The Mary PlantationAbsolute Auction

Real Estate & ContentsSelling Regardless of Price

March 10, 2012

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Neal Auction Company

Collection of Antiquarian and Preservationist

Blaine Murrell McBurney

Auction Schedule:

The Real Estate Auction at Noon.

The Contents Auction at 1:00 p.m., after Real Estate.

Exhibition Schedule:

Saturday, March 3rd, 10 a.m. to 2 p.m.

Tuesday, March 6th – Friday, March 9th, 10 a.m. to 2 p.m.

Mary Plantation Absolute Auction5539 Highway 39, Braithwaite, Louisiana

March 10, 2012

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1. An American Zinc Figural Weathervane.

2. [American Map], “Gray’s New Map of the United States”, 1873, sight 16 3/4 in. x 27 3/4 in., matted and framed.

3. An American Classical Mahogany Drop‑Leaf Work Table, fitted with two drawers, turned and twisted legs, ending on button feet, height 70 in., diameter 17 3/8 in.

4. An American Classical Mahogany Center Table, c. 1860, square top, tapered square stem, square plinth, height 27 in., width 33 in., depth 31 1/2 in.

5. An American Classical Cherrywood Chest of Drawers, outset drawer over three graduated drawers, flanked by turned columns, turned legs.

6. A Fine American Classical Carved Mahogany Four Poster Bed, c. 1830, carved twist posts, shaped headboard, plain rails, later tester. [$2000/3000]

7. A Group of Eight Plates from the section Agriculture et Economie Rustique of the book Recueil de Planches, sur les Sciences, les Arts Libéraux, et les Arts Méchaniques, avec leur explication, edited by Denis Diderot (French, 1713‑1784), including “Indigoterie et Manioc”, “Sucrerie”, and “Affinerie des Sucres”, 1762, engravings, each 14 1/4 in. x 9 in. respectively, framed alike. [$1000/1500]

Note: The 1762 book Recueil de Planches, sur les Sciences, les Arts Libéraux, et les Arts Méchaniques, avec leur explication is a collec-tion of plates engraved after drawings that were reproduced as a group, along with explanations of each scene depicted. Diderot edited the manu-script, which was delineated primarily by Louis-Jacques Goussier (French, 1722-1799); a copy of this book is now conserved in the collection of the Metropolitan Museum of Art, among other institutions.

8. A Louisiana Cypress Slant‑Front Desk, mid-19th c., hinged top, open interior, molded skirt, square tapered legs, height 34 in., width 36 in., depth 27 5/8 in. [$700/900]

9. A Fine Pair of Brass Candlesticks.

10. After Karl Bodmer (Swiss/American/Missouri, 1809‑1893), “Cut-Off River, Branch of the Wabash”, hand-colored aquatint on paper, published by Ackermann and Co., London, sight 11 1/2 in. x 15 1/2 in.; together with “Tombs

of Assiniboin Indians on Trees”, hand-colored aquatint with blindstamp on paper, published by Ackermann and Co., London, sight 19 1/2 in. x 14 1/4 in.; matted and framed.

11. American School, early 20th c., oil on can-vas, signed lower left, 16 in. x 20 in., framed.

12. J. Halpern, late 19th c., “Coastal Scene at Night”, oil on canvas, signed lower left, 39 in. x 29 in., framed.

13. An American Mahogany Side Table, hav-ing a single drawer with glass pull, turned legs, height 29 3/8 in., width 21 3/4 in., depth 21 1/2 in.

14. An American Walnut Drop‑Leaf Dining Table, c.1830, turned legs, ball feet, height 28 5/8 in., width 46 in., depth 24 3/8 in.

Provenance: Albania Plantation, Jeanerette, LA. [$800/1200]

15. An American Mahogany Drop‑Leaf Work Table, 19th c., figured top with D-end leaves, plain skirt on turned tapered legs with button feet.

16. A Good American Classical Mahogany and Gilt Decorated Pier Mirror, early 19th c. [$700/900]

17. A Cast Iron Coal Hod, hinged lid, on iron peg feet.

18. A Pair of American Classical Brass Andirons; together with a wire mesh folding screen.

19. An American Southern Longleaf Pine Armoire, 19th c., having straight cornice, paneled doors, plain skirt, square legs, height 66 in., width 41 in., depth 14 7/8 in. [$1000/1500]

20. An American Federal Cherrywood Corner Cupboard, 19th c., arched pediment, paneled doors, shaped skirt, bracket feet, height 84 in., width 39 7/8 in., depth 19 in. [$1000/1500]

21. An American Mahogany Settee, mid-19th c., having scrolling arms on turned supports, plain skirt, turned legs, height 38 in., width 77 1/2 in., depth 27 in. [$800/1200]

22. A Pair of American Cast Iron Ice Cream Parlor Stools, labeled Baker and Hamilton, San Francisco.

23. An Old Cypress Oxbow, local, found at Mary.

24. A Cast Iron Figure of a Preying Eagle.

25. A Rococo Cast Iron Hall Mirror.

26. Three Pieces of Decorative Stained Glass.

27. An American Classical Mahogany Work Table, 19th c.

28. An American Walnut Drop‑Leaf Table, 19th c., plain skirt, turned tapered legs ending in porcelain casters, height 29 7/8 in., width 40 in., depth 21 5/8 in.

29. A Large Carved Wood Mortar and Pestle.

30. American School, late 20th c., “The Fairy Tale - after William Merritt Chase”, oil on canvas, signed “April”, 42 in. x 54 in., framed.

31. A. Pope, Jr., “The Ruffed Grouse”, Plate VII.

32. Barbara Wilson, “Le Stein Bistro”, print; together with two chef prints.

33. Dorothy MacIntyre (Morrison) (American, b. 1909), “Southern Summer”, etching and aqua-tint, pencil-signed and titled, image 12 1/2 in. X 9 1/4 in. framed.

