included
o Information design
• Giving an oral presentation
o 10 simples rules for making a good oral presentation
o Good and bad practices
• Poster presentation skills
o For the 7 seconds scientist walking by
o For the 30 seconds scientist walking by
o For the 2 minutes scientist fully stopping
o For the “I will read it later” scientist
2. BASICS FOR ORAL PRESENTATIONS
2.1. Content: Information to be included
Making presentations to small or large groups is an essential task for planners
or managers (and really for any profession). Presentation skills are honed
through practice. Still, there are some “tricks of the trade” that enhance the
quality and effectiveness of presentations.
RESEARCH
Know your audience and relate your talk to it.
Know your time limits and stick to them.
Know your context (other speakers and what they are saying).
PREPARE
Each theme should be the subject of a small number of slides (a good
working assumption is that three slides for each theme is about right).
12
Each slide should have clear heading. A question is often a good way of
winning attention, but, in that case, make sure you answer the question in
the body of the slide.
Clarify 3-5 key points: introduce them, discuss them, and conclude with
them.
All these key points should have a clear structure, which should be detailed
in the outlines as follow ( “Oral Presentation Advice” by Mark D. Hill, 1997,
http://pages.cs.wisc.edu/~markhill/conference-talk.html and “How to make
a good presentation” by Roger Darlington, 2006
http://www.rogerdarlington.co.uk/Presentation.html ):
1.- Introduction (1 slide), the event and date, your name and position.
2.- Central proposition of your presentation.
3.- Forecast (1 slide): the gist problem “Abstract”
4.- Outline (1 slide): the talk structure
5.- Background
- Motivation and Problem Statement (1-2 Slides)
- Related Work (0-1 Slides)
- Method (1 slide)
6.- Results (4-6 slides)
7.- Summary (1 slide)
8.- Future Work (0-1 slides)
9.- Backup Slides (0-3 slides): to answer expected questions
10. - Set out your contact details: certainly e-mail address and possibly snail
mail address, the web site of your organisation, and any personal website or
weblog if you have one.
Before giving your oral presentation:
– E-mail your presentation to the event organisers in advance.
– Ask them to load it onto a laptop, run it through, check that it looks fine,
and confirm that with you.
– In addition, it enables the event's organisers to run off copies of your
slides, so that they are available to them in good time and they can take
notes simply by annotating the slides, instead of having to note down all the
information on the slides. For a large audience, people at the back may not
be able to see the screen clearly and would really appreciate having copies of
the slides.
13
2.2. Format: Information design
The aim of this section is to learn how to use effectively audio-visual tools
(overheads, slides, Power-Point, handouts) to clarify your main points and to
help the audience visualize your message.
Here you can find in six points some advices from Davis Jones of the
Meteorological Service of Canada, modified from the original version by Victor
Chen (www.cmos.ca/effectivepresentations_DJones_files/frame.htm)
1.- Make it Big
Be sure to make your presentations easy to read!
The title should have the biggest font size (between 48pt. and 36pt. fonts for titles)
The rest of the text should be bigger than 18 font size (between 24pt. and 18pt. for text)
2.- Keep it simple
Without many colours and without many FONTS AND
Styles (it should be included fonts such as Arial, Helvetica,
Tahoma, Gill Sans MT, Calibri, Segoe UI, Lucida Grande, and Lucida
Sans for presentation, as they are modern, smooth, and of course,
easy to read.)
The 6 x 7 rule: Each slide should normally contain around 25-35
words, unless it is a quote (when you might use more) or contains
an illustration (when you will probably use less).
o Not more than 6 lines/slide
o Not more than 7 words/slide: Don’t just have text! Nothing is
more boring than a text only presentation. Too many words
and your audience will have trouble reading the material
14
3.- Make it clear
Serif and Italics fonts are difficult to read on screen
Sanserif, normal or bold fonts are clearer
Underlines may signify hyperlinks
Use colours to emphasize
ARE YOU HAVING TROUBLE READING THIS ALL-CAPITAL SENTENCE?
Mixed case is much easier to read
Use numners for lists with sequence. For example: How to put an
elephant into a fridge?
