the new harvard song book
DESCRIPTION
songs of the HGCTRANSCRIPT
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TheNewHarvardsongbook
RobertTreatWhitehouse,FrederickBruegger
Mas 5GO.WA
HARVARD
COLLEGE
LIBRARY
MUSIC LIBRARY
DATE DUE
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MAY 0 3 2008
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%j miKTEO IN U.».ACAY LORD
BOSfOff :
Oliver Ditsor) <$offlpapy
REVISED AND ENLARGED EDITION
THE NEW
HARVARD SONG BOOK
A COLLECTION OF
t latest College Songs mti) $kzz
SUNG BY
The Harvard University Glee Club
COMPILED BY
R. T. WHITEHOUSE, '91 aND FREDERICK BRUEGGER, '92
BOSTON
OLIVER DITSON COMPANY
NEW YORK c: :iCAGO
CHAS. H. DITSON & CO. LYON & HEALY
Copyright, mdcccxcii, by Oliver Ditson Company.
Copyright, Miirccxcvi, by Oliver Ditson Company
jh/<.v*s^*. CCc.i-sf- /it-vT*^ .
TO THE
GLEE CLUB OF HARVARD UNIVERSITY
EW Book
IS DEDICATED
PREFACE.
HE purpose of this compilation has been to collect and preserve for the
benefit of the Club and the friends of Harvard, the new songs which
have been sung by the Harvard Glee Club during the past three years.
Many of the songs are the compositions of Harvard undergraduates and have
never before been published.
HIS revision comprises all the songs contained in the first edition of
* the New Harvard Song Book, except the Foot Ball Song of
1 89 1, which has been replaced by the Institute Song.
Twelve of the best songs contained in the old Songs of Har
vard have been added, together with nine of the most popular new
songs sung by the Harvard Glee Club in the last five years: three of
these have never before been published. Twenty-one songs new to this
collection have thus been included in this edition. The original aim of
the compilers, to make the book a collection of distinctly Harvard songs,
has been strictly followed.
ROBERT TREAT WHITEHOUSE, '91.
FREDERICK BRUEGGER, '92.
Cambridge, December 1, 1891.
PREFACE TO REVISED EDITION.
R. T. WHITEHOUSE, '91.
Portland, Maine, October 1, 1896.
NEW HARVARD SONG BOOK.
No. 1.
^ Allegro.
JOHNNY HARVARD!
Oh, here's to John - ny Har - vardl fill him up
^ k t 1/ 1/ i : r
full glass,
J J-
-V-W-j, b —p •| —t?—k1 U—\r-
.V—b—tr
fill him up a glass, to his name and fame, And at the same time
£=p r r r;tf^y I ! 1 1 I T
✓ w u u I v v
; ; ; ; j ^ » c r r
i
don't for - get his true love; Fill her up a bum - per to the brim. Then
J J r-9 9 • 9 9 •— -rm > J ^
r-rr-r-rr
2lfeno allegro.
^frrfr-t. -4 4- -£ h J
drink, drink, drink, drink, Pass the wine - cup free, Drink, drink, drink, drink,
BM> -J= J -j— J I j. $ J J J I C 6 -P===1
drink, drink,
U-i rf 3 1 ~1
d 4 0—1^ t r c n
Jol - ly boys are we, Free from ca re and de - spair, What care we. Here's to
-T f 1 1—1
1 4—
^t' e ? e |» 5—J—
1 h—4—*—'
if f f t"HI J 3 i
^ ^
Copyright mdcccxci, by Oliver Ditbon Company.
JOHNNY HARVARD!
j ^ Tempo prima.
5§z——\- *—i-—s—L<—" v—v j a—" p—^—b—^—1 1—,
wine di - vine, that brings us jol - li - ty. Oh, here 's to John • ny Haf - vard I
■s r ' r ^ v t ^ i
h Is Is
—
-i—i—i—%—9—f—f-
fill him up a full gla
J
ss, Fill him up a glass to his name and fame,
ciHf-K-l 1 1 1—F- 1
r-• • • • 0 •——•—
f -r1 £ i~1 I 1 1 1 II
r -f 1——2:i:H7^-t
b}L-H b_> *
t> 1/ k P | y u
1 —v 1 T=^t— —'v U | t=L^—^ ^ E I I 1 1 4- . {,»—
And at the same time don't for -get his true love; Fill her up a bum -per to the brim.
J J . .
4C
T f l/ i
We nev - er drink, . 'tis ver - y clear, Be-cause the
-« h-—k—f—k r
-P—W 9—9-
'tis ver - y clear,We nev - er drink,
V
" fizz " dear ; But roll us
flEE
Be - cause the " fizz " is ver - y dear;
-J*—d=—d*—£
-* * ■ J J-
Melody enclosed thus * * by per. Wm. A. Pond & Co.
CO
JOHNNY HARVARDl
-^-8# -
and watch us wink, wink, wink.a keg of beer,
rr n -3—x-
But roll us in, a keg of beer, wink, wink, wink. Then
V \ EEzJ-y 1 u 1--5—v—v—¥
0=0-
A/cho allegro.
* i—L -ii zr i 4, g—^ ^ j
drink, drink,drink,drink,Pass the wine cup free ; Drink, drink,drink,drink, Jol - ly boys are we,
-J- I
drink, drink,
Free from care and de-spair, What care we; Here 's to wine di - vine, That brings us jol - li - ty.
1—1s 4-1.
^-f-=|.—
r-p-= • • -J—^—i
N
-• -P '
Tempo prxmo. > i
Drink,drink,drink,drink, drink,drink, drink, drink, drink, drink, drink, drink, drink, drink, drink, drink,
fe> n , .—1
•
-bg - - ihF x x n
1(1) " Et—?=t
diink, Drink, d
-J *
.ink, di
-
rink, Yes, drink.
~ <^ \« III * " 1
Drink* drink, drink,
No. 2. SCHNEIDER'S BAND
Composed by A. J. MUNDY. Arr. by A. G. MASON, '86.
Tromp, tromp, tromp, tromp; Tromp, tromp, tromp, tromp,
t -1 ff T-i^Ë
Sol - diers march-ing up the
Proud - ly march-ing on be -
PP
J=^ n ë * tg c -1 ê -1
Pomp, pomp, pomp. pomp, pomp, pomp, pomp, pomp ; Pomp, pomp, pomp, pomp,
tromp, tromp, tromp, tromp, tromp, tromp, tromp, tromp, tromp, tromp, tromp, tromp.
v 1 p- 1/ v -p l U U~ U
street,
fore,
To mu - sic grand
He looks so grand
i
-#- —
on ev - 'ry hand.
with staff in hand.
t r -f
rpamp, pomp, pomp, pomp, pomp, pomp, pomp, pomp, pomp, pomp, pomp, pomp,
tromp, tromp, tromp, tromp, tromp, tromp, tromp, tromp, tromp-e - te, tromp, tromp, tromp,
vit u l/ u= p iu——t? l——U—=fcz=^r4:—r •
All the peo - ple run to meet And wel - come Schnei -der's
See dat ma - jor of the corps. They call it Schnei -der's
pomp, pomp, pomp, pomp, pomp, pomp, pomp, pomp, pom-pe-pom,pomp, pomp, pomp,
tromp, tromp- e - te tromp, tromp.
. ffn
\ A i ^-p p—P—P—
a, r Lu -
M=zr—F—=i-f—F B C- 5= .*
Band. Hear them, the peo -pie cheer them as they draw
Band.
^ r r H-r—r ' i i E E F-+f FF^^
pomp, pom -pe -pom, pomp, pomp.
Copyright, mdcccxcii, by Oliver Ditson Company.
SCHNEIDER'S BAND.
J. L, it Ifs=
them to ma - sic grand. They play so fine now that " Watch on
■
M—
in -
f—f—f—
1-s • • • «
—I F"—
i \ I 1
bul . ly ma - sic fine that Ger
3E
^3
Tromp-e - te,tromp,tromp,tromp te, tromp te.tromp te, tromp te, te, tromp te.tromp te, tromp te,
ae:
Bat when you hear the mu - sic play so sweet,
I
6=r t - c g-
Pomp, pomp,pomp, pomp,pomp, pomp, pomp, pomp, pomp, pomL-. pome, pomp.
SCHNEIDER'S BAND.
tranp te.tromp te.tromp te, tromp te, tromp te,tromp te^romp te,tromp te, tromp te, troop te,tnM>p te,tromp t*,
-p-t 0—0- 0—#-! 0—0-1
tee the band a marching up the street.
Why is it the mu - sic plays so
• 0
- £7T r r r
pomp, pomp, pomp, pomp, pomp,pomp,pomp, ponuj>4>omp,pomp,pomp,pomp,pomp,pomp, pomp, pomp,
tromp te.tromp te, tromp te.tromp te, tromp te.tromp te.tromp te.tromp te, tromp te,tromp te.tromp te.tromp te.
grand ?
I
r =¥=f= . r
pump, pomp, pomp, pomp, pomp, pomp, pomp, pomp, pomp, pomp, pomp, pomp,
Who is it you think that leads the band? You hear the
V Xt. J
tromp te.tromp te, tromp te.tromp te, tromp te.tromp te, tromp te.tromp te, tromp te, tromp te, tromp te,tromp te,
& Is ft P ^ N ^
V
mu - sic play, You hear the peo -p!e say
* " I f-
It sure - ly must be Schneider leads the
X-
pomp, pomp, pomp, pomp, pomp, pomp, pomp, pomp, pomp, pomp, pomp, pomp,
tromp te, tromp te, tromp tet tromp te, tromp te, tromp te, tromp te, tromp te,
JL *-! * 1 1 *-= 4.JCL- ■ P-i. ■ P— F P— ■ l_s m —W
m 1 j — —tfc^ • 0 5
band. You hear the mu . sic play,
0pomp,
•—m—
And as they
X
—V J
pomp,pomp, pomp, pomp, pomp, pomp,
tromp te, tromp te, tromp te, tromp te, tromp te, tromp te, tromp te, tromp te, tromp.
u-f P tp» £ V * V 9—*-* "
march a - way,
"1. ft I
You know it must be Schnei - der leads the band.
" E
pi
pomp, pomp, pomp,
No. 3. WAKE NOT, BUT HEA
Allegretto.
Solo.
EAR ME, L
/ L-S-
LOVE.
THOMPSON, '92.
1. Wake not, but hear me, love,
2. Wake not, but hear me, love, A
Tenors. ' / \
A - drift, a - drift on slumber's sea, .
Of all the world of dreams, 't is thine,
PP
a"
4- -4
• -
*—*
1. Wake not, but hear me, love,
2. Wake not, but hear me, love,
PP Basses.
A - drift, a - drift on slumber's sea,
Of all the world of dreams,'t is thine,
Thy spir - it
This once to
1 0—#
a
i—p=f=r
f-»- r-F— '
-•-
f—j-
•
^4— —Lj / *1 tv.—ti-u—i—* •
Thy spir - it call to list to me ; Wake not.but hear me, love, Thy spir - it call to list to
This once to choose the most di-vine ; So choose and sleep,my love, This once to choose the most di-
call to list ; Wake not.but hear me, love, Thy spir - it call to list to
choose the most di - vine, So choose and sleep, my love, This once to choose the most di-
i¥=^=S^k i4=T====£^==FS^
4t
JUL
me,
vine,
Wake not, but hear, love,
So choose and sleep, love,
A gift from sleep,
But ne'er a - gain
The
in
me,
vine,
But hear
And sleep,
PP—U-J-
me, love; A gift from sleep, the rest - ful king ; All hap -py
my love; But ne'er a - gain in choice be free, Un - less the
-J-
crcscendo.
Used by permission of Miles & Thompson, owners of Copyright
i9)
WAKE NOT, BUT HEAR ME, LOVE.
rest - ful king,
choice be free.
m
-A -N-r
hap - py dreams I bring, All hap - py, hap - py dreams I bring ; Wake not, but hear me,
less, thou dreamt of me Un - less,un - less thou dreamt of me ; Wake not, but hear me,
/'J -j-J-J-J-
1 1-—r—^—F^F—P=P—h—i r-=t I r ^=p
Wake not,
Wake not,
but
but
love ;
love ;
i i i
A- drift, a - drift on slum - ber's sea,
Of all the world of dreams 'tis thine,
Thy spir - it call to
This once to choose the
J J J J
hear nir
me, love ; A - drift
re; Of all
slum -bcr's sea,
, dreams 't is thine
Thy spir
To choose
it
the
-0-
i
rallenlando.
Wake not, but hear
So choose and sleep,
PP
me,
my
love.
love.
list
most
to
di
me,
vine,
Wake not,
So choose,
W-
hear
sleep,
PA
me,
"y
T
0
love.
love.
35
list to
di
(10)
No. 4. MRS. CRAIGIN'S DAUGHTER.
SONG AND CHORUS.
Words 1oy R. B. HALE. Music by R. W. ATKINSON
fiN—1 ,
1. Oh,
— , =i s—
2. Pro -
3- My -
rr-r
i " v
IF » 1
-fv fv- |> ^ |v-
3 jj J—^—
Miss - is Craig - in's daughter, Her eyes are dark and bright ;
pos - ing seem'd quite fun - ny, But then I had to speak,
self and Miss - is Crai-gin Re . quest the hon - or of
Her moth-er too, has
And tho' I 've got no
Your presence at the
n—r*-H—
p
"I NI
EH"H -fH
J—»-* « —4 ^—If* ^—Ji—1 2 •
1 1 s* * a »
E3*— 1; J
° V• b
taught her To smile, and talk po - lite.
mon - ey The wed - ding comes next week,
marriage Of her daugh - ter who 's in lore.
And she has ma - ny vir - tues Which
Would you like some in - vi - ta - tions, I 've
With Mis - ter En -field Duf - fy A
1 A 1 K_
Used by Copyright, mdcccxci, by Oliver Ditson Company.
MRS. CRAIGIN'S DAUGHTER.
in
13
got
clev
I
n't hard
some in
er man
to
my
they
--I J T=
i * #
see,
purse,
say,
So Miss - is Crai - gin's
Just have a lit - tie
Your pres - ence will give
f I
-3 1
poco rit.
p * —
daugh - ter Is just the girl for me. .
pa - tience And you '11 hear it read next verse.
pleas - ure "Res - pon - day s'il vous play."
Chohtts (with meing).
Oh, Miss - is Crai - gin's daugh-ter . . Is one that I
f-3
rf
—r
F
X X Lr£ *—X--X—X-
m%J .
dorc, The pres ents that I 've bought her . Might
m m 1
f f > f i f * )F 5 iff f
—i—
"I f
X- -X—X-
MRS. CRAIGIN'S DAUGHTER.
0
In
S-
Is just
3
the
f f
girl
T5<-
for
—H
1
r f
1
1
1
(13)
No. 5.
BENJAMIN APTHORP GOULD. '91
BOREEN.
PERCY LEE ATHERTON. 93.
;t=fc
-I—0-4-i—i-
1=
1. Oh, a beau - ti • ful queen was the love - ly Bo - reen, And she lived
2. Each Sat - ur - day night she played po . ker till light. And she nev
3. Her num - ber ten shoes she marked " number twos," And her fizz had
in the land of
er had break-fast till
no time to get
- L -ft—fc- -"—I fc— h 4-
Neep; Her plen - ti ful hair I can on - ly com . pare To the
noon ; I have known her to say that she liked the bal - let And she
flat ; You will grieve at her state when this fact I re • late, At the
yn* u J-—J'—i— ^ J J J J
N IS
H—i—1—5—3—i—i 1-
—j—J—*—« 1* 1
wool of poor
whis - tied the
thea - tre she
1 V I ^v
ry's black sheep ; Her
lan - ger tune She
on her hat. I
r
r J
forehead when wet was like
swore by Bo - ru and the
will try to be good and
-L -JS-
-s_
EE £=3
J £ *
m i I
=BS=
new po
great Ag
act as
lishedjet, And
ga poo, And
I should, And
-L
her cheeks were
she made most
nev - er
like an - thra- cite
re . mark - a • ble
to get a swelled
And her
But I
And per
Copyright, mdcccxci, by Oliver Ditson Company
BOKEEN.
hands were as dark
trem • ble to
haps, when I
tell
die,
as the hold of the ark, But they
what her court-iers knew well, That she
in the far by and by I shall
none were as black as her
smoked Gyp - sy Queen cig - a -
not meet Bo - reen when 1 'm
IS -•-
J:
soul
rettes,
dead
You will see
Let your hot
ver - y well, you stu - dy this tale, That they
tem - pies burn when this hor - ror you learn That she
This wish, for your sake, I will ven-ture to make,That you
fof-IH>-f^-•
K
—f .
t—^—1■— p
P^fr- H
m k h
^—P—i - k '—i
a—i—fc
4? I U-
is l i<£2
Eg;
40:
I
e
could not be black as her soul.
smoked gyp • sy queen cig - a - rettes.
shan't meet Bo - reen when you're dead.
soul.
rettes.
dead.
ft , s *—rJ J j r J J j I ^ I nf I S=-r=b=f *—:^zr&s^E ' -« #—h-ggEH
3BE
No. 6.
Maestoso.
DOMINE SALVAM FAC.
GOUNOD.
^ ^ r ^
Do mi - ne sal - vam fac, Pa - tri - am nos - tram A - mer - i - cam.
'4.. iJ ii
Copyright, mdcccxci, by Oliver Ditson Company.
f 15 ^
No. 7. WINE AND WOMAN.
From " OBISPAH."
Slow.
R. W. A.
f
Through-out the world, two things re- tain Their chief su-prem- a . cy o'er man ; Hot
i j—-if
5——TtH-*^—3
P
I-*
-w
*
4 - j *t-
to/
3:
^3
—x-
ritarfc
wine that steals a - way the head And love - ly worn- an "s lips of red. Then
p zz /
o tempo.
here 's to wine, it is di-vine, To it my hap - py song shall free - ly start, Km
a tempo.
m
=i—t
L,p f p
}
worn - an-kind
.m —I—
is not be-hind, Who wins the eye of man And then his heart.
tr ^ -)—3—>-l—i—i—i—L-i- --5- -1— —3—J—3—1
p rit. fi
n
Used by per. Copyright, mdcccxci, by Oliver Ditsoit Company.r
y
(16)
WINb AND WOMAN,
^^^^^^^^^^^
Thus wom-an wins, for wine, 'tis said Hath on - ly pow'r to steal a - way the head; While
p
^ 1* | f * f> iff ,
.^rbtT- I Fr | —-—fj—=^z=z |» l-F— I * I
^—-id—i-»—
—| f—
worn- an holds the bet - ter part Who hath the pow'r to steal a - way the heart. Then
as
*—"i
T—MT
a tempo.
it is di-vine,here 's to wine,
a tempo.
%—%- 1 *-
=P=f=
To it my hap - py songs shall ev - er climb ; But
rf7-g-g=4- | , I I
rit.
r-f*
1
high - er still My song shall swell, To praise fair wom-an in my wand'ring rhyme.
• • «
/ 0 — rt<.
r l
(17)
No. 8. JAY BIRD.
1^
1st Tenor. 2nd Tknor.
H» 0-
I' - .*
I. Jay - bird sat on a hick - 'ry limb, He wink'd at me. and I wink'dat him.
1st Bass. 2nd Bass.
i
up with a brick and I hit him on the shin. Says
33
he, "Young feller don't you do that a - gin 1" Ev - 'ry day '11 be Sun - day, by and
is & is is
±-=j$=*r=£-£—fa
-i 1—3= j j i i i -
by. A - men, shine on, Ev - 'ry day '11 be Sun . day, by and by.
* Chorus.
O Ju lia! how 's the
- •-.
poo die? How is the
-r
1 r i? p-
•Chorus after last verse only.
Portion ol vr'l bj p«r. of Wbilo Smith Mu«ic Pub. 0*.
Copyright, mdcccxcj. by Oliver Ditson Company.
Ci8)
JAY BIRD.
hi j , F< *t=\^ fr=TT='H—1■ •
.—.
i
§>-^—F—^—£—t— ET r -S^E ?—
-
poo - die ? How is the poo - die ? O . . . . Ju - lia, How 's the
• h N ft4—lHr-J>HML«—*
1—r^n—r—1=~£
—
s \ (-
H
i 1 J J,k—
g i , -f—p==fe f8 3=^-fS 19 1
*-
t-—p—"—i-—i—*—
poo - die ? How is the poo - die dog ?
a—J-u"w-f—»— r . r r-rf p ,
-£= ;
.-I 1—i
r 1
—.=
r rH 1
Ev - 'ry day '11 be Sun - day, By and by.
^ i 1— j —i 1 i i \ :* . - —H— • 4 . 4 . 4 . • • . • '. «
2 Hung my hat on a crooked stick
Nigger knocked it off with a bristol brick,
I hit that nigger such a crack in the jaw,
It made him holler yaw, yaw, yaw.
3 Tho't I heard a chicken sneeze,
Sneezed so loud he shook the trees ;
Sally in the garden, picking peas,
I went out there and gave her a squeeze.
(19)
No. 9. THE PHANTOM BAND.
Words by MALCOLM DOUGLAS.
(In St. Nicholas).
Allegro Marzialt.
ARTHUR W. THAYER.
(Aided by several other composers).