34. A Set of Four Brass Roundels, painted with Egyptian motif.

35. A Spanish Porcelain Charger, hunt scene; together with a terracotta charger, painted swan.

36. An American Upholstered Wing Chair.

37. A Set of Six American Stenciled Side Chairs, 19th c., black ground with gilt floral deco-ration, rush seats, turned legs. [$800/1200]

38. A Large Cast Iron Sugar Kettle, diameter 82 in.

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39. A Pair of Cast Iron Garden Shelves, arched tops, tiered shelves, height 57 in., width 32 in., depth 16 in.

40. An Ornamental Pair of Classical‑Style Cast Stone Jardinières, shell and acanthus deco-ration, height 22 in., width 22 1/2 in., depth 22 1/2 in.

41. A Cast and Wrought Iron Arched Garden Trellis, antique, found in two parts, “as is.”

42. A Cast Iron Petroleum Drill Bit; together with a small wood barrel.

43. A Wood Box in Old Ochre Paint, height 29 in., width 35 in., depth 17 in.

44. A Cast Iron Urn, 19th c, height 20 1/2 in., diameter 15 in.

45. An Antique Terracotta Olive Jar, repairs, height 36 in.

46. A Cast Iron Indigo Kettle, height 19 in., diameter 24 in.

47. An Antique Painted Cast Iron Lavabo, cabochon crest, scroll backplate, lobed basin with egg and dart rim, height 30 in., width 19 1/2 in.

48. A Large Gothic Cypress Pew, height 33 in., width 70 in., depth 16 in.

49. An Old Cypress Table, four turned legs, height 29 1/2 in., width 36 in., depth 29 in.

50. A Chalkware Cat and an Old Birdcage, with a rabbit.

51. A Set of Three Antique Stoneware Storage Jars, one with palm plant.

52. A Small Cast Iron Molasses Kettle, two handles, peg feet, height 13 in., diameter 21 in.

53. A Large Pair of Terracotta Storage Jars, flared rim, handles.

54. A Set of Six Garden Chairs, lattice pattern back, arched legs.

55. A Good American Plantation Table, c. 1850, probably Mississippi River Valley, original surface, one frieze drawer, turned and tapered legs with ball feet, height 29 1/2 in., width 60 in., depth 32 3/4 in. [$1000/1500]

56. A Set of Four American Walnut Side Chairs, c. 1850.

57. A Pair of Antique Southern Side Chairs, turned supports, hide covered seats, “as is.”

58. An American Federal Cherrywood Cupboard, early 19th c., Southern, flared cornice, glazed upper doors, over paneled doors, ball feet. [$1500/2500]

59. Palmer Cole Hayden (American, 1890‑1973), “Picking Cotton”, oil on canvas board, signed lower left, titled on name plate, 6 in. x 8 in., framed.

60. P. Morris, 20th c., “Cotton Picker”, oil on canvas, 16 in. x 12 in., framed.

61. A Group of Four Kitchen Items, including a coffee grinder, metal candlestick mold, butter press and small lidded container.

62. A French Hand‑Painted Faience Luncheon Service, Longchamp, including 6 dinner plates, 6 salad plates, 6 bread plates, 6 fruit bowls and 6 cups and saucers, (36 pcs.)

63. An English Partial Dinner Service, “Blue Onion” pattern, (apprx. 39 pcs.)

64. A Group of Ceramic “Blue Onion” Pattern Pieces, including a rolling pin, slotted server, two strainers, small ladle, meat tenderizer. (7 pcs.)

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65. Two Faience Plates; together with an English or American redware pottery pitcher.

66. An American Mahogany Candle Box, 19th c., with raised panel cover.

67. A Country French Wrought Iron Pot Hanger, circular form with scroll hooks and rooster decoration.

68. A Wrought Iron Nine‑Light Chandelier, central globe issuing scroll arms, electrified, height 30 in., diameter 37 in.

69. A Pair of Brass Candlesticks, 19th c.

70. A Group of Americana, consisting of a pewter tankard, plate and flask, cast iron corn-bread mold, butter press, and a porcelain mug with an eagle, (6 pcs.)

71. A Group of Brass and Wrought Iron Cookware, including two brass pots, one on stand, and a large trivet.

72. A Good Pair of Charles X Gilt Bronze Candlesticks, early 19th c., [$500/750]

73. A Group of Glazed Pottery, brown and green glazing, including a jug, pitcher and two storage jars, (4 pcs.)

74. A Large Painted Oak Splint Lidded Basket.

75. An Oak Splint Market Basket.

76. A Group of Three Baskets, including a kindling basket, market basket, and small tray basket.

77. A Large Oak Splint Kindling Basket.

78. A Group of Three Baskets, including a lid-ded basket, a market basket, and a picnic basket.

79. A Rare Pair of Southern Turned and Bentwood Walnut Weaver’s Chairs, with origi-nal caned seats.

80. A Southern Walnut Work Table, c. 1840, probably Louisiana, one drawer, turned legs, height 29 in., width 30 in., depth 18 1/2 in. [$300/500]

81. An American Mahogany Plantation Desk, early 19th c., figured mahogany fall front lid enclosing fitted interior, pair of drawers, turned

and tapered legs, height 56 3/4 in., width 39 in., depth 21 in. [$800/1200]

82. A Group of Cast Iron Cookware, including two small kettles, one with lid, two skillets, one small trivet, (5 pcs.)

83. A Large Group of Wrought Iron Cooking Utensils, including a toaster, two ladles, two forks, measuring cup, poker, and a knife, (8 pcs.)

84. A Sawtooth Fireplace Trammel, 18th c., original wrought iron circular rings, adjustable.

85. A Group of Antique Cooking Utensils, including a butter churn, and two wooden buckets.

86. A Joseph Roberts & Sons Silverplate Carving Set, celluloid handles, cased.

87. A Group of Silverplate Objects, consist-ing of 6 small wine coasters, pair of candlesticks, water pitcher, cooler, (10 pcs.)

88. A Large Pair of Brass Candlesticks, now mounted as lamps.

89. A Set of Fireplace Utensils, including pair of andirons, firescreen, and a pair of tongs.

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90. A Wrought Iron Two‑Light Candelabrum.

