the poems for final presentation – poetry ii a class

The Poems for Final Presentation – Poetry II A Class

Ardhiansyah Aga Wardhana

I, TOO (By Langston Huges)

I, too sing America.

I am the darker brother. They send me to eat in the kitchen When company comes. But I laugh, And eat well And grow strong.

To-morrow I'll sit at the table When company comes Nobody'll dare Say to me, "Eat in the kitchen" Then.

Besides, they'll see how beautiful I am And be ashamed,--

I, too, am America.


Rani Angrenggani P W

A Black Man Talks of Reaping

by Arna Bontemps

I have sown beside all waters in my day.

I planted deep, within my heart the fear

that wind or fowl would take the grain away.

I planted safe against this stark, lean year.

I scattered seed enough to plant the land

in rows from Canada to Mexico

but for my reaping only what the hand

can hold at once is all that I can show.

Yet what I sowed and what the orchard yields

my brother's sons are gathering stalk and root;

small wonder then my children glean in fields

they have not sown, and feed on bitter fruit.

Sulistyaningrum


Lady Lazarus ( by Sylvia Plath)

I have done it again.

One year in every ten

I manage it--

A sort of walking miracle, my skin

Bright as a Nazi lampshade,

My right foot

A paperweight,

My face a featureless, fine

Jew linen.

Peel off the napkin

O my enemy.

Do I terrify?--

The nose, the eye pits, the full set of teeth?

The sour breath

Will vanish in a day.

Soon, soon the flesh

The grave cave ate will be

At home on me

And I a smiling woman.

I am only thirty.

And like the cat I have nine times to die.

This is Number Three.

What a trash

To annihilate each decade.

What a million filaments.

The peanut-crunching crowd

Shoves in to see

Them unwrap me hand and foot--

The big strip tease.

http://www.poets.org/poet.php/prmPID/11


Gentlemen, ladies

These are my hands

My knees.

I may be skin and bone,

Nevertheless, I am the same, identical woman.

The first time it happened I was ten.

It was an accident.

The second time I meant

To last it out and not come back at all.

I rocked shut

As a seashell.

They had to call and call

And pick the worms off me like sticky pearls.

Dying

Is an art, like everything else.

I do it exceptionally well.

I do it so it feels like hell.

I do it so it feels real.

I guess you could say I've a call.

It's easy enough to do it in a cell.

It's easy enough to do it and stay put.

It's the theatrical

Comeback in broad day

To the same place, the same face, the same brute

Amused shout:

'A miracle!'

That knocks me out.

There is a charge

For the eyeing of my scars, there is a charge

For the hearing of my heart--

It really goes.


And there is a charge, a very large charge

For a word or a touch

Or a bit of blood

Or a piece of my hair or my clothes.

So, so, Herr Doktor.

So, Herr Enemy.

I am your opus,

I am your valuable,

The pure gold baby

That melts to a shriek.

I turn and burn.

Do not think I underestimate your great concern.

Ash, ash--

You poke and stir.

Flesh, bone, there is nothing there--

A cake of soap,

A wedding ring,

A gold filling.

Herr God, Herr Lucifer

Beware

Beware.

Out of the ash

I rise with my red hair

And I eat men like air.

23-29 October 1962


Yasin Achmad Sutarjo The Safe House by Taslima Nasrin I'm compelled to live in such a house Where I'm forbidden to say 'I like it not' Though I feel aghast to live in here. Such a safe house I live in Where I'm destined to live and suffer 5 But cannot weep. I must avoid eye contact with others Lest I should expose my pains inconclusive. In this house everyday at dawn My longings are slaying and before evening descends 10 The pallid corpses are buried on its courtyard. My deep sighs break the silence of the safe house All other sounds are inconspicuous within and without the house. Every night I go to bed trepidation, And with the same feelings I wake up, 15 While awake, I subject my own shadow to a monologue. I'm caught unawares by the invasion of a venomous snake, Hurtling wrath and loathing, squirms all over my body And hiss: Be off transcending boundaries Hush - hush escape to a far off quaint land 20 Towards the impassable mountains. While creeping around the shadow, the serpent demands: Get lost forever. Friends, do pray for me For my safe exit, from the safe house, 25 Pray for my lucky sojourn, Once in safety in an unsafe house. Rella Coverries S


Turtle

By Kay Ryan

Who would be a turtle who could help it? A barely mobile hard roll, a four-oared helmet, she can ill afford the chances she must take in rowing toward the grasses that she eats. Her track is graceless, like dragging a packing-case places, and almost any slope defeats her modest hopes. Even being practical, she's often stuck up to the axle on her way to something edible. With everything optimal, she skirts the ditch which would convert her shell into a serving dish. She lives below luck-level, never imagining some lottery will change her load of pottery to wings. Her only levity is patience, the sport of truly chastened things.

