The Mystery of the Metallic Shawls

06/03/2012

by Camille Myers Breeze

Sometimes a textile can be so intriguing that it haunts you until you find the answer of

its mysterious origin and use.

Nearly ten years ago, I taught two workshops in Mystic, Connecticut. At those

workshops, volunteers from two different Southern Connecticut historical societies

brought identical shawls, the origin of which no one present could identify. When I came

across the same kind of shawl for sale at a flea market in Southern New Hampshire, I

had the foresight to purchase it for the MTS study collection.

Image of an Asuit shawl in an online auction.

After a bit of research I learned that these lovely textiles originate in Asuit, Egypt.

Machine-made net was first introduced into the town of Asiut in the 19th century where

it was transformed by the addition of folded metal strips. Their primary introduction into

the US came from the 1893 Columbian Exposition in Chicago, where they were sold in

quantity as souvenirs.

Asuit shawls were also known as 'tulle bi telli.’

Photo from “African Costumes and Textiles: From the Berbers to the Zulus," 2008.

What makes our shawl so interesting is its provenance. I purchased it from a Michigan

antique dealer Tom Gordon, who acquired it at the 2003 estate sale of Anne Louise

Lungerhausen, born Anne Louise Earle. Anne inherited the shawl from her

grandmother, who is believed to have acquired it during a visit to Europe and the Middle

East in the late 19th century.

Asuit shawl, silver on cotton net. Museum Textile Services study collection.

Anne's grandmother was Emma Earle, born Emma Meyers, who married George

Washington Earle in 1888. The couple met on an 1886 trip to Europe, which may be the

same voyage during which the veil was purchased.

Detail of folded metal strips on cotton net ground.

Museum Texti le Services study collection.

Other items belonging to the family, including one of the deck chairs from a cruise to

Europe, are now housed in the IXL Museum in Hermansville, MI. The museum is

housed in the former offices of the Wisconsin Land & Lumber Co, founded by Emma's

father, the German-born cabinetmaker Charles J. L. Meyers.

Deck chair belonging to Emma Meyers.

Courtesy of IXL Historical Museum, Hermansville, MI.

Asuit shawls experienced a second surge of popularity around the globe after the

discovery of the tomb of Tutankamen in 1922. The geometric motifs suited the Art Deco

sensibility, and the veils can be seen in Hollywood movies such as Cleopatra and

Samson and Delilah. Asuit shawls could be found for decades in the wardrobes of

international performing artists.

Asuit shawl belonging to Cuban music legend Rita Montaner.

Courtesy of Museo Nacional de la Música, Havana.

Remarkably, I caught a glimpse of an Asuit shawl belonging to Cuban music star Rita

Montaner in a presentation by conservator Alina Vazquez de Arazoza at the AIC

meeting in Albuquerque in May, 2012. With no information about the origin of the shawl,

Alina was grateful to learn of its Egyptian origins. I was excited to see that my Cuban

colleagues had used Scanning Electron Microscope analysis to confirm that the metal

on the shawl is silver with a high copper content.

SEM analysis of the metal on Rita Montaner's Asuit shawl.

Courtesy of Museo Nacional de la Música, Havana.

A summary that I wrote of Alina Vazquez de Arazoza's AIC presentation can be found

on Conservators Converse, the blog of the American Institute for Conservation.

Although the mysterious origin of the metallic shawls has been solved, I would sti ll like

to know whether the shawl in the MTS study collection is from a 19th-century voyage to

Egypt, or purchased in the Midwest after the Chicago World’s Fair. As with all of our

study collections items, this Asuit shawl still has much to teach us.

Postscript

Want to see more Asuit shawls? View the slideshow of the Spring, 2012, exhibit, "The

Asuit Cloth" at the Lacis Museum of Lace and Textile in Berkeley, California.