1. Open the door of the fridge
2. Put the elephant in
3. Close the door
Use bullets to show a list without
o Priority
o Sequence
o Hierarchy
Each bullet point should consist of an intelligible phrase, rather than
merely a word or two that is meaningless on its own or conversely a
complete sentence that is better delivered orally. Consider this test:
your slides should make sense and be useful to someone who was
not present at your presentation.
Increase the contrast
o Are you having trouble reading this?-
o This is dark on light
o This is light on dark
o There colours do not complement
o There colours complement
Graphs and images: Make appropriate use of pictures. It is a good
idea to break up text with illustrations and it is true that a picture is
worth a thousand words.
15
o Size matters: not so small neither so big
o Size implies importance: give to the graph enough importance
o Focal points direct attention: locate the graph in the middle of
the slide
4.- Be progressive
Use different types of instructional Tools like the animations (appear and
disappear options) to make it progressive and focused
5.- Be consistent
Differences draw attention
☺ Differences may imply importance
o Use surprises to attract, not distract
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6.- And finally
Communication the key
Text support communication
Pictures simplify complex concepts
Animations for complex relationships
Visuals support, not distract
Sounds only if necessary
3. GIVING AN ORAL PRESENTATION
Once you have included the information with the appropriate format, your
presentation is ready to be put forward. For giving a good oral presentation,
follow 10 simple rules given by Philip E. Bourne
(www.ploscompbiol.org/article/info:doi/10.1371/journal.pcbi.0030077 )
3.1. 10 Simple Rules for making a good oral presentation (Philip E.
Bourne)
An excellent oral presentation does not require a brilliant orator - you can do it.
Winston Churchill is commonly regarded as one of the greatest speakers in the
English language, yet he regretted the lack of practice in public speaking that he
would have gained had he gone to university and he suffered from a slight lisp
and a stammer. The key is preparation.
I.Talk to the audience
Take eye contact with the audience when you present.
Regularly sweep your eyes left-centre-right and back and front-middle-rear
and back, so that you engage all members of your audience.
Be sure you know who your audience is and what are their backgrounds and
knowledge level of the material you are going to present.
Deliver what the audience wants to hear.
II.Less is more
Do not try to say much. The British aristocrat Lord Brabazon once said: "If
you cannot say what you have to say in twenty minutes, you should go away
and write a book about it".
You do not have to prove to the audience that you know a lot.
Be clear and concise for a better expression of your knowledge.
Let time for the question-answer session when the audience becomes active
participants.
17
III.Only talk when you have something to say
Remember the audience’s time is precious and should not be abused by
presentation of uninteresting preliminary material.
Tell your audience things they did not know: research some salient, accurate
and up-date facts and figures.
And/or give them insights they did not have: look at the subject differently.
IV.Make the Take-Home message persistent
Make the audience able to remember the key point you were trying to get
across with the correct emphasis.
V.Be logical
The presentation has a logical flow, like a story; a clear beginning, middle
and a big finish.
VI.Treat the floor as a Stage
Presentations should be entertaining, but do not try to be humorous if you
are not. Try to tell anecdotes and captivate the audience.
VII.Practice and time your presentation
This is particularly important for inexperienced presenters. The more
presentations you give, the better you are going to get. Laboratory group
meetings are fine forum for training a talk.
So make sure that the title of your speech is catchy and then people will be
looking forward to it even before the event.
You should have been thinking of themes and points, noting down ideas and
sources, crafting phrases and sentences.
You should have finalised the notes or text or slides at least the day before,
so that you can concentrate on reading through the material.
VIII.Use visuals sparingly but effectively
Prepare good visual materials, such as graphs and charts, to captivate the
audience with them.
If you have more that one visual for each minute you are talking, you have
too many and you will run over time. The visual should support what you are
saying either for emphasis or with data to prove the verbal point.
IX.Review audio and/or video of your presentations
There is nothing more effective than listening to, or listening to and viewing,
a presentation you have made. Seeing what is wrong is easy, correcting it the
next time around is not.
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X.Provide appropriate acknowledgments
People love to be acknowledged for their contributions. It is often
appropriate to acknowledge people at the beginning or at the point of their
contribution so that their contributions are very clear.
Good indicators:
The metric of depth and intensity of questions
The off-line follow-up
3.2. Good and Bad practices
In the following table, you can learn what to do and what not to do during your
oral presentation compiled on basis of my own experience :
DO IT! DO NOT DO IT!
