the importance of a=432hz as a concert pitch for music

8/10/2019 The Importance of A=432hz as a Concert Pitch for Music

1/12

The Importance of A=432hz as a concert pitch for music

by ...Brian T Collins

image By: ...Brian T Collins

The chiller Institute campaign for a change in concert pitch from A=44!hz

bac" to A=432hz is base# that 432hz is #eeply connecte# $ith nature an#

the %ocal chor#s of singers $ill not be #amage# by higher ranges $hen

centere# at concert pitch A=432hz.

The recent re#isco%eries of the %ibratory&oscillatory nature of the uni%erse

in#icates that current contemporary A=44!hz international concert pitch

stan#ar# may possibly generate an unhealthy e'ect or anti(social beha%ior in

the consciousness of human beings.

A=44!hz as a stan#ar# for concert pitch possibly may bring an unnatural )

*z #issonant change in ho$ $e thin". +,A oscillates to protect itself from the


2/12

en%ironment an# stress from #issonant interference patterns of mechanical

an# electromagnetic $a%es may possibly e'ect the abilities of +,A to

regulate our genetic ma"eup properly. -ur inner ear for eample $or"s on

the basis of /hi #ampening. The $aters of our inner ears rely on 0ibonacci

spiral #ampening through the seashell li"e structure of the cochlea to "eep us

feeling centere# or groun#e#. This 0ibonacci spiral shape helps cancel outcertain stan#ing $a%e interference patterns1 li"e a *elmholtz resonator1 in

or#er to "eep us properly balance# $ith the natural en%ironment aroun# us.

hen the inner ear is in stress by articial means1 $e can eperience a type

of fog li"e con#ition or feel space# out. The natural /hi shape of the

cochlea can be foun# planet $i#e in a ma5ority natural organic base# life.

A measure# phenomenon that supports the i#ea of using A=432hz as a

concert pitch is base# on the amount of musical partials of A=432hz that is

intert$ine# in organic systems an# the time of planetary mo%ement1 the unan# aturn for eample. aturn is the solar systems accurate time piece an#

it orbits the procession e%er )64 years

7432 28. The harmonic o%ertone partials of A=432hz appear to line up to

natural patterns an# no#al space resonance of scalar $a%es.

Truly all fre9uencies a'ect +,A an# consciousness1 as $e are in a musical

uni%ersal me#ium of #imension through the illusion of motion of #imension

through fre9uency1 $hich a'ects a$areness. If you change fre9uency you can

change the perception of #imension.

The issue is as far as concert pitch goes1 the farther up you go from C prime

pitch C=2)hz 7Concert A=432hz8 then the farther you can possibly #istort

the natural electric potential that imprints memory on the $ater in your cells.

This is perhaps $hy A=44!*z an# higher concert pitches can be eperience#

as brighter1 thinner1 up an# to the si#e of the hea#1 $hereas concert pitch at

A=432hz can be eperience# in the bo#y at the spine an# heart.

ome people eperience %i%i# #reams an# luci# eperiences of spiritual

connection1 once the electrical potential of the sphenoi# bone begins to

regulate the cranial an# spinal ;ui# in resonance from music tune# to

A=432hz.

ome au#iophiles ha%e also reporte# that A=432hz music seems to be non

local an# can appear to ll a room1 $hereas A=44!hz can percei%e# as

#irectional or linear in soun# propagation.

s boo" Inter%als cales tones an# the concert /itch C=2)hz

claims conclusi%e e%i#ence that 44!*z an# raising concert pitch abo%e C


3/12

/rime=2)hz 7Concert A=432hz8 #isassociates the connection of

consciousness to the bo#y an# creates anti(social con#itions in human

beings.

aising concert pitch e%en higher than A=44!*z can cause stress or $arping

of acoustic instruments an# may seriously #amage a singers %ocal chor#saccor#ing to some professional opera singers.

If $e eamine the 2!the century mass consciousness an# the use of

A=44!*z as possible min# control in mass me#ia pushe# through me#ia ?

tele%ision as the British In%asion of oc" ? oll1 $e see the potential anti

social beha%iors an# possible #angers of using higher an# higher pitches as

central references for music.

This information $as $ell "no$n o%er a hun#re# years ago an# u#olf teiner

$arne# man"in# that using @uciferic Brightness an# Arhimanic tones in

music coul# bring a con#ensing of the satanic gree# forces in the $est

instea# of C /rime=2)hz 7Concert A=432hz8 $hich he mentione# $as

Christ consciousness of ascen#ant energy an# angel


4/12

/hoto By: Cymacope

e $on#ere# $hat the geometry of 432hz $oul# loo" li"e using Cymatics so I

contacte# Dohn tuart ei#1 the co(#esigner of the Cymacope regar#ing his

$on#erful in%ention an# the geometry of the A=432hz tone.

The Cymacope is the pinnacle of cymatics research an# is the concept of

Dohn $ho as an acoustics engineer1 carrie# out cymatics research in the

Eing>s chamber of the reat /yrami# of iza in FFG. The Cymacope is an

accurate #e%ice that measures acoustic %ibrations of no#al points that form

patterns of geometry in #i'erent li9ui# or soli# me#iums.