91. An Extensive Porcelain Dinner Service, Pirken Hammer, Czech, polychrome floral décor, including 12 dinner plates, 12 bowls, 10 cups, 9 saucers, 9 salad plates, 8 bread plates, 4 dessert plates, 9 small bowls, 2 serving platters, gravy boat, 2 serving bowls (1 covered), sugar, creamer, 6 scalloped plates, (93 pcs.)

92. A Blue and White Punch Bowl in the China Trade Taste.

93. An Associated Group of Porcelain Dinner Ware, consisting of an English platter, six lun-cheon plates and four bowls with underplates.

94. An Extensive Paris Porcelain Dinner Service, mid-19th c., having gilt and claret border, several covered tureens. [$1000/1500]

95. A Group of Continental Porcelain, consist-ing of a pair of Bavarian saucers with Napoleon and Josephine, and a Limoges portrait plate of Benjamin Franklin.

96. An Austrian Gilt and Polychrome Porcelain Center Bowl, figural reserve, signed Kaufmann; together with a porcelain lamp, metal base.

97. American School, 19th c., “Portrait of a Gentleman”, pastel and black chalk on pink paper, unsigned, sight 7 3/4 in. x 6 1/8 in., origi-nal gilt frame with églomisé glass panel.

98. Jacques Nicolas Bellin (French, 1703‑1772), “Plan de la Nouvelle Orleans”, 1764, hand-colored engraving, sight 9 1/4 in. x 12 1/2 in., matted and framed.

99. After Karl Bodmer (Swiss/American/Missouri, 1809‑1893), “Niagara Falls”, aquatint on paper, published by Ackermann and Co., London, sight 16 in. x 20 3/4 in.

100. Currier & Ives / Publisher, “Fort Pickens, Pensacola Harbor, Florida”, lithograph, sight 9 1/4 x 13 in., matted and framed.

101. Currier & Ives / Publisher, “General Andrew Jackson. The Hero of New-Orleans”, 1845, hand-colored lithograph, 14 in. x 10 in., framed.

102. American School, 19th c., “Portrait of a Man”, watercolor, unsigned, sight 12 1/4 in. x 10 1/4 in., period frame.

103. Louisiana School, 19th c., “Bayou Scene”, oil on canvas laid on board, initialed lower right, 17 1/2 in. x 22 in., period frame.

104. After Joseph Rusling Meeker (American/ Louisiana, 1827‑1889), hand-colored engraving, sight 5 3/4 in. x 7 in., matted and framed.

105. After Alfred R. Waud (American, 1828‑1891), “New Orleans”, hand-colored engraving, sight 7 1/2 in. x 9 1/2 in., framed.

106. Ellsworth Woodward (American/New Orleans, 1861‑1939), “The Oyster Fishermen”, etching on paper, initialed in plate, sight 6 3/4 in. x 8 in., matted and framed.

107. Jacques Nicolas Bellin (French, 1703‑1772), “Plan de la Nouvelle Orleans”, c. 1755, engraving, sight 7 7/8 in. x 11 1/4 in., mat-ted and framed.

108. John James Audubon (American, 1785‑1851), “Cooper’s Flycatcher”, “Rocky Mountain Flycatcher”, “Parkman’s Wren”, “Bewick’s Wren”, and “Traill’s Flycatcher”, five lithographs, octavo edition of Birds of America, sight 6 in. x 10 in., matted and framed.

109. A Tôle Peinte Tray, reserve of fruit; togeth-er with a circular woven tray, reserve of a parrot on a branch.

110. A Pewter Lavabo, 19th c., fully marked.

111. A Pair of English Brass Urns, flared rim, bulbous shape, with liners.

112. A Pair of Tôle Peinte and Mirrored Sconces, in the 18th c. style.

113. An Old Thompson Loggerhead Sea Turtle, mounted.

114. A Diminutive Pair of Black Marble Urns.

115. A Group of Six Enameled and Brass Picture Pins.

116. An Inlaid Rosewood, Satinwood and Ebony Gameboard, 19th c.

117. A Mahogany Campaign Silver Chest, lift top, drawer below, carrying handles.

118. An American Late Federal Cherrywood Jackson Press, c. 1840, backsplash, two draw-ers over doors flanked by turned columns, turned tapered feet, height 54 1/2 in., width 44 in., depth 23 in. [$1000/1500]

119. A Pair of Paris Porcelain Apothecary Jars, 19th c.; together with a Paris porcelain shaving mug

120. A Pair of Diminutive Paris Porcelain Urns, early 19th c., Italianate reserves.

121. An American Green Glass Épergne, center stem, surrounded by four arms, ruffled rim base.

122. An American Opaline and Blue Glass Lamp.

123. A Vintage Fan and a Flare Case.

124. A William IV Mahogany Side Chair, having rounded crest rail, conforming medial rail, upholstered trapezoidal seat, turned tapered chamfered legs ending on button feet.

125. A Pair of Gothic‑Style Cast Iron Benches, pierced back and sides, patterned seat, medial stretcher, height 33 in., width 54 in., depth 17 in. [$1000/1500]

126. A Cast Iron Figural Garden Fountain, central figure of boy with goose, reeded column, dolphin supports, shaped plinth, height 55 in., diameter 24 in. [$1000/2000]

126A. A Cast Iron Figure of the Crouching Venus, on cast iron pedestal, figure height 31 in., pedestal height 23 in., overall height 54 in.

127. A Cast Iron Indigo Kettle, 19th c., height 18 1/2 in., diameter 32 in.

128. A Group of Four Cast and Wrought Iron Garden Trellises, gothicized top.

129. Two Cast and Wrought Iron Garden Trellises, pointed top.

130. A Group of Four Cast and Wrought Iron Garden Trellises, domed top.

130A. A Pair of Cast Iron Figures of Classical Maidens, on cast iron pedestals, heights of fig-

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ures 63 in. and 52 in., pedestal heights 23 in., overall heights 86 in. and 75 in.

