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The Pile of arranged music for Renaissance and early English Country dancing for use at Pennsic and other such events in the Society for Creative Anachronism July 2018 Edition Edited by Aaron Drummond [email protected]

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The Pile of arranged music for Renaissance and early English Country dancing

for use at Pennsic and other such events in the Society for Creative Anachronism

July 2018 Edition

Edited by Aaron Drummond

[email protected]

ii The Pile - 2018 Edition

Copyright Notice

The editors have made every effort to ensure that the contents of this book may be freely duplicated andperformed. Most of the music contained in this publication is subject to copyright protection, noted on eachpiece. Thanks to all the arrangers who have given permission for their settings to be freely used.

All arrangements are now provided under a Creative Commons license or compatible terms. The licences arebriefly outlined below; see creativecommons.org for more information.

CC BY: You may duplicate, modify, perform, and record the work, including for commercial purposes, solong as the original author is attributed.

CC BY-SA: You may duplicate, modify, perform, and record the work, including for commercial purposes,so long as the original author is attributed; additionally, all derivative works must be shared under the sameterms as the original.

CC BY-NC: You may duplicate, modify, perform, and record the work, but you must attribute the originalauthor and the work may not be used commercially.

CC BY-NC-SA: You may duplicate, modify, perform, and record the work, but you must attribute theoriginal author and the work may not be used commercially; additionally, all derivative works must be sharedunder the same terms as the original.

Contact information for the arrangers is provided below:

Russell Almond (Mustapha al-Muhaddith): [email protected] Butler (Arden of Icombe): [email protected] Casazza (Giuseppe Casazza): [email protected] Cellio (She’erah bat Shlomo): [email protected] Cofrin (Albrecht (Avatar) of Catsprey): [email protected] Elkiss (Aaron Drummond): [email protected] Lankford (Dafydd Arth): [email protected] Rio (Jadwiga Krzyzanowska): [email protected] Schweitzer (Martin Bildner): [email protected] Sherman (Robyyan Torr d’Elandris): [email protected] Smith (Alaric McConnell): [email protected] Ter Louw (Octavio de Flores): [email protected] Van Stone (Elsbeth Anne Roth): [email protected] Yardley (Geoffrey of Exeter): [email protected]

The Pile as a whole is provided under a CC BY-NC-SA license: you may duplicate, modify, perform, andrecord the work, but you must attribute the original author and the work may not be used commercially;additionally, all derivative works must be shared under the same terms as the original.

The Pile - 2018 Edition iii

Note from the Editors

Greetings to all those inspired to play music for dancing! The Pile has a bit of a new look and revisedpurpose this year. While substantially smaller, the Pile still includes music for the dances most commonlytaught and danced at Pennsic. A comprehensive companion “fakebook” for Renaissance and early EnglishCountry dance will also be available. We hope this reduces the need to update and re-print the Pile eachyear while still providing a broadly useful resource for dance in the SCA. Also, all the arrangements fromprevious editions of the Pile are still available online to print individually athttp://stcpress.org/dance

We have also made every effort to ensure that every arrangement in the Pile is freely usable under a Cre-ative Commons license or compatible terms. Thanks to all our arrangers who have agreed to provide theirarrangements under Creative Common licenses!

Most tunes are marked with a suggested roadmap or number of repeats. However, and we cannot stressthis enough: Reconstructions and preferences vary. Always consult with the dance master for

desired tempo, roadmap, and number of repeats.

Suggested guitar chords have been added and/or reviewed by the editors on most of the 16th and 17th centurytunes. Where for example “Dsus4” is marked, first play a chord (“suspension”) with the notes D/G/A, thenresolve to a D major chord D/F♯/A. Where for example “D5” is marked, this indicates an open D chord -just D and A.

For the 15th century dances, a chordal accompaniment is generally not well-suited to the character of themusic. Instead, most tunes have suggested drones marked.

As always, if you have any comments, suggestions, or notice any mistakes, we welcome your feedback [email protected].

Happy Playing, and yay, Dancing!