^/ Quartette.r t\ jz fs—
• » —»-
A lit - tie man bought him a bass drum :
> i i I im
g i u
Chorus.
Boom ... ta
Boom, Boom !
i .v—y—p—?—?
" Who knows, " said he," when a war will come ?"
i t i r
-h -h h ii-
ft N
? *-
W% 3-
Boom, Boom 1
Boom, Boom, Boom,Boom, Boom,Boom I Boom,
=£3-
h _S ft- — -——^
Ad lib.
fr^-n—*-i
.M-K
I 'm not at all frightened, you un - der - stand, But if I am called on to
af—g—a*—j—f-f"
3=t?—iPg-
—E
Boom i
Boom IBy permission of H. B. Stevens & Co.
(20)
THE PHANTOM BAND .
=5" y~r=t=f$- -f-iMHf—1—i 3—I—-5—aI—f—P—5—g—tzP— r-—
6ght for the land, I want to be read - y to play in the band.
{ *um,—v—i—%.—^—g—^—
r\ t & ps
4 H a S^"H»—f—< ——- '- l t— —
W-—Qf-t—. - : 1
;2-<h,
c^-b
Boom ta ta ta, Boom ta ta ta, Boom ta, Boom ta ta.
-p—v—v-
bought all his chil - dren lit - tle snare drums
15
4£
They
:»V-t?
-v — 1 v-
Boom t.i Boom, Booml
p i'
±=t-Hr-l
i i r . ..
Boom, Boom, Boom, Boom, Booml
(21)
THE PHANTOM BAND.
-J—* £ =^-C-5=^ 1/ ^ J ^ 1 —
We 're just like pa - pa, in cho- rus, said they, And if we should ev - er get
? p ^
Boom!
in - to the fray, It 's saf - er to thump than to fight a - ny day.
(22)
THE PHANTOM BAND.
tid e ra da, tid e ra da, tid c ra da da.
THE PHANTOM BAND.
some tid e ra da.
p-i—
3t
ta, ta,
?—^ _ /
her pin ey
pur chased a fife.
chased fife.
-1 5-
tid e ra da,
pur
P P 1/ K*
tid c ra da, fife,IN IS I a fife.
chased a fife. Boom.± " 5 7=
, Boom, Boom, Boom, Boom,
Allegro vivace.
*—*—r
Pick ing out tunes that were not ver - y hard, They
—— p b 1/—F
tid e ra da,
Allegro Vivace,
sf mf.
tid e ra da, Rrra ta ta ta, ta ta ta,
^jr * ^ —'t z*=*;FT-i!
Boom! Boom I Boom I Room RonBoom, Boom!
(24)
THE PHANTOM BAND.
C^2 ^ * 5
^ * J * 3 *-
played them march - ing
^^-5
'round the yard, They ijlayed them march - ing
:-- > sJ
—*—
*—
^—
tr -U C—t —=z tM v U V
Rrra ta ta ta. Boom, Boom 1 I
h, f T
trra ta ta ta,
^/.f m/> 1 i-,
^=f T=3
— ^ PL p * ¥
Boom, Boom, Boom, Boom!
Lk * t/ b J
rg J ^ J -JUJfcj
,—^ p p—
'round the yard, They'd not for your feel - ings the slight - est re - gard.
sjf-b-fr
I
JjPhb> | i i=
»/ wAd lib.
UJ J -| j M 1
e e t- 5— t=S—
—=4
V ,.. 15 1
R rra ta ta, Rrra ta ta ta,
lf\ mf K V V
Be om, Be<om ! The
p p ^
■ *—^
-= i r—
, 1,
-J \, fc, «<_g
B Boom, Boom!ooml
THE PHANTOM BAND.
— V 5. 5, * 5* 5>-
Tried to think of a text as he paced the floor;
-f? rV-r-» m , > a JVf* •-
ta, Boom, Boom I
. h %b f
1 ?
Boom, Boom,Boom,BoomI
W ' ' V p—£—£ Ly p \j P J
The chil - dren to win -dows and doors would ", Ex -
. . . Boom,B oom, Boom, Boom I
s p ? ^ -#
.... Boom, Boom,Boom,Boom[
BE-v—
THE PHANTOM BAND.
Tempo 1. \
:r » g= ÉHÉ
nev - er comes nigh, With its Boom tid e ra da, Boom, Boom, Boom, Boom ;å t Ä N
With its Boom, Boom!
Éit m
With its Boom tid c ra da, Boom, Boom, Boom, Boom ;
* 9
—^—*-
f=f=f=\
\v,ith its Boom,
Chorus and Quartette.
1st Tenor.
-v y
Boom, Boom, Boom, Boom, Boom, Boom, Boom, . . . Boom, Boom, Boom,
2nd Tknor.
"itz£m — E-^ ^ g N^l^= # . -
EÉ
Boom ta
1ST BaSS.
tid e ra ta ta, Boom, Boom, Boom,
-3 H-V K*-
Boom ta
2nd Bass.
t a ta ta tid e ra ta ta, Boom, Boom, Boom
»b |-
Boom, Boom, Boom, Boom, Boom, Boom,
— -a—3-—T-l
Boom, Boom, Boom, Boom,
Boom, Boom, Boom, Boom,
Boom, Boom, Boom, Boom,
q -i^—i^—* * T—
Boom tid c ta, Boom, Boom, Boom,
EE U-
Boom ta ta t a ta tid e ra ta ta, Boom, Boom, Boom,
EE
-\—
Boom, Boom, Boom, Boom, Boom, Boom, Boom,
(27 J
THE PHANTOM BAND.
ill
Boom Rrra ra ta, Boom, Boom, Boom, Boom, Rrra ra ta, Boom, Boom, Boom,
—|— 1* N—i K IS K N—i 1 N h-4*— i e h mi* 0 -d d —d «i—*
Boom Rrra ra ta, Boom, Boom, Boom, Boom, Rrra ra ta, Boom, Boom, Boom,
Boom Rrra ra la, Boom, Boom, Boom, Boom, Rrra ra ta, Boom, Boom, Boom,
Boom, Boom,
f—
Boom, Boom, Boom, Boom, Boom, Boom, Boob
-0 1—#
-I-;-
Boom, Boom, Boom, Boom ! Boom, Boom, Boom, Boom, Boom, Boom, Boom, Boom,
4-
ta, Boom, Kra
-g 1 ly =:=P
Boom, Boom, Boom, Boom,
ta ta ta ta Boom, Rra ta, Boom,Boom, Boom, Boom,
Boom, Boom. Boom, Boom, Boom, Boom, Boom, Boom, Boom, Boom,
Boom, Boom, I loom, Boom, Boom, Boom, Boom, Boom, Boom, Boom,
Boom ta ta, Boom, Boom, Boom,
£—-A E
± J d-
Boom ta ta ta tid e ra
=fS=K
ta, Boom, Boom, Boom,
N—
—d—
Boom, Boom, Boom, Boom, Boom, Boom, Boom, Boom, Boom, Boom,
Boom, Boom, Boom, Boom, Boom, Boom, Boom, Boom,
:»=^—=d=Mh
^ ^v-
Boom ta ta tid e ra ta, Boom, Boom, Boom.
-0—0-
Boom ta ta tid e ra ta ta, Boom, Boom, Boom,
' -V- u—
Boom, Boom, Boom, Boom, Boom, Boom,
(28)
THE PHANTOM BAND.
Boom, Boom, Boom, Boom,
--2—g——5—g-
Boom, Boom, Boom ! Boom, Boom, Boom,
-•-
tid ta
-*-
Boom, Boom, Boom,
* * p-
l I I
ta ta tid c ra ta, Boom, Boom, Boom,
Boom, Boom. Boom, Boom, Boom, Boom,
-i—
Boom ! Boom, Boom, Boom,
Boom, Boom, Boom, Boom ! Boom, tid e ra ta, Boom, Boom, Boom,
» •
ta, Boom, Boom, Boom, Boom, Boom, Boom,
ft* •
ta ta ta, R" ta ta ta ta
M
ta ta ta ta ta
-V u- 3=Z
Boom, Boom, Boom, Boom, Boom, Boom, Boom, Boom, Boom, Boom, Boom,
rail, e dim.
Boom, Boom! tid e ra
_rall. c dim.-
ta, tid e ra
Boom, Boom, tid e ra
rail, e dim.
tid e "
Boom,Boom,Boom,Boom,Boom, Boom,Boom !
i *—
Boom, Boom, Boom, Boom, .
— PP
Boom,
ib—
ta ta ta ta.
PP
v—ta.
PP
i
ta ta ta ta ta.
— PP
9^
-i- -t p
Boom, Boom,Boom, Boom, Boom, Boom, Boom, Boom
( 29 •)
No. 10 SPANISH PROVERB
Arr. by R. W. ATKINSON. '91.
k&$H r h i* £--f• ^-=i r-P * :
fc^*_-4 :£ -£ —V • 4^ * •
1. There 's an d Span - ish
a pret - ty
- verb That goes
d - cn Sit . .
ver - y much like
wait . ing for a
0 pro
ma2. Do n't let
f4— _—B
—rS
1
Humming Accpt.
1 1
-=2=t ; ; i
F—I—*—1<—J
ver - y much like
wait . ing for a
this,— A man is half in heav - en If he gets a woin - an's kiss,
kiss; Don't let an - oth - er fel - low Get a - head of you in this.
-M-t—u
3E
£—I i—i=tt=\
this,—
kiss;
gets a worn - an's kiss,
head of you in this.
j, Faster.
J—j^J-fe—-V——-r-
tr p ^
if you want the gold - en ap pie you must find the tree, And
|t^:ft It p-—p fSt- e—e—g =g—p—p r
2—S ^ £/ v—•L-t/ 'v \) \f 1
^ 0 p V SI/
Copyright, iioccrv/-. ~ Ditson Company.
(30)
SPANISH PROVERB.
. * J, h (V 1 N ——f
p v J_—I 1
shake it ; If the thing is worth the hav - ing And you
p—-p- r f
■ —H —>-=H L_u £—u L.—l( u u u -y -J
U U v v
fc8 , ,
want a kiss why, take it ; There 's no
-A
use in wait - ing
j—r— E E 1 A-r-f * » g
f^=?-=^^ E ^^=^^^? p=j g—3
Ion - ger Or the sweet - ness may for - sake it; So I
v v v v 1 —* v U V t v b *<——U .—»
fOgS h fc—f N—r—N -f* £ i r-J5 ^ J* i — = —n
ff» I\ tl I \ l I i H-3-zjZ3 j l;
tell you, bash - ful lov cr, If you want a kiss why, take it.# _h ti 6 . IS IS " .-_ , # * , fs h -
^^F^g—t.— —E—b=z=±3?==b—b—£^Ej *—u
(31)
No. 1 1. THE VERSATILE BABY
Solo fob Tenor.
L. LEWIS, '8a
Now ba - by, show these pco - pie here how ver - y smart you
^±—1—1 1=3
are, Pa - pa, ta, ta. Pre - cious heart he 's
I de - dare what
1^-*-= * f
J^ F=F—r
t
ver
gen
y smart,
ius rare,
he 's
what
ver
gen
y.
ius
ver
gen
y
ius
2nd tfme.$
smart.
ell ius, lu3
* I' I
Bass Sou
Come ba - by sing that pret - ty song, Baa, baa, black sheep, has
giEEE
=fc—m-
you any wool, Baa, baa, baa, baa, m Oh,
1ST
i
111I ^ ^ 9-* Z. • 1
* While ehorus hums, an imitation of " Baby Talk " is given.
Copyright, mdcccxci, by Oliver Ditson Company.
won . der - ful mag - nif - i - cent; His like was nev - er seen. A
most pre - co - cious youth is this whose weeks are but eight
- 4- -r; -r f—+. —&— .,- +
(32)
THE VERSATILE BABY.
| 2 1st Tbnor.
teen. To say so much and tic to say all
iEEJB
plain His
1st Bass.
qual ne'er has been be - fore, nor will be e'er a
—s_—_ , •—ft.
5 C u
1—<—ff—f—p—r=f# P=\
—E—5—. 1—[ C I
^
C !
day. The fates in un - ion must have smiled, For noth • ing else could
.,: r %i —=$=^—*>—[j- i ?—
-b 1 V l/—-1 1/
V p * v
i
have produced so ver tile- child.
• W=1 1=3=•—• •
Oh,
—i—i
tile, sa - tile child.
§> B—fn ' - - •.—-0 "
X-
—
T * -; H
1 i v H
won - der- ful, mag - nif - i cent. .
^=1=t=:"f* \
-P^^ :
-■—=—j——- H
* —=H
(33)
No. 12. THE PARTY AT ODD FELLOW'S HALL.
Words by J. WENDELL, Jr. Music by R. W. ATKINSON.
_J 1 3rU J - *
—*—
J
^L-j—T—J
~—1 1 1 1 i i—
1 d d *—hzM J J 1
v. I met my friend Pa - trick Mc
paid fif - ty cents for the
Ken - na, he was floor - di -
2. I
3- Mc
m=^ j r =
-N
^f^r— J—1
o .*■ —* — i —
—* X—-J x * 4 jf x
i
Ken . na,
tick - et,
rect - or ;
One ev - 'ning on Wash - ing - ton
Then I called on Miss Bridg - et Mc
He wore a green badge on his
street,
Cann,
chest,
-4- -4- Si
-—.-
BE
4-U £
' ( r i-
He said to me " Hy, Tim •
She said she would go to
A pink neck - tie tucked in
my
the
his
g>
Doo - lan, .
par - ty
shirt - front ;
Here 's a
'Cause I
Be
rr
+
t—r
-j J— 1 1=
Used by permission. Copyright, kdcccxci. by Oliver Ditson Company
(34)
THE PARTY AT ODD FELLOW'S HALL.
3=i i r
tick - et will
was such an
gob, he was
give you a
el - e - gant
hand - some . ly
treat."
man.
dressed.
I took up the
So we went down and
And when he waltzed
3=
card that he of - fered7
jumped in a her - die,
off wid Miss Bridg - et,
'T was not ver - y large, 'twas - 'n t
The driv - er says : " Where shall I
Sure, I was - n't in it at
m
i i i-t—*-
^=t- =br - r
7S-.
-
w » - j r i4-—\
small,
call?"
all,
It said"Ad-mit a gent and a la . dy
Says I, in a dig - ni - fied man - ner:
But says I, to me - self, " Whist, Mc Ken - na,
5=tFx-
3=±
X X
W't ii—i -j 1—
N# 1
W-t ±=i-1 * *—- 1**1L-J 1
(f
(In
To
" You
There 's
the
can
par - ty in
take us to
more than one
Odd
Odd
man
t fi i
Fel - lows
Fel - lows
in the
Hall."
Hall."
Hall."
X X
-X X
(35)
THE PARTY AT ODD FELLOW'S HALL.
Chorus.
m
3
Waltz Pol kas,
ttt.—, M =F=|. —Sr-. !
r f^—f—r^=r p
Q^—f—3
r 1
X X- X X -X X-
3X X
Lan cers, Gal ops, Glides, Port
Tt j X
mmmm
W >- >r-rr• f f
5 * t* ♦
x—:
4=
i * *
1 ,
fr#
<> i *J i
V-
land Fan cy, Qua - drilles, and Reels, and
m
• X-
V
T 1• f f
X X d -x x- -x—X-
«j -
cen do.
Slides, High lows, Di
3=
"cres
-0i
- eJ. .',5.— —.S^
., .
* r r
cen
-j^j-ri-- I m « *
i * -l .+
-* x- X X—r-* X —X-
(36)
THE PARTY AT ODD FELLOWS HALL.
=1 H 1T -gd *=
nev - er for - get the time, you can bet, I went down to
:i- x J-r Fj x J 11 J j—1
r-3 * 4 i—¥—i— y-^: j-
F=^—f=*=Ft—Hh
rf—1 -l-r • p—p i
i 1—E= 1_—p_ f.—f=—i—r.—F—r=i
"VT"
mi
Odd Fel - low's Mall. Hall.
-t-
m
4 I waited until they had finished,
Then up to him boldly goes,
And says I to him : " Patsy McKenna,
Say where did ye hire them clothes ?"
" You 're a liar I" says Pat in a second ;
Says I : " What 's that word that ye call ?"
And the next minute me and McKenna
Were cleaning up Odd Fellow's Hall. Chorus
5 Next morning, before Justice Duffy,
Mc Kenna and me was brought in,
" Ten dollars," says he, "or ten days, sir I"
And me and Pat hadn't the tin.
So we took a short sail down the harbor,
Begob, we were feeling quite small,
And we stayed for ten days on Deer Island,
For scrapping in Odd Fellow's Hall. Ci'ORUS.
(87)
No. 13. ROMEO AND JULIETTE.
Solo.
Words by L. F. BERRY, '92.
r p w =f=
Come now and list to my pit - i - ' ful sto - ry Of Ro -I
m
f i 1-* c •
and Ju - li - ettej Blight - ed their love by their an - ces - tors' fu . ry,
5
J-
=3=
z^zff j J
-P
Poor Ro - meo and Ju - li - ette.— If you 've no tears
m
3C-Cl-
• Verses one and three are to be sung by low bass; verses two and four by a tenor, and verse live In unison.
By permission of H. B. Stevens * Ce.
(38)
ROMEO AND JULIETTE.
you'll wish that you had some; Ro - meo's the gay one, Ju - li -ette's the sad one,
m
3C
I
'Cause I killed my own self, I 've been called the mad one, I'm Ju - li - e - ette, Ju - li - ette.
II
tr^—/fr-
II
2 I agree with you that this world is full of woe,
I 'm Romeo, I 'm full of woe j
It surely must be true since my Juliette she says so ;
I 'm full of woe, full of woe.
Our elopement we arranged that night on the balcony,
Ah I but that was sweet love, sweeter far than honey,
But alack-a-day I hadn't any money,
I 'm Romeo, Romeo.
3 Romeo will shudder when he hears me tell him,
O Romeo, O Romeo,
What occurred to me after seeing what befell him,
Sad full of woe, full of woe ;
Like a flash I snatched your dagger from your belt,
Ran it in my left side clear up to the hilt ;
0 Romeo you can't imagine how it felt, ah !
C) Romeo, Romeo.
4 O Juliette, why were you playing possum,
O Juliette, O Juliette,
1 tho't that you were dead, what was life without my blossom?
Sad full of woe, full of woe.
Feeling sad and lonely I drew out that phial,
Drinking drug store drinks was then the proper style,
But when ordering it I forgot the usual smile,
O Julie, O Julie, Juliette.
5 The moral of this tale we now will sing together
I 'm Romeo, I 'm Juliette,
Love should be the same no matter what the weather,
Like Romeo and Juliette's ;
Maidens should n't seem to be what they are not,
Men who drink in drug stores are likely to get caught.
Thus to an end comes this sad woeful plot
Of Romeo and Juliette.
(39)
No. 14. HOLSTEINER'S BAND.
Words and Music by R. T. WHITEHOUSE. Arr. by S. E. FARWELL.
:g—r-f—f ; . r_T ., * - =»s
ten.1 h £ — P-T
bji. <cn.
r*—=- P—qtf^
-fej =5 V—t- g
b*g to
i> l, ten. >
1-
m1 I
zfzzEz
-v—v-
1. My name it vas Heinrich Hoi - stein-er,
2. Der mus-ie ve blay iss der lat - est,
3. I 'm fond of all clas - sic - al mus-ic.
I 've peen in dis coontry some
Marches und valses und
Symphonies,Op'ras and
m
EE
m=2= -f—5- p—q 1 —
Hi
time, .
songs,
all,
I haf a large prom - is - ing
Mc - Gint - y und sveet An - nie
I dis - like vour street-bands and hard
fam - 'ly
Rooney,
or - gans,
Dere
Are der
Street-pi -
ZEE"l _j_
-N
.1?
-fV—-N-
r—1—fr
mus - ic - al tal - ent vas fine.
tunes for vhich ev - 'ry von longs ;
an - os I hate large and small,
± LjL
Der vas I - key und Hans und jung
Aft - cr sup - per on fine som - mer
Yet when mus- ing at dusk in the
t—rjj—r r
3=
r
m
Used by permission. Copyright, mdcccxci, by Oliver Ditson Company.
(40)
HOLSTEINER'S BAND.
Ya - cob,
efen - ings,
eve- ning
I dell you dere mus - ic vas grand,
On der cor - ner we shust dakc stand
Tho' a-shamed of it yet I will say,
Und der
Und der
That I
\ IS
flj—'m - m
LJ-JL.*-^
*1 * "f
poys on der street all cry " Pra - vol Dere goes Hcinrich von Hol - steiner's pand.
beo-ples all cry, "Ausden Au -gen" Dere goes Heinrich von Hoi - steiner's pand.
do n't mind your street band Hol - steiner, "If it's shust a goot deestancc a - vay."
Chorus.
Soi.o.
—=1 3=F
§H — -J J' —J -lJ r ~
i f f :iTT
Ik - ey blays der t
=^t=ï=|
Irom - pone.
-iy v- : *
—*
la la,
k—k- - U E L E I) 1—V-V-—RH
i la la, la la, la la,
1 1 * • r
lala. la la,
m 1 1
ACCMP. la la,
-l
a la,
: ^ J
v^^S r
a%a g , -
A—
. * M
f r
t J
Zum ! Zum !
rf
pom, pom, po n, pom, i om, pom, pom, pom,
r"# -. J—H
F*rn
ifM*1 <-—M.I !.