131. A Pair of Verdigris Patinated Cast Iron Egrets.

132. A Patinated Cast Iron Figure of a Deer, height 60 in., width 41 in., depth 17 in.

133. A Large Cast Iron Figural Garden Fountain, central figure of a boy with goose, foliate lobed basin on plinth base, height 74 in., diameter 50 in. [$1000/2000]

134. An American Classical Carved Mahogany Sofa, c. 1830, New York, cylindri-cal crest, scroll arms, cornucopia brackets, paw feet, height 31 1/2 in., width 83 in., depth 23 in. [$1000/2000]

135. A Fine American Classical Inlaid Maple and Mahogany Games Table, c. 1825, vigor-ously carved acanthus support, carved legs ending on paw feet, height 29 1/2 in., width 35 1/2 in., depth 17 1/2 in. [$1000/1500]

136. An American Classical Gilt Pier Mirror, 19th c., height 42 in., width 26 in.

137. A Fine Pair of American Classical Mahogany Drop‑Leaf Work Tables, c. 1830, each fitted with three drawers, columnar support, scroll legs, casters, height 30 in., width 21 in., depth 20 in. [$1000/2000]

Provenance: Crozat Collection, Houmas House.

138. An English Mahogany Footstool, c. 1835, square seat, turned bulbous legs, casters.

139. An American Carved Mahogany Side Chair, c. 1840, incurvate back, saber legs.

140. Three Antique White Marble Urns, now mounted as table lamps.

141. A Pair of Continental Enameled and Blown Glass Vases.

142. A Rare French Alabaster Clock, 19th c., of domical form, central gilt bronze and enameled dial. [$700/1000]

143. A Large “Scrimshaw” Tusk with Carved Central Panel of Asian Scene, on wood base.

144. An American Classical Mahogany Pier Table, c. 1840, white marble top, cove-molded frieze, scroll supports, mirrored back, shaped plinth, height 36 in., width 45 1/2 in., depth 21 in. [$1000/1500]

145. A Fine American Classical Carved Mahogany Server, c. 1820, superstructure with two drawers and shaped backsplash, large center drawer flanked by bottle drawers; over paneled doors, turned legs ending in casters, height 53 in., width 46 1/2 in., depth 23 in. [$1200/2000]

146. An American Classical Mahogany Galleried Side Table, c. 1830, Boston, white marble top, towel bars, turned legs, shaped plinth, castors, height 39 in., width 41 in., depth 21 in. [$1000/1500]

147. A Pair of French Silverplate Sauceboats and Undertrays, swan mounted handles.

148. A Pair of English Silverplate Candelabra, marked, paired scrolling arms.

149. A Monumental Silverplate Meat Dome with Well and Tree Undertray, pseudo hallmarks. [$500/800]

150. A French Silverplate Circular Tureen and Cover, openwork loop handles, domed cover with artichoke finial, egg and dart border.

151. A Silverplate Footed Tray, in the 18th c. style, scroll handles.

151A. An American Rococo‑Style Silverplate Circular Tray, engraved.

152. A George III‑Style Silverplate Tray, marked C-scroll and shell rim, engraved.

152A. A Regency‑Style Silverplate Tray , marked, “...Wm. Blackinton since 1865...”, circu-lar footed form with gallery.

153. An Assembled Paris Porcelain Dinner Service, 19th c., “Cornflower” pattern, including 12 dinner plates, 8 smaller plates, 4 square plates, 3 platters, gravy bowl, pitcher, tureen on stand, 2 corbeilles, (33 pcs.) [$1000/1500]

154. A Set of Ten Lenox Porcelain Gold Rim Dinner Plates, marked.

155. A Set of Ten English Dessert Plates, marked “Royal Cauldon”.

156. A Vista Alegre White and Gilt Porcelain Tureen and Undertray, Portugal, marked.

157. Philip Kappel (American, 1901‑1981), “Spanish Moss, Houmas House, Burnside, LA.” and “Lace in Cast Iron, New Orleans, LA.”, etch-ings on paper, both pencil-signed and titled, signed in plate, Friedman’s Art Store, Savannah, GA label en verso, plate 9 3/4 in. x 9 1/2 in. and 9 1/2 in. x 9 1/4 in. respectively, matted and framed.

158. Currier & Ives / Publisher, “Bound Down the River, Scene on the Lower Mississippi”, hand- colored lithograph, sight 21 in. x 28 3/4 in., mat-ted and framed.

159. Southern School, late 19th/early 20th c., “Peacocks in a Landscape”, oil on canvas, unsigned, 28 in. x 22 in., framed.

160. Continental School, 19th c., “Elegant Portrait of a Spanish Lady”, oil on canvas, unsigned, 36 1/2 in. x 29 in. antique frame,

Note: found in a Faubourg Marigny home.

161. A Federal‑Style Mahogany Extension Dining Table, on square tapered legs, two leaves with apron, one straight leaf. [$1000/1500]

162. A Rare Suite of Eight American Carved Mahogany Dining Chairs in the Gothic Taste, 1830s-1840s, probably New Orleans, curved crest rail above arched-carved backs, reeded molding, plain seat rail on canted tapering cabriole legs. [$5000/7000]

Provenance: Didier Inc, New Orleans, to the present owner. These chairs were exhibited in the “Louisiana Purchase Bicentennial Exhibition” in the Old State Capital, Baton Rouge, January-December 2003.

Note: While the overall design of these chairs bears similarities to several sophisticated American Gothic examples, it is interesting to note that the French Restauration influence and several design aspects of the present lot relate closely to a set of chairs descended in the Morgan Family of New Orleans and Ascension Parish and collected by Didier Inc, New Orleans.