The Pennsic Pile Editors

iv The Pile - 2018 Edition

Table of Contents

Galliard “A Lieta Vita” . . . . . . . . . . . . . . . . . . . . . . . . . . .1Amoroso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2Anello . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Belfiore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4Bella Gioiosa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5Pavane “Belle Qui Tiens Ma Vie” . . . . . . . . . . . . . . . . . 6Bizzarria d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7Black Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8Black Nag . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9Boateman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10Bransles Couppes (Mixed Bransles) . . . . . . . . . . . . . . 11Bransles de Base et Regionaux (Basic and RegionalBransles) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12Bransles Morguez (Mimed Bransles) . . . . . . . . . . . . . 13La Caccia d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14Canaries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15Candida Luna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16Cantiga 119 (Piva) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17Casuelle la Nouvelle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18Chestnut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Chiara Stella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21Chirintana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22Danse de Cleves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23Contrapasso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24Cuckolds All A Row . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25Pavane and Galliard “La Dona” . . . . . . . . . . . . . . . . . 26Dargason . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28Dull Sir John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29Earl of Essex Measure . . . . . . . . . . . . . . . . . . . . . . . . . . . 30Faine I Would . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31Fedelta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32The Fine Companion . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33Ballo del Fiore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34Gathering Peascods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35Gelosia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36Goddesses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37Gracca Amorosa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38Grene Gynger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39Grimstock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40Hearts’ Ease . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41Hit and Miss (Daphne) . . . . . . . . . . . . . . . . . . . . . . . . . . 42Bransle des Chevaulx (Horses’ Bransle) . . . . . . . . . . 43

Hyde Park . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44If All the World Were Paper . . . . . . . . . . . . . . . . . . . . . 45Jenny Pluck Pears . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46Lorayne Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47Lord of Carnarvan’s Jegg . . . . . . . . . . . . . . . . . . . . . . . . 48Ly Bens Distonys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49Madam Sosilia’s Alman . . . . . . . . . . . . . . . . . . . . . . . . . . 50Merry Merry Milkmaids . . . . . . . . . . . . . . . . . . . . . . . . . 51Pavane and Galliard “Mille Ducas” . . . . . . . . . . . . . . 52Bransle de la Montarde . . . . . . . . . . . . . . . . . . . . . . . . . . 54My Lady Cullen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55New Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56New Bo Peep . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57New Yer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58Newcastle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59Nonesuch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60Bransle de l’Official . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61Old Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62Old Mole . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63Petit Riens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64Petite Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65Parson’s Farewell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66Picking of Sticks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67Quadran Pavane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68Queen’s Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69Rostiboli Gioioso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70Row Well Ye Mariners . . . . . . . . . . . . . . . . . . . . . . . . . . . 72Rufty Tufty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73Saltarello la Regina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74Scotch Cap . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75Sellinger’s Round . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76Stingo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77Tinternell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78Galliard “Le Tout” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79Trenchmore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Turkelone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81Upon a Summer’s Day . . . . . . . . . . . . . . . . . . . . . . . . . . .82Vita di Cholino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83Voltate in ca Rosina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84Bransle des Lavandieres (Washerwomen’s Bransle) 85Woodycock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Whirligig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

GalliardA Lieta Vita

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Veloci_ha l'ali_e foco e strali.

Dunque s'adore un tal Signore.

Fa la, &c.

Edited by Aaron Elkiss

This work is in the public domain and may be used for any purpose.

The Pile - 2018 Edition 1

AmorosoGuglielmo Ebreo da Pesaro, c. 1475 (PnA) arr. Monica Cellio

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2 The Pile - 2018 Edition

AnelloDomenico da Piacenza, c. 1425-1450 (PnD) arr. Monica Cellio

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The Pile - 2018 Edition 3

Belfiorefor three

Domenico da Piacenza, c. 1425-1450 (PnD) arr. Al Cofrin, 2018

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4 The Pile - 2018 Edition

Bella GioiosaCascarda for three

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The Pile - 2018 Edition 5

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Edited by Aaron Elkiss

This work is in the public domain and may be used for any purpose.