—1 P -"
rM-
~ ~—
i i ; . ? ? fH ? •
-*-
J
*.—
t
No. 15. A CATASTROPHE.
MALE VOICES.
Words by CHAS. M. SHELDON.
Allegro vivace.
1st Tenor. 1st time ff.
P3h
Music by N. B. SPRAGUE.
2nd Tenor.
There was a tack, There was a tack,
—_ * ■ • p • p _—rf—• * #-=
t * f-
-tr b tr i 1 ✓
1st BaSS.
"T" "T" i
There was a boy,
2nd Bass.
There was a boy,
* r* !» ^
f-=g=j"=
rilard. ^ a tempo. Repeat pp.
Ik
There was a boy, There was a
rilard.
tack, There was
a tempo.
a teach - er new.
EE
ritard. ^ a tempo.
1»V
There was a boy, There was a tack, There was a teach - er new.
ritard. a tempo.
±4
1 X -V=3
The tack sat down up - on its head,
-t« rf*
The tack sat down up - on its head, The tack sat down up - on its head, The
Copyright, mdccclxxxviii, by J. M. Russell.
(48)
A CATASTROPHE.
The tack sat down up - on its head,
EE
tack sat down up - on its head, The tack sat down up - on its head, The
EE
aceel
molto rilard.
EE
EE
The .ack sat down up - on its
molto rilard.
!• 0=0
v—H v-
mo/to rilard.
*=i=•-
tack sat down up - on its head, The tack sat down up - on its head, The
mollo rilard.
, , —— N-
do.
Pril.
EE
The teach - er sat down too.
Prit
EE=SF—*-
P
rit.
EE
tack sat down up - on
very slow.
'Hr
its head, The teach - er sat down too.
r » • -*—c k—
(44 J
A CATASTROPHE.
a tempo. »
" 1
end s< ized that boy, Then
i— ; ; x—i
— . ——i—
i— *—i
Then up he rose,
_ . #-1 1 ?—
a tempo.
and seized that boy,
^ r^4-^—-d m • ?—LT r 1- .—
Then up he rose,
—r—T^r-
a tempo, pp
•---.1! 1 J
up he rose, Who
a tempo, pp 1— -Hi
—t -V—
P m j *I • *
4_ 1 ,
and seized thit boy, Who
a tempo ppHI. ,
-9
\f f > x*s-fr-0 . —
-1 1 1 5!1
Then up he rose, Who
HI. a tempo, pp
F==±=&=f=a
and seized that boy, Who
¥ —.* L^ 1i f*—f*~ 4 r—.
p -p +-
—r
W w
rt F1 t—1
eres.
shook in 'ry joint, Who shook in ry joint ;
-+
Then
ores.
shook ry joint, Who shook ry joint ;
fcid^l 1-
Then
cres.
(45)
A CATASTROPHE.
-m- -m- -0- -»-
up he rose, and seized that buy, Who shook in ev - 'ry joint.
EEE^EI
up
eg .
he rose, and seized that boy, Who shook in ev - 'ry joint.
3f
I x
(0
-v v 1 :V—u
|( The Boy. ) I on - ly meant it for a joke ; I on - ly meant it for a joke ;
P
0 '
.tr
/f- f f f—£wT—-g—f .
Fine.
the point I
W0 ^ Ron.
I on • ly meant it for a joke, I failed td
No. 16. THE MOON-LIGHTER.
Words by
BENJAMIN APTHORP GOULD, '91.
Music by
ERNEST HAMLIN ABBOTT, '93.
Moderate.
(2-
(HUMMInG.)
ggH= f a. f—
£-
1. Bill was a bold moon - light - er,
2. Kate was the wife of his bos - om,
-ft
And he mooned on the Geor -gia
And cheer - i - ly light - ed
(Humming.,)
-t?—b—I— ^ f -v—E
hills, Where the cin -na -mon bark and the wail of the shark Were the on - ly night wan - d 'ring
she; With her hus - band Bill at his Bour-bon still To the tune of the chick -a -dee -
E=5
thrills. When o - ver the trees in the night sough-ing breeze The bats sang their hoi -i - day
dee. And Ned was the nag that car - ried the swag With his black Bell-er-o - phon
F==F* St-
Copyright, mdcccxci, by Oliver Ditson Company.
(47 3
THE MOON-LIGHTER.
Chorus. ******
chime.
rid - er.
J—J-
1. But the " and gnat were hor - ri - bly flat And the
2. And Wig - gle, Wag . gle, Wee, were the chil - dren three Brought
hfr1 [?— V V V 1 V V-
1. But the " and the gnat were
2. And Wig - gle, Wag - gle, Wee, were the
hor - ri - bly flat And the
chil - dren three Brought
bee - tle was
up on
off
whis
on his tune ; . .
key and ci - der;
But the
And
" and the gnat were
Wig - gle, Wag - gle, Wee, were the
-,/ tt-
bee - tle was off on his tune ; . . But the " and the gnat were
up on whis - key and ci - derj And Wig -gle, Wag -gle Wee, were the
-A-
J—4=i=&==$=$--
2. And
3. N ow you
(46)
THE MOON-LIGHTER.
And Kate was the wife of hisNow you know this fam -i - ly's
Mt. " 1— x—
-
—a a—-F •—•—F—F-
*V*.
r* nr- r
! is rs T
-—1H P—F—*t°*-j—
'
1 ✓ / 1 '
2. And K
tfow yoi
ate was the wife
1 know this fam - i
of his
- ly's
bos - om.
sto . ry.
1st Bass Chorus.
3-
Solo.
-lvV - * -* '
r f.
-f- f--v—v-
F—Wtw1
h—b- -| h H-M^SL \/—V—H w1—k<- H 1
2. And 1Cate was the wife
know this fam - i
of his
- ly's
And
Now you3. Now you
u <>
-J 1"J 8*-: B
Kate was the wife of his bos - om.
know this fam - i - ly's sto - ry.
1=1
(Humming).
Eifc
know this fam - i - ly's sto - ry, And you know how they kept still ; For the
( Humming.)
fete *— 8) *s
9^tt?-k—F a,.
8=
• - * =P—f. r*—-f—F—F •_
-<9
1 "£
—6 P—-U-
— LJ (J1 1/ /
±r—U—v l. ... 1
F— r- -J- -
hill.
F
1 :
grave of the cop who came up to the top, May be seen on a neigh-b'ring . And
" 1¥ 1
;
»M? * —19
^ J- ^
(49)
THE MOON-LIGHTER.
Bell -er • o andshe, and Wig- gle, Wag- gle, Wee, Will be there to see the fun; . . . And
v—^—v—P F * ?~T? "F
Bell -er - o andshe, and Wig-gle,Wag-gle,\Vee, Will be there to see the fun; . . .And
fS (»,—N N
3*j
Bell-er - o andshe, and Wig- gle.Wag-gle,Wee, Will be there to see the fun; . . .And
r J J -J ! ..
M FT~H—i—s—i =H—H
1/—l/—U—i-a—'-f—J II
1/ u
Bell-er - o and she, and Wig - gle, Wag - gle,Wee, Will be there to see the fun.
* • -S± ri
^0
Bell -er - o and she, and Wig-gle,Wag -gle, Wee, Will be there to see the fun.
fV P, 1*
WMj4 P~0
Bel -ler - o and she and Wig-glc,\Vag -gle, Wee, Will be there to see the fun.
(5<n
No. 17. LITTLE JOHNNY.
(.HuMMING.)
8ft 1 u ,4—* L.s;-=^zi
Arr. by L. F. BERRY, '92.
Lit - tie John - ny had a mir-ror, But he ate the back all off; Think -ing,
rash ly in his ter . ror, It would cure the whoop-ing cough. Some days
* J I J 'I
er John - ny's moth - er, Weep-ing said to Mrs. Brown ' T was a
-9t
chil ly day for John - ny When the mer cu - ry went down.
— r—f—T-
-——^—j—
s 1 1 1
F-T=^ Hk K .". ~*
-J—• •
-j—
1
k
P Vv k—* y-
said John -ny's moth-er, Hah, Hah, hah, cried Mrs.Ha, Ha, Ha,
-rV
Brown 'T was a
-A
• =1- 1 X
-V -y t-
rit—ts =-
very cold day
—a F—
h—
for John - ny When the mer - cu - ry went down, went down.
--N-
Copyright, mdcccxci, by Oliver Ditson Comtany.
(51)
No. 18. COURTSHIP.
1
Poetry by FREDERICK LANGBR1DGE.
Altrr/rrtto Oloroso.
1st Tknok.
Music by ARTHUR W. THAYER.
* • *
1. It chanced, they say, up - on a day, A fur - long from the town, the town, Thai
2. As I and you per - haps might do, They gazed up - on the ground,the ground,But
2nd Tknoii.
1st Bas
1. It chanced, they say, up - on a day, A fur - long from the town, the town, That
2. As I and you per - haps might do, They gazed up - on the ground,the ground,But
2nd Bass.
^F-J • * P
g-M-,-*-j
mf
she was stroll -ing up the way As he was stroll - ing down— She hum
when they 'd gone a yard or two, Of course they both looked round. And noth
- ming low, as
aft - er
i—r
hE
P
m
-IS-
mf
she was stroll -ing up the way As he was stroll -ing down— She hum -ming low as
when they'd gone a yard or two, Of course they both looked round.And noth - fng aft - er
3=
mm
might be so, A dit - ty sweet and small ;
that re - mained, But he should see her home,
p
He whist - ling loud a tune, you know.That
They both were pained,they both ex- plained What
p
might be so, A dit-ty sweet and small;
that re - mained,But he should see her home,
r r r -
He whist-ling loud a tune, you know.That
They both were pained,they both ex-plained,\Vhat
Copyright, mdcccxci, by Oliver DnkON Company.
(52)
COURTSHIP.
rtl. a tempo.
-P—' P f
had no tune at all. . .
caused their eyes to roam. .
-9i
It hap-pened so, pre - cise - ly so, As all their friends and
- . I I
i EEdEE1•—"
rt<. a tempo
had no tune at all.
caused their eyes to roam.
It hap-pened so, pre -cise - ly so, As all their friends and
I i i p-
It hap-pened so, pre - cise - ly so, As all their friends and
oecci. un poeo. > > > p a tempo.
— r * 1 -3=F#-» m ' I J J——— 1 i, U ,/—n—f-Ft-—:TP -a1 a
neigh bors know, Pre-cise-ly so. As all their friends and neighbors know.
> > > 5* A5 atempo.
PC** *
It happened so,Precise-ly so, As all their friends and neighbors know.
occe7. un poco. > >
neigh bors know, It happened so, so, so,Pre-cise-ly so, As all their friends and neighbors know.
> > > ? P a tempo.
• U-U—it:
3i
neighbors know.lt happened so, so, Pre - cise - ly so, As all their friends and neighbors know.
3. Next day to that 't was com - mon chat Ad - mit - ting no de - bate, de - bate ; A
rl—±-0——4-
t=3i 4 it
Melody 1st Bass marcato. Acct. p
* • •—•
3. Next dav to that 'twas com - mon chat Ad - mit -ting no de - bate;
4 • • • • •-
9 •-
* 4 • •
3. Next day to that 't was com - mon chat Ad - mit - ting no de - bate, de - bate j A
cm;
COURTSHIP.
per
-# *—# * -a • • •—
"1 t^^t p—"1 1 1 1 -t . 1 1 1
-1—— -I 1 1 1 -1 i 1 !— H 1 1
bon - net close be - side a hat Was sit - ting on a gate, a gate. A month.not more,had
T-* t- 0—0 J "1
-m-
3E
£ .£- -m- ♦
0 »
bon - net close be - side a hat Was sit - ting on a gate. A month ,not more.had
*—h#—0-
bon - net close be - side a hat Was sit - ting on a gate, a gate. A month.not more.had
' Piu vivace.
ff -P- ±1 0
=i=
bus - tied o'er When, brav - ing nod and smile, One blush -ing soul came through the
it-j I J—±
da=—*
#—•
:| r
bus - tled o'er When, brav - ing nod and smile, One blush - ing soul came through the
a P;d—b
i—-f-fl- -ilea #. ^- * P—h>—»——•—L^-
-I i =T—
=5^
door Where two went up the aisle; One blush-ing soul, One blush-ing soul came through the
J PI
door Where two went up the aisle; One blush-ing soul, One blush-ing soul came through the
\ N.* g±=g
i i-— —0- -» H
COURTSHIP.
fi=± J-Ji
m/ Allegretto-
—ft-
door Where two went up the aisle.
j*n£-ft fr— frl i
It hap - pened so, pre - cise - Iy so, As
f I i
m/- Allegretto.
-•—• 4 . <
door Where two went up the aisle,
gEjy*- r *^—*—f=—I—
It hap -pened so, pre - cise - ly so, As
4—it-
>
all their friends and neigh - bors know. Pre- cise -ly so, As
aecel. unpoco.
i»=FF=F*—w--*=^&—If X X
It happened so.pre -cise - ly so.
>~==r~m m p
It:-i-
:t=:
all their friends and neigh - bors know. It happened so, so, so, pre-cise - ly so, As
> > > > > P
BE
It hap-pened so, so, pre - cise
slentando.
tempo. rit. unpoco.
-J—f-4-
PP
I I I
EE:*;be * X *-
all their friends and neigh - bors know, Their friends and neigh - bors know.
i-* X-
slentando.
tempo.
Ej 1—irzt
rit. unpoco. P
^—x—^01
all their friends and neigh - bors know, Their friends and neigh - bors know.
r»/
PH——1 1 1
N—^-
-——•— -I • 1—u=s •— * • t-r—K—prJ- i—
l«? » 1 1 * •
all their friends and neigh - bors know.As all their friends.their friends and neigh - bors know.
(55)
No. 19. WING TEE WEE.
Words by Music by
JOHN PORTER DENNISON, '90 PERCY LEE ATHERTON, '93.
18T TkNoK.
. • P f
L
1 ■»- > f
*^=» -j\——i
»r i t —<g
1. (>, Wii
(
ba
ig T<
), Ti
d T
:e Wee w
n Told wo
n Told sho
,weet <
pi - i
ill 1
-hi - nee, And s
ate bold, And 1
<is gold, To tl
he
e
le
is a
a
<1
!
2. And s
3- S
2nd Ten<
a w - e
/
R.
i —(• —«
K
: p—-=\ ^
. ;
1ST Bas8.
1t— =t==±=d—a 1* - ' ' -
!
' 2 ' — . —F- -! F F m F F F F f
1 —i 1 i h_—U.—-T j 1 1 1—' h 1 / - / i—| 1 1 y 1i '
1. o Wing Tt
O Ti
bold Ti
e Wee was a
l Told was a
n Told show - ec
sweet Chi - nee, And s
pi - rate bold, And 1
all his gold, To tl
le
le
e
2. And
3- So
2nd Bass.
CVr-h-t-4: » 1 1 t« *—
—i=
. p1
ji =± ;— ^—i- <
Pat —
lived in
sailed in
maid in
the town of
a Chi - nese
the town of
Tac.
junk.
Tac.
La la la la la la la
-#-r-
la
3=
* 9 " 1—F 9—9'—T r i r C f
L. - .
lived
sailed
maid
in the town
in a Chi
in the town
of Tac. Her eyes, ,
nese junk. And he loved,
of Tac. And sweet,
eg
her eyes were
he loved, ah
and sweet thing
-V 9—V-
la la la la la la la
-v—v—U * V—b—t-V-^s-—0—t^fc
la la la la la la la la la la la la la la Hung
But his
And
blue,
me,
Wee,
And,
Sweet
e
and .... her curling cue,
Wing . . .sweet thing Tee Wee,
loped .... eloped to sea,
9V?EE [-
-P P Hdid
Hung
But his
And
Copyright, mbcccxci, by Oliver Ditson Company.
C56)
WING TEE WEE.
ril.
dang - ling
val - iant
down
heart
her
had
more came
back,
sunk,
back,
And she
So he
For in
fell
downed
far
in
his
Chi
love
bl ues
with
in
the
n K
ril.
dang - ling
val - iant
EES
down her
heart had
nev - er - more came
I ,:n k,
sunk,
back,
And
So
For
she
he
fell in
drowned his
far Chi
love with
blues in
nee the
When he wrote his love on a laun - dry
And . . . vowed the maid would yet beAnd the maids are false as ev - 'ry
| 1st St 2nd verses. IT
-r%t.
1
dry
be
bill.
his.
where.
II
bill.
his.
'ry
3= I
0 0 '
dry
be
bill.
his.
'ry where.
I H
where.
(57)
No. 20. THE HOODOO.
Words by L. F. BERRY, '92
i
L. S. THOMPSON, '92
3e
Moderato.
1. I heard this dreadful sto - ry From a
2. How ver - y wise fhese sag-es were Quite
3. If he should meet you in the street And
la la la la la la la la la la la la la la la la la la la la la
Boom pum pum pum pum pum pura pum Boom pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum
-tjH P»-
m
witch's truth - ful lips
short-ly did tran - spire
ask you how you feel
That on the day John Smith was horn There happened an e -clipse ; They
His fa - ther failed in business, and He lost his house by fire, The
Be - fore you an -swer you would slip Up - on an o -range peel. Or
a la la la la la la la la la la la la lala la
-tr—*-
pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum.
m s—Is f
V—U—^5Tr J-
\ N m V * '
questioned the astrologers, Who said in ph"ses strong "Yourson will be a Hoodoo, Or else the signs are wrong."
measles struck the neighborhood, Few children did survive; The Hoodoo lived on Mellin's Food, And thus he kept alive,
if perchance he'd ask of you " What is the time of day ? " You'd surely find your watch had stopped Before he got away.
yes,yes,yes.
pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum pum.
In waltz tempo-
By permission of Miles & Thompson, owners of Copyright.r
( 58}
THE HOODOO.
I !
r—i—
we havesee it in his looks. He is just the kind of Hoo - doo
m
J' J i J
r r
1 1
■t—*i-
J
.
—*—I—^
¥ r r •—-
1
read a bout in
J .-J J
books ;
=2=
3=
When - ev - er he goes out of
U-4—j J , J 1 j— ——^ .
1-
rr
* i j
i—r i 7 —T—r—r—^
you can hear the peo - ple, hear the peo - ple, the peo - ple all say, Look out,
doors you can hear peo - ple say
u-
;iifj J*— :-i J j
2 2
i
SB 533t—*-
Look out Here comes the Hoo - doo.
Here comes the Hoo
We *d bet - ter get
doo. get
-v—v- I I
Here he comes, VVe 'd bet - ter
-?—*—x--<-
way, la la la la la la la,
tr
Look - out Here comes the
"-s u * V <J w w
•—X X
No. 21. RHINE-WINE SONG.
Allegro motto. J = 132
1st Tknor.
ft- *- r-»
EE
MENDELSSOHN.
1. So long we
2. Who cour - age
Bac
lacks
chus'
his
-# 0 « • 1
? " i— f 1
1st Bass.
1. So long we Bac - chus' flame ad - mire, Or
2. Who cour - age lacks his sword to bear, Or
2nd Bass.
x j i
1. flame
2. sword
3—P-—g=
ad
to
mire,
bear,
Oh ! let no
The joys that . we
pow - er e'er con- spire Its
are prais - ing here, Oh I
-V b/ k c c—
1. cup shall burn with li - quid fire, Oh I let no pow - er e'er con- spire Its
2. scorns to hold his coun - try dear, The joys that we are prais - ing here, Oh !
—n—^—«—.P- +-' +- m
ff-
1. joys from us to sev
2. let him taste them nev
er.
er.
4>-
So
Who
long we
cour - age
Bac - chus' flame ad - mire, Or
lacks his sword to bear, Or
1. joys from us to sev
2. let him taste them nev
er. So long
er. Who cour
we
age
Bac
lacks
chus'
his
m
C60)
RHINE-WINE SONG.
-p-r-r=^^^$ —I- 1 -w
1. cup shall burn with li - quid fire, Oh! let nopow-er e'er con-spire Its joys from us to sev - er.
2. scorns to h)ld his coun- try dear.The joys that we are sing - ing here, Oh ! let him taste them nev -er.
*-$d—01
-n—?v
Fin
Fill
/
v—?—*—£—y—£—*—v-
-0 0-
1. flame ad - mire, Oh! let nopow-er e'er con-spire Its joys from us to sev - er. Fill
2. sword to bear, The joys that we are sing- ing here, Oh ! let him taste them nev -er. Fill
-0 0-i
i r
-0 f '
up, here's to the Rhine,Wer 't on - ly for the wine, The Rhine shall ours be ev
fc [5 - -N-T-N- -0 m—1»
er, The
0-v-
i tr 3=^
up, here's to the Rhine,Wer 't on - ly for the wine, The Rhine shall ours be ev
-9— —ft-F *- > * , 1-4
er, The
H
Rhine shall ours be ev - er, Wer 't on - ly for the wine, The Rhine shall ours be ev - er.
-0-0—*
5±§
-•—p
ff- f-0—•—
f==r—r-mm
Rhine shall ours be ev - er, Wer 't on - ly for the wine, The Rhine shall ours be ev - er.
// f-—^ p if p ifr=fr
; j-^—T-
I'M i
(60
No. 22. COMMENCEMENT HYMN.