Aditya Widyani

http://www.poetryfoundation.org/bio/kay-ryan


The Mother by Gwendolyn Brooks

Abortions will not let you forget.

You remember the children you got that you did not get,

The damp small pulps with a little or with no hair,

The singers and workers that never handled the air.

You will never neglect or beat

Them, or silence or buy with a sweet.

You will never wind up the sucking-thumb

Or scuttle off ghosts that come.

You will never leave them, controlling your luscious sigh,

Return for a snack of them, with gobbling mother-eye.

I have heard in the voices of the wind the voices of my

dim killed

children.

I have contracted. I have eased

My dim dears at the breasts they could never suck.

I have said, Sweets, if I sinned, if I seized

Your luck

And your lives from your unfinished reach,

If I stole your births and your names,

Your straight baby tears and your games,

Your stilted or lovely loves, your tumults, your

marriages, aches,

and your deaths,

If I poisoned the beginnings of your breaths,

Believe that even in my deliberateness I was not

deliberate.

Though why should I whine,

Whine that the crime was other than mine?--

Since anyhow you are dead.

Or rather, or instead,

You were never made.

But that too, I am afraid,

Is faulty: oh, what shall I say, how is the truth to be


said?

You were born, you had body, you died.

It is just that you never giggled or planned or cried.

Believe me, I loved you all.

Believe me, I knew you, though faintly, and I loved, I

loved you

All.

Rae Shella Tivani M Somewherae I Have Never Travelled, Gladly Beyond


by E. E. Cummings

somewhere i have never travelled, gladly beyond

any experience,your eyes have their silence:

in your most frail gesture are things which enclose me,

or which i cannot touch because they are too near

your slightest look will easily unclose me

though i have closed myself as fingers,

you open always petal by petal myself as Spring opens

(touching skilfully,mysteriously)her first rose

or if your wish be to close me, i and

my life will shut very beautifully ,suddenly,

as when the heart of this flower imagines

the snow carefully everywhere descending;

nothing which we are to perceive in this world equals

the power of your intense fragility:whose texture

compels me with the color of its countries,

rendering death and forever with each breathing

(i do not know what it is about you that closes

and opens;only something in me understands

the voice of your eyes is deeper than all roses)

nobody,not even the rain,has such small hands

Isna Nur Lathifah Barbie Doll (By Marge Piercy)


This girlchild was born as usual

and presented dolls that did pee-pee

and miniature GE stoves and irons

and wee lipsticks the color of cherry candy.

Then in the magic of puberty, a classmate said:

You have a great big nose and fat legs.

She was healthy, tested intelligent,

possessed strong arms and back,

abundant sexual drive and manual dexterity.

She went to and fro apologizing.

Everyone saw a fat nose on thick legs.

She was advised to play coy,

exhorted to come on hearty,

exercise, diet, smile and wheedle.

Her good nature wore out

like a fan belt.

So she cut off her nose and her legs

and offered them up.

In the casket displayed on satin she lay

with the undertaker's cosmetics painted on,

a turned-up putty nose,

dressed in a pink and white nightie.

Doesn't she look pretty? everyone said.

Consummation at last.

To every woman a happy ending.

Akhmad Al Amin


A Dream of Death by William Butler Yeats

I DREAMED that one had died in a strange place Near no accustomed hand, And they had nailed the boards above her face, The peasants of that land, Wondering to lay her in that solitude, And raised above her mound A cross they had made out of two bits of wood, And planted cypress round; And left her to the indifferent stars above Until I carved these words: She was more beautiful than thy first love, But now lies under boards.