6 The Pile - 2018 Edition

Bizzarria d'AmoreBalletto for two couples in a diamond

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The Pile - 2018 Edition 7

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8 The Pile - 2018 Edition

Black NagLongways for three couples

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The Pile - 2018 Edition 9

BoatemanLongways for three couples

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10 The Pile - 2018 Edition

Bransles CouppésMixed Bransles

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The Pile - 2018 Edition 11

Bransles de Base et RégionauxBasic and Regional Bransles

Thoinot Arbeau, Orchésographie, 1589

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12 The Pile - 2018 Edition

Bransles MorguezMimed Bransles

Thoinot Arbeau, Orchésographie, 1589

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The Pile - 2018 Edition 13

La Caccia d'AmoreQuesta dolce sirena

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14 The Pile - 2018 Edition

La CanarieMichael Praetorius, Terpsichore, 1612

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The Pile - 2018 Edition 15

Candida LunaCascarda

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16 The Pile - 2018 Edition

Cantiga 119For improvised piva and saltarelli

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The Pile - 2018 Edition 17

Casuelle la NouvelleLa Spagna

arr. Al Cofrin

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The Pile - 2018 Edition 19

ChestnutLongways for three couples

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20 The Pile - 2018 Edition

Chiara StellaCascarda

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The Pile - 2018 Edition 21

ChirintanaAl Cofrin

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The Pile - 2018 Edition 23

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24 The Pile - 2018 Edition

Cuckolds all a Rowfor two couples facing

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The Pile - 2018 Edition 25

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26 The Pile - 2018 Edition

GalliardLa dona

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The Pile - 2018 Edition 27

Dargason, or SedanyFor as many as will

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28 The Pile - 2018 Edition

Dull Sir JohnSquare for four couples

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The Pile - 2018 Edition 29

Earl of Essex MeasureMelody from R.C.M. Ms. 1119 arr. Dave Lankford, 2007

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30 The Pile - 2018 Edition

Faine I WouldSquare for four couples

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The Pile - 2018 Edition 31

FedeltaCascarda

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32 The Pile - 2018 Edition

The Fine CompanionSquare for four couples

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The Pile - 2018 Edition 33

Ballo del FioreBransle de la Torche

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34 The Pile - 2018 Edition

Gathering PeascodsRound for as many as will

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The Pile - 2018 Edition 35

GelosiaLongways for 3 couples

Domenico da Piacenza, c. 1425-1450 (PnD) arr. Monica Cellio

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36 The Pile - 2018 Edition

GoddessesLongways for four couples

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The Pile - 2018 Edition 37

Gracca AmorosaCascarda

Fabritio Caroso, Il Ballarino, 1581 arr. Dave Lankford, 2000

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38 The Pile - 2018 Edition

Greene Gyngerarr. Dennis R. Sherman Richard Schweitzer

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The Pile - 2018 Edition 39

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40 The Pile - 2018 Edition

Hearts EaseFor two couples facing

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The Pile - 2018 Edition 41

Hit or Miss (to the tune of Daphne)for two couples facing

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42 The Pile - 2018 Edition

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The Pile - 2018 Edition 43

Hyde ParkSquare for four couples

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44 The Pile - 2018 Edition

If all the World were PaperSquare for four couples

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What would we do for sack?,

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The Pile - 2018 Edition 45

Jenny Pluck PearsRound for three couples

John Playford, The English Dancing Master, 1651 arr. Dave Lankford

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46 The Pile - 2018 Edition

Lorayne AlmanPierre Phalese (1571)

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The Pile - 2018 Edition 47

Lord of Carnarvan's JeggLongways for four couples

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48 The Pile - 2018 Edition

Ly Bens Distonysarr. Kathy Van Stone Gresley Manuscript, c. 1500

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The Pile - 2018 Edition 49

Madam Sosilia's AlmanJoseph Casazza

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50 The Pile - 2018 Edition

Merry Merry MilkmaidsLongways for four couples

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The Pile - 2018 Edition 51

PavaneMille ducas

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52 The Pile - 2018 Edition

GalliardeMille ducas

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The Pile - 2018 Edition 53

Bransle de la Montardefor sets of 4 (or more)