163. An American Federal Carved Mahogany Sideboard, early 19th c., probably New York, top with arched backsplash, bowfront center with drawers and doors, arched skirt, side pedestals with small drawers over cupboards, tapered reed-ed legs, brass ball feet, height 53 in., width 76 in., depth 30 in. [$1500/2500]

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164. An American Carved and Gilded Overmantel Mirror, 19th c., tripartite divid-ed mirror plate, height 27 in., width 63 in. [$500/750]

165. A Fine Pair of Antique Brass Ball Andirons, having bold turnings.

166. A Good Paris Porcelain Bleu Royale Tea and Coffee Service, early 19th c., (20 pcs.) [$700/1000]

167. A Fine Pair of Paris Porcelain Urns, c. 1830, white ground with gilding, masque biscuit handles. [$800/1200]

168. A Set of Twelve Painted Dessert Plates, marked “Pickard”.

169. A Good Pair of French Bleu and Gilt Porcelain Corbeilles, early 19th c. [$800/1200]

170. A Group of Four Cut Glass Decanters, two lacking stoppers.

171. A Cranberry and White Blown Art Glass Vase, applied rim.

172. A Cranberry Blown Glass Pitcher, applied handle; together with four blown glasses, (5 pcs.)

173. A Blue Cut‑to‑White and Clear Gallé‑Type Vase, decorated with butterflies and flowers, height 13 1/2 in.

174. An American Mahogany and Birdseye Maple Server, 19th c., maple backsplash, two drawers, the turned legs ending in button feet, height 37 in., width 37 in., depth 20 in. [$500/750]

175. An American Late Federal Carved Mahogany Candlestand, early 19th c., rectan-gular top on vasiform standard, downswept and arched legs, height 26 in., width 24 in., depth 16 in.

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176. An American Classical Mahogany Center Table, c. 1835, highly figured and segmented top, octagonal support and plinth, scroll legs, height 29 in., diameter 35 in. [$1200/1800]

177. A French Restauration Carved Mahogany Fauteuil, curved back, scrolling arms, sabre front legs. [$400/800]

178. A Good American or French Carved Mahogany Fauteuil, c. 1830. [$1000/2000]

178A. An American Classical Mahogany Footstool, bracket feet.

179. An American Mahogany Candlestand, c. 1800, school of Duncan Phyfe, elliptical top, carved legs, vasiform support, carved legs, height 26 in., width 24 in., depth 16 in. [$400/800]

180. [Mississippi Map], “Mississippi River Commission, Barataria & Lake Borgne Levee Districts”, c. 1893, engraving, sight 8 1/8 in. x 21 1/4 in., matted and framed.

181. John Miller (Johann Sebastian Mueller, German, 1715‑1792), “Syngenesia Mongamia Lobelia” and “Pentandrla Pentagynia Crassula”, hand-tinted engravings from Illustratio Systematis Sexualis Linneai, published by J. Miller in Dorset Court, plate size 14 in. x 20 1/2 in., matted and framed.

Note: In 1736 Ehret had published the first illus-trated table of Linnaeus’ new system of classifica-tion. After several reproductions there was a need for a more detailed illustration of the system. In an attempt to satisfy this demand John Miller pro-duced the historic work from which these plates were taken. Published in 20 parts beginning in 1770. Queen Charlotte, a student of both botany and flower painting, was included amongst the 85 subscribers.

182. American School, 19th c., “Tropical Landscape”, oil on canvas, unsigned, 10 in. x 16 in., period frame.

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183. L. Champlin, 20th c., “Bayou Scene”, 1925, oil on canvas, signed and dated lower left, 17 1/2 in. x 14 in., framed.

184. Edward B. Lee, 20th c., “Haiti: Islanders Transporting Raw Sugar Cane”, c. 1940s, water-color, signed, placed, and dated lower right, sight 9 1/4 in. x 14 1/4 in., matted and framed.

185. An Antique Carved Wood Mortar and Pestle.

186. A Cast Iron Dog, 19th c.

187. A Diminutive Paint‑Decorated Blanket Chest, 19th c.

188. An Early Sheraton Child’s Rush Seat Armchair, arrow back with turned stretchers.

189. A Pine Butler’s Tray on Stand , height 37 in., width 28 in., depth 16 in.

190. A Large Finely Cut Crystal Bowl.

191. A Group of Four Brass Lamps.

192. A Pair of French Bronze and Marble Figural Candlesticks, 19th c. [$500/750]

193. A Paris Porcelain Urn, now mounted as a table lamp.

194. A Pair of Three‑Light Sconces, prism hung.

195. A Gilt Metal Mechanical Bank, in the form of birds nest with mother bird and babies, base marked “Reproduced from the original in collection of The Book of Knowledge”, pat. 1883.

196. An American or English Hanging Hall Light, 19th c., electrified.

197. A Ship Captain’s Telescopic Spy Glass, 19th c., brass capped with lens cover, original hardwood shaft, length 26 1/2 in.

198. A Group of Four Coin Silver Spoons, c. 1820, stamped “R. Johnston”.

199. An Oriental Carpet, blue ground with red, cream, and green geometric design, 6 ft. 10 in. x 3 ft. 8 in.

199A. An Oriental Carpet, salmon, mustard and cream, geometric and floral design, 6 ft. 5 in. x 3 ft. 7 in.

200. A Pair of Cast Iron Figures on Renaissance Style Pedestals, hieght of figures 46 in. and 47 in. [$1000/2000]

201. A Classical‑Style Cast Iron Garden Figure, depicting “Minerva” in standing pose holding an urn, the tall pedestal with masks, putti and scrolled plaques, figure height 57 in., pedestal height 35 in., width 22 in., depth 22 in., overall height 92 in. [$1000/2000]

202. A Cast Iron Statue of Blessed Mary, fig-ure height 48 in., pedestal height 23 in., overall height 71 in.

203. An American Classical Carved Mahogany Swellfront Chest of Drawers, c. 1830, school of Joseph Barry, probably Baltimore. [$1000/2000]

204. A Painted Cock Fighting Chair, mid-19th c., French.

205. An American Classical Mahogany Drop‑Leaf Work Table, having two drawers, scrolling trestle base, height 27 3/4 in., width 19 in., depth 19 in.