Harry Putera P


The Creation by James Weldon Johnson And God stepped out on space, And he looked around and said: I'm lonely— I'll make me a world. And far as the eye of God could see Darkness covered everything, Blacker than a hundred midnights Down in a cypress swamp. Then God smiled, And the light broke, And the darkness rolled up on one side, And the light stood shining on the other, And God said: That's good! Then God reached out and took the light in his hands, And God rolled the light around in his hands Until he made the sun; And he set that sun a-blazing in the heavens. And the light that was left from making the sun God gathered it up in a shining ball And flung it against the darkness, Spangling the night with the moon and stars. Then down between The darkness and the light He hurled the world; And God said: That's good! Then God himself stepped down— And the sun was on his right hand, And the moon was on his left; The stars were clustered about his head, And the earth was under his feet. And God walked, and where he trod His footsteps hollowed the valleys out And bulged the mountains up. Then he stopped and looked and saw That the earth was hot and barren. So God stepped over to the edge of the world And he spat out the seven seas— He batted his eyes, and the lightnings flashed— He clapped his hands, and the thunders rolled—

http://www.poets.org/poet.php/prmPID/72


And the waters above the earth came down, The cooling waters came down. Then the green grass sprouted, And the little red flowers blossomed, The pine tree pointed his finger to the sky, And the oak spread out his arms, The lakes cuddled down in the hollows of the ground, And the rivers ran down to the sea; And God smiled again, And the rainbow appeared, And curled itself around his shoulder. Then God raised his arm and he waved his hand Over the sea and over the land, And he said: Bring forth! Bring forth! And quicker than God could drop his hand, Fishes and fowls And beasts and birds Swam the rivers and the seas, Roamed the forests and the woods, And split the air with their wings. And God said: That's good! Then God walked around, And God looked around On all that he had made. He looked at his sun, And he looked at his moon, And he looked at his little stars; He looked on his world With all its living things, And God said: I'm lonely still. Then God sat down— On the side of a hill where he could think; By a deep, wide river he sat down; With his head in his hands, God thought and thought, Till he thought: I'll make me a man! Up from the bed of the river God scooped the clay; And by the bank of the river He kneeled him down; And there the great God Almighty Who lit the sun and fixed it in the sky, Who flung the stars to the most far corner of the night,


Who rounded the earth in the middle of his hand; This great God, Like a mammy bending over her baby, Kneeled down in the dust Toiling over a lump of clay Till he shaped it in is his own image; Then into it he blew the breath of life, And man became a living soul. Amen. Amen. Devinta Ayu Dwi Nanda


THIS IS A PHOTOGRAPH OF ME (BY MARGARET ATWOOD)

It was taken some time ago.

At first it seems to be a smeared

print: blurred lines and grey flecks

blended with the paper;

then, as you scan

it, you see in the left-hand corner

a thing that is like a branch: part of a tree

(balsam or spruce) emerging

and, to the right, halfway up

what ought to be a gentle

slope, a small frame house.

In the background there is a lake,

and beyond that, some low hills.

(The photograph was taken

the day after I drowned.

I am in the lake, in the center

of the picture, just under the surface.

It is difficult to say where

precisely, or to say

how large or small I am:

the effect of water

on light is a distortion

but if you look long enough,

eventually

you will be able to see me.

Almira Fidela Artha


In a Dark Time

By: Theodore Roethke In a dark time, the eye begins to see, I meet my shadow in the deepening shade; I hear my echo in the echoing wood-- A lord of nature weeping to a tree, I live between the heron and the wren, Beasts of the hill and serpents of the den. What's madness but nobility of soul At odds with circumstance? The day's on fire! I know the purity of pure despair, My shadow pinned against a sweating wall, That place among the rocks--is it a cave, Or winding path? The edge is what I have. A steady storm of correspondences! A night flowing with birds, a ragged moon, And in broad day the midnight come again! A man goes far to find out what he is-- Death of the self in a long, tearless night, All natural shapes blazing unnatural light. Dark,dark my light, and darker my desire. My soul, like some heat-maddened summer fly, Keeps buzzing at the sill. Which I is I? A fallen man, I climb out of my fear. The mind enters itself, and God the mind, And one is One, free in the tearing wind. Nindia Rizana


If You Forget Me by Pablo Neruda I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me


with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine. Ni Made Fany Renjana Karda


Brian Pradana Putra Murer


I "THE ROAD NOT TAKEN" by Robert Frost Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I-- I took the one less traveled by, And that has made all the difference. II The Day Lady Died