Thoinot Arbeau, Orchésographie, 1589 Arr. Al Cofrin

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54 The Pile - 2018 Edition

My Lady CullenLongways for as many as will

John Playford, The English Dancing Master, 1651 arr. Dave Lankford, 2003

Once through dance = 4x; play as desired, any multiple of 4

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The Pile - 2018 Edition 55

New AlmanBernard Schmid (c. 1577) arr. Robert Smith

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56 The Pile - 2018 Edition

The New Bo PeepLongways for as many as will

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The Pile - 2018 Edition 57

New Yerfor three

Richard Schweitzer

One dance: AA BBB CCC DDD EDrone G/D

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58 The Pile - 2018 Edition

NewcastleSquare for four couples

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The Pile - 2018 Edition 59

NonesuchLongways for four couples

John Playford, The English Dancing Master, 1651 arr. Paul Butler

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60 The Pile - 2018 Edition

Bransle de l'OfficialThoinot Arbeau, Orchésographie, 1589 arr. Russell G. Almond

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The Pile - 2018 Edition 61

Old AlmanAnthony Holborne, The Cittharn Schoole, 1597 arr. Paul Butler

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62 The Pile - 2018 Edition

Old MoleLongways for three couples

John Playford, The English Dancing Master, 1651 arr. Jay Ter Louw

11 times through

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The Pile - 2018 Edition 63

Petit Riens

for three

Guglielmo Ebreo da Pesaro, c. 1475 (PnA) arr. Monica Cellio

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64 The Pile - 2018 Edition

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The Pile - 2018 Edition 65

Parson's Farewellfor two couples facing

John Playford, The English Dancing Master, 1651 arr. Drea Leed, 1999

with changes by Aaron Elkiss, 2018

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66 The Pile - 2018 Edition

Picking of SticksLongways for three couples

John Playford, The English Dancing Master, 1651 arr. Robert Smith, 1997

Note Roadmap: Ax7 Bx3 Ax7 with changes by Aaron Drummond, 2018

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The Pile - 2018 Edition 67

Quadran PavaneMelody from R.C.M. Ms. 1119 arr. Joseph Casazza, 1990

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68 The Pile - 2018 Edition

Queen's AlmanWilliam Byrd (c. 1540 - 1623) arr. Robert Smith

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The Pile - 2018 Edition 69

Rostiboli GioiosoGuglielmo Ebreo da Pesaro, 1463 (PnG) arr. Al Cofrin

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70 The Pile - 2018 Edition

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The Pile - 2018 Edition 71

Row Well Ye MarinersLongways for as many as will

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72 The Pile - 2018 Edition

Rufty TuftyFor two couples facing

John Playford, The English Dancing Master, 1651 arr. Drea Leed, 1999

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The Pile - 2018 Edition 73

Saltarello la ReginaAnonymous (15th C. Italian)Drone: G/D

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74 The Pile - 2018 Edition

Scotch CapLine of three couples

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The Pile - 2018 Edition 75

Sellinger's RoundRound for as many as will

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76 The Pile - 2018 Edition

StingoLongways for three couples

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The Pile - 2018 Edition 77

TinternellDallis Lute Book, c.1583 Transcribed by Lisa Koch

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78 The Pile - 2018 Edition

Galliard XV: Le toutTylman Susato, Danserye, 1551

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The Pile - 2018 Edition 79

Trenchmoreto Tomorrow the fox will come to towne

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80 The Pile - 2018 Edition

TurkeloneWilloughby Lute Book, c.1585 arr. Monique Rio

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The Pile - 2018 Edition 81

Upon a Summer's DayLongways for three couples

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82 The Pile - 2018 Edition

Vita di Cholinofor a lord between 2 ladies

arr. Monica Cellio

One dance: 5 times through. Play: two dances. modified by V. Stephens from "La Vida de Culin"