206. An American Mahogany Side Table, 19th c., two drawers, height 30 in., width 19 1/2 in., depth 17 1/2 in.

207. An American Classical Carved and Giltwood Pier Mirror, 19th c., found in original state, height 50 1/2 in., width 26 in. [$500/1000]

208. An American Gilt Bronze Three‑Piece Girandole Garniture, mid-19th c.

209. A Paris Porcelain Veilleuse, mid-19th c., decorated with gilt and polychrome floral reserves.

210. A Pair of Parian Figures of Ladies.

211. An American Rosewood, Maple and Églomisé Shelf Clock, c. 1840, labeled “Seth Thomas”. [$500/750]

212. An American Late Classical Mahogany Armoire, c. 1830, pair of paneled doors enclosing divided and fitted interior, height 82 in., width 54 in., depth 22 1/4 in. [$1000/1500]

213. An American Classical Mahogany Drop‑Leaf Table, plain apron, carved pedestal on four foliate paw feet, height 27 in., width 39 in., depth 25 1/2 in.

214. A Carved Mahogany Bed, in the Sheraton Taste, height 92 1/2 in., length 92 in., width 83 in. [$1000/2000]

215. A Southern Carved Mahogany Daybed, mid-19th c., ring-turned crest rails above pan-eled headboards, vasiform uprights, straight rails, turned and tapered legs, ball feet, height 34 in., width 77 in., depth 31 in. [$1000/2000]

216. An American Late Classical Mahogany Armoire, c. 1840, New Orleans, ogee cornice, molded doors enclosing fitted interior with four shelves, plinth drawer, molded skirt, on pillar feet, height 98 in., width 60 in., depth 27 in. [$2500/3500]

Provenance: From Gov. W.C.C. Claiborne House, Esplanade Ave.

Note: The beaded ogee cornice, beaded case and molded doors on the present lot are strikingly simi-lar to those found on an armoire with stenciled label of Dutreuil Barjon, Jr., sold by Neal Auction Company as lot 140, December 8, 2007.

217. A Group of Fireplace Tools, including stand, wire screen, brush, two tongs, pitcher.

218. A French Aubusson Rug, 5 ft. 10 in. x 3 ft. 10 in.

218A. A French Aubusson Rug, 8 ft. 6 in. x 5 ft. 7 in.

219. An American Pressed Green Glass Lamp, electrified; together with an amber glass lamp and a blown glass bottle now mounted as a lamp.

220. Robert John Thornton / Publisher (English, c. 1768‑1837), “Pitcher Plant” and “The Aloe”, two mezzotints with aquatint and line engraving, sight 19 in. x 14 3/4 in., matted and in period frames.

221. An Early American Cradle , height 17 in., width 36 1/4 in., depth 16 1/4 in.

222. A French Aubusson Rug, 5 ft. 9 in. x 3 ft. 10 in.

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223. Two Antique French Fashion Engravings, sight 8 3/4 in. x 13 in., framed alike.

224. Brookshaw, “Melon”, lithograph, Plate XLI, sight 13 1/2 in. x 10 1/2 in., framed.

225. A Carved Hardwood Planter’s Chair, canted cane back joined by scrolling arms and legs.

226. An Antique Louisiana Cypress Bench, wide plank back and seat.

Provenance: Florewood Plantation, Greenwood, Mississippi.

227. A Cypress Bench, height 34 in., width 45 in., depth 18 in.

228. A Large Rococo‑Style Cast Iron Bench, with scalloped floral crest, the back of interlocking arches, continuous arms, foliate skirt, cabriole legs. [$1000/1500]

229. A Bucket Bench , height 22 in., width 42 in., depth 28 in. [$300/500]

230. A Cypress Bench, “as is,” , height 33 1/2 in., width 58 1/2 in., depth 16 in.

231. A Monumental Cast Iron Sugar Kettle, located downriver side near house, diameter 79 in.

Note: The kettle offered here as lot 231 is promi-nently featured in an image of Mary published in Louisiana Plantation Houses: Colonial and Ante Bellum, by Darrell W. Overdyke, New York: Architectural Book Publishing Company, 1965, p. 127.

232. A Large Cast Iron Sugar Kettle, located rear of Mary property, near old shed, diameter 60 in.

233. A Large Wooden Pirogue, “as is”.

Note: Found on the riverfront at Mary.

234. A Rococo‑Style Cast Iron Garden Settee, with scalloped floral crest, the back of interlocking arches, continuous arms, reticulated seat, foliate skirt, cabriole legs, height 34 in., width 41 1/2 in., depth 16 1/2 in.

235. A Hanging Hall Lantern, 19th c., star and cut pattern glass, located upstairs.

236. A Pair of Paris Porcelain and Brass Oil Lamps.

237. An American Gilt Bronze Three‑Piece Girandole Garniture, mid-19th c.

238. An American Mahogany Dressing Mirror, mid-19th c., height 25 1/2 in., width 28 1/4 in.

239. A Gilt and Polychrome Paris Porcelain Lidded Coffee Pot; together with a porcelain pitcher.

240. An American Classical Mahogany Bookcase, c. 1835, stepped ogee cornice, pair of gothic glazed doors enclosing four shelves, single drawer base, on disc feet, height 90 in., width 56 1/2 in., depth 19 in. [$1500/2500]

241. Louisiana School, 19th c., “Portrait of a Creole Lady”, oil on canvas, unsigned, 29 in. x 24 in. period frame.

242. American School, 19th c., “Portrait of an Elderly Lady”, oil on canvas, unsigned, 33 in. x 27 in., framed.

243. A Federal Mahogany Drop‑Leaf Table, early 19th c., highly figured top, frieze drawer, turned and reeded legs, height 30 in., width 45 3/4 in., depth 46 in. [$500/750]

244. A Fine American Carved and Gilded Eglomise Mirror, early 19th c., height 35 in., width 21 in. [$500/750]

245. An Antique American or Irish Queen Anne Drop‑Leaf Table , height 29 in., width 36 in., depth 14 in. [$500/750]

246. A Spanish Colonial Hardwood Butaquito, probably 18th c., the leather uphol-stery affixed to the curved frame with rosehead nails, the curule legs connected by cross stretch-ers, height 24 in., width 18 in., depth 10 in. [$800/1200]

Provenance: Estate of Doris Zemurray Stone.

247. Jack Meyers (American/Louisiana, 1930‑1994), “Louisiana Plantation with Sugar Refinery”, ink and graphite on paper, unsigned, sight 10 1/2 in. x 22 3/4 in., matted and framed.

