the madwoman in attic & beyond: contextualizing & queering charlotte brontë’s jane eyre

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THE MADWOMAN IN ATTIC & BEYOND CONTEXTUALIZING & QUEERING CHARLOTTE BRONTË’S JANE EYRE Lisa Hager [email protected] || @lmhager Pronouns: she, her, hers & they, them, theirs

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Page 1: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

THE MADWOMAN IN ATTIC & BEYOND

CONTEXTUALIZING & QUEERING CHARLOTTE BRONTË’S JANE EYRE

Lisa [email protected] || @lmhager

Pronouns: she, her, hers & they, them, theirs

Page 2: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

[email protected] || @lmhager || she, her, hers & they, them, theirs

The Brontë Sisters (circa 1834)by Patrick Branwell Brontë (1817-1848)

From left to right:Anne Brontë (1820-1849) Emily Brontë (1818-1848)Charlotte Brontë (1816-1855)

Page 3: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

To Walk Invisible (starts March 26th on PBS)

[email protected] || @lmhager || she, her, hers & they, them, theirshttp://www.pbs.org/video/2365970472/

Page 5: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

https://www.youtube.com/watch?v=-NKXNThJ610

The Brontë Sisters Power Dolls

[email protected] || @lmhager || she, her, hers & they, them, theirs

Page 6: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

Charlotte Brontë’s Jane Eyre

[email protected] || @lmhager || she, her, hers & they, them, theirs

Page 7: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

The Victorian Governess

[email protected] || @lmhager || she, her, hers & they, them, theirs

https://www.bl.uk/romantics-and-victorians/articles/the-figure-of-the-governess

• Taught young boys and girls; often taught young women until old enough to go to finishing schools

Page 8: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

The Victorian Governess

[email protected] || @lmhager || she, her, hers & they, them, theirs

https://www.bl.uk/romantics-and-victorians/articles/the-figure-of-the-governess

• Taught young boys and girls; often taught young women until old enough to go to finishing schools

• Genteel but not wealthy

Page 9: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

The Victorian Governess

[email protected] || @lmhager || she, her, hers & they, them, theirs

https://www.bl.uk/romantics-and-victorians/articles/the-figure-of-the-governess

• Taught young boys and girls; often taught young women until old enough to go to finishing schools

• Genteel but not wealthy• Required education and social graces

Page 10: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

The Victorian Governess

[email protected] || @lmhager || she, her, hers & they, them, theirs

https://www.bl.uk/romantics-and-victorians/articles/the-figure-of-the-governess

• Taught young boys and girls; often taught young women until old enough to go to finishing schools

• Genteel but not wealthy• Required education and social graces• One of the few respectable occupations

open to middle-class white women in the British empire

Page 11: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

The Victorian Governess

[email protected] || @lmhager || she, her, hers & they, them, theirs

https://www.bl.uk/romantics-and-victorians/articles/the-figure-of-the-governess

• Taught young boys and girls; often taught young women until old enough to go to finishing schools

• Genteel but not wealthy• Required education and social graces• One of the few respectable occupations

open to middle-class white women in the British empire

• Required women to live with the family for whom they worked

Page 12: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

The Victorian Governess

[email protected] || @lmhager || she, her, hers & they, them, theirs

https://www.bl.uk/romantics-and-victorians/articles/the-figure-of-the-governess

• Taught young boys and girls; often taught young women until old enough to go to finishing schools

• Genteel but not wealthy• Required education and social graces• One of the few respectable occupations

open to middle-class white women in the British empire

• Required women to live with the family for whom they worked

• Neither a servant nor a member of the family

Page 13: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

The Victorian Governess

[email protected] || @lmhager || she, her, hers & they, them, theirs

https://www.bl.uk/romantics-and-victorians/articles/the-figure-of-the-governess

• Taught young boys and girls; often taught young women until old enough to go to finishing schools

• Genteel but not wealthy• Required education and social graces• One of the few respectable occupations

open to middle-class white women in the British empire

• Required women to live with the family for whom they worked

• Neither a servant nor a member of the family

• Men of the family often sexually abused women servants, including governesses

Page 14: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

The Victorian Governess

[email protected] || @lmhager || she, her, hers & they, them, theirs

https://www.bl.uk/romantics-and-victorians/articles/the-figure-of-the-governess

• Taught young boys and girls; often taught young women until old enough to go to finishing schools