J. K. PAINE.
ui—r—r—•—i—I-=F=F—i—1-
1 r—i
4—J- J
1 51
L-^,
i -^—5—J--«!—«i—
L 0
A - ve, ma - ter per - be - nig - na, Om - ni pi - e
Flu - unt sae - cla, ru - unt mo - les, Per - it mox hu
Pie - no gau - di - o af - fee . ta, Fi - li - os ad
Mul - ti ti - bi ser - vi - e - runt, O - pes lau - dem
I—\
t
ta - tc
ma - na
tu - a
sa - era
pro - les,
tec - ta
ve - runt,
r
i-g—»<r\
-12-
-19-
jj. J =
tas te ma - lig - na Den
tem, quae tu so - les La
tes nunc as - pec - ta Mu
ti te aux - e - runt Lar
-J^. J
-J— —3——[
te mor - det
bo - ra - re,
tu - a lae
ga par - si
as - pe - ro.
per - ma - nent.
ti - ti - a.
mo . ni - a.
r
4. -j Jf.
vs> J-
f—r1 1
:—«
±3
cres.
=1=3=
Cap
Dis
Nec
Lau
* • l-0-
tas sem
ci - pli •
ob • li -
dem et
per no - vas lau • des Ho
na, quam tu e - ris, Bo
vis - ce - ris mul tos Cel
nos pa - ri - e - mus, Sap
nes - ta - te sem - per gau - des,
nae ar - tes, quas tu se - ris,
bra
en
tos aut
ti - am
oc - cul - tos,
co - le - mus.
Si-
3:■a
fr'r
=2:
I
crc.v.
ff
IB
Al - ti - o - ra sem - per
Ve - ri - tas, quam re - ve
Ac - res o - lim, nunc se
Ti - bi sem - per nos de
au - des Fx - i
re - ris, In ae
pul - tos, Sane - ta
de . mus Pu - ra
tu - cum pros - pe
ter - num re - ma
cum maes - ti - ti
sane - ti - mo - ni
By permission of J. K. Paine. Published separately by Oliver Ditson Company.
ro.
nent.
(62)
No. 23. THE MAN IN THE MOON'S BALL.
H. H. FURNESS, Jr.
Allegretto amrnalo.
* A"
B. CARPENTER.
5 rT-3~
-99 «» i —*—& ^—* -ft f h fX . ■ -J—2—W—m 7
m
-* -•-«_!. •
J . * * . J" w
1st Tknor.
i
1. The monkey.the frog, the gay baboon, All went to call on the
2. He would not hear of their going a-way, And gave them a ball on the
3. The frog.they say.got aw - ful - Iy full.And wanted to fight with the
2nd Tenor.
3=^
1st Bass.
±E^EEEEEEEE
2nd Bass.
1. The monkey.the frog, the gay baboon, All went to call on the
2. He would not hear of their going away,And gave them a ball on the
3. The frog.they say.got aw - ful - ly full, And wanted to fight with the
-•—*
3
8
.-J: 4 V ±f
—m——^—
h 11
Copyright, mdccclxxxvii, by J. M. Russell
(63)
THE MAN IN THE MOON'S BALL.
f,
VW-
The man in the moon asked them in to dine,And
He in-vit - cd the crick and the frisk-y bat, The
The mon -o-pole smashed in the monkey's hat,The
S
man in ' the moon ; .
ver . y next day ; . .
zo - di - ac bull ; . .
$B N & P. 1=1=
man in the moon ;
ver - y next day : .
zo - di - ac bull ; .
The man in the moon asked them in to dine,And
He in-vit- ed the crick and the frisk -y bat, The
The mon -o-pole smashed in the monkey's hat.The
T T J 1-4—^-P--f-«—f
yes, yes, the man in the moon,
yes, yes, the ver - y next day,
yes, yes, the zo - di - ac bull,
-=\—=T
^—m-
".ir
-
:EE
I
•—r
fed them on gum -shoes chop-ped fine, And fin - ished it
green monopole with a brick in his hat, Be - sides his
kanga- roo chewed the tail of the cat, The man in the
off .
jags •
moon
with
great
got
—3S-—m— £Ejfc
^ K
fed them on gum shoes chop- ped fine, And fin - ished it
green monopole with a brick in his hat, Be - sides his
kanga roo chewed the tail of the cat, The man in the
off, yes, fin -ished it off, with
jags, his roy - al jags, great
moon, the man in the moon, got
mm
yes, fin - ished it off,
his roy - al jags,
the man in the moon,
-JL .*. ■ * * . •
THE MAN IN THE MOON'S BALL.
glue and twine,
Dan - iel Pratt,
knocked down flat, .
Just think
Just think
Which broke
of the
of the
up the
-B3
glue and twine, with glue and twine,
Dan - iel Pratt, great Dan - iel Pratt,
knocked down flat, knocked down flat,
1 J5—!-
Just
Just
Which
think
think
broke
of the
of the
up the
-"—J-
I. & »-Just think of the3. Which broke up the
4 - jl J-; ^3 « :
9^
f
— —•—#
*4
///=,
com - bi - na - tion.
PE
///:
i
IB
com - bi na - tion.
—N-
No. 24. THE DRAGON.
Words by S. F. BATCHELDER, '93. Music by L. S. THOMPSON, '92.
Allegretto.
Solo.
In the palm - y days of yore, On a dis - tant for - eign
When the thous -and years were past And the drag . on woke at
So the drag -on sat in state Which ex - cite - ment did ere
F=P i—-1 rP *y b 4 1 f—i-p—F—
a. i T i
la, la, la, la, la, la, la, la, la, la
J J
H—^—i^. b u2 1——1 1 -i 1
^ i
—1 1
^ i
shore, Lived an en - er - get - ic drag - on with a deep con - tral - to roar,
last He found that he was looked up - on as so - cial - ly out - cast
ate And the men of sci - ence hasten -ed thith - er to in - ves - ti - gate
la, la,
3=
la, la, la, la.
-0 *-
la I. With a
2. As
3. Thith-er
ad lib.
±
But he caused so man - y fears By
He was thus com -pelled to go At
But a - las he proved a myth Made
his
deep con - tral - to roar,
so - cial - ly out - cast,
to in - ves - ti . gate.
bill of fare i -
a sal - a - ry quite
of paste-board,paint and
la, la,
•—
la,
Copyright, mdcccxci, by Oliver Ditson Company.
(66)
THE DRAGON.
ritard.
J* & [V- 5T—Is—&—
^ B * £ ~ J* r—
—
r. ^ *- *? P ' ^~
i4
dears, That a ne - ro - man - cer charmed him for to sleep a thous - and years,
low, To a rath - er an - ti - qua - ted, but re - spect - a - ble dime - show,
pith, And the man in - side who worked him, bore the com -mon name of Smith.
ritard.
Chorus
^Mh-fi—jN-f—£=*
9 \» PHe could gam - bol and ca - vort, He could whis - tie, grunt and snort, And could
-4-
X—i-
-4=—4
- 1 3= - 1 I
f—1=3
- p p r fr=
f 1
1 1 —f- V 1 H R•-.—•—
X
gob - ble
4-
up rant, He could gam - bol, He could
-• f-
i
whis - tle. He could grunt
IS ?
and snort.
erescendo. KA,fc !^—i—k n '
b—
gam - bol, He could whis - tle and ca- vort. He could gob - ble up a res - tau -rant With -
He could gam - bol and ca - vort.
He could grunt and snort.
a tempo
—N—
out sec - ond thought, With
i ^ J*
out a sec - ond
^ n
thought, la,
4=
T
3
C«7)
No. 25. INSTITUTE SONG.
In Unison. Marching Time.
P 0 ' 0 m , ^ . -j 1
f*—i—•iH—fN—K3—J *
1 1* 1 £1 ,—-»—*
1 Now we H eel - e - brate the prais - es of the fa - mous Ins - ti - tute ; What so -
2 ° fa . mous are the din - ners of the glo-rious Ins - ti - tute, And the
ci - e - ty can ven - ture her po - si - tion to dis - pute ? She 's the old - est of them
el - o-quenceof her de - bates no mor - tal can re - fute, Then .... drink her down with
,T-1 M N~ " " ' n
t . s—m—1 1 P—^—
wl r c
*i r— -—K 1—M d
J— EFl--.il *- *H-*-*-^ «
all, and of the widest-spread re - pute, So 'rah, 'rah, 'rah for the In - sti - tute, In - sti - tute I
three times three, let no-bo-dy be mute, So 'rah, 'rah, 'rah for the In - sti - tute, In - sti - tute I
No. 26. SKATING SONG.
H. H. FURNESS, Jr., *88. B. CARPENTER, '88.
1 —i—i0—l—t | J J
| 1 i Jj
[4v ;—i
—f■=4
1 Fresh the breeze, the morn-ing bright 1 Come, join
2 The life that 's in the freshening breeze Gives to
the merri - ly laugh-ing throng ; The
our cheeks a brighter glow; And
—N-
I h I
i 1— :
* d '
^ilfllfllil^f
b——E~~ 1/
:5 J" J ^-r=jj=S
acz=»—*—
?--4—»
1 F
sun - beams dance on th' glistening ice, The while
hearts are warm with keen de - light, Though all
our voi - ces blend in song,
a - round is wrapped in snow.
Copyright, mdccclxxxvi, by H. D. Sleeper.
(«8)
No. 27. SPARKLING PIPER HEIDSIECK.
Words by GEORGE COOPER. Music by CH AS. E. PRATT.
Arr. by L. K.
Tempo di valse. i m -ts>- -P- tif2-
3:m
=r=T Pr—pf=f
to/
*—P-H—P—»
±£
BfeMS—t
-rS. r"£- p- rrtf rrr .. < if ^ i9— —P-
—=j-j*=—<SL |»-I—L
1 D.S.
4
•
is*
3=
1. Oh,
2. For
3- Oh,
4. It
some
Rhine
't is
makes
may sing
wine some
the wine
you
of Sweet
may have
I love
'ry pain
Moselle— Of To .
a taste, And some
to drink, It keeps
for - get, It makes
paz, Sher
may fan
me mer
the dark
<7.cy
■7
est
Ru
oth
all
day
by, Port; For
er brands ; But
the year I What
so bright ; The
com - mon wines they '11 do
as for me, when on
joy to see its bub
on - ly draught I 've seen
quite well, But as for me, they 're not the sort. Fill
the spree, The wine I drink un - ri - vailed stands. It
bles wink Like dia - mond eyes we love so dear. Take
as yet To tempt a fel - low's ap - rj^ - tite. Tho'
At
ii
JLJt.
»—F-
H
\ \*
EL IT7
me a bum - per to
soft - ly climbs up to
whis - key, bran - dy, if
the brim, Of Pi
my brain, And sings
per Heid - sieck,spark . ling gay, And
for me the sweet - est songs ; While
ure in the draught I see; But
V-i=j-T—f-
frf= ht— -jg S- -« *-:
9^1^=*=)=^-*-*-f—*—*-
J X X- -J—1—1—
ri T T i 1 f f ,
Copyright, MDcccxcii,by Oliver Ditson Company.
C70 )
SPARKLING PIPER HEIDSIECK.
ev
all
oh,
drink
ry care
the joys
to drive
to take
—
and shad - ow dim Will take the hint and " a - way.
of life a - gain Come flock - ing 'round in fai - ry throngs (
a . way the blues It's Pi - per Heid - sieck,boys, for me I
when you feel gone, Is Pi - per Heid - sieck,spark - ling clear 1
+
f*
I
Chorus.
r4-
—1-fi—r-i_| • [2— —* -4—fi^—fi
-J 3—
Heid - sicck, Pi - per Heid - sieck ! That is the wine, boys, Bum-per di - vine, boys,
w44t* j j j j - j j - j j - -J-
I
=3-T-fH-ti# I "
rf
* 3
-(5,-
^-H —
*
1
t
J:
Heid
-J» w-- m— — —• 1 -(-.i j
m
sieck, Pi - per Heid - sieck, That is the wine, boys, the wine for me.
J—Xi
r^1
/T\ /TV
0
0
-I •-
) L^zt £-£ , far- <
(in
No. 28. SIMPLE SIMON.
J. C. MACY.
Scexe. 1st.—His name.
Moderate. mf
f=f= f—* S C -1 f-=
Sim - ple
mf
Si - mon ! Sim - ple Si - mon 1
t$v<—1 * -t t— = 1
-- 5 • m-
—& N-
f » 1vp-L--Z—+
» f. • •-1 *-
- *—f-f-
r* m -i^t-W^
h—r—A-bA+Jt,
X V—Li-
Si . mon 1
-1 1-
Sim- ple
mf
Si - mon !
\f—H -
Sim-ple Sim - pie
_ a re\^-\rrr±l b—
± J—=
r r—r-Pr—1 -
1 ' * «'— ™ 3f—* *—
T—r—
Hi.Scene 2d.— Simon's march,
Simple, sim- ple Si-monl Sim-ple Si
rit, p
. mon !
1
—h—hr-V I -&
rii. P-
-V—V it
Si mon ! Sim-ple Si mon ! Oh,Sim - ple,sim - ple,
mf In brisk marching lime.
18
-a
and his meeting with the crafty vender ofpies,
mf
Oh,Sim - ple Si - mon met a pie - man,
mf
a pie - man,
•rp:
3?
a pie - man,
a pie - man, a pie - man,
sim - pie Si - mon,Sim - pie, sim - pie, sim - pie Si - mon.Sim - pie, sim -pie, sim - pie Si - mon,
-A-=—• —N-->—3—I -± -
tr£±: tr- • i/—« lH# y * 1/ I *——y—* y—i
Copyright, mdccclxxxv, by 0. Ditson & Co.
C72)
SIMPLE SIMON.
^ p pp poco rit. nif a tempo.
3P=*—p^^^_-_-f=-ff-_-Pd-^if-x^—{=Ern&^3^
He met a pie - man go - ing to the fair. Yes,Sim - ple Si - mon met a pie - man
- -- -r-T-1— i-— ——Nr-I—r\ N h*-f*1'
3*=^9 P|Q
3=ft
J»» j<oeo rtV.
|^_--=£_.. 3=5
Si - mon met a pie - man go - ing to the fair. Yes sim - ple, sim - ple,sim - pie Si - mon,
__---_-
T *i " —j *i . i .
ff
F
dim. e rtì. fi * m/"
d-_rd_rj=-j-
a pie - man a pie - man, Go - ing to the fair, the fair ! Said Sim-ple
H—F
tfitw e rit. p ^ mf
g_^f^"-Tf_____jg
Sim - ple,sim - ple sim - pic Si - mon, Go - ing to the fair,
3*
the fair! Said Sim ple
—» • *-
g---m _c-
Scbne 3d. —Simon'» cheeky and hopeless request.
Moderato.
-b—b—"—"-I
See
Si - mon To the pie - man,
-f8 f—=*==
to the pie . Said Sim - ple
5S_E£
To the pie
i-^-
-->-
-------_ -: rti-f -_--.-rztrtz
Si mon to the pie - man, Said Si mon To the pic
1 Let me
_
ff_Pf"p \T-
:*^z_ .-.-: ----
Si - mon to the pie - man, Said Si mon To the pie
-rr *£
_L->g
H_ 5*
Fr-.--
(73)
SIMPLE SIMON.
i
£3=
Ah, Si - mon ! " Let me taste your warc.
iBE—«-
, * V—V-r wAh, Si -mon! Then said the pie - man :taste your ware."
-*-£fc—* 1 *—*
Ah, Si - mon 1 Ah, Si-mon ! Then said the pie-man :
Tlie pieman's prompt and
startling question. Scene 4th. — Simon's humiliating confession.
ffm. , . . ~ // r
i-
' Where 's your pen-ny ?" He has no pen-ny) He has no pen-ny!
* -5=¥
' I have no pen - ny,1 " I have no pen . ny,!
v—y-*
"Where's your penny?" He has no pen-ny ! He has no pen-ny I
* • P> »it
liemarks suggested by the foregoing tale,
mf Religioso.
±3C
times ( .
, and I
all ye who are inclined, through hunger, ) l , ,xt i , J , * r (ui, d! member he is sometimes ( ,Now I cheek or curiosity, to taste, free of > baker s wares, Re- 1 liable to be rrw-jry and ( heav">' wlth
charge, a )
mf
l all ye who are inclined, through hunger, )
Now } cheek or curiosity, to taste, free of > baker's wares, Ke-
' charge, a )
11=1
IS
\ member he is sometimes / " ..,j liable to be crusty, and j heav"y mth
-jet-
(0 » #- u& 1—<5 « —
*- ^^ l«,—e. s>——
>-*x~-Hk -(—
' ^ for bread, we seldom ^ •
3 FH^F+f
} taxed to the utmost > ask for pie! Ah, Si-mon !
( when they )
I
isr x
its:
( , 11,/ I human generosity is )
When j flX^/weseldoin j Pass them * < But \ torte utmost j ask for j* / Ah, Si mon !
ttt>—*—h 7& . (S
1 * 1 bt-b
(74)
No. 29. FAINT HEART NE'ER WON FAIR LADY.
Words and music by R. T. Whiteiiousk
* •
-3 PS- -N N N P
i—i—;—J
took a pret - ty girl to ride, Up - on a win - ter day,
wis - er by my les • son hard, I tho't I knew the way,
She sat so close - ly
And took an - oth - er
- S
¥-—J—£=2±
T t & i 1 ?3 v 1 Ik- V- Ik- h. Ik Ik Ik *1 *1 s 1
N=3
—J .—Ps—— —^—B—ft—P *—-p—-—-—M
by my side, I knew not what to say;
girl to ride, Up -on an - oth - cr day;
She said her lit - tle hands were cold, Said
I asked her if her hands were cold, She
5 I--0 •-
I I
:^ 1 X-
33- 55J77-3- Copyright, mdcccxci, by Oliver Ditson CoinpaHV.
(-751
FAINT HEART NE'ER WON FAIR LADY.
JV-F-N-3-*-
I, " Where is your muff ?'
said, "Yes, "ten - der - lv,
She turned and said with crushing glance,That I was muff e - nough.
"May I be your muff," said I "Yes ! mon-key muff," said she.
1
-3-x-
1>" 1=4
it
-A--A—
D.S.for second verse.K—r-* MS N
Cu - pid laughs, " I told you so," Faint heart ne'er won fair la - dy, oh !
-= K
«w poco rt'<.
r r i =§p\
I
3=£
— p—\ -I—J J J
3. Faint heart ne'er won fair la - dy, Is a say - ing trite but true, I fol - lowed out this
4. The horse tore down the nar- row street, My heart was in a flut-ter, We turned a cor-ner
im
rii
——
F-N-^=F3^
33-55.377—1 f 76 )
FAINT HEART NE'ER WON FAIR LADY.
* — 0 ft—0 w—ti * * #— * * d m-
i
v va it - to, And the rest I leave to you ; But oh a - las I our steed took friijh : At
struck a post, And land - ed in the gut-ter; My fair com - pan - ion rose and said, Po -
¥—^-—f
* -
—r»-* 1 X-
some-thing on our course, 2 had to let go something.see ? So I just let go the horse.
lite - ly as could be, The man who needs both hands to drive, Is not the man for me.
A—-3 i-.[>.=iia
V;"
T4-
4- -=1—X-
Chorus.
3t
Cu - pid, Cu - pid, Why so slow?
Tempo dipolka.
. j ^ j *—* ^
Quick - ly run and get your bow !
* g✓
J tr
But
D.S.furfourth verse.
- <1
Cu pid laughs, " I told you so,"
3 *
19^
33- 55,377 - 3-
Faint heart ne'er won fair Ia - dy oh !o '
-A^l fc-
m
—I r -1 1 * r,
SEE
un poco rit.• *
(77)
II
No. 30. MY FLO.
Harmonized by C. W. TINSMANN.
z£=3-j-5--3 ~r 9 *
1—¥-
LI " * * l-v g *-J 1 1
When the summer winds are blow - ing,
She said tome, "O kind Sir, lin - ger
On the land here down be-side the sea, I
On the beach here down be-side the sea," And
J1^
ii— —•—•—•— b ,
-p—p—i—i—-l 1—1 1—F—1— i
^ H M
"fi—1—I—r—p ^ . T 1 Ki ; 1
h—i—r rJ
•—i t 1——t—t— 1
N
|^=E—3-3—ii—r—
-f8 i-^-P—-E—r—J—J—
!5 . 11
met a pret - ty blue - eyed maid - en
then the charming blue - eyed sing - er
J ^.J-
As pret - ty
A song did
as could
sing to
be.
me.
f3
My Flo, My Flo,
| p P
My Flo,
-»—x—I *
my Flo,
-J-
She's the pret - ti - est girl you
BE
lly fC,
-B B-
My Flo,
see where e'er you go, Charm- ing lit - tle crea - ture,she's the belle of all the girls, My
r*-'—• P ft P f #—
"1 f—4*— r—j ifJ* * .<■_! *a tf*
*—|MH ^3 h- t
i -V 5— K
ITTI ru.
charm - ing lit tie cap - ti - va - ting Flo - i
J X
zS=l±=*T"fc
my Flo - i
1xl—i- t?—g-
Copyright, mpcccxci, by Oliver Ditson Company.
(78)
No. 31.
STEPHEN ADAMS.