By Frank O'Hara. It is 12:20 in New York a Friday three days after Bastille day, yes it is 1959 and I go get a shoeshine because I will get off the 4:19 in Easthampton at 7:15 and then go straight to dinner and I don’t know the people who will feed me I walk up the muggy street beginning to sun and have a hamburger and a malted and buy an ugly NEW WORLD WRITING to see what the poets in Ghana are doing these days I go on to the bank and Miss Stillwagon (first name Linda I once heard) doesn’t even look up my balance for once in her life and in the GOLDEN GRIFFIN I get a little Verlaine for Patsy with drawings by Bonnard although I do think of Hesiod, trans. Richmond Lattimore or Brendan Behan’s new play or Le Balcon or Les Nègres of Genet, but I don’t, I stick with Verlaine after practically going to sleep with quandariness and for Mike I just stroll into the PARK LANE Liquor Store and ask for a bottle of Strega and then I go back where I came from to 6th Avenue and the tobacconist in the Ziegfeld Theatre and casually ask for a carton of Gauloises and a carton of Picayunes, and a NEW YORK POST with her face on it and I am sweating a lot by now and thinking of leaning on the john door in the 5 SPOT while she whispered a song along the keyboard to Mal Waldron and everyone and I stopped breathing Oktaviani Arnanta P


Adhi Kusnul Maulana


SUICIDE IN THE TRENCHES

by Siegfried Sassoon

I knew a simple soldier boy

Who grinned at life in empty joy,

Slept soundly through the lonesome dark,

And whistled early with the lark.

In winter trenches, cowed and glum,

With crumps and lice and lack of rum,

He put a bullet through his brain.

No one spoke of him again.

You smug-faced crowds with kindling eye

Who cheer when soldier lads march by,

Sneak home and pray you'll never know

The hell where youth and laughter go.

Manal Hudatulloh


A Poison Tree

By William Blake

I was angry with my friend: I told my wrath, my wrath did end. I was angry with my foe: I told it not, my wrath did grow. And I watered it in fears, Night and morning with my tears; And I sunned it with smiles, And with soft deceitful wiles. And it grew both day and night, Till it bore an apple bright. And my foe beheld it shine. And he knew that it was mine, And into my garden stole When the night had veiled the pole; In the morning glad I see My foe outstretched beneath the tree.

Ken Respati Priatidita Chandra Wardhani


"Along With Youth"

by Ernest M. Hemingway

A porcupine skin, Stiff with bad tanning, It must have ended somewhere. Stuffed horned owl Pompous Yellow eyed; Chuck-wills-widow on a biassed twig Sooted with dust. Piles of old magazines, Drawers of boy’s letters And the line of love They must have ended somewhere. Yesterday’s Tribune is gone Along with youth And the canoe that went to pieces on the beach The year of the big storm When the hotel burned down At Seney, Michigan.

Riski Soraya Kamilla


Phenomenal Woman Pretty women wonder where my secret lies. I’m not cute or built to suit a fashion model’s size But when I start to tell them, They think I’m telling lies. I say, It’s in the reach of my arms, The span of my hips, The stride of my step, The curl of my lips. I’m a woman Phenomenally. Phenomenal woman, That’s me. I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. I say, It’s the fire in my eyes, And the flash of my teeth, the swing in my waist, And the joy in my feet. I’m a woman Phenomenally. Phenomenal woman, That’s me. Men themselves have wondered what they see in me. They try so much But they can’t touch My inner mystery. When I try to show them, They say they still can’t see. I say, It’s in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I’m a woman Phenomenally. Phenomenal woman,


That’s me. Now you understand just why my head’s not bowed. I don’t shout or jump about Or have to talk real loud. When you see me passing, It ought to make you proud. I say, It’s in the click of my heels, The bend of my hair, the palm of my hand, the need for my care. ‘Cause I’m a woman Phenomenally. Phenomenal woman, That’s me. Mey Fika Nikmatu Laily


