the gothic horror subgenre as film

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The Gothic Horror Sub-genre What is Gothic Horror? - Gothic horror comes from the popularity of Gothic fiction and novels from the 1800’s onwards. Two of the most famous gothic novels are Mary Shelley’s Frankenstein (1818) and Bram Stoker’s Dracula (1897). - It is of much importance in the evolution of the ghost story and horror. They were tales of mystery and horror intended to chill the spine and curdle the blood and contain a strong element of the supernatural. - They are intended to create an emotional even visceral response from the audience not an intellectual or moral one. - To stir up fears and anxieties and desires that are attractive but dangerous and/or taboo. These are feelings that we don’t acknowledge on everyday life but are repressed. Gothic fiction uses these typical elements… - Wild and desolate landscapes - Dark looks and style – low key lighting - Graveyards , forests - Ruined abbeys – Dark Gothic architecture - Medieval castles with dungeons, secret passages, - winding stair cases, sliding panels and torture chambers - Monstrous apparitions and curses - An atmosphere of doom and gloom - Heroes and heroines in danger - Demonic power - Wicked tyrants and malevolent witches - Spooky effects with ghosts and spectres. - All flesh creeping and spine chilling stories. The conflict between subconscious desires and the need to conceal them is represented as doubles… Dual Worlds: which represent dark and light (sometimes good and evil) e.g. - The diurnal world = light and familiar – the world of convention and institution

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Page 1: The gothic horror subgenre as film

The Gothic Horror Sub-genre

What is Gothic Horror?

- Gothic horror comes from the popularity of Gothic fiction and novels from the 1800’s onwards. Two of the most famous gothic novels are Mary Shelley’s Frankenstein (1818) and Bram Stoker’s Dracula (1897).

- It is of much importance in the evolution of the ghost story and horror. They were tales of mystery and horror intended to chill the spine and curdle the blood and contain a strong element of the supernatural.

- They are intended to create an emotional even visceral response from the audience not an intellectual or moral one.

- To stir up fears and anxieties and desires that are attractive but dangerous and/or taboo. These are feelings that we don’t acknowledge on everyday life but are repressed.

Gothic fiction uses these typical elements…

- Wild and desolate landscapes- Dark looks and style – low key lighting- Graveyards , forests- Ruined abbeys – Dark Gothic architecture- Medieval castles with dungeons, secret passages, - winding stair cases, sliding panels and torture chambers- Monstrous apparitions and curses- An atmosphere of doom and gloom- Heroes and heroines in danger- Demonic power- Wicked tyrants and malevolent witches- Spooky effects with ghosts and spectres.- All flesh creeping and spine chilling stories.

The conflict between subconscious desires and the need to conceal them is represented as doubles…

Dual Worlds: which represent dark and light (sometimes good and evil) e.g.

- The diurnal world = light and familiar – the world of convention and institution- The nocturnal world = dark and unknown, where the layers of socially

acceptable behaviour (social conventions) can be stripped away.

Setting: Duality – where it is split into two levels (e.g. the house an the cellar etc.)A Journey: The characters often take a journey between the two worlds – could be physically or psychologically such as through dreams etc…Characters: The duality of characters – often shown in shadows on the character or in actual transformation ( Jekyll and Hyde.)

Gothic fiction has kept the cinema and writers going for years. The first were the in the 1930’s- 40’s with the Hollywood Universal Horror films such as Dracula (1931) Frankenstein, The Hunchback of Notre Dame and The Phantom of the Opera to name a few. The rights to these were then bought by Hammer Studios in the UK.

Page 2: The gothic horror subgenre as film