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The Pile - 2018 Edition 83

Voltate in Ça RosinaGuglielmo Ebreo da Pesaro, c. 1475 (PnA) arr. Monica Cellio

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84 The Pile - 2018 Edition

Bransle des LavandieresWasherwomens' Bransle

Jean d'Estrees, Premier livre de danseries, 1559

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The Pile - 2018 Edition 85

WoodycockLongways for three couples

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For Whirligig: Woodycock (A BB)x3 A Whirligig (AA BB)x3 AA Woodycock (A BB)x3 A

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86 The Pile - 2018 Edition

WhirligigLongways for three couples

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based on arrangement by Dave Lankford

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The Pile - 2018 Edition 87

88 The Pile - 2018 Edition

Index

“A Lieta Vita” (Galliard) . . . . . . . . . . . . . . . . . . . . . . . . . 1Amoroso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2Anello . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Ballo del Fiore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34Basic Bransles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12Belfiore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4Bella Gioiosa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5“Belle Qui Tiens Ma Vie” (Pavane) . . . . . . . . . . . . . . . 6Bizzarria d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7Black Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8Black Nag . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9Boateman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10Bransles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11Caccia d’Amore, La . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14Canaries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15Candida Luna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16Cantiga 119 (Piva) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17Casuelle la Nouvelle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18Chestnut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Chiara Stella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21Chirintana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22Contrapasso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24Cuckolds All A Row . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25Danse de Cleves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23Daphne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42Dargason . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28“Dona, La” (Pavane and Galliard) . . . . . . . . . . . . . . . 26Dull Sir John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29Earl of Essex Measure . . . . . . . . . . . . . . . . . . . . . . . . . . . 30Faine I Would . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31Fedelta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32Fine Companion, The . . . . . . . . . . . . . . . . . . . . . . . . . . . 33Fiore, Ballo del . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34Galliard “A Lieta Vita” . . . . . . . . . . . . . . . . . . . . . . . . . . .1Galliard “La Dona” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27Galliard “Le Tout” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79Galliard “Mille Ducas” . . . . . . . . . . . . . . . . . . . . . . . . . . 53Gathering Peascods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35Gelosia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36Goddesses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37Gracca Amorosa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38Grene Gynger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39Grimstock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40Hearts’ Ease . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41Hit and Miss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42Horses’s Bransle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43Hyde Park . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44

If All the World Were Paper . . . . . . . . . . . . . . . . . . . . . 45Jenny Pluck Pears . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46Lorayne Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47Lord of Carnarvan’s Jegg . . . . . . . . . . . . . . . . . . . . . . . . 48Ly Bens Distonys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49Madam Sosilia’s Alman . . . . . . . . . . . . . . . . . . . . . . . . . . 50Merry Merry Milkmaids . . . . . . . . . . . . . . . . . . . . . . . . . 51“Mille Ducas” (Pavane and Galliard) . . . . . . . . . . . . 52Mimed Bransles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13Mixed Bransles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11Montarde Bransle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54My Lady Cullen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55New Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56New Bo Peep . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57Newcastle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59New Yer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58Nonesuch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60Official’s Bransle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61Old Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62Old Mole . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63Parson’s Farewell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66Pavane “Belle Qui Tiens Ma Vie” . . . . . . . . . . . . . . . . . 6Pavane “La Dona” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26Pavane “Mille Ducas” . . . . . . . . . . . . . . . . . . . . . . . . . . . 52Petite Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65Petit Riens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64Picking of Sticks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67Quadran Pavane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68Queen’s Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69Regional Bransles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12Rostiboli Gioioso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70Row Well Ye Mariners . . . . . . . . . . . . . . . . . . . . . . . . . . . 72Rufty Tufty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73Saltarello la Regina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74Scotch Cap . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75Sellinger’s Round . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76Stingo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77Tinternell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78Trenchmore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Turkelone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81Upon a Summer’s Day . . . . . . . . . . . . . . . . . . . . . . . . . . .82Vita di Cholino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83Voltate in ca Rosina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84Washerwomens’ Bransle . . . . . . . . . . . . . . . . . . . . . . . . . 85Woodycock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Whirligig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87