Bridal Ballad The ring is on my hand, And the wreath is on my brow; Satins and jewels grand Are all at my command. And I am happy now. And my lord he loves me well; But, when first he breathed his vow, I felt my bosom swell-- For the words rang as a knell, And the voice seemed _his_ who fell In the battle down the dell, And who is happy now. But he spoke to reassure me, And he kissed my pallid brow, While a reverie came o'er me, And to the churchyard bore me, And I sighed to him before me, Thinking him dead D'Elormie, "Oh, I am happy now!" And thus the words were spoken, And thus the plighted vow, And, though my faith be broken, And, though my heart be broken, Behold the golden keys That _proves_ me happy now! Would to God I could awaken For I dream I know not how, And my soul is sorely shaken Lest an evil step be taken,-- Lest the dead who is forsaken May not be happy now. Alfirsta Oktarizki Arizona


Inggih Santia W


Naufal Hidayat Eka Putra


Love is more thicker than forget By E.E Cummings

love is more thicker than forget more thinner than recall more seldom than a wave is wet more frequent than to fail

it is most mad and moonly and less it shall unbe than all the sea which only is deeper than the sea

love is less always than to win less never than alive less bigger than the least begin less littler than forgive

it is most sane and sunly and more it cannot die than all the sky which only is higher than the sky

Merrys Tantio Indra


DREAMERS

by Siegfried Sassoon

Soldiers are citizens of death's grey land,

Drawing no dividend from time's tomorrows.

In the great hour of destiny they stand,

Each with his feuds, and jealousies, and sorrows.

Soldiers are sworn to action; they must win

Some flaming, fatal climax with their lives.

Soldiers are dreamers; when the guns begin

They think of firelit homes, clean beds and wives.

I see them in foul dug-outs, gnawed by rats,

And in the ruined trenches, lashed with rain,

Dreaming of things they did with balls and bats,

And mocked by hopeless longing to regain

Bank-holidays, and pictures shows, and spats,

And going to the office in the train.

Yufan Fatih Arzaqi


I Do Not Love You Except Because I Love You

By Pablo Neruda

I do not love you except because I love you; I go from loving to not loving you, From waiting to not waiting for you My heart moves from cold to fire. I love you only because it's you the one I love; I hate you deeply, and hating you Bend to you, and the measure of my changing love for you Is that I do not see you but love you blindly. Maybe January light will consume My heart with its cruel Ray, stealing my key to true calm. In this part of the story I am the one who Dies, the only one, and I will die of love because I love you, Because I love you, Love, in fire and blood. Adidharma Pramudito


If You Forget Me By Pablo Neruda I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me


with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine. Dinar Utami Ariati


Somewhere i have never travelled

by E. E. Cummings.

somewhere i have never travelled,gladly beyond any experience,your eyes have their silence: in your most frail gesture are things which enclose me, or which i cannot touch because they are too near your slightest look easily will unclose me though i have closed myself as fingers, you open always petal by petal myself as Spring opens (touching skillfully, mysteriously)her first rose or if your wish be to close me,i and my life will shut very beautifully,suddenly, as when the heart of this flower imagines the snow carefully everywhere descending; nothing which we are to perceive in this world equals the power of your intense fragility: whose texture compels me with the colour of its countries, rendering death and forever with each breathing (i do not know what it is about you that closes and opens;only something in me understands the voice of your eyes is deeper than all roses) nobody,not even the rain, has such small hands

Dhian Zhafarina C.A

http://immortalpoetry.com/E._E._Cummings


Life Is Fine

By Langston Hughes

I went down to the river, I set down on the bank.

I tried to think but couldn’t, So I jumped in and sank.

I came up once and hollered! I came up twice and cried!

If that water hadn’t a-been so cold I might’ve sunk and died.

But it was Cold in that water! It was cold! I took the elevator

Sixteen floors above the ground. I thought about my baby

And thought I would jump down. I stood there and I hollered!

I stood there and I cried! If it hadn’t a-been so high

I might’ve jumped and died. But it was High up there! It was high!

So since I’m still here livin’, I guess I will live on.

I could’ve died for love– But for livin’ I was born

Though you may hear me holler, And you may see me cry– I’ll be dogged, sweet baby,

If you gonna see me die. Life is fine! Fine as wine! Life is fine!