Allegretto comodo.
^-rrf—f=*==fc
Allegretto co
tr
THE QUAKER.
Arr. by E. H. JACKSON, '92.
^^^^^^^
'' cres.Piano, /
=t
=f=fcf
A—K
4—4-A—
A Qua - ker, he sat in his chamber dim, Look-ing as glum as glum might be.When the
There was his sweet lit - tie cousin a lone, Danc-ing as gay as gay might be, "O
- -• 9- —1
i*t
* -*- s
"
N-
5fE =3*=it?"- y-
sound of mu - sic stole up to him, "Oh! 'tis a sin and a snare," quoth he. But
fie, cousin.fie!" said he, with a sigh, "Danc-ing is ter - ri - bly wrong ! quoth he. But
* f r
misterioso.
loud - er and sweeter it rose than before, Hepress'd his book to hisknee. Then he
how dost thou know," she said with a smile, "I nev-er have tried," quoth he. "But I
fr- N .1
s—" n
• n3*
±=*:
r
1st Bass.
heav'd a deep sigh, and he o - pen'd the door,
think that I could, and I 'm sure that I would ! "
" Ver - i - ly yea ! I must go and see ! " So he
"Ver - i - ly yea! then I would,said she I" So he
-0 -4- -4- ' & & & T ^ -& T
i
J
Copyright, mdcccxci, by Oliver Ditson Company.
(79)
Tempo di valte.
„ 1st Tknok.
THE QUAKER.
i=9--»—
la, la,
:g:2ND Tenor.
la, la. la. la,
V X—•—• x—•—• .X—'
la, la,
i-
la, la.
X—h
la, la.
la, la,
1st Bass.
la, la, la, la, la, la, la, la, la, la, la, la,
stole clown the stairs,
took her sweet hand,
:fl:2Nn Bass.
with a smile
and he said . .
in his eye,
let us try,
Zum la, la, Zum la, la, Zum la, la,
s -x X X
3
-x—4
-X—X- X 5?
Sr^ * *Eb=*==t=t
la, la, la, |a, la, la, la, la, la, la, la, la,
H j-
.j. # X * • -*—& #-
la, la, la, la, la, la, la, la. la, la, la, la,
For a Qua - ker .... can smile,
For a Qua - ker .... can dance,
When there 's no -
When there 's no -
C80)
THE QUAKER.
1st time. V 2nd time.
i-X—X-
la,
la,
la,
la,
no - bod
no - bod
by!
by! by,
Qua
Qua
ker can
ker can
D.S.®
la,
la,
la,
la,
no - bod
no - bod
by I
by! by,
ker can
ker can
(J
bod
bod
by!
by!
So he
So, he
D.S.®
A
A
Qua
Qua
ker can
ker can
9>2' 0_. -x-x-
•
VZum la,
Zum la,
la,
la,
no - bod
no - body
y by,
by.
by.
Qua
Qua
ker can
ker can
-Q-b * 1—1 1 1— i
/M> C *- —•——•—-J J J—i—u
1 ^ V V—
smile,
dance,
smile,
dance,
can
can
smile when there's
dance when there 's
no
no
bod
bod by.
m
-+-
smile,
dance,
can
can
smile when there 's
dance when there 's
no
no
bod
bod by-
3^-4-
smile,
dance,
can
can
smile when there 's
dance when there 's
fit -X X
no
no
=4=
bod
bodhy-by.
-X X
I ^ * * J jt *— j id :fSI-ggT-—H ^g=R - l j J i
(81)
THE QUAKER.
IEE
Alfd
(
5
Tempo Into.
r•y! So they danc'd and theydanc'd in the twi • light dim.
j i I
"
n ; I n is J
±=!fcfc
rati mollo.
& X-1
f■-
Suave.
ne much closer," she whis-per'd to hi
0-4 •
Hap - py and gay as well might be,"Thou must hold me whis-per'd to him,
ores. PP
±=±=j±55=
fdeciso. 7>oco accei.
—K—IP
53=' Ver - i - ly yea! then I will," quoth he, And he felt her heart beating so close to his own, As they
—p-ii—^-i
SIP
-A N-»-
E
—
3=
EE
danc'd
—T
till the day - light fled, 'O coz, prithee say, dost thou think we may'yca?"
5f"
•—X
JV-J^ - i -]
-—=^—1=^«
T 3
—<s S
-6>
C82)
a piacere.
[_*.<£
THE OUAKER
4k—\ * 1 ' ^ rrn
*Ver i - ly, Ver i - ly yea?' she said. So
i . J 3
colla uoce.
:3
BE
Tempo di valse.
i—*-
la, la, la, la, la. l.i. la, la, la, la. la, la, la, la,
la, la, la, la,
-
la, la,
( I
la, la, la, la,
I)
la, la, la, la,
-#-rf2.
he yea'd and she
±
» • • -. r ♦
yea'd as their lips so nigh ;
X—x-
Zum la, la, Zum la, la, Zum la, la, Zum, Zum la, la, Zum la, la, Zum la, la,
=3^
2=3:X. -55 . -x -x
f
-55—X- X—X- 55— 55 I X
t—F=^3—t-
la, la, la, la, la, la, la, la. la, la, la, la,
* -X
la, la,
EE
la, la,
• •*
la, la, la, la, la, la, la, la,
=1=
For a Qua - ker can kiss, When there 's no
<-.n.EE
gj j*— :*—X—x—-=J X X -X—X-
3=V
Zum,Zum la, la,
v
Zum,
b x—x-
v
Zum, Zum, Zum la, la.
-X X- X X -3 u
I X 55 X X X X- X X- JU, J
(88)
THE QUAKER.
| 1st time. V 2nd lime.
±± 31-x—x-
la, la, no - bod - y by ! by.
D.S.
Qua
i—rEi?-x t
1=
kcr will
-X—x—\\—•—x—X
la, la, no - bod - y by I by.
D.S. $
Qua ker will
(J
-s-
m
bod - y by ! So he by. A Qua ker will
Zum la, la, no - bod - y by.
fc=3= . _4——^gqgQ
Qua ker can
£5-J
-Z«< time. V 2nd <t'»nc..(2-* 1—e- •
t^x-x—jB|=| X—X-
D.S. $
X X- -X—X-
1=
=P=P=
- 0
* • » 1| X X-
kiss, will kiss when there's no - bod - y by.
bfe—-—— • —1 \—3=
——II
(
—
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—
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kiss, will kiss when there 's no - bod - y by
0—* • ——fl=E L U x—x—
kiss, will kiss when there 's no - bod - y by.
JJX *
=3=
kiss, will kiss when there 's no - bod - y by.
No. 32. HERE'S A HEALTH TO KING CHARLES!
Words from "WOODSTOCK."
( MEN'S VOICES.)
Allegretto.
:±^fc:£ "^f'jg:Ef=i=izE^---f^E £
Music by F. BOOTT
s *-J i i , fcJ
i
U* . J I
fc*=
Tenor Solo.
2^1f-M5f-
* 1 ——W—K-
1. Bringthe bowl which you boast, Fill it up to the brim: Here 's to
2. Tho' he wan -ders 'mong dangers, Neg - lect - ed, a - lone, Un
3. Let the hom-age a - bound Which the times can af - ford; The
B—l=pz=r:33—r lX
-v—h—
3=T
-**—9-
him we love most, And to all who love him ! Brave gal - lams,stand up, And a -
aid - ed 'mid strangers, Ks - tranged from his own ; Tho' 'tis un - der our breath, A - mid
knee on the ground And the hand on the sword. But the time shall come 'round, When 'mid
i x j Jl 1
tJL-%-* . , -Jtp C?-
^—
. vtt* 1
—J- r-4 P=^J
M vd 1"■1 » *
# 1 p—F F"
- 1 1 1
0 m
1 1 *—
-0-
By permission. Copyright, mdccclxvii, by Oliver Ditson & Co.
C 85)
HERE'S A HEALTH TO KING CHARLES.
-4- *=±=t£=
vaunt, ye base carles !
for - feits and perils,
lords, dukes and earls,
w
Were there death in the cup,
Yet loy - al to death,
The loud trump - et shall sound,
Were there death in the
Yet loy - al to
The loud trump -et shall
I
f
i
M4JJ:
J- fiT* £. £.
1 J
cres.
4=
1
- ^semprc. ^ j
t1
»/_-
cup, Here 's a health to King Charles !
death, Here's a health to King Charles!
sound, Here 's a health to King Charles I
Here's a health to King Charles!
Here's a health to King Charles!
Here 's a health to King Charles !
4Fl * J 4
/ cow ia parte stentando
0
dim. TO/
■ P r-M
* Chorus.
1st Tenoks. mf
~ -Fx—*—F
2nd Tenors.divisi.
-A-
Were there death in the cup, were there
3 . -*—1—rr-J
f* a 1—i
I "t£"H^
-»d—R u*—•—0—
=3 -
Brave gal- lants,stand up, And a-vaunt, ye base carles !
1st Basses.
• 0 2•
Were there
Brave gal-lants,stand up, And a-vaunt,ye base carles !
mf 2nd Basses.
Were there death.wcre there
3 1—4-
*—4
11*—*—+■
Brave gal-lants,stand up, And a-vaunt, ye base carles I Were there death .
a
-iff —*=^-^ ^—^—f-tf
ft* ^ r*. -
r
* When sung without Chorus, omit ail between the marks *
(86)
HERE'S A HEALTH TO KING CHARLES!
ff > >tf-e,-™U- a- — dim "if.
J—i—^
t
death in the cup, were there death in the cup. Here 's a health to King Charles 1 Here 's a
> >. -a. #/ I raW. - dim.-, ;:.
g.-» i H T- i -lL* —r=— . - i_l h h—
!*—
^=^Fr—r—r 1 j _
death
cret.
gni-g # * *
in the cup, In the cup..// - - sf^rall.
mf
death in the cup,
cres.
in the cup, Here 's a health to King Charles! Here 's a
=t=t
^?—
i
. . in the cup, in the cup
i i r
a t E t
cres. ^ //
i I
Hi
Mm
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t it * f .
raW. alJine.
health to King Charles 1
i r
B
it
health to King Charles !
—L
HI
_i -
-—*— i—
y a tempo.
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(nfifiJt-H1- —H——1 1-T
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(87)
No. 33. O'GRADY'S GOAT.
WILL. S HAYS.
2^)Z 1 1 1 ^ ^ g—L.^, L, L,
1. O' Gra - dy lived in Shan -ty Row ; His neighbors of - ten
2. Old wid - ow Ca - sey stood one day The dirt - y clothes to
3. Pat Doo -lan 's woife hung out the wash Up - on the line to
—1 ^—LV—* e 1^—L^ ^ p ? v—*—v i—fcjL-
said They wished that he would move a -way Or that his goat was dead,
rub Up - on the washboard,when she dived Head foremost o'er the tub,
dry; She wint to take it in at night, But stopped to have a cry,
He kept the neigh-bor-
She lit up - on her
The sleeves av two rid
hood in fear, And children al -ways vexed,
back and yelled As she was laid out flat ;
flan - nel shirts,That once were worn by Pat,
They could n't tell just when or where That goat would pop up next.
" Go git yer goon an' shoot the baste,O 'Grady's goat doon that."
Were chewed off al-most to the neck, O 'Grady's goat doon that.
— 1
1
- j J i
* t f :J4 4
d—Prrrrf-n :J=^zI
^4—i l< *
—* —* • „-
1 3 J (bht=M
-f-a rHr=- / t 1—"H 1 ~ ' —1 t5 0-. -—
4-
r
By permission. Copyright, mdcccxc, by John F. Ellis & Co.
(88)
O'GRADY'S COAT.
Chorus.
m
Now vou can bet your coat-m- -m- -F-
r r i
That if there 's fun
-»-
Now you can be *
4 " 5?float, And there is an - y
et your coat
V V v V yI hat if there s fun a
t ,—# • • • 1
And there is an - y
I
my
3EE
div -il-ment,You '11 find O'Grady's goat With rocks
div -il-ment,You '11 find O'Gra-dy's goat
hus - bands and their wives,
—» W r
Have tried most all their lives To find, and kill O'Gra-dy's goat.
X
m
hus - bands and their wives. Have tried most all their lives To find,and kill O'Gra-dy's goat.
4 They had a party at McCunc's,
And they wor havin foon,
Whin suddinly ther was a crash.
An' ivirybody roon.
The iseter soup fell an the floor,
An' nearly drowned the cat ;
The stove was knocked to smithereens —
O'Grady's goat doon that.
5 Moike Dyle was coortin' Hiddy Shea,
Both standin' at the gate,
An' they wor jist about to kiss
Aich oother sly and shwate,
They coom togither like two rams,
An' mashed their noses flat.
They niver shpake whin they goes by —
O'Grady's goat doon that. («9>
5 ♦ *
6 The folks in Grady's naberhood
All live in fear or fright ;
They think it 's certain death to go
Around there after night.
An' in their shlape they see a ghost
Upon the air afloat,
An' wake themselves by shoutin' out:
Luck out for Grady's goat.
7 Wan winter morning whin the shnow
Was deep upon the ground,
Men, women, children — in a crowd —
Were sad an shtandin round
The form of wan, cold, stiff an' dead,
An' shtickin' down his throat
Was Mag McGinty's bushtle fast,
That inded Grady's goat
No. 34. THE THREE GLASSES.
K. L. FISCHER.
Allegro confuoco.
1. Dost know the pow'r . . of
2. Now glass the sec - ond
3. Then glass the third . . we
/ K J.- J-
no - ble wine ? In glass the
pass . . a - long ; And ev - 'ry
reach . . at last,— And there the
first
drop
de . mon
't IS
you
1 l 11 V
found ; . For jest, and sport, and quip, and crank, And laugh - ter there a -
pour . . Will tip your tongue with joke and wit, As though a charm it
sits ; . . He mount - eth to the drink - er's head, And snarl - eth up his
For jest,
Will tip,
bound ;
bore,—
wits,—
—r r-sr
For jest.
Will tip,
He mount
=g=j =J
. /I
Zt-Z-'
-V-
For jest, and sport, and quip, and crank, And laugh - ter there a -
Will tip your tongue with joke and wit, As though a charm it
He mount - eth to the drink - er's head, And snarl - eth up his
-2
i
L'islesso tempo-
£|31 < lis3E
r—F
bound,
bore.
wits.
And though in
It warms the
He hid - eth
wine the
heart, and
deep with -
truth may-
song on
in the
lie,
song
flask ;
I
So
It
It
mad - ness,
wak - ens,
is his
I
mad - ness hid - eth
wak - ens in the
home,—his home, no
I
^1
truth may lie,
song on song
- in the flask ;
i
It
It
And though in
It warms the
He hid - eth
wine
heart,
deep
the
and
with
mad - ness
wak - ens
is his
By permission of Carl Prufer.
C9Q\
THE THREE GLASSES.
there. Then let us drink the am - ber tide That such a freight doth bear, The
soul ; Then let the tones in cho - rus rise, As up to Heav'n they roll,— In
doubt. Come, broth -er, take your glass in hand, And turn the fel - low out, And
k ° J —* t I T—\> I u 1 tP^r—b—I—tr* 1
am - ber tide That such a freight doth bear, Then let us
cho - rus rise, As up to Heav'n they roll,— Then let the
turn him out, And turn the fel - low out, Come, broth - er,
The am - ber tide, The
In cho - rus rise, In
And turn him out, And
drink
tones
take
the am - ber
in cho - rus
your glass in
tide, .
rise,
hand,
4^
19-*-
That
As
And
cho
ber tide,
rus rise,
him out,
I I 1 ' -
That such a freight doth bear,
As up to Heav'n they roll,
And turn the fel - low out,
Piu lento.
.v 1-Q V. Y. r-rfg-^k 1 \^U-*»-b-r-i -fr—-j r—r^=Pa ..
such a
up to
turn the
freight doth bear,
Heaven they roll,
fel - low out,
That such a freight doth
As up to Heav'n they
And turn the fel - low
—■I £-[
ffJr[s I is I
£91)
No. 35. FAIR HARVARD.
Am
1. Fair Har-vard!thy sons to
2. To thy bowers we were led in
—fr=-f*— . ft*.
thy ju - bi
the bloom of
lee throng,And with blessings sur-ren-der thee oer,
our youth, From the home of our in - fan -tile years,
When as pilgrims we come
Fare - well ! be thy des -
to
ti .
N
re -
nies
IN—I—
VIS
1)11
r r
- it thy halls, To what kindlings the sea
.ward and bright ! To thy chil -dren the les
^-rf—f L
. son gives birth !
son still give,
M=4
I
/ _ I
By these fes - ti - val rites, from the age that is past, To the age that is wait - ing be - fore.
When our fa - thers had warned,and ourmoth-ers had prayed,And our sis-ters hadblest thro' their tears ;
-1—
Thy shades are more sooth -ing, thy sun-light more dear.Than de-scend on less priv - i - leged earth;
With free-domto think, and with pa -tience to bear, And for right ev - er brave - ly to live.
I
O rel - ic and type of our an - ces - tor's worth.That has long kept their mem-o - ry warm,
Thou then wert our par - ent, the nurse of our soul, We were moulded to man-hood by thee,
-4/ -v >,— —*—5—• ■ * * *—M 1
For the good and great, in their beau -ti - ful prime,Thro' thy precincts have mus-ing- ly trod;
Let not moss-covered er - ror moor thee at its side, As the world on truth's cur-rent glides by ;
I r( ¥. 1W ? v -fc-
f—
JLlL
First flow'r of their wild - er - ncss ! star of their night ! Calm ris - ing thro' change and thro' storm !
Till freight -ed with treas- ure -tho'ts,friend-ships and hopes,Thou did'st launch us on Des-ti- ny's sea.
>—-—•—• —^Fzf5=z^:
As they gird - ed their spir - its or deep ened the streams,That make glad the fair ci - ty of God.
i in lu i iM 'i ' ! " i i . i' ; . '. • -i .. : . •• " . I'D' ' :ina die.
-*—
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i/ P I 5 5 P P F
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I 'J2)
No. 36. THE MILLER'S SONG
Arr. by M. H. TAYLOR, '89.
Do you re-mem - ber Le - na dear, The mill by the old hill - side, Where we used to go in
sum-mer time To watch the flow - ing tide. The mil- ler was there with his slouchy hat, And his
—i- i
H=f=HF
if f ^ f f
eyes of mild - est grey, Work - ing in his dust - y mill, Sing-ing the live - long
jE=Ei:
m
la. la. la, la. la, la, la, la.
day, U-li - i, U - li-i, U - li - i, Sing- ing the miller's song, U-li-
-4—J-^-J—« -4-
=^4
Turn, turnr r
turn, turn, turn, turn, turn,
la, la, la. la, la,•^q " JN K js JN
i
—x-
i, U - li - i, U - li - i
to:
_L
Sing - ing the mil - ler's song.
r i i r r
turn, turn, turn, turn, turn,
Copyright, mdcccxci, by Oliver Ditson Company.
turn.
(98)
No. 37. THE MULLIGAN MUSKETEERS.
Words by Jacob Wendell, Jr., '9 1 .
March time.
1st Tknor.
Music by R, W. Atkinson, '91.
EE"
2d Tenor.
:tfc
1st Bass.
ifeEft£ - —k—k- i h—I k—k-k—k-J-4 k—I k—k- -r—k-
-k—k-
Bom
2d Bass.
bom bom bom bom Di - di bom bom bom di- di bora bom bom di - di
Bom bom
m
mp
P F
S2
La la
fnp
tra la
La la
-2-
tra la
=fci=
bom • ty bom - pe - ty bom bom bo". 'T was on a Sat - ur - day night, We
Pom
3E-#-
bom bom bom.
.o-
pom pom pom
P3E »—
J?!
la la tra la
-J—x-
la tra la l£
•—X
la
la la
4t
tra la la tra la la la
—5—*—v-
la
start - ed a com - pa - nee, And e - lect - ed An - tho - ny White Our Cap - tain for to
pom pom pom pom pom pom pom pom pom pom
Partially adapted froir the original song, "The Hoolahan Musketeers," and used by permission of Frank Harding.
Copyright, MPcqcxcvi, by Oliver Ditson Company.
THE MULLIGAN MUSKETEERS.
* 0
tra la tra la
tra la la la
f f- f
la tra la la
t t-v—v—U
la la
-v p-
V it-
He ac - cept-ed the hon-or with thanks,be; And ap - pointed us pi - o
EE-m-
pom pom pom pom pom pom
la. ] .
P •
tra la la tra la to
t—r -^-^-f * rf-*—f r ^ ^v—1 H f v—1 v—I M-tra la la la la tra la la la la la.
-• #
I V—*-
neers, To march be - fore the ranks Of the Mul - li - gan Mus - ke - teers.
±
=3=
pompom
/
pom pom pom pom pom pom pom.
° Di - di
—*
di - di rumdi rum
/
di - di rum drum drum.
p—*—V
Drum drum
/
drum drum drum drum rum- pe - ty drum.
^TH^-fc—a s —>i p—• «— LfT« _ • a --ft* «—1
\££&-*-^* p =1 —J? ~—1 1
—v—1—-H* =1—|
-< -1
fete
Urum drum drum drum drum drum rum-pe - ty drum.
-a—
Drum drum drum drum drum drum drum.