• Genteel but not wealthy• Required education and social graces• One of the few respectable occupations

open to middle-class white women in the British empire

• Required women to live with the family for whom they worked

• Neither a servant nor a member of the family

• Men of the family often sexually abused women servants, including governesses

Page 15: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

Charlotte Brontë’s Jane Eyre

[email protected] || @lmhager || she, her, hers & they, them, theirs

• Bildungsroman (object -> subject)

Page 16: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

Charlotte Brontë’s Jane Eyre

[email protected] || @lmhager || she, her, hers & they, them, theirs

• Bildungsroman (object -> subject)

• Focuses on Jane’s internal life

Page 17: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

Charlotte Brontë’s Jane Eyre

[email protected] || @lmhager || she, her, hers & they, them, theirs

• Bildungsroman (object -> subject)

• Focuses on Jane’s internal life• Critique of women’s limited

options in life

Page 18: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

Feminist Analysis of Charlotte Brontë’s Jane Eyre

[email protected] || @lmhager || she, her, hers & they, them, theirs

Sandra M. Gilbert & Susan Gubar’s The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination1979

Page 19: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

Feminist Analysis of Charlotte Brontë’s Jane Eyre

[email protected] || @lmhager || she, her, hers & they, them, theirs

Part IV: The Spectral Selves of Charlotte Brontë

9. A Secret, Inward Wound: The Professor’s Pupil

10. A Dialogue of Self and Soul: Plain Jane’s Progress

11. The Genesis of Hunger, According to Shirley

12. The Buried Life of Lucy Snowe

Page 20: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

Queering Charlotte Brontë’s Jane Eyre

[email protected] || @lmhager || she, her, hers & they, them, theirs

• What is a queer reading of a text?

Page 21: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

Queering Charlotte Brontë’s Jane Eyre

[email protected] || @lmhager || she, her, hers & they, them, theirs

• What is a queer reading of a text?• Why would you, as a critical reader of

texts, want to do a queer reading?

Page 22: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

Queering Charlotte Brontë’s Jane Eyre

[email protected] || @lmhager || she, her, hers & they, them, theirs

• What is a queer reading of a text?• Why would you, as a critical reader of

texts, want to do a queer reading?• What are some problems with queering

nineteenth-century texts?

Page 23: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

Queering Charlotte Brontë’s Jane Eyre

[email protected] || @lmhager || she, her, hers & they, them, theirs

Page 24: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

Queering Charlotte Brontë’s Jane Eyre

[email protected] || @lmhager || she, her, hers & they, them, theirs

Discuss one of following questions with your group:

• What kind of relationships do you see between Jane and other women characters? Does Jane does seem to feel romantically attached to these women? What actions and thoughts alert you to this?

OR

• How are Victorian gender roles called into question in this chapter? Are either or both Rochester and Jane doing and/or experiencing things associated with another gender?

Page 25: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

Queering Charlotte Brontë’s Jane Eyre

[email protected] || @lmhager || she, her, hers & they, them, theirs

1. Jane & Helen: ch. 8 (59-61) & ch. 9 (69-72)

2. Rochester as fortune teller: ch. 19 (172-180)

3. Jane & Bertha: ch. 25 (249-251) & ch. 26 (257-261)

4. Jane & the Rivers Sisters: ch. 30 (307-309)

5. Jane & Rochester @ Ferndean: ch. 37 (380-395)

Page 26: The Madwoman in Attic & Beyond: Contextualizing & Queering Charlotte Brontë’s Jane Eyre

Queering Charlotte Brontë’s Jane Eyre

[email protected] || @lmhager || she, her, hers & they, them, theirs

Discuss one of following questions with your group:

• What kind of relationships do you see between Jane and other women characters? Does Jane does seem to feel romantically attached to these women? What actions and thoughts alert you to this?

OR

• How are Victorian gender roles called into question in this chapter? Are either or both Rochester and Jane doing and/or experiencing things associated with another gender?