Din Masyruhin


The Snow Man

By: Wallace Stevens

One must have a mind of winter

To regard the frost and the boughs

Of the pine-trees crusted with snow;

And have been cold a long time

To behold the junipers shagged with ice,

The spruces rough in the distant glitter

Of the January sun; and not to think

Of any misery in the sound of the wind,

In the sound of a few leaves,

Which is the sound of the land

Full of the same wind

That is blowing in the same bare place

For the listener, who listens in the snow,

And, nothing himself, beholds

Nothing that is not there and the nothing that is. Risang Sudrajad


DADDY by Sylvia Plath

You do not do, you do not do

Any more, black shoe

In which I have lived like a foot

For thirty years, poor and white,

Barely daring to breathe or Achoo.

Daddy, I have had to kill you.

You died before I had time--

Marble-heavy , a bag full of God,

Ghastly statue with one gray toe

Big as a Frisco seal

And a head in the freakish Atlantic

Where it pours bean green over blue

In the waters off beautiful Nauset.

I used to pray to recover you.

Ach, du.

In the German tongue, in the Polish town

Scraped flat by the roller

Of wars, wars, wars.

But the name of the town is common.

My Polack friend

Says there are a dozen or two.

So I never could tell where you

Put your foot, your root,

I never could talk to you. The tongue stuck in my jaw.

It stuck in a barb wire snare.

Ich, ich, ich, ich,

I could hardly speak.

I thought every German was you .

And the language obscene

An engine, an engine

Chuffing me off like a Jew.


A Jew to Dachau, Auschwitz, Belsen.

I began to talk like a Jew.

I think I may well be a Jew.

The snows of the Tyrol, the clear beer of Vienna

Are not very pure or true.

With my gipsy ancestress and my weird luck

And my Taroc pack and Taroc pack

I may be a bit of a Jew.

I have always been scared of you

With your Luftwaffe, your gobbledygoo.

And your neat mustache

And your Aryan eye, bright blue.

Panzer-man, panzer-man, O You--

Not God but a swastika

So black no sky could squeak through.

Every woman adores a Fascist,

The boot in the face, the brute

Brute heart of a brute like you.

You stand at the blackboard, daddy,

In the picture I have of you,

A cleft in your chin instead of your foot

But no less a devil for that, no not

Any less the black man who

Bit my pretty red heart in two.

I ws ten when they buried you.

At twenty I tried to die

And get back, back, back to you.

I thought even the bones would do.

But they pulled me out of the sack,

And they stuck me together with glue.

And then I knew what to do.

I made a model of you,

A man in black with a Meinkampf look

And a love of the rack and the screw.


And I said I do, I do.

So daddy, I’m through.

The black telephone’s off at the root,

The voices just can’t worm through.

If I’ve killed one man, I’ve killed two--

The vampire who said he was you

And drank my blood for a year,

Se ven years, if you want to know.

Daddy, you can lie back now.

There’s a stake in your fat black heart

And the villagers never liked you.

They are dancing and stamping on you.

They always knew it was you.

Daddy, daddy, you bastard, I’m through

Awalia Fitrianingtyas


The People, Yes By Carl Sandburg

Lincoln? He was a mystery in smoke and flags Saying yes to the smoke, yes to the flags, Yes to the paradoxes of democracy, Yes to the hopes of government 5 Of the people by the people for the people, No to debauchery of the public mind, No to personal malice nursed and fed, Yes to the Constitution when a help, No to the Constitution when a hindrance 10 Yes to man as a struggler amid illusions, Each man fated to answer for himself: Which of the faiths and illusions of mankind Must I choose for my own sustaining light To bring me beyond the present wilderness? 15 Lincoln? Was he a poet? And did he write verses? “I have not willingly planted a thorn in any man’s bosom.” I shall do nothing through malice: what 20 I deal with is too vast for malice.” Death was in the air. So was birth. Aulia Rahma


Muhamad Amirullah


Wahyu Surya P


A Dream Pang

I had withdrawn in forest, and my song

Was swallowed up in leaves that blew alway;

And to the forest edge you came one day

(This was my dream) and looked and pondered long,

But did not enter, though the wish was strong:

You shook your pensive head as who should say,

‘I dare not—too far in his footsteps stray—

He must seek me would he undo the wrong.

Not far, but near, I stood and saw it all

Behind low boughs the trees let down outside;

And the sweet pang it cost me not to call

And tell you that I saw does still abide.

But ’tis not true that thus I dwelt aloof,

For the wood wakes, and you are here for proof.

the poems for final presentation – poetry ii a class

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