I
p p-
Oh I we march a- long the crowd - ed throng, With banners " - ing gay, We hear the peo - ple
is
* • t >-
IWC
:fctt
0-0r p 1 1—
Ohlwemarch a-long the crowd - ed throng,\Vith banners " - Ing gay, . . We hear the peo- ple
*• . ■ • • ' -0-P-, • p^ >—^
Pom pom pom pom Ban - ners " ing gay,We hear
P • ' r* P—•
Pom pom pom pom Ban . ners " ■ ing gay,We hear
^^^■^
(95)
THE MULLIGAN MUSKETEERS.
.—'a l —
z^T'- * _ s-f—T
-h
-t—f—f—f—!(p=fc^ l J- 1 0 1 " ' -4/—" —< -4-—t—f—U-i
1 n>
say "We vant you to hear thos<! fel - lers c an play," Our "Cap" a - head with
t^=F > H *- (S-
iy' t' f - v V—F— —i 0*— —n—
—« ,i—^» r-i
' * r-
«
hear them play," Our 'Cap" a - head with
r-P-1- ' " 1♦ :*
— * , » f—b—*—P—P—1—b—-4- —J =n—*—f—
. .
i P-l *—\ i r—" 1 1—
-u-—
. . . the peo - pie
Bi.2 » . . . . • 0
say, "Those fel - lers ain play" Our pom pom
-1— *t 1 1 =? . =r—r—iZ±= 1 1--x 1 H
the peo - ple say, Pom pom pom pom
-IT-
^4
state - ly tread, Just ach - ing for the
-1 -f I —«-
fray. We hear them shout as we
plume so red, Just ach - ing for the
age
pom
pom
pom,
pom,
Ach ing for
—0
Ach - ing for
fray. . . We hear them shout,
the fray, We
r. r f 0
-v—
hear them shout as we
n
the fray, We hear them shout,
-r—r-p-1—* r *
y, "Ohright a - bout, Ho - ray, ray,
; r-tr-H-
ray, "Oh I the la - dies sigh, as we pass them by. With
- , p»» n i I —N—i*> . f, —n-
a - bout, "Ho -ray, ho - ray, ho - ray." Oh! the la - diessigh, as we pass them by, With
,=^w-
right a - bout,"Ho-ray, ho . ray, ho - ray." Pom pom pom pom
V l_
• 0
right a - bout. ray ray ray pom pom pom pom
SEE
brave and mar - tial air, Our dress so rich and rare,
-v—V-
brave and mar - tial air. Our dress so rich and rare, . . .
Oh!
p p p #— »- »- -F—
4-F
V
Of
brave and mar
V-—I—
tial air, Our dress the won - der of
brave and mar tial air, Our dress the won
(96)
I
*3= ?4=
THE MULLIGAN MUSKETEERS.
#—
m
p—•—*F- F 1—V 1/ i/- =?=f=
V r- A 1
we were the won-der of ev - 'ry - one there, The peo -pie shout as we turn a- bout In
=4^1 A—
=F'ry
-j"— » p p p f —p-
one, The peo - ple shout as we turn a - bout In
ev - 'ry one there with a pom pom pom pom
one, pom pom pom pom
time to trum - pets' blare, . . Nev-er a man there was in the van, Who
*
—V
v—?—v—v —v-Nev-er a man there was in the van, Whotime to trum - pets' blare
rf—f-f-U "1 J "1 1/1/ 1
time to trum pets' blare, Nev-er a man there was in the van, Who
i—v- .•
-7*
5»J—U-
V * ? V
Nev - er a man there was in the van, Whotime to trum-pets' blare, pom pom,
.3 gs*8„ f,-
1 l/"1/ 1/ (/ * 1/ V-Pi - o - neer com- pa - ny, halt I At - ten - tion Iwould not do and dare.
would not do and dare Pi - o - neer com - pa - ny, halt I
P -- Sf
At - ten- tion 1
*
7-43/-
t/—V
would not do and dare
would not
Pi - o - neer com - pa - ny, halt !
do and dare !
At - ten - tion!
IP P
—h/—>.—^
Pi - o - neer com- pa - ny, halt! At -ten -tion I
3—x-
Car arms !
Car
Car
ry arms !
ry arms !
Car rub dub dub a dub rub dub dub a dub rub a dub dub a dab
(»7)
THE MULLIGAN MUSKETEERS.
mf
mi
For ward march, tra la,
/
As by we go, All in a
dub - a • dub, For-ward march, Pom pom pom pom pom pom pom
i3
row With brist-'ling bay. A AAA A
1 ' >
'nets, bright - ly beam
row. All in a row, a row, . . . With brist-'ling bay- 'nets bright - ly, bay - 'nets brightly
pom pom, With brist-'ling bay
ing, With measured tread, We march a - head,
# 0 . =—*—}-
A AAA AOur pol - ished
J - ,
beam,With measured tread, We march a - head, We march a - head, Our
* * a
< W-11 X
beam,Withmeas-ured tread, With measured tread, We march a - head,
i
"fl- p 1 =±* 1 I d
ing, Pom pom pom pom pom pom pom pom Ou
J . =*5
5 =
vi - sors gai ly gleam ing. With sound ing
pol ished vi gleam ing. With sound ing
Our pol - ished vi - sors gai - ly gleam ing. With sound - mg
=P=P:=F#
pol iehed sors gleam.Pom pom pom pom pom pom pom pom pom
(98)
THE MULLIGAN MUSKETEERS.
beat, A - long the street, A - long the street, Our band was
AAA A
beat.With suund-ing beat, A - long the street,
irrr-r.
Our com-pa
t
pom pom pom pom pom
-*
pom pom.Our com - pa - ny
hail'd with cheers ; And in re- view There was but
i:-E - r*
hail'd with cheers ;A AAA A
And in re -viev
-Sft-
— —$=l
There was but
3fc
3* —»—w
- -
ny was hailed with cheers,was hailed with cheers;And in re -view, And in re - view There
* 1 J
hail'd with cheers, Pom pom pom pom pom
PS ^4*=b=t
few, l.a la la la la la, To pi - o - neers.
- f £ =f
few, . . . . I _i
A A A.£-
la la la la la, To pi - o - neers
» •
1
were,there were but few To be com- pared with the pi - o - neers.
EBgjfc
A AAA A
—*
—*—
pom pom pom pom pom pom pom pom pom, To pi . o - neers,
—*—*—n-
la la la.
-f»-j
La la la la.
PS5tr±
La la la.
m ' 'I
* 3- i *
9EE
la, Rum -pe - ty rum - pe . ty rum, Di
(89)
THE MULLIGAN MUSKETEERS."
gj2JL-j-i M M 3 C 1
\ :r ^ ^—*
mm, mm,
"1-1 f1 i *i * il
mm,
£> .
mm,
-d-.• n n * 5_|
f*H>-fi
v. H J «
vh —_X i x r I
V—1
'T wasA A
0 « 1 1 1^T-b-ri"—p—p—p-n»i P r* (* P ^ p p M 0 p M
r £ r_|- f.I- j u J-
-V V V U U V—1-1 ¥ 1 k—k-1
bom bom bom, di - di bom bcm bom di - di bom - pe - ty bom - pe - ty bom bom bom.
la la la la la la la la la
la la la la la la la la la la
+
Sat -ur -day night We started a com - pa - nee, And e •
Pom pom pom pom pom pom pom pom
la la la la la la la la
P3f-0- « 1 • 4
la la la la la la la
1
lect - ed Anthon-y White Our cap - tain for to be, He ac-
pom pom pom pom pom pom pom pom
la la la la la la la la la
53E* *
la la la la la la
-m- -m-f—-
-i—-V-4^
la la la
cept -ed the hon - or with thanks, And ap-point-ed us pi - o - neers, To
v-•-pompom pom pom pom
CMW)
THE MULLIGAN MUSKETEERS.
ff Presto.
la la la la la la la la la. Of the Mul - li - gan Mus - ke
I*✓ —
la la la la la la Of the Mul - li gan Mus - ke -
march be- fore the ranks of the Mul - li - gan Mus - ke - teers, Of
//
the Mul - li - gan Mus . ke
Ofpom pom pom pom pom pom pom. the Mul - li - gan Mus - ke -
Fink.
■V—II
teers, Of the Mul-li - gan Mus - ke-teers, teers, teers,teers, teers. Pr-r-rang, Boom.
1 I r> 3^ I]
teers. Of the Mul - li - gan Mus - ke-teers, teers, teers,teers, teers. Pr-r-rang, Boom.
HPv—y— -sHt-
teers, Of the Mul- li- gan Mus - ke-teers.teers, teers, teers, teers, Pr-r-rang, Boom.
BE ^-u-l 1*13— * l-i
teers, Of the Mul -li -gan Mus - Ke-teeis,teers, t«ers, teers. teers, Pr-r-rang, Boom.
No. 38.
Solo.
A CAPITAL SHIP.
*-V 1 —£
-h .1
# • •F .
Arranged for Male Voices.
-jtm
I A cap-i-tal ship for an o - cean trip was the Walloping Win dow Blind I No wind that blew dis -
; -s d—*
I J-HF=f^4-J-g-4^ M y in
i j #—r-
=t
mayed her crew, or troubled the captain's mind ; The man at the wheel was made to feel Con-tempt for the wildest
<* 1 i" T ^ i- r r *• i- 1 ! 1 I.I
r * ,— ^ J j T
- * -— ^5 *
blow - ow-ow, Tho' it often appeared, when the gale had cleared, That he'd been in his bunk be - low.
^—3—i —i l J—f=tir=t
Chorus.
- First Tenor. | \ | I
Second Tenor and First Bass.
Then blow, ye winds, heigh-ho I A - rov - ing I will go I I '11 stay no more on
(102)
A CAPITAL SHIP.
rit. . A tempo.
> > >
Eng- land's shore, So let the mu - sic play-ay-ayl I'm off for the morn-ing train I I'll
3 . |.4—4— m • 1
: a
> >
<fc
* .. Amtempo -4- -4-«-4
! *-
3: =Jr
2 The bo'swain's mate was very sedate,
Yet fond of amusement too ;
He played hop-scotch with the starboard watch,
While the captain, he tickled the crew !
And the gunner we had was apparently mad,
For he sat on the after rai-ai-ail.
And fired salutes with the captain's boots,
In the teeth of the booming gale I
Then blow, etc.
3 The captain sat on the commodore's hat
And dined, in a royal way,
Off toasted pigs and pickles and figs
And gunnery bread each day.
And the cook was Dutch, and behaved as such ;
For the diet he gave the crew-ewew
Was a number of tons of hot cross-buns
Served up with sugar and glue.
Then blow, etc
(
4 All nautical pride we laid aside,
And we ran the vessel ashore
On the Gulliby Isles, where the Poopoo smiles,
And the rubbly Ubdugs roar.
And we sat on the edge of a sandy ledge
And shot at the whistling bee-ee-ee j
And the cinnamon bats wore waterproof hats
As they dipped in the shiny sea.
Then blow, etc.
5 On Rugbug bark, from morn till dark,
We dined till we all had grown
Uncommonly shrunk ; when a Chinese junk
Came up from the Torriby Zone.
She was chubby and square, but we didn't much car;.
So we cheerily put to sea-ee-ee ;
And we left all the crew of the junk to chew
On the bark of the Rugbug tree.
Then blow, etc.
No. 39. LIZETTE.
Arranged for Male Voices from KUCKEN.
Allegretto.
/« unison
1=3
K_—K—fsprK f\—^
1 See these rib - bons gay - ly stream
2 We will march a - way to - mor -
ing, I 'm a sol - dier now, Li
row At the break - ing of the
1 N r-* r w i. < - * . P P— -f— n , 1
m=J z•=3=3=* =iE£=^E j h- 1 -1-
f i f T
- zette, I'm a sol - dier now, Li -zette, And of bat - tie I am dream
day, At the break - ing of the day, And the trum - pets will be sound
ing, And the
ing, And the
U—r- r^_— ri—i rd- -4=r^f
m^B-^H=h^i\ i J-*H-=w-Li—LL| FT*
cresc. f
m
hon - or I shall get. With a sa - bre at my side, And a hel - met on my
mer-ry cym - bals play. Yet be -fore I say good-bye, And a last sad part -ing
» • 0 •— i :
raff rrV-Tf-r?- ,-F^=-7=T^-^f=Tf-f—f-f+^-f^^l
- • - ^=5=5; t l ft &
/ J^r* srl ^ Ft J a£-=j— a s —J- —J—1f-H-FI »<5W "t-^H -*5-5h-I—s-#— ^ 1—5—^ 1
bW-*1? * y r-r- i
* —0- *—
Srzir-^-^H-H:* 1- f f- h
^ pf- -F9-f—-f-f=F=f==—f
• When sung with the Drum Chorus, the First Tenor may sing the air with the Second Tenor.
Copyright, mdccclxxxvi, by H. D. Slekpe*.
(104)
LIZETTE.
7l~f
Frcff-r
• ■—rJ a a—
f /f—f-^If —
1 I I \W |
brow, And a proud steed to ride, I shall rush on the foe. Yes, I flat - ter me, Li
take, As a proof of your love, Wear this gift for my sake. Then cheer up, my own Li
is is I is is j
■ i 4 4—f^=4=far- " * * |# „ f—1»—p<
V\T^— — •=tF—rr^r—t—^-t*
(
•—r
*-f—f--f S N-
N K- ! 1
,-p f-
K)J A
\\ F—1 • • —«— f- f—
—v— 1
4—
P 1/ 1/ 1 P T V
zette, T is the life that well will suit,— The gay life of a young re - cruit, .... The gay
zette, I-et not grief yourbeau-ty stain ; Soon you Ml see your re - cruit a - gain Soon you '11
1/ B. 1/ y 1 u u
33
Emm
—-1 1
r r^-i
% i—i—i
^^^^ a i i—t-
1
^;-J-J
^=^=
mf ores.
-f- S a
4
> *• **| 3 ■ ^ —=i
1 ai L' J-
■ #—1
J£ f ■—
J J[-• •
:g: -
#—•—
F— -f? -f-j
-—-
a
VP C'gTf
t—•—f 4f r-g_^_
r i
life of a young re - cruit. . . . De-rum,de-rum,drum,drum,drum,drum, . . . Think of me, love,
see your re - cruit a - gain. . . . Dc-rum, de - drum, . . . drum, drum, drum, drum, dram, dram,
W. i t
r l i
F-r1
^—
staccato.
—l#- (•-f—f—;s—I U—
* i
r rr r
nemper stacc
drum, drum, d
•
a<o.
drum.drum, um.drum.c ram.drum,
f=f= .f8 % i J- 4"
i ^
3=1j—f—
=^=
LJ_L-
■* f=r=
-fTO
T^—it ^L1 i—
nrV-H-^T
• <
f—
»-i L=
J— i-1?
J -
• The piece originally ended here, and may be so sang.
(105)
L1ZETTE.
z—
f rp^: 4-4—
i fy _
b b Li -h— t 4-! 1
in your dream - ing,I)erum,derum,druni,drum,drum,drum, . . And the meaning of my drum !
drum, drum,drum,drum,drum,Dcrum,de-drurn, . . . drum,drum,drum,
TT
drum, drum,Jrum,,
• . lBEtE=^:B—f H J.
drum,druin,
J J--J ^M1!1 H ~ » M
—;
--
r i H
Fp IgjP,
g—iF=
J—m-
L—J_* .
^—j— -* Jt 1 J i i ^-H1
•— -i a !-
No. 40. IS LOVE A DREAM.
Owen Hall.
1st & 2d Tenor. Moderate.
J. A. Carpenter, '97.
f£* t—mf — — N—N—
-A-
-3=
i 'i/
1. Is love a dream that fades with dawn of day, Too sweet to last when night has pass'd a - way ?
2. As thro' the world I wan -der far and wide, With out her hand my lonc-ly way to guide,
1st & 2d Bass. ^ l N ^ v ^ ^ l ^ m m , ' |S
±=
* =5-
—f =c—F^-v—*—*—2—' 1 |— ^—*—* —* F—1 I y--1
Or will its mag-ic haunt me to the end, Tho' she he false who once was more than friend ?Can
No oth-cr face to me seems half so fair, No oth - er voice with mu-sic fills the air. Her
I I s N N
tat
It—• —*—f- -f-
poco ^ crescendo \ ct ^ N accelerando.
hp f e f" "tej -
I so soon for - get, with all their summer shine, Those golden hours that link'd her life with mine ?
heart was wholly mine, and all her love my own, In that sweet time, a- las,for - ev - er Hown,
nCan I for -
Whose happy
g^g.-g..g- -g- « # p^fj^f
>— —*—v— —b—— "
Can I for -get, with ev-'iy pulse a - stir, The path of ros - es that I trod with her?
Whose hap - py hours by dear -est mem - 'ries grae'd,Their tender leg - end on my heart have traced.
get,hours.
Copyright, mdcccxcvi, by Oliver Ditson Company.
(106)
No. 41,
Solo. Slowly.
THE EDDYSTONE LIGHT.
-3^
1 My father he kept the Eddy-stone light, And he mar - ried a mer - mi - ad one night;
2 One night as I was a-trimmin' of the glim, And a hummin' the strain of an evenin' hymn,
(I
E5=
3
3=5
Chorus, in Unison.
x)
*—N
From which fact came off - spring three, — Two was fish, and t'other was me. i
by the light of a flick -er- in' lamp, My mother a - sittin* on a rock, very damp. J
i i
HI
-<S>-
q 1—r.i * f-
light - ly told, How the winds they blew and the waves they rolled.
f
i-v—*— —j^x-^-—3—*— — 1 * *
Down at the bottom of the deep blue sea You '11 find the proof of my ve - rac - i
2
i—*
ty.
H
=1- L . - II
4 * i
3 " Good evenin' ! " says I. " How do you do ? 4 " Your father was wrecked with a couple of his pals,
And how gets on my sisters two ?" And digested by the can-ni-bals ;
Savs she. " Poor boy ! it 's an orphun you are, One sister was served up in a dish,
For you ain't got no sisters, nor yet no pa. And the other was exhibited as talking-fish."
Copyright, mdccclxx.wi, by H. D. Sleeper.
C 107 )
No. 42.
Con spirito.
SAILING.
GODFREY MARKS.
E
4
i. 1 "i i
1
-P "N
well
—Pl
iant barque
who launch
once more .
shall brave
es on .
to home .
the
steer.. . . But ere we part. . . from
ie wave. . . A - far he speeds . . in
so dear, . . . For when the tem - - pest
m
p legato.
X 1 .
-x—-±
r
•i *
Eng - land's shore to-night, . . A song we'll sing .
dis - tant climes to roam,. . With jo - cund song
ra - ges loud and long . . That home shall be .
for home and beau-ty bright,
he rides the sparkling foam,
our guid - ing star a - mong.
(108)
SAILING
rl—ft * r« ^ r ,—*
$l| .—Q=—3—it.4 W > ^-.L —i—-
U J*1 JU J^
i
Then here's to the sai - lor,And here's to the hearts so true, Who will think of him up on the wa- ters blue. .
Then here's to the sai - lor.And here's to the hearts so true, Who will think of him up- on the wa - ters blue. .
Then here's to the sai- lor,And here's to the hearts so true, Who will think of him up- on the wa - ters blue. .
' "—, ^ colla voce. N—'
Chorus.
IAir.
Sail sail ing o . ver the bound- ing main, For man - y a storm - y
\
\
if
r
wind shall blow ere Jack comes home a -gain,
A -tu—i+j=-J 3 * 1 .
Sail - ing, sail - ing o- ver the bounding
JV V ✓ ——«X S = -
X n-
— •
g±Ei : —1> ^
For man - y a storm - y wind shall blow, lire Jack comes home a - gain. .
t ft
colla voce.
I
1
(10!))
No. 43. THE IMAGE OF THE ROSE.
Soslemlo, con espressione.
Ten-jr Solo.
TENOR SOLO AND MALE CHORUS.
The Music Composed by G. REICHARDT.
— |* |r
1. While thro' a val - ley 1 was stray
2. A strange, yet pleas - ing sense came o'er
3. When sor - row's clouds are round me low'
ing.
me,
ring,
A rose fresh
I felt new
At once the
ist Tenor.
m
2ND Tenor. (With closed lips.)
ist Bass.
2ND K ass. (With closed lips.)
Sostenulo, con espressione. J = 76,
Hi 1 1-
V Ij
I
bloom- ing met my sight, Such am- pie store of charms dis - play - ing, My bos - om
life with - in me bound, While I be - held the flow'r be - fore me, Un • wont - ed
ro - se's form ap - pears, A charm each an - guish o - ver - pow'r-ing, It stills my
IHtti- ^V-tFf- &
m
to
1
,
.Hr—z?—«,
: a i, *"
^-9-9^
-i
^vH-!—_ - — a
—
THE IMAGE OF THE ROSE.
• IE
felt un . known de - light. With fragrant moss a - round it swell-ing, Appear'd the
rap - ture then I found. That im- age fair of heav'n - ly pleas -urc, Up - on my
sighs, it dries my tears. O flow'r.that 'mid the dark - ness springing, By hcav'n's de
eres. P
cres.
