the horrors of h.p. lovecraft system design

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    ROMANCING HORROR:FOUR STORIES OF H.P. LOVECRAFT

    PRESENTED BY RENATA PUTZIG

    3 RD-YEAR AUDIO PRODUCTION/ELECTRICAL ENGINEERING DOUBLE MAJOR

    USITT 2013

    DESIGNED BY RENATA PUTZIG, PAUL KIRBY, AND TOM CONRAN

    SYSTEM DESIGN

    MICHIGAN TECHNOLOGICAL UNIVERSITY

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    Director: Roger Held

    Setting: A sitting room in amansion, present day

    Characters:

    Rodney Professor of Literature

    Edith Rodneys Wife

    John Butler/grad student

    Composition/Sound Design: Audio Creative Lab 1 Class

    Joe Augustine Comp - RC

    Chris Smock SD RC

    Collin Doerr-Newton Comp EZ

    Ben Jaszczak SD - EZ

    Nathan Hunter SD and Comp WS

    Grant Prusi Comp PH

    Peter Falk SD PH

    Nathan Prouty Comp Trans

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    SYNOPSISEdith and Rodney have invited the audience toa dramatic reading of a selection of classic HP

    Lovecraft horror stories in their home.

    Edith and Rodney take turns recounting thestories, while providing interesting historicalinformation about Lovecraft in betweenreadings.

    The four stories are:-The Statement of Randolph Carter Carterstates what he can remember of a late nighttomb exploration with his research partner,Warren.

    -The Music of Erich Zann A college studentstumbles upon a strange neighborhood andmeets an old, strange musician.

    -The White Ship A dream-like journey of alighthouse keeper to mystical, far away lands.

    -The Picture in the House A researchertakes shelter from a storm in an old, abandonedhouse, only to discover it is not abandoned.

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    SYSTEM DESIGN CONCEPT

    - We wanted to give the designers the ability to place soundsanywhere in the room. The small size of the stage and intimatesetting made localization an important aspect.

    -Sounds interacting with the actors.

    -We also wanted to try out creating a reverb system that couldeasily integrate with other future shows. Rather that adding reverbto a given clip itself, this system allows for a dry clip to havereverb added to it live. This reverb is played through 7 speakersspread around the room and aimed at the walls to excite thenatural reverberant field of the room.

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    MCARDLE THEATRE- 4646 sq. ft. black box theatre

    -Thrust stage setup- 1 large seating unit (~100 seats) in

    front

    - 2 sections of chairs set up on eitherside (~15 seats each)

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    THE PICTURE IN THE HOUSE

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    SPECIAL SPEAKERS

    Hitchhiker

    -Small 2-way ported speaker with lots ofrigging points

    -Named after the show the were built forHitchhikers Guide to the Galaxy

    AES Sub

    -2 woofer ported sub-cabinet built by our student AESchapter

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    MORE SPECIAL SPEAKERS

    Phone

    Clock

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    EVEN MORE SPECIAL SPEAKERS

    Fireplace

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    NETWORK PLOT

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    DIGITAL AUDIO PLOT

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    DANTE ROUTING

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    INPUT CHARTS

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    DSP TO SPEAKERS

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    CHALLENGES- Clocking issues

    - Fireplace spot speaker

    - Qlab file management- Midus internal board routing

    - Sample rates and lots of latency

    - Mid/side mixing

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    THANKS FORLISTENING!

    QUESTIONS?