248. Eugene A. Delcroix (American/New Orleans, 1892‑1967), “Spring in the Swamp”

and “Little Theatre Courtyard”, pair of hand-col-ored silver gelatin prints, both signed lower right and titled en verso, both 7 in. x 5 in., framed.

249. Tropical Botanical Watercolor, “Heliconia”, sight 8 in. x 6 1/4 in., antique burlwood frame.

250. An American Mahogany Ogee Mirror, c. 1840.

251. A Hardwood Cane, turned and tapered stick topped by figural handle.

252. An American Walnut Hat Stand, made from a turned bed post, with four double hooks.

253. A Hat Stretcher, 19th c.

254. Louisiana School, 19th c., “Bear Hunt in the Louisiana Bayou”, oil on canvas, unsigned, 12 in. x 14 in., framed.

255. An Aesthetic Incised Walnut Frame with Gilt Liner, sight 7 1/2 in. x 10 1/2 in.; antique engraving “Southwest Pass”, signed.

256. A Small Folk Painted Split Baluster Mirror, early 19th c., mirror loss; and a small gilt mirror (2 pcs.)

257. Marshall D. Smith (American/New Orleans, 1874‑1973), “Feather Palms, Old New Orleans”, 1924, oil on board, signed, inscribed, and titled en verso, 30 in. x 24 in., framed.

258. An American Classical Carved Four Post Bed, early 19th c., with pegged rails, height 83 in., length 74 in., width 49 in. [$1200/2000]

259. An American Classical Mahogany Chest of Drawers, c. 1830, Baltimore, height 47 1/4 in., width 44 1/2 in., depth 24 in. [$700/1000]

260. An American Mahogany Washstand, c. 1835, height 33 1/2 in., width 22 in., depth 17 1/4 in.

261. An Antique Spanish Colonial Hardwood, Brass‑Bound and Tooled Leather Trunk, early 19th c., domical hinged lid, open interior, paneled sides, decorative leather moldings with a meander leaf design and brass nailhead decoration, height 19 1/2 in., width 31 in., depth 19 in. [$700/900]

Provenance: Estate of Doris Zemurray Stone.

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262. An American Cherrywood Drop‑Leaf Table , height 30 in., length 35 1/4 in., width 21 in.

263. An American Painted Cast and Wrought Iron Bassinet.

264. An American Carved Mahogany Tall Post Bed, c. 1830, probably Lower Mississippi, boldly turned posts, rolling pin headboard. [$2500/3500]

Note: The boldly ring-turned and vasiform carved posts and shaped rolling pin headboard on the present lot are nearly identical to those on a bed from Bocage Plantation in Ascension Parish. This bed is also related to several examples including one at Parlange Plantation; one from the Jacques Dupre house in Opelousas, St. Landry Parish; and two from Houmas House in Ascension Parish. This stacked ring, spool, and vasiform carving is typi-fied in Creole furniture. Reference: Holden, Jack D., et al. Furnishing Louisiana: Creole

and Acadian Furniture,1735-1835, New Orleans: The Historic

New Orleans Collection, 2010. p. 384, fig. 11.

265. Mason, 20th c., “Bayou Cabin”, oil on canvas board, signed lower right, 12 in. x 16 in., framed.

266. American School, 19th c., “Southern Landscape”, oil on canvas, unsigned, 21 in. x 31 in., framed. [$1500/2500]

267. A Large American Federal Carved and Gilded Mirror, c. 1820, height 47 1/2 in., width 33 1/2 in. [$800/1200]

268. A French Restauration Mahogany Armoire, c. 1850, mirror door, height 88 1/2 in., width 49 in., depth 19 1/2 in. [$1000/1500]

269. A Pair of “Hitchock” Fancy Chairs, 19th c., black ground with gilt floral decoration, cane seats.

270. A Folk Painted Rush Seat Child’s Chair.

271. An American Faux Bois Dry Sink, 19th c., lift top, void interior, doors below, shaped skirt, bracket feet, height 31 in., width 29 in., depth 18 in.

272. An American Cherrywood Side Table, 19th c., single drawer, height 30 in., width 22 in., depth 15 1/2 in.

273. A Cut and Etched Glass Vase; together with a green glass bottle, “Rhum Jamaique”.

274. Two Antique Engravings, “Ruins of Ehrenfels”, and “Der Sonnentempel Zu Baalbeck”, both plate 4 in. x 6 in., matted and framed.

275. A Tooled Leather Standish; together with a pair of brass push-up candlesticks, (3 pcs.)

276. Linda Lloyd, 20th c., “Nesting”, etching on paper, pencil-signed, artist’s proof, plate 11 3/4 in. x 8 3/4 in., matted and framed.

277. A Pair of Pressed Glass Oil Lamps.

278. A Gout Stool.

279. A Wicker Settee; together with small chair and table.

280. An American Painted Blanket Chest, 19th c., height 20 1/2 in., width 37 in., depth 16 in.

281. An Early Flax Spinning Wheel, turned splayed legs.

282. An American Wing Chair .

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283. A Mississippi River Valley Carved Cherrywood Chest of Drawers , height 46 in., width 42 1/2 in., depth 20 1/2 in. [$500/750]

284. A Tripod Sewing Stand , height 28 in., width 14 1/2 in.

285. A Good Paris Porcelain Coffee and Desserte Service, early 19th c., marked “Rihouet, Paris”, (14 pcs.)

286. A Monumental Porcelain Vase, floral reserves above oval pendant of three flower maid-ens, ivory ground.

287. A Continental Gilt Porcelain Associated Partial Coffee and Tea Service, consisting of five pots, waste bowl, demitasse cup and a lid, “as is.”

288. Knute Heldner (Swedish/New Orleans, 1877‑1952), “Mr. Battistella” and “Port Royale Cafe”, etchings on paper, both pencil-signed and titled, both plate 8 in. x 5 7/8 in., matted and framed.