5
A
.):.v =3=
j
,— '
P
mm
T
gem of lus - tre mild ; Oh ne'er from out a fair - er dwell-ing, The an - gel
heart is deep - ly trae'd; It is my bo - som's dear - est treas - ure, And nev -er
cree up - on me shone j To thee my heart is fond . ly cling - ing, And will not
mm
-a-
3?l
r
< in >
THE IMAGE OF THE ROSE.
f Più moto,
.(112)
THE IMAGE OF THE ROSE.
Coda. molto express . _
. ry, tar • ry, oh, tar - ry with me.
No. 44. THE SONG OF THE TRITON.
Words by F. C. BURNAND. Arr. from MOLLOY.
f—#-
|0
T I I. —A—r-—^ i k-r-
If
1. Once on a time, so I've been told,There liv'd a fish- er's daugh-ter, Who lov'd,they said, a Tri - ton bold,Who
2. Come dwell with me, the Tri- ton said,And laugh'd a smile so sun ny, Yes, I will come,the maid re-plied,For
P
0-. 0 0J.
1. Once on a time, so I've been told,There liv'd a fish- er's daugh ter, Who lov'd,they said, a Tri - ton bold,Who
2. Come dwell with me, the Tri -ton said, And laugh'd a smile so sun - ny, Yes, I will come.the maid re-plied,For
P
fefeV-
1. Once on a time, so I've been told,There liv'd a fish- er's daugh-ter, Who lov'd,they said, a Tri - ton bold,Who
2. Come dwell with me, the Tri - ton said,And laugh'd a smile so sun - ny, Yes, I will come,the maid re-plied,For
P
—-j—-££0 #—1- -j=p:
--X —=t
Copyright, mdccclxxxviii, by H. D. Eveicett.
THE SONG OF THE TRITON.
3* -Eft
came
love
up from
and not
the
for
- ter; Oft in his hands a net he'd hold, In ris - ing and in sink - ing,
- ey ; Then she lept in. and of her fate No one amongst her kin knows.
N—|-
came
love
up from
and not
the wa - ter : Oft in his hands a net he'd hold, In ris -ing and in sink - ing,
for mon - ey; Then she lept in, and of her fate No one amongst her kin knows.
§5£fir
0 0 P i !m * 0 0 f • 1 ■ 1 ■ .
ii L ty yb L> 1 * '
came up from the wa . ter ; Oft in his hands a net he'd hold, In ris -ing and in sink - ing,
love and not for mon - ey; Then she lept in, and of her fate No one amongst her kin knows.
2sy
-0-
* mi m m
r r *- # r r
EE
4=
-3-^* 3 *-4r
.J N ^—i- ^ J MP > l5- I I
•—r—P—b • 1 V— —# 0
*=P=£=trf—^
Shining with co- ral, pearl,and gold,Which he kept ev - er clink- ing. Clinkety clink,clink,clinkety clink,Which
Thus was the fish girl mar- ried to the Tri - ton.'mongst the minnows.Clinkety clink,clink,clinkety clink, And
d?—-N—K— IS—I- N -I -tl i P » < 1 * * * » *-P-P • =1
Shining with co- ral.pearl, and gold, Which he kept ev - er clinking. Clinkety clink,clink,clinkety clink, Which
Thus was the fish girl mar -ried to the Tri - ton.'mongst the minnows. Clinkety clink,clink,clinkety clink, And
i-p-P-yig£=g-f—rzP^P^f^bqV \/ V \ ]/ i/ 1/ j/ I '/—
Shining with co - ral,pearl,and gold, Which he kept ev - er clink- ing. Clinkety clink,clink, clinkety clink,Which
Thus was the fish girl mar - ried to the Tri - ton.'mongst the minnows. Clinkety clink,clink,clinkety clink, And
THE SONG OF THE TRITON.
he kept ev - er clink - ing, clink-e-ty,clink,clink,clinke - ty,clink, Which he kept cv - er clink - ing, . .
he kept ev - er clink - ing, clink-e-ty,clink,clink,clinke - ty,clink, And he kept ev - er clink - ing, . .
clinking,clinking,clink - ing, clink,clinke- ty,clink,clink,clinke-ty,clink, clink,clink, clink,clink,clink, clink,
ffr-fe-"V—E t E-t
* • *—p
i—F—F—(T-, t-fr I \r
• • P w a ^^-H>-^— L— ——-
*/ V v * ' / V v 1 K
-4- -—^✓ - -
clinking,clinking,clink - ing, clink,clinke- ty,clink,clink,clinke-ty,clink, clink,clink, clink,clink,clink, clink,
clink -e - ty, clink- e - ty, clink- e - ty, clink -e - ty, clink- e - ty, clink.
^1
0
—h—iv— S—N—-f—-N-ur
P^— ■>—*— * FN ft .+• fr-K
M—• J-* • * • é m— —i
clink -e - ty, clink-e - ty, clink - e - ty, Uink-e - ty, clink- e - ty, clink -e - ty, clink - e - ty, clink- e - ty,
clink -e - ty, clink-e - ty, clink - e - ty, clink-e - ty, clink-e - ty, clink-e - ty, clink -e - ty, clink-e - ty,
( 11« )
THE SONG OF THE TRITON.
■3-
Once on a time, so I've been told,There liv'd a fish- er's daugh-ter, Who lov'd,they said, a Tri - ton bold,Who
PP
si—0 S( si—•—n—0—n-
aw
clink, clink, clink, clink, clink, clink, clink, clink, clink, clink, clink, clink,
PP
p•)—• q—•— —1( -F—^—F F-=,-F— y f —
r i•—=i— •—=i—• sj-
1 1 1 V 1 1 1 1 L-| —
clink, clink, clink, clink, clink, clink, clink, clink, clink, clink, clink, clink,
PP
-s|—If-—s(- -Sf—J if
-I—.
:irf±
came up from the wa . ter ! Clinke - ty clink,the Tri - ton, Clink-e - ty clink,the Tri - ton,Clink,
F-
clink, clink, clink, clink, clink, clink, clink, clink, clink, clink, clink,
-s4— SE3
clink, clink, clink, clink, clink, clink, clink,
l-—a.• —•
clink, clink, clink, clink, clink,
F-t
"d:
—i 1—i 1—i 1--•- -0- -0- -0-
THE SONG OF THE TRITON.
2s< time.^Sh-rr
4<.fc!-|?-l—*—
clink-e - ty,clink, c
m . if . 1* A 1 rf^ «kH L
clink-e - ty,< link-e - ty link, clink, cl ink.
s-0-f -p-f r r x i
4_*- 4_-"1 Jt " X , 3f ,
—U—U—-U—1—*-|
clink-e - ty,c
Rt-b—i—*—N
link-e - ty,clink-e - ty,clink, c ink, clink,' cl nk.
t
——-i-
k-e - ty,c
• * *. p p r r-*— * -
* A *
clir iink-e - ty clink-e - ty,clink, c link, clink, cl ink.
v rv h a—s^d— : * *1 X • * • It •■ «n «\
t=±&z U—V—y 1
- - * f - 1 1 s. r—, JW^h
=Jj L,J* ' x1 ! .'-1 :
=g-lL-|rJE4ztL-U ^ -
^1 J i =3
<
2d lime.
M 1 ,1
I:
3
:link, tra, la. .
i—~-—i
-|4—*-l
»-
I—* :j
clink, tra, la. .
^.t,— ———
pi)—
A
H
^ 1
..
\—* M
zlink, tra, la. .
5-r-i « . * . - . H3- * -i .
P=*—H
D.C.cFal segno.
^x^ll
(118)
No. 45. SPINN! SPINNI
HUGO JUNGST.
1st and 2d Tenors.
Quietly.-=~» P.
EE
i—
1. Magd
2. "Ros
lein
lein
hielt Tag und Nacht trau - rig an dem
man holt im Hag, mich doch Nie - mand
EE*
1st and 2d Hasuks.
3L? r-=£
i I
i- mm
Spinn - rad
ho - len
Wacht;
mag !
drau
Zei
ssen rau - schend 's Was - ser sprang,
ten flich'n - nein die - ses Jahr
4 &
rit.
3 1
fay
Withfeeling.
PP.
saust
fiihrt
der
mich
Wind
Kci
und 's Vog
ner zum
lein
Al
sang. 3. " Spinn, spinn, spinn
tar!"
1r P—F-r-
v v -
» P.
^
Toch
t^EEEj^EE
tor mein, mor
4^
H —\—
- 9-
gen kommt der
—* -
Frei
-!«-»-
er Dein ! "
- > 5--v. I—
Magd - lein spann, die Thra - ne rann, nie doch kam der Frei - ers - mann.
No. 46. THE OWL AND THE PUSSY CAT.
GEORGE INGRAHAM.
33|
3d time until to 3d I 'trie.
#—• * S-i
* f: - . . g-Vd-5===4===a=*
I The Owl and the Pus-sy Cat
^ 2 Pussy said to the Owl : " You
-» 0 =8=g=
9 w
P l
—Ha-
4 4 4
4—1—3:
#—•-2—6'"
went to sea in a beau-ti-ful pea-green boat ; They took some honey and plenty of money, Wrapp'd up in a 5-pounc"
el-e-gant fowl. How charmingly sweet you sing 1 O, let us be married, too long we have tarried; But what shall we do for a
note. The Owl looked up to the stars a-bove, And sang to a small gui-tar : "O love-ly Pus sy, O
ring?" They sailed a-way for a year and a day, To the land where the bong tree grows, And there in a wood, a
^3
Pus-sy my love, what a beau-ti - ful Pus-sy you are I'
Pig-gy - Wig stood, with a ring at the end of his nose.
THE OWL AND THE PUSSY CAT.
*—* B 0 • •.^—r—w—\ V
-„ J >— I I -—£ >
3 " Dear Pig, are you willing to sell for a shilling your ring?" Saia the Piggy, " I will!" So they
• 0
TV ' ' " T.1 ^
te-——. 1—
•—•
^—»
rjji. * . <Jr«< «/—
-0-0-0-
took it a way, and were married next day by the Turkey who lives on the bill. They din-ed on mince and
- I >— I * jzt
Rtpe.u pp
(121 )
No. 47- THE WATER-MILL.
QUARTET OR CHORUS FOR MALE VOICES.
J. C. MACY.
Moderate.
MVP fc--•- ^
The mill goes .uiii bling
The mill goes rum-bling,ram-bling,rum - bling on. The mill goes rum-bling,rum-bling on with
t»—k^Fy—g—k—g k k—k-
The
Si
mill goes bling
a poeo pt« Zenlo,P-» « n •
y0
on, The mill goes on.
k-u_k=^
—
the mill goesrum-bling on. Its joy - ful sound we
bu - sy stir, Of peace and plen - ty ev - er tell
.m r m
k ^ I
?cr=g=F=g=mr-
k —k^*—k-
ing ; Its joy - ful sound we
y a poco piu Unto.
T " r*
T-»- *
on, The mill goes on, the mill goesrum-bling on, Its joy - ful sound we
* ' m 4 4—0—0 w * 0 . -0—4 4 1
i—#-» T^> 7s*- —f" p r =:
Jfll 1-S —f-*—
Ev
.C . P .f- F- 1
hear ! er, with stead - - y
wen rim
?i- - ^ ^
IBl»-_-«L-» -i j 1.«! —J— 1
hear! . . And ev - er, ev - er, ev - er,
po. p
ev - er day and night,The w
-m—f—p—f—m—f-
heel goes round with steady
0 f 0 -*—*—•=.:
^ mf a tern
F*r r £-
-p—f—^—f—m—f—
>—1*—fca k ^ * h? k k * -U—e=
hear ! . . . Ev - - - er, with stead - y
S^^=F^ps^^fi^ 7-^l
Copyright, mim * 1 i.xxxv, by (). I<irs<iN & Co.
(122)
THE WATER-MILL.
gi-^-g^p-3
tftt * | -U—l^-ts— ?—W-U—U—,
—
whir, The wheel goes round with cheerful sound, And mer-ri- ly sings the mil -ler's boy.
whir. The wheel goes round with cheerful sound, And mer-ri- ly sings the mil - ler's boy.
-0-
U V E:* ? ? * P»
whir, The wheel goes round with cheerful sound, And mer-ri- ly sings the mil - ler's boy
tt5±<2=t
to/" Moderalo.
fr—rt
i=H— -
O'er vale and meadow fall the twi-light shad - ows, And dews of eve with lus - tre
/J" I
fr-J—fr fI 0 0 0
f w: »
t:
O'er vale and meadow fall the twi-lightshad - ows, And dews with lus - tre
fr—fr—fr—g-fr—u
:t==
» 1 -f' i r .IjP'
shine While stars beam forth on har-vestrich - ly bless£ ed, The
shine, with lus - tre shine,
P
-si-
While stars beam forth on har-vestrich - ly bless
TO.
ed, The
:g—rH— cm=9 0 , * "g^:^rH Ljj- fi-
shine, with lus -tre shine,
to/ /.
3E
Z».a alfine.
gift of wondrous Pow'r di - vine, di - vine. Hark 1 'Tis the mill !
—=S-L-.Si-
F-F- 3?
3±
Hark ! *Tis the miiiT
TO -frBfcfr:p=—4-
1
gift of wondrous Pow'r di - vine,
-ft f* I
di - \ inc. Hark ! 'Tis the mill, thebu-sy mill !
-.S1 4h\ -f—
(1231
No. 48. THE DEBUTANTE.
Words by Richard Darwin Ware. Music by Lewis S. Thompson.
Vivace.
1. When dam - sels de - bu -
2. It's now they learn for
3. She learns she has some
4. At last she learns all
l.hV \ t^crr^p^ 8 n il i]i
rit. a tempo, f)
til
tantes be - come, on reach - ing sweet six - teen,
the first time, the col - or of their eyes,
poor swan's neck, di Mi - lo's long - lost arms,
her good points, and how to make them tell.
And blopm like lit - tie
And how they 're like a
And that poor la - dy's
And now the bloom - ing
t i i; it S lr . ; i i
v—1 —r—i—-— 1 i - rbr—r—e—r-
—1 1- ^ 4 -4_ ^— r—tr
1 1—1 •—n—r —.- 5—Is— V 1 If—
f»—• J—J , *—•— —* ••
rose - buds all so pink and white and green. They hear quite dif - f'rent
"soft ga-zelle's" or ''depths of par - a - dise." If they're brun-ettes, their
quite e-clipsed by these heart-break - ing charms. How can she have such
de - bu - tante has blos-somed to the belle. Scalps hang with - in her
H—-f—A f-l
m—*—t—3—S—l^—%—5—l- 1 i i -i - i!T# * •l •—■
Used by arrangement with Milks & Thompson, owners of the copyright.
(124)
THE DEBUTANTE.
kinds of things from those their teach - ers taught,
dusk - y locks are like the rav - en's wing,"
grace di - vine and such a lit - tle foot,
bou - doir of the con - quests she has made,
And learn these la • ter les - sons so much
If b!ondes,their tress es look more like spun
And does she send to Chi - na for
And all the oth - er coun - ters in the
soon - er than they ought,
gold than a - ny - thing,
such a ti - ny boot?
mer - ry game she 's played,
At first they do not un - der-stand.though they learn day by
They nev - er saw all this be -fore, though they looked ev - 'ry
She 's al - ways had the neck and arms ; the boots came home to -
The game where ev - 'ry- thing is fair, where those who win must
—j———
m
4:£^t7TTf^4lM44TT^
day;
day;
day;
pay;
But when one is
But when one is
Hut when one is
And when one's been a
de - bu-tante, what can a poor girl say, But,
de - bu - tante, what can a poor girl say, But,
de - bu - tante, what can a poor girl say, But,
de - bu - tante, what does a dam - sel say, But,
(125)
THE DEBUTANTE.
Choiujs. In waltz time.
/l r/r5
* 4>w —^9 .
f a-[ 1
frn i
rj
V ; 4 • m— * i i • •
You'rejest - ing, oh,yuu 're guy - ing me, I know you'renot sin - cere; .... Be -
{After last trise.)
You 're jest - ing, oh, you can't guy me, I know when you 're sin - cere; .... Per-
1 _ -I - --H
t =t=-H ! * tt S mIZ -t H 1—1
ff
F *g= tf J=d
—f-i-J=S -SIT i I M^ 4 x
j-4—r-> * F i 1—1—f—1—1—i
•
EE
sides, such naugh - ty, love - ly things I 'm much too young to hear.
haps you did not know it, sir, But I 've been out
-4-
a year.
But
I
1—*-J^jK— * i—
.f=f=
_J—L-4-,
—u r
* 1- if 1 _j
*^
—s—l--| J
—t —-<*-:
-J—S—4—-<S, 1
do you think so real-ly?
wish you would - n't real-ly;
It makes
It sounds
me feel
so fiat
so queer,
and queer,
For
For
:i-r-iF=i£ i
ry. ' f-:fT_ i -I F; g-1 ^ir -jzr- -g. J^-t--l-rdzS-^f. T-r
^1
no
I've
EiE
=p==iSEt=r£t
one cv
heard all
cr told
that lots
me
of
_•• s
that be
times be
4-
fore.
fore.
ii
3=i
(126)
No. 49. BAVARIAN YODEL.
1. All
2. As
bail to
green as
the friend - ship that binds us in one,
the i - vy when chill - ing snows fall,
Our hearts warm - er
Those hearts in the
f —t—%-
1—• —•—•—1
-1 1—r
ri—
lJ U
—
51 ^—^— —F=F:1:i — •^ e-^F™—p—\t
grow as the hap - py years run;
win - ter of life shall re - call
Let sor - row's cloud gath - er, we'll laugh as it
The fair hours of youth, and with hear - ti - est
h_ iN n i» is n
i r r j
v—1-
rilard mollo.
lowers, Light-heart - ed and gay as this war - ble of ours,
praise, Shall bless thee, dear Har - vard, their hap .- pi . est days.
J J-
Ah I
No. 50. HIS NAME IS PATRICK BRANNIGAN.
m
mf
Modcralo.
Words and Music by HARRY KENNEDY.
-m-
—L 1 1
.f- T- -r m -*-
i fIf i
i
R
—H—
-1—=3-
-M^—
B •—rv . If- s
w^4-
-1^ J——— J J—
S—41—f—F-
• 5—+- 1 1 * .
■
# -
1. My Son is a great pol - i - ti - cian,
2. He's the pet of the girls in the neighbor-hood,
3. Af -ter Al - der-man then he '11 be Cover- nor;
He works on the big bou - le - vard;
And when he 's a pass - ing them by,
As Pres-i- dent next he '11 sas- shay;
They
You'll
He '11
5
Some
And
On the
say that he soon will be Al
hear them all mur - mur, Uh ! aint
der - man, For now lie 's the boss of the ward.
he nice, We '11 meet in the sweet bve and bye.
bring o - ver Ire - land to San - dy Hook, And an - chor it out - side the bay.
-a s- -at—*-
»
day he'll be run - ning for Pres-i-dent, . . His e - qual shure nev-er was seen; .
when he 's e - lect - ed as Alder-man, . . He'll get all the boys out of jail,
Greenbacks he '11 then have his photo-graph, . He'll have news papers all print- ed green, .
And
There 's
My
s-
=i3
=1^
"I f
-J J—
Used by arrangement with Kennedy Publishing House, 2S8 State S*, Brooklyn, N. V'., Publishers of the Song in sheet musicform. Price 40 cents, postpaid.
(128)
HIS NAME IS PATRICK BRANN1GAN.
pj— 1—r+—1—rn—i—Tn i "'ii
-J—•—*—
is™k * J_
1
—i—-«^5—>
if he gets in - to the White House Chair, lie 'II paint it an .Em-er-ald green,
nev - er a judgewith-in twen - ty miles, Woulddare rc- fuse Bran -ni - gan's hail.
own broth-er Dan shall be New York's mayor, And I'm to be ould Ire-land's queen.
X—*-
Choihts.
Andante moderalo.
-X—X
1*
X—X- 3H
i—X-3= —
*-
And his name is Pat -rick Bran-ni-gan;
m
Do you know him,boys ?» Pat - sy Bran-ni-gan.
(Who?)
He 's a
\
p, 2d time,j
-!
it**
i—i—r-
:y- fr-l* , i- -=-A-
thir-ty - sec-ond -ous-in to O' Lan-ni-gan ; They're both from the county Ty - rone. . . He's a
3=4=
I r —r—r— ^—V—^—E^E^
-j r
M I
reg-'lar lal- ly cool er at a christen - ing, Are you list'ning.boys ?» At a christen-ing
(What?)
-\=] J Hdz= j—j—j
pa—§ rti
He 's a
V2 - S.I
—* -II
hoop-de-doo-dle-do, He can ski p the t". la, loo, Do you know him.boys ?»l'at - sy Bran-ni-gan. Bran-ni-gan.
(Who?) - D. S.
-O—g--0 *
(129)
No. 51. I'M FROM BOSTON.
Words by L. F. Berry. Music by L. S. Thompson.
.s Alleqrelto.
1* I-X—*—^
1. Two
2. Now
Alleyretk
. 3- The
f 1 J , -jAn* r-J W
ml
rff 1 11 i <M fh-f-\ f\
i f r 5
/
1 1 •^-7^i— d— iJ -J
*
=t£=fs=
EE
Vas - sar girls with chest - nut curls went out one af - ter- noon
this is but a fa - ble, and of course may not be true,
wo - men folks in Bos - ton have pe - cul - iar lit - tle ways
To ride a - long the
But it serves to point a
That you sel - dom see in
-: • 4- ;r
f
=2=
h-
9
beau - ti - ful Back Bay.
mor - al ver . y well,-
a - ny oth - er town;
They were vi - sit - ing in Bos - ton, and were
That a man who comes from Bos - ton, when he's
For in a crowd - ed street - car they will
Copyright, mdcccxcvi, by Oliver Ditson Company.