Before your oral presentation
Expectation shapes reality Never admit to feeling
anxious, unsure or unwell.
Do not make a rambling
opening
If you feel nervous…
Pause for a couple of
seconds and breathe.
Do not extend your pause
and do not leave the
people waiting for you for
half an hour.
Without microphone
Speak sufficiently loudly
Move around a little
Do not speak to yourself
Do not stay in the place
With microphone
Speak at normal volume.
Speak a little more
slowly.
Do not shout in front of
everyone.
Do not move around.
Attracting the attention
Make a dramatic opening
with the very first words
Do not ask a question that
invites a cynical answer
from your audience
In the middle of the presentation
Occasionally alter the
speed, volume and tone
of your delivery.
Be convincing, dynamic,
enthusiastic (ask
Do not add many dramatic
effects.
Do not give a monotonous
speech.
19
question, provide
answers)
Get moving Use a laser or stick
(keeps one hand busy)
Do not put hands into
pockets.
Never turn your back to the
audience.
Speaking Articulate, speak clear
and loud.
Give intonation into voice.
Do not speak unclear.
Do not be monotonous in
the intonation.
Behaviour Be self confident but also
humble.
Be ready and open to
critics, comments and
sometimes,…compliments
Never be arrogant.
Do not get angry because
of the critics and
comments.
Timing Respect time constraints
imposed.
Do not spend your time
with uninteresting material.
Questions Transform questions for
which you do not know
the answer into positive
constructive comments
for future investigation.
Do not answer a question
for which you do not know
the answer.
Be honest.
Finally Let time for the questions Do not breathe a sigh
4. POSTER PRESENTATIONS
This section has been compiled on basis of the information posted on the web
site by Kathryn W. Tosney about “ How to design a poster“ available on
http://www.bio.miami.edu/ktosney/file/Good8X10.pdf and the E-book “Ten
Simple Rules for a Good Poster Presentation” by Thomas C Erren* and Philip E
Bourne available also on the web
http://wwwmaths.anu.edu.au/events/BioInfoSummer07/talks/Poster.pdf.
Posters are a key component of communicating your science and an important
element in a successful scientific career. Posters, while delivering the same
high-quality science, offer a different medium from either oral presentations or
published papers, and should be treated accordingly.
20
Posters should be considered a snapshot of your work intended to engage
colleagues in a dialog about the work, or, if you are not present, to be a
summary that will encourage the reader to want to learn more. Many a lifelong
collaboration has begun in front of a poster board. Here are eleven simple
advices for designing and presenting an effective poster.
4.1. How to design a poster?
An effective poster is simple FOCUSED
SIMPLE
GRAPHIC
ORDERED
– It focused on a single message
– It avoids saturating the viewer with text
– It does not tell, it shows: graphics dominate.
– It uses a visual hierarchy for emphasis.
Below there are some advices how to reach these objectives:
Table 4: Advices for Poster design
Design for 3
audiences
Your competitors need no effort to attract.
Workers in your general area need context and
accessibility.
Workers outside your general area also need the
problem explained.
Organize it easy Lay out in column format
Indicate the
sequence
Use numbers, letters, and a logical sequence.
Order the panels visually, in units and columns.
Avoid asymmetries, which distract the eye.
Use a visual
hierarchy
It something is important, make it BIG.
Title is biggest, headings next, then explanations.
Vital information
big type
Put the take-home messages in big headings.
Use headings to identify results explicitly and to state
the message.
Make graphics
dominate
Use figures and graphs to make evidence obvious.
One carefully produced chart or graph often says more
than hundreds of words
Emphasize material visually.
Use graphics, figures, and cartoons; avoid
unornamented tables.
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Use colour to emphasize and to link words with images.
Write explanations on the figures.
Organize
visually
Maximize order and emphasize with colour.
Keep panels similar in shape, confirmation and
orientation.
Group elements together to form conceptual units.
Use
readable text
Think of text as just another visual aid.
Keep text brief, compact and single-spaced.
Title/major headings readable at 6 feet, the rest at 3.
Avoid using all capitals or right-adjusted text.
Discard
details
Edit ruthlessly.
Omit all you can; simplify verbiage; dump details.
Details detract.
Simple messages are the most memorable.
