the italian museum scene “pro spectatore” bologna 25-27 march 2004 margherita sani - ibc

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The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

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Page 1: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

The Italian museum scene

“Pro Spectatore”

Bologna 25-27 March 2004

Margherita Sani - IBC

Page 2: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

Factors for orientating onesef1. Definition of a museum

2. Norms and rules

3. Figures

4. The actors

5. Existence of a museum policy (national, local)

6. Status and role of the profession

7. The existence of an accreditation system

Page 3: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

1. Definition of “museum”

Is there a definition of “museum”?

Page 4: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

Definition of “museum”Italy and the UK

Italy - Code of cultural heritage 2004:“A permanent structure which acquires, preserves,catalogues and displays cultural objects with aims ofeducation and study”

Museums Association- UK"Museums enable people to explore collections forinspiration, learning and enjoyment. They areinstitutions that collect, safeguard and make accessibleartefacts and specimens, which they hold in trust forsociety."

Page 5: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

Is a definition important?

For a long time no definition of museums in thelegislation (the 1939 Act does not refer to museums, butto collections)

Museums= collectionsbuildings

places where collections are kept, as opposed to placeswhere culture is produced.

Page 6: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

2. Norms and rules

Is the system run by legislation or otherrules (i.e. professional rules, code of ethics)?

Page 7: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

2. Italy: Norms and rules

Law 1089/ 1939 “For the protection of historic andartistic artefacts “ enforced until 1999

PROTECTION vs. ENHANCEMENT,PROMOTION

The legislation conceived for the protection of theheritage transferred to museums without furtherthinking of their mission

Page 8: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

The Italian anomaly

No independent legal status of museums (littleautonomy: financial, organisational, etc.)

No definition of museums in the legislation until1999

No recognition of a museum as an institutionMuseums= places where collections are kept, asopposed to places where culture is produced

Page 9: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

The 1990’sInnovation in museums as part of the overallprocess of reforming the Italian publicadministration

- Simplification of the administrative procedures- - Introduction of new organisational forms and

managerial tools for museums

- Debate on devolution to local authorities

- The user/citizen is central

Page 10: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

Changes in the legislative framework 1998-2004

Protection vs. Enhancement/Promotion

Minimum Standards – The accreditation system

Page 11: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

Changes in the legislative framework 2001-2004

2001- Amendment in the Italian ConstitutionTitolo V-Protection exclusive legislative right of theState- Enhancement/promotion exclusive legislativeright of the Regions

Code of cultural heritage 2004Comprehensive, overarching act on the culturalheritage- Cooperation State/other authorities

Page 12: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

Does legislation really matter?

Page 13: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

3. The figures

MUSEUMS IN ITALY 1996

TOTAL 4120

MUNICIPALITIES 1735 42,1%PRIVATE 707 17,2%STATE 551 13,4%

CHURCH 535 13,0%UNIVERSITIES 250 6,0%OTHERS 175 4,3%REGIONS 90 2,1%PROVINCES 77 1,9%

Page 14: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

Figures can be misleading ...

Back to the definition …

Page 15: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

“An open air museum”

“Italy: an open air museum” (Quatremére deQuincy – 1796)

“… The real museum of Rome is … made upof temples, obelisks, arches, …but neverthelessof places, mountains, … streets, ruins, … andthe relationships between all these objects, thememories, the local traditions, the comparisonsthat can be made only in the place itself.”

Page 16: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

The peculiarity of the Italian museum context

“Thanks to a special kind of link the collection siinscribed within the building and the buildingwithin the city and these three forms of museummutually relate to each other” (André Chastel)

The context – environmentThe buildingThe collection

Museums and the heritageMuseums and the “territory”

Page 17: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

4. The actors

Who are the actors?

Centralisation vs. devolution

What is the remit of the State?

And of the other authorities ?

What is the relationship public-private?

What is the involvement of the “civil society”?

Is there a professional association?

Page 18: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

4. The main actors in Italy

The Ministry for Cultural activities and heritage(1975) (1998)

The Regions (1970) – devolution of the 1970’s

The Provinces

The Municipalities

The Church (agreements with the Italian State 1985,1996 to foster co-operation

Page 19: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

Ministry for CulturalHeritage and Activities

General Directorates

- General Directorate for artistic,historical and etnnological heritage

- Directorate for Built Heritage andLandscape

- Directorate for Contemporary Art andArchaeology

- Directorate for Archaeology- Directorate for Archives- Directorate for Libraries- Directorate for Cinema- Directorate for Performing arts

Central Institutes and SpecialSuperintendencies

- Central Institute for Catalogue andDocumentation

- Central Institute for Restoration- Central Institute for Libraries- Central Institute for Archives- National Libraries- Gallery of modern and

contemporary art, Rome- Museum of Egyptian antiquities,

Turin- ….- …..-

Peripheral Offices

- Superintendencies for Built Heritageand Landscape- Superintendencies for Historic,Artistic, Ethnological Heritage- Superintendencies for Archaeology- Superintendencies for archives

National AdvisoryCouncil

Carabinieri for theProtection of theHeritage

General Secretariat

RegionalSuperintendencies

Museums andother institutionsfor conservation

Page 20: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

5. The existence ofa museum policy

Is there an explicit museum policy?

Where is it to be found?

Is it conceived at national/local level?

Is it co-ordinated with other policies (social,etc.)?

Does legislation influence policy?

Page 21: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

Museum policy in Italy

Implicit museum policy

Some co-ordinated actions State/otherauthorities

State/national museums

Regions/local authority museums

The “mission statement”

Page 22: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

6. Status and role of the profession

Slow development of a “professionalcommunity”

Scholars rather tahn museum professionals

Training in museum studies

Non existence of a professional association

Page 23: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

7. Existence of an accreditation system

DLGS. 112/1998

MINIMUM STANDARDS

DEVOLUTION OF THE MANAGEMENT OFMUSEUMS AND OTHER CULTURAL ASSETSTO LOCAL AUTHORITIES, PROVIDED THEYCOMPLY WITH SPECIFIC STANDARDS ANDGUARANTEE:

- Access- Safety- Risk prevention

Page 24: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

The accreditation system 2004

2001 Guidelines by Ministry

2002-2004 Accreditation systems developedby the Regions

LombardiaEmilia RomagnaVeneto…

Page 25: The Italian museum scene “Pro Spectatore” Bologna 25-27 March 2004 Margherita Sani - IBC

Further work ...

www.beniculturali.it

www.regione.nameoftheregion.it

www.regione.emilia-romagna.it

www.culturalpolicies.net