(130)
I'M FROM BOSTON.
7 —i F—1 *
N-
* ha ! #rj—f*
J j ^FPrr—5"—*—r-,^—'j{J—•-±—^-.J 1 £
A y V—1
out to see the sights,When they came up - on a mile -post by the way, A
told you where he lives, . . Sup-pos- es there is noth-ingmore to tell If you
stand up - on your toes, . . Un - til you rise and ask them to sit down Bright and
^-1:
J^=^-\ d -1 1-J—•*—J—=r- —fT* =q
-m. •i v
^—i—"
1
ft i ft
Ed jHf^
~1 rs 1 f^-4- 1 h1—.
—4 «-J 4^
i i ft
d -ihJ—/-J—J—1
Lg-w 0 4—-4- m -4- 9 -4- -4-
lit - tie round - ed mile
meet him on the rail
ear - ly Mon - day morn
post, up - on which were the words,
road or at the ta - ble d'hote,
ings they 're at the mark-down sales ;
" One M. from Bos - ton,"
You will know he comes from
Hunt-ing "bar-gains," see them
—* -I I
cut in let - ters clear;
Bos - ton ver - y quick,
flit from place to place.
* 4
They thought it was a grave - stone,"What a
For he wears a haugh - ty man - ner and a
Af - ter - noons they 'retranscen - den - tal, they read
$4- -4- .*- if;
1 ft- =5= =1=
sim - pie e - pi - taph,— I 'ni from Bos - ton, oh, how touch- ing, how sin - cere. . .
Wat - er - bu - ry watch ; " We 're from Bos - ton," you can al - most hear it tick. . .
Brown- ing at the club, They have"cul - ture" piain-ly writ - ten on their face. . .
i ii it
—- i—>a 4-
mf
-J. -L -L•-i
• • -9- • .
(131)
Cnouus.
I'M FROM BOSTON.
I
" I 'm from Bos - ton,das - sic Bos - ton, Bos « ton of the long a - go, And I pride my - self up-
I J IS
—9
iif I
N-J -A
-d- zi—M—. —N- —i \—i \ v-l
i ii !* * 1
H P— P|H P—1 H-M
J-
3.
■
r3
(0
r^ -j-1?^—lr—r—tr-"-*— =£.=H -fr—l \/
1 i/14
on my Pil - grim pride; And when I 'm dead and bur - ied let my tomb-stone sim -ply
i k. '"""J mf Iht Haws. . ,
S 8
*
* •—i 'J:.j.. '4-:
1/
—
#-r-
4-
3=
j jT*p cres.
P
»
5 =t-3T
q:*-.
say, " I 'm from Bos - ton,' there I
- • M-
• * , 1
i/ p ^ r ✓ r
lived, and there I died — There I lived, there I
-H- +- m. +- *-
cres. »/
*—
^5
/v-/.
lived, and there I died !
II
JL JCndinyfor
:£ £: to< ?'erse.
( <321
No. 52. THERE'S ONLY ROOM FOR ONE.
ti I: : : «" • :;: . : -\:": : :
P 1 P I • t P 1 P^ u p 1/-p-
Spoken by one. A I R.
Why have the Faculty i
but one idea? ( There's on - ly room for one, There 's on - ly room for one; At the
^"jf J BECAUSE! '
FrF=F F - -) tr3 *=V T^p—
-si—a s)_
P v 1/ I L/ ' " - —i, I l/'l—t, I frJ
a -re -a gate, at half-past eight. Coming from the beach quite late, There's only room for one, There's
V P V I C-"^T
-a—>- f f t » - —*—r.
5f ♦ 5t ♦
I 1/ 1/ l K 1/ f -p y P- l i/
on - ly room for one; At the a - re - a gate, at half-past eight, There's only room for one.
—» * * I *—*-**—» F * * * * [t U :=Fi|E
i—1/ & iTU p M p i M E —f I i
4 *
11
2 Why is there but one real University in America?
3 What was the doctrine of President Monroe?
4 Why has the Chicago girl but one foot in the grave?
Local hits should be introduced.
Copyright, mdccclxxxvi, by H. D. Sleeper.
(133)
No. 53. CANNIBALEE.
B. A. GOULD, Jr.
Moderalo.
M. A. TAYLOR.
m •—*—♦
1. A can - ni - bal lived on a can - ni - bal isle, He was
2. Now there came to this is - land from o - ver the main, A
P
± _
1 ^ » J—*-* j-ir-* * ' * 0-0-* * —hi w-w-wV V V
35
thin - ner than thin could be ;
laud - a -ble missionar - ee;
His legs were as lean as the tail of a rat, And his
His weight was three hun-dred and for - ty- three pound,And his
i Hi i
—s 1
si/* 1 r
head rat - tied round in his num - ber five hat, And he left no mark on the ground where he sat,
paunch and his jowls and his ton - sure were round, And he left a mark where he sat on the ground,
^3=1—r- ==t *
t * * T T » *
»—•—•
. , i H J
CiioTtrs.necW.
T was a woe - ful sight to see.
'Twasa cu - rious sight to see.
'T was a woe - ful sight to see, 'T was a
T was a cu - rious sight to see, T was a
t t
Accel. inoUo. e cres.
AAA
^
1 l •l >r
=p=p=pf
* / -So ' it was. So it was,
So he did. So he
Used by arrangement with The John Church Company, owners of the copyright.
(134)
CANN1BALEE.
—IV-3^ * 4 -
woe - ful sight to see,
cu-ri - ous sight to see,
For he left no mark on the ground where he sat, For he
For he left a mark on the ground where he sat, For
PIP
l I
I I
-J * J w
=5 ?
1 u P"
i r
I —r -r- - r tr-trl—So it was,
So he did,
left no mark on the ground where he sat, For he left no mark on the
he left a mark on the ground where he sat, For he left a mark on the
I
m
=3=
/ 2
J | 1 1 j 5-rW-\«p-f—d-jL-J—J—V- t-i_J—.—__g X * -
ground where he sat,'T was a
ground where he sat, Just
woe - ful sight to see.
two and a half feet by three.
lee.
A J—1 1 j — -H——i—i h Hf^-M —J—
Tempo. 1.
^—■- ^—*— rf r—g=g—f=j^=^=^1 J1-4-; HEJ J J J U
11 So it was So he did.
3 Now the moral of the song that I 'm trying to sing
You soon will be able to see,
For the Christian proved docile and teachable quite,
He learned of the heathen the thing that was right,
And one Sunday morning before it was light
He ate up the cannibalee.
Cho. He ate up the cannibalee,
He ate up the cannibalee,
And one Sunday morning before it was light,
And one Sunday morning before it was light,
And one Sunday morning before it was light,
He ate up the cannibalee.
(135)
No. 54. WIDOW CLANCY'S HAMMOCK.
SONG WITH CHORUS AD. LIB.
mf
Words and Music by
JOHN PATRICK O'CONNOR.
Con molo
1. Mis - tress Clan - cy had a
2. Now it hap-pened of an
3. Well, per - haps it was the
4. Mis - tress Clan cy had a
ham-mock un- der .
eve-ning Mick -y
hammock,and per
wed ding un - der
neath the ap - ple - tree ;
Flynn was walk ing by,
haps 't was Mick y Flynn,
neath the ap - ple- tree ;
Mis-tress Clan cy was a wid - ow young and fair,
Mick-y Flynn that from Kil- lar - ney used tQ call;
But the wid- ow's head was whirl ing round and round;
Mick - y Flynn stood up be -side her with a smile;
And 'twas
And he
And I 'm
And the
-a m-
\±=-:rE:
I
half of Tip - per - a - ry would be
saw the dan - dy wid - ow from the
think - ing that if Mick - y had - n't
priest put ho - ly wa - ther on the
com - ing down to
cor - ner of his
firm - ly held her
pair of them to
see
eye,
in,
be,
Mis - tress
And he
It was
And the
IS N
0 *
Clan - cy in her ham-mock take the air.
could -n't pass a - long at all, at all.
fall - ing out she 'd be up - on the ground,
whole of Tip per - a - ry cheered the while.
She 'd be swinging there so neat- ly, all tucked
And 'twas "Ah there. Mistress Clan-cy I Sure 'tis
And she would n't be de - ny - ing all the
Then the sup- per they were spreading, sure it
1 by arrangement with Miles and Thompson, owners of the copyright.
(136)
WIDOW CLANCY'S HAMMOCK.
in it so com-plete -ly, While the sum-mer moon came shining o'er the lea;
much you take my fan - cy.And 'tis you that I 've walk'd many a mile to see;"
things that Mick was try - ing.Arul when folks from Tip-per - a - ry came to call,
was a jol - ly wed ding, While the summer moon came shining o'er the lea;
And the
So he
They were
There was
XT-
boys all took a fan - cy they would swing with Mis - tress Clan - cy, In the
pleased her with his blar - ney, this young fel - low from Kil - lar - ney, Till he
see - ing in a min - ute that the none of them was in it, And there 'd
danc - ing down the mid - dle, while Mc - Car - ty played his fid - die, In the
PE
*
Refhain.
t J x—j-p-^-\ ¥ 1 m . *— • .
—1' •—-1
ham-
sat
be
ham
mock un - der - neath the ap - pie - tree.
with her be - neath the ap - ple - tree.
no wid - ow soon at all, at all.
.mock un - der - neath the ap - pie - tree.
For 'twas swing - ing, sing - ing,
-i—i—i—n
p dolce
cres /
0
r
un - der- neath the tree, And't was sway - ing, play - ing, ev - 'ry day so free, And 'twas
fa = - -
=4=
3.
r i
9*-J * 1—i H t r—t- 1 * 4-<r-=-
LJ_ "
=3
:* r j "* 1 . "» «. i
1
(137)
WIDOW CLANCY'S HAMMOCK.
2*r r J )-IS -R-
-N—4-
dan -cing, pran - cing, all the sum - mer night, Round the Wid- ow Clan - cy's hammock when the
£=41-3^_
P
Solo. ( DaNck.1
noon shone
Chorus. C ad lib.)//
bright.
-X—r
For 'twas swing - ing, sing - ing, an - der- neath the tree, And 'twas
1
all the sum- mer night,Round the Widow Clan -cy's ham-mock when the moon shone bright.
=fis j—|— —r——-—8—
^3 ] 1 1 x
J
1 1 * ^ '
. .
H =E 1 p
(138)
No. 55. ABDULLAH BUL BUL AMEER.
Bass Solo.
BiI5E=i==b-
AN EASTERN TALE.
* P—r-k - h
r—jtz
1. The sons of the Pro - phets were hard - y and bold And quite un - ac - cus - tom'd to
2. If you want - ed a man to cn - cour - ag2 the van Or to har - ass the foe from the
3. There were he - roes in plen - ty at.d men known to fame In the ar - my then led by the
4. He could im - i - tate Ir - ving, tell for - tunes with cards, He could play on the Span - ish gui -
( Chorus Humming.)
fear,
rear,
Czar,
tar;
— %-
But the brav
Or to storm
But none
In fact
est of all, at least
a re - doubt, you had
of more fame than a
quite the cream of the
so
but
man
Mus
I am told— Was
to shout For
by the name Of
co - vite team Was
Ab - dul - lah Bui Bui A - meer,
Ab - dul - lah Bui Bul A - meer,
I - van I'e - trov - ski Ski - var,
I - van Pe - trov - ski Ski - var.
4*-
m
Was Ab - dul
For Ab - dul
Of I - van
Was I - van
lah Bul
lah Bui
Pe - trov
Pe - trov
m
Was Ab - dul
For Ab - dul
Of I - van
Was I • van
3=EfE
lah Bui
• lah Bui
Pe - trov
Pe - trov
Bui A - meer.
Bui A - meer.
ski Ski - var.
ski Ski - var.
-est—
Bui A - meer
Bui A - meer,
ski Ski - var.
ski Ski - var.
II
5 One day this bold Russian had shouldered his gun,
And with his most cynical sneer,
Was looking for fun when he happened to run
Upon Abdullah Bui Bui Ameer.
6 "Young man, "said Bui Bui, "is existence so dull
That you 're anxious to end your career ?
For, infidel, know you have trod on the toe
Of Abdullah Bul Bui Ameer.
7 " t'o take your last look upon sunshine and brook,
Send your regrets to the Czar ;
By which I imply you are going to die,
Mr. Ivan Petrovski Skivar."
8 Then the brave Marmaduke drew his trusty skibouk,
Crying, " Allah, il Allah, Allah,
And on slaughter intent, he ferociously went
For Ivan Petrovski Skivar.
9 On a stone by the banks where the Danube doth roll,
Inscribed in characters clear,
Is " Stranger, remember to pray for the soul
Of Abdullah Bui Bui Ameer."
10 A Muscovite maiden her sad vigil keep*
In her home by the cold Northern Star.
And the name that she murmurs in vain as she weep*.
Is Ivan Petrovski Skivar.
Melody from " Columbia College Song Book," by permission.
Copyright, mdcccxcvi, by Oliver Ditson Company.
(139)
INDEX.
No. PAGE. NO. PACE.
Abdullah Bui Bui Ameer . . . • 55 •39 l6 47
Mrs. Craigin's Daughter .... 4 11
• 49 127T
• 5 14
Mulligan Musketeers ( The ) .37
3°
94
78
• 5.? !34
My Flo
Capital Ship (A) • 38 102O'Gradv's Goat 33 88
• 1543
Owl and the Pussy Cat ( The) . . 46 120
22 62
Party at Odd Fellow's Hall ( The ) 12 34. 18 52
Phantom Band ( The ) ....9 20
Debutante (The) . 48 124
6 i5Quaker < The ) 31
79
Dragon (The) . M66
21 60
Eddystone Light (The) . . . . 41 107 13 38
Faint Heart ne'er won Fair Lady • 29 75 42 108
• 35 92 2 6
Here 's a Health to King Charles • 32 8528 72
His Name is Patrick Brannigan . • 5° 12826 68
• 14 40 44114
Hoodoo (The) . 20 5810 30
Sparkling Piper Heidsieck 27 70
. 5> 13045 119
Image of the Rose (The) . . • 43 1 10
• 25 68 There 's only Room for One .-
52 '33
. 40 106 34 90
8 iS Versatile Baby ( The ) 11 32
1 3
Wake not, but hear me, Love3 9
. 17 51Water-Mill ( The ) . . . . . . 47
122
• 39 104Widow Clancy's Hammock
54136
Man in the Moon's Ball (The) . . 23 63 Wine and Woman . 7 16
Miller's Song ( The ) . . . . . 3693
Wing Tee Wee '9 56
(1*0)
(1)
(Tune—"Auld Lang Syne.")
We're here because we're nineteen eight
And nineteen eight is us
There is no other kind of class
For which we give a cuss !
No class-war makes us wild eyed Reds
Nor class-distinctions grate,
Our only red the Harvard Flag
Our class — Old Nineteen Eight.
(2.)
THIS IS THE GLASS!!
(To the tune of "This is the Life.")
There's lots of darn good classes,
But this is the class!
This is the class ! !
We love to cheer the lasses
Oh ! How we've been waiting !
To start celebrating
We love to cut up capers,
Gee, how we celebrate!
No more home town cuties,
Oh, you class day beauties,
This is the class !
This is the class ! !
This is the class, Ought Eight!!!
(3.)
SIT DOWN, YOUR RE ROCKING THE
BOAT.
Sit down, sit down, sit down, you're rocking
the boat,
That's what we'll yell each time you try to
tip her ;
This is the good ship Eight !
Just anchor 'fore you're late,—
Students have been known to carry many things
too far;
Sit down, sit down, sit down, you're rocking
the boat.
Remember that we just came here to float;
It's not the first time we've been out,
Dean Hurlburt taught us how to shout,
Sit down, sit down, sit down, you're rocking
the boat.
(4)
NINETEEN EIGHT, YOU'VE CROSSED THE
PLATE.
(Tune—"I'm on My Way to Mandalay.")
Oh, here's to you—and you and you,
For we're all Nineteen-Eight and Harvard, too !
We're Harvard men, come back again
For our Sexennial year.
So fill your glasses up and
Toast the class that's got the
Spirit royal and true, oh,
Nineteen-eight, you've crossed the plate,
So here's a health to you !
(5.)
WHO'S WHO
(Tune—'The Pope.")
1.
Our Jack is leader of the gang
That puts things over with a bang
He is a bear for digging up the mon !
Is our Jo-han-nes Richardson.
2.
Guy Emerson is lean and lank
He'll tell you how to run a bank
And when the funds of Nineteen Eight get low
You bet your life we'll let Guy know.
3.
Dwight Brighams runs the B. and M.
For Dwight is president pro tern.
He holds the key that fits the lock
That keeps the water in the stock.
4.
Bart Parker also pleases me
He's full of smiles and jollity
Your grouch can never last while Bart's around
No man more genial could be found.
5.
And Crik McNeil's a handsome man
So look him over while you can
I wish I knew his brand of au-de-vie
Crik's life looks mighty good to me!
6.
Jay Benton cracks a wicked smile
For pep, he has us skun a mile
His equine laugh is surely good to hear
He should have been an auctioneer.
7.
Jack Eaton has a Cheshire grin
That's keeping him from getting thin,
I wish that I had Eaton's stock of booze
Then I'd die happy in my shoes.
8.
Ben Stephenson looks just the same.
He's always ready for a game
Of deuces wild with aces up the sleeve—
You wouldn't think he could deceive!
9.
Chick Storey sure can jazz the wires !
He sways and plays and never tires.
Just listen to those whining melodi
When Chick gets at those ivories !
10.
When Murphy sings a ballard qua i
The angels drop their harps and faint
We can't exist without our howling Pe
The party would be incomplete.
11-
Before I die, I'll ask a boon
To get one look at Irving Broun,
For when it's time to draw my parting br
I want to laugh myself to death.
(6.)
THE LITTLE OLD BED CAB.
(Tune—"Little Old Red Shawl.")
Oh ! That little old Red Car,
That little old Red Car
That waited for the gang at Bowdoin Square
It would rattle, creak and groan
But of all the cars I've known
Give me the last car out from Bowdoin Square.
Oh ! the air would be quite blue
When the skipper and his crew
Pulled out at 2 a. m. from Bowdoin Square.
Now and then she'd leave the rails
As those frightful yells and wails
Would rock the old Red Car from Bowdoin
Square.
When the voyage came to an end
There was always some kind friend
To help you from that little old Red Car.
They would seize you by the feet
And they'd drag you from your seat
And steer you to the nearest club-house bar
Now the old car, so they say,
Has long been laid away
Beside the late lamented five cent fare.
She has made her last wild run
And her heavy duty's done—
That little old Last Car from Bowdoin Square.
(7.)
DOGGEREL
(Tune—"Little Old Red Shawl.")
Oh those little old hot dogs !
Those little old hot dogs !
Those little old hot dogs that
Rammy so!d!
We would put fourteen away
Just before we hit the hay—
Those little old hot dogs that
Rammy sold!
J* (8.)
J° MAX KEEZER
Little Job* (Tune—"Margie.")
Lizette oh, my friend in need,
r-'-you were a friend indeed—
Man i as down to one lonely cent
^jlU ; there with coin to help me pay the rent,
zer, I sure do miss your mug, oh, how
jng for you!
hen Dad had lost his goat
"Good bye, over-coat."
Ceezer, you put me through !
(9.)
THE CLASS BOOZE.
Oh, bring the class booze home, John,
You cannot hold it all !
It used to ride around in us
When you and I were small.
Oh, bring, etc., etc., etc., etc.
(10.)
YALE BLUES.
(Tune—"My Mammy.")
Boo—la !
Boo—la !
Harvard's won ; Eli's done ;
The Yale (Team's) fading one by one!
(Crew's)
No—hope !
Gone—broke !
Oh! Oh! What terrible gloom at New Haven.
Hard luck, Eli, take another chance next year,
Too bad Eli, something must be out of gear,
Cause you've been
Long—dead !
Dye—d Red !
Toll the bell and jazz 'em a knell,
For E—li !
(11.)
1908 REUNION SONG.
(March Time.)
The Crimson, the Crimson is calling—
Home to the ancient halls,
The class of a century is rallying—
Under the ivy's walls.
And once again as Harvard men
In fellowship we meet—
The portals of Harvard are sounding—
To the tramp of marching feet.
Refrain :
Johnny Harvard, we are here !
Through the old yard rings a cheer,
For Nineteen Eight is with you
With the best that she can give you.
Men of Harvard, through your song
Runs the old faith deep and strong
That brings us back to Cambridge—
And the place where we belong!
(12.)
"FAIR HARVARD."
Fair Harvard, thy sons to thy jubilee throng,
And with blessings surrender thee o'er.
From these festival rites from the age that has
passed,
To the age that is waiting before,
Oh, relic and type of our ancestor's worth
That has long kept their memory warm !
First flower of their wilderness, star of their
night
Calm rising, through change and through storm !
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•J*
A'