289. De Sylva, 20th c., “Street Dancers”, oil on masonite, signed lower right, 5 1/8 in. x 4 in., unframed.

290. A Pair of Cast Iron Figural Andirons, probably American, each maiden atop a shell.

291. An Antique Prayer Rug, probably Persian, 5 ft. 1 in. x 3 ft. 8 in.

292. A Prayer Rug, 6 ft. 11 in. x 3 ft. 10 in.

293. An Oriental Runner, 10 ft. x 3 ft. 4 in.

294. Four Cast Iron Campagna Urns.

295. A Cast Iron Door Stop, bird and urn; together with a cast iron boot scraper, lyre form, scalloped base.

296. A Large Group of Wrought and Cast Iron Door Hardware.

297. A Group of Three Wrought Iron Branding Irons, including letters M, E, and S; together with cast iron finial (4 pcs.)

298. A Group of Four Architectural Stain Glass Windows, late 19th/early 20th c., one arched, one domical and two rectangular.

299. A Group of Seven Cast Iron Clothing Irons.

300. An American Victorian Wicker Rocking Chair.

301. Two Victorian Wicker Armchairs; togeth-er with a square wicker center table.

302. A Pair of Antique Wicker Rocking Chairs; together with a wicker side table.

303. A Pair of Rocking Chairs; together with another similar rocking chair.

304. Two Wooden Benches, one folding X-form legs, the other cypress rope bench.

305. Contents of Storage Barn at the Rear of Property, including: various cypress panels, 2 bookcases, bench pieces, etc.

306. A Wrought Iron Garden Suite, consisting of a table with glass top and four chairs, (5 pcs.)

307. A Cast Iron and Blue Glazed Pottery Inlaid Plant Stand, circular top, scrolled base

308. A Wrought Iron Garden Suite, consisting of two chaise longues, an armchair and a side table with glass top, (4 pcs.)

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Mary Plantation Confidential Absentee Bid FormNO TELEPHONE BIDS

Neal Auction CompanyAuctioneers & Appraisers of Antiques & Fine Art4038 Magazine Street, New Orleans, Louisiana 70115

I understand that Neal Auction Company undertakes the execution of bids as a convenience to our clients and is not responsible for inadvertent failure to execute bids, or any error in the execution of bids. I have read and agree to the “Mary Plantation Conditions of Sale”. I understand that I am required to pay a buyer’s premium in the amount of 20% on the hammer on all lots purchased as well as all applicable state and local taxes unless exempt by law.

Signature Required Date

Approved _____________Registered ___________ Entered ____________

Clerks Initial _______________ Account # _________________ ______________________

#

March 10th, 2012

First Last

Dealers must provide Neal Auction Company with proper documentation prior to bidding.

MUST PROVIDE

IF SUCCESSFUL,I understand that my card will be charged.

Due to the absolute nature of this auction, all property will be sold “as is” and “where is”. Condition reports are not available for any items in this auction. We invite you to come and preview at Mary Plantation, Braithwaite, La.

Lot # Description

Fax Form on or before Friday, 9th, 2012 to 504-617-6431 or 504-617-9990

PURCHASES MUST BE REMOVED ON MARCH 10TH FOLLOWING THE AUCTION

15

Mary Plantation Auction, March 10th, 2012

Conditions of Sale

Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale.

1. WAIVER OF WARRANTY: All lots are sold “AS IS” and “WHERE IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, represen-tation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representa-tion, or limitation of liability as to authorship. Any such warranty is WAIVED.

Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer.

Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and ac-knowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met:

A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “man-ner of,” “after,” or “signature of.”

B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within a reasonable time from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale.

C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot question is a forgery.

D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferable or assignable.

E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported author-ship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate.

F. In any dispute between Neal Auction Company and buyer regarding au-thorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is avail-able, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief.

2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot.

3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of suffi-cient amount, he may reject the same.

4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item.

5. No merchandise will be released before the end of the auction.

6. If the buyer fails to comply with any of the conditions of sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the pur-chase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions avail-able by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the pay-ment of any deficiency in the purchase price and all costs and expenses, in-cluding warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder.

7. All descriptions of group lots and miscellany are only approximations of quantity, and shall not be deemed as any warranty or guarantee of same.

ABSENTEE BIDS

1. Absentee bids are accepted onsite only and must be submitted by 5 PM CST the Friday prior to the auction. We will not execute bids received after that time.

2. We assume no responsibility for failure to execute bids for any reason whatsoever.

3. All bids must be accompanied by a valid Visa/MasterCard/Discover/Ameri-can Express credit card number, expiration date, and v-code.

4. Telephone bidding and internet bidding are not available for this auction.

PAYMENT

1. The successful bidder agrees to pay a buyer’s premium in the amount of 20%.

2. Unless exempt by law, the purchaser will be required to pay Louisiana and local sales taxes, and, if applicable, any federal luxury or other tax, on the total purchase price.

3. Documentation of tax exemption must be provided upon registration.

4. Payment in full is required by the successful bidder at or prior to the close of the auction day. We reserve the right to require payment in full of the sales price at the moment of the successful bid.

5. Visa, MasterCard, Discover, American Express, personal checks (from ap-proved bidders), money orders, cash, and traveler’s checks are accepted.

TERMS/REGISTRATION

1. All bidders are required to pay a $20 Paddle/Registration Fee, applicable toward purchases. No exceptions.

2. All bidders are expected to provide the following credit information: a major credit card and a valid driver’s license.

3. Buyers are responsible for removal of all purchases at the end of the auc-tion. All purchases are “as is” and “where is”. Neal Auction Company as-sumes no responsibility for the removal of the purchases.

ADVICE

1. We will assist buyers in making shipping arrangements by furnishing infor-mation on packers and shippers. Handling of purchased lots by us is at the risk of the purchaser. Final shipping arrangements and agreements are strictly between the buyer and the shipper.

2. Prospective buyers at the Mary Plantation Auction should be prepared to bring all necessary packing material, i.e. paper, boxes, bags, blankets, etc. and sufficient help to pack and load all auction purchases.

PURCHASES MUST BE REMOVED ON MARCH 10TH FOLLOWING THE AUCTION

Neal Auction Company

Mary Plantation Absolute Auction5539 Highway 39, Braithwaite, Louisiana • March 10, 2012

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