The science of cymatics $hich is geometry through %ibration $as researche#

an# publishe# by +r. *ans Denny in F6G1 in his boo" calle# The tu#y of

a%e /henomena.

*ere is a transcript of Dohn>s correspon#ence $ith Brian T> CollinsH

*ello Brian1 432 *ertz pops out as a triangle1 e%ery time $e image it.

e thought there $as something $rong $ith the Cymacope but aftertrying for more than an hour $e conclu#e# that the number 3 $as someho$

uni%ersally connecte# to 432 *ertz.


5/12

e capture# it on %i#eo also an# it loo"s li"e it>s ali%e1 it $rithes an#

pulsates an# refuses to ta"e up any other form. e researche# the reason

$hy it ta"es up this geometry an# it turns out to be an interesting case:

hen A is tune# to 432*z the fre9uencies of the other A>s shift 7$ithin a

#ecimal point8 to 2G *z1 J41 !)1 261 )641 G2) in other octa%es.

+ becomes JG6 *z $hich becomes F *z1 )1 361 G21 441 2))1 J2 in other

octa%es. K becomes 324 *z $hich becomes ) *z1 621 64)1 2F6 in other

octa%es. All of these fre9uencies are #i%isible by 3...

egar#s1 Dohn tuart ei#.

Dohn ha# conrme# $ith his incre#ible in%ention the Cymacope1 $hat

seems to be a scientic interpretation of $hat I belie%e in my personal

opinion1 $hat u#olph teiner in his esoteric "no$le#ge of the


6/12

A=432hz pitch goes less than hertz #i'erence out of harmonic

synchronicity o%er the entire J3 note scale1 most other pitches are out of

sync after only t$o or three notes up the octa%e1 an ecite# engineer

conrme# that scales tune# to A=432hz is surely the ngerprint e%i#ence of

a intelligent #i%ine creator.

A ne$ 9uote regar#ing the amazing properties of 432 from Dohn tuart ei#>s

0aceboo"L page states:

432*ertz is a harmonic of light fre9uency it >spea"s> or >resonates> #irectly

$ith our cells. All cells communicate $ith each other %ia infrare# light so I

imagine that $hen they recei%e music in 432 *ertz they are in 5oy. The

conscious you may not be a$are of this1 but most of $hat goes on in our

bo#ies is sub conscious1 than"fullyM Nou can rea# more about ho$ all soun#s

create infra re# light in the physics section of our $eb site Cymacope

432 *ertz truly can be consi#ere# a harmonic of light.

oun# in air may be #ene# as the transfer ...of perio#ic mo%ements

bet$een a#5acent colli#ing atoms or molecules. This sonic energy typically

epan#s a$ay from the site of the collisions((at the local spee# of soun#((as a

spherical or bubble(shape# emanation1 the surface of $hich is in a state of

ra#ial oscillation. At the point of origin of the sonic bubble an electromagnetic

bubble is create# by the collisions bet$een the air molecules1 because each

collision creates friction that releases a small amount of infrare#

electromagnetism. That magnetism1 li"e the sonic bubble1 epan#s a$ay

from source spherically an# it is mo#ulate# by the sonic perio#icities1 in much

the same $ay that an amplitu#e(mo#ulate# ra#io broa#cast consists of an

electromagnetic carrier that is mo#ulate# in amplitu#e by1 say1 a person>s%oice fre9uencies. Thus1 the relationship bet$een soun# an# light is real an#

%ery much part of the $ay that nature $or"s. e cannot tal" about the 432

*ertz "ey note $ithout %isualizing a 432 *ertz(mo#ulate# infrare# light

bubble egar#s(Dohn

Images copyrighte# an# courtesy of Dohn tuart ei# of Cymacope as

$e are in agreement $ith Dohn to #isplay this image un#er certain copyright

con#itions1 please lin" bac" an# reference this page an# Cymascope

copyright. Than" you (K+IT-

Tuning /itch A 432hz


7/12

432hz %ibrates&oscillates on the principals of natural harmonic $a%e

propagation an# unies $ith the properties of light1 time1 space1 matter1

gra%ity an# electromagnetism. The sun1 saturn1 earth an# moon1 all ehibit

ratio>s of the number 432.

Concert pitch A=432hz pitch can ha%e profoun# positi%e e'ects onconsciousness an# also on the cellular le%el of our bo#ies.

By retuning musical instruments an# using concert pitch at A=432hz instea#

of A=44!*z1 you can feel the #i'erence of connecting a$areness to natural

resonance.

0eeling the +i'erence

The best $ay to eperience the A=432hz #i'erence is by listening. The trac"s

you are about to hear is a performance of ilent ,ight.

The recor#ings are the same1 only the tuning is #i'erent. This $as ma#e from-ne performance recor#e# into the


8/12

hat is your emotional state of min# bet$een the t$o trac"s can you sense

the #i'erenceO


9/12

or aniety or #epressions or loss of attention. 7/lease rea# +isclaimer at

footnote8

tu#ies #one by


10/12

of physics1 particularly the theories of light an# soun# an# he $as consi#ere#

an authority on pitch an# acoustics.