Make strong
conclusions
Step beyond merely stating results
Differentiate among data, summaries and conclusions.
Commit yourself: state interpretations and conclusions.
Make the strongest statement your data will support.
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TITLE (the biggest)
Figure 7: Example of poster design.
4.2. How to present a poster?
Then the considerable effort of making a poster is done, do not blow it on
presentation day by failing to have the poster achieve maximum impact. This
requires the right presenter–audience interaction.
Work to get a crowd by being engaging; one engaged viewer will attract
others.
Do not badger people, let them read.
Work all the audience at once, do not leave visitors waiting for your
attention.
Make eye contact with every visitor.
Make it easy for a conference attendee to contact you afterward.
Have copies of relevant papers on hand as well as copies of the poster on
standard-sized paper.
Title makes a strong statement
Work place, institution’s logo and web site Authors
Context (big) Explanations (medium)
Something important (big)
Fig X: Small Explanations (medium)
1.Take-home
2. Result
3. Result
4.Result
5.Result
6.Summary
Conclusions
We Acknowledge
Summary states results
Identify the result explicitly
Conclusions interpret results
Take-home messages in big headings
Headings state the message
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As the host of the work presented on the poster, be attentive, open, and
curious, and self-confident but never arrogant and aggressive.
Leave the visitors space and time, they can “travel” through your poster at
their own discretion and pace.
If a visitor asks a question, talk simply and openly about the work. Start
with context: the problem, its importance, your solution.
This is likely your opportunity to get feedback on the work before it goes to
publication.
Focus on the evidence: the graphics.
Do not read the poster: use it as visual aid, pointing to figures.
Good posters and their presentations can improve your reputation, both within
and outside your working group and institution, and may also contribute to a
certain scientific freedom.
Below some scenarios for poster presentations have been compiled:
Table 5: Poster presentation based on the scenario
have an informative title: The title should make them
want to come and visit. The title might pose a decisive
question, define the scope of the study, or hint at a new
finding.
For the 7 second
Scientist walking
by
have one central picture or sketch illustrative of your
work
put the conclusions at the top For the 30
use few words seconds
do not produce dense posters Scientist walking
use simple graphics by
use large fonts
organize the information in a logical way
use narrow columns (for speed reading)
prepare a 30 seconds talk with guidance and
highlights
For the 2
minutes
include some technical details on methods Scientist fully
include most important results stopping
include references
let the person go
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print small versions of your poster For the “I will
put prints of associated papers read it later”
Scientist
5. AKNOWLEDGMENTS
This case study has been prepared using the notes from the lecture by
Veronique Garçon and Baris Salihoglu from LEGOS-CNRS, France, during 2006
Euro-Oceans summer school, modified from the original version by Corinne Le
Quéré and Eric Saltzman, during 2005 SOLAS summer school.
I wish to thank all those who have posted valuable information on the web and
who make science accessible by teachers, students, and anybody.
6. REFERENCES
Bourne P.E., (2007). “Ten simple rules for making good oral presentations”.
PLoS comput Biol 3(4):e77.doi:10.1371/journal.pcbi.0030077
ENCORA Coastal and Marine WIKI. Available:
http://www.encora.eu/coastalwiki/Stakeholder_analysis
Hill M.D. (1992). “Oral Presentation Advice”. Computer Sciences Department.
University of Wisconsin-Madison. Revised January 1997. Available:
http://www.cs.wisc.edu/~markhill/conference-talk.html
International Finance Corporation (2007). “Stakeholder Engagement: A
Good Practice Handbook for Companies Doing Business in Emerging Markets”.
(World Bank Group). Available:
http://www.ifc.org/ifcext/enviro.nsf/AttachmentsByTitle/p_StakeholderEngagem
ent_Full/$FILE/IFC_StakeholderEngagement.pdf
Jones D. “Principles of presentation for PowerPoint” modified from the original
by Victor Chen. Meteorological Service of Canada. Available:
http://www.cmos.ca/effectivepresentations_DJones.pdf
Martin T., Anderson L. and Overfelt T. (2007) “Communication Strategies
for Stakeholder Engagement”, Environmental Resources Management (ERM),
15810 Park Ten Place, Suite 300, Houston, TX 77084 . Available:
http://aiche.confex.com/aiche/s07/preliminaryprogram/abstract_80801.htm
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