+eagan #esigne# the A=44!hz artime chimes that $as use# for

propagan#a ne$s reals in orl# ar II an# it is still use# e%ery#ay as the call

sign of the ,BC chimes.

+espite the petitions of o%er t$enty thousan# musicians in 0rance1 The I-

co#ie# Concert /itch globally to A=44!hz by -ctober 3r# FJJ.

,otice of arning

Puse binaral tones $ith caution.

/rolonge# o%er eposure to #issonant or binaural o%ertones may or may not

cause emotional changes. Kach in#i%i#ual is uni9ue an# reacts #i'erently to

fre9uency ban#s. /lease use $ith caution.

-mega432 is in#emnie# an# hel# harmless from any misuse of the tones

presente# on this $ebsite. 0urthermore The use of tones are for e#ucational

purposes only1 they are not inten#e# to replace functional me#icine1 nor are

they a cure for any #isease or remo%al of ;uori#e.

A mechanical soun# $a%e emitting from a tuning for" cannot fully alter the

structure of matter an# remo%e a substance such as a toin.

If you ha%e a me#ical con#ition please consult a license# me#ical #octor $ith

proper e9uipment.

-mega432 is ma"ing the comparison of tones a%ailable to #emonstrate the

#i'erence in sensation of a$areness bet$een Concert /itch A=432hz an#

A=44!*z.

e #o not recommen# raising concert pitch past A=43Ghz. There is ample

material a%ailable to suggest raising concert pitch 7although brighter8 has


11/12

negati%e e'ects on consciousness. 0or those $ho choose the path of soun#

healer1

/lease also #o proper research before a#opting or using tones as healing

ser%ices on others.

432 the +i%ine intonation

e prefer Concert /itch A=432hz as nature pro%i#es... The great spiritual

masters of this planet chant o%ertones of A=432hz for connection to spiritual

a$areness. Nogira5 urunath i##hanath promotes sacre# chants an#

mantras in Concert /itch A=432hz as +i%ine Intonations.

Bur#en of proof

It is not the responsibility or bur#en of -mega432 to pro%i#e proof or enter

into #ebate or contro%ersy to create opposing si#es.

ome may #iscern some of this information an# may e%en be inspire# to

create miracles. But there shoul# be the natural right to en5oy $hat e%er

fre9uency feels right for you.

Contro%ersy

e recei%e a large %olume of emails Q -mega432 from people $ho prefer

A=432hz as a Concert /itch1 but are also confuse# from information on other

thir# party $ebsites. Although there are other $ebsites promoting opposing

si#es of %ie$1 e #o not promote #i%ision.

Blac" an# $hite perception has cripple# our ability to come together as a co(

operati%e species an# share "no$le#ge in search of higher purpose. /eople

ha%e the natural right to choose $hat feels goo# for them.

e belie%e this shoul# be #one $ithout fear1 $ithout fa%or. If someone is

attac"ing or #efaming you for your beliefs an# eperiences1 then is that a nota form of #amage1 pre5u#ice an# segregationO

e as" each an# e%ery one of you to use your o$n instinct an# #iscernment

$hen choosing tones for purposes of healing an#&or listening en5oyment.

0or those $ho en5oy A=432hz an# the eperience 432hz tune# music

pro%i#es1 $e #e#icate this $ebsite for their choice of Concert /itch.


12/12

/erception

Nou cannot step outsi#e of consciousness to eperience another conscience.

/roof an# a myria# of other emotions are all ctional concepts base# onsub5ecti%e beliefs $ithin an ob5ecti%e collecti%e temporal a$areness. Truth is

a collecti%e agreement of a unilateral belief.

*umans ten# to see things accor#ing to their belief structures rather than

seeing things as they truly are. ometimes people hear an# #iscern

information selecti%ely accor#ing to their beliefs. Kach one of us has a uni9ue

an# separate min# eperience of conscious a$areness $hich ta"es in

information from eternal pre(programme# logos of language1 perception1

time an# symbolism. +,A may react li"e a cipher "ey $ith many functions

an# acti%ations not fully un#erstoo# by science an# the me#ical practices.

Those $ho choose A=432hz as a Concert /itch usually feel li"e they resonate

an# relate $ith A=432hz eperience. /erception is uni9ue to each in#i%i#ual>s

eperience.

*igher groun#

/lease use your o$n $is#om1 follo$ your o$n heart1 n# your o$n inner

tone of tuning1 after all $e each eperience our o$n path of #iscernment. 0or

one1 I #o not belie%e in follo$ing blin#ly1 try to loo" in$ar# to loo" out$ar#1

for I see the mysteries are all before you1 if you can 5ust let your true po$er

an# potential be.

As far as Concert /itch is concerne#1 $e choose A=432hz as the optimum

choice for Concert /itch.

If any of the information is of %alue an# you $oul# li"e to hear more about

A=432hz please sign up for our ne$sletter Belo$

the importance of a=432hz as a concert pitch for music

Documents