27 JUNE – 26 JULY

THE DRAGON

Image: Lachlan Woods

Malthouse Theatre presents

THE DRAGONBy Evgeny Shwarz

Adaptation by Toby Schmitz Music & Lyrics by Tripod

Directed by Marion Potts Set & Costume Design Anna Tregloan

Sound Design David Franzke

Lighting Design Matt Scott Assistant Director Mark Pritchard

Fight Choreographer Felicity Steel Video Joel Loxton and Joey Hitten

Cast Jimi Bani

Tyler Coppin Kim Gyngell John Leary Josh Price Nikki Shiels

Tripod (Scott Edgar, Steven Gates & Simon Hall)

Stage Manager Tom Webster Assistant Stage Manager Caitlin Byrne

Besen Family Artist Program Recipient (Costume Design) Melanie Liertz

MERLYN THEATRE27 JUNE – 26 JULY

The Dragon is proudly supported by Sofitel Melbourne On Collins

DIRECTOR’S NOTE

The West Wing was once described to me as ‘a fairy tale for adults’. Irrespective of the show, the observation captured our adult need to have fairy tales, to hear about acts of bravery and to project ourselves as heroes: our chests puff up at the thought of injustice and adversity and we imagine that we might actually effect change – that we have a real choice about our destiny.

The ‘fork in the road’ occupied many of our early discussions as a creative team on The Dragon. At one point we contemplated designing one – then we remembered that it’s best not to literalise a metaphor. Lancelot’s first fork in the road materialises as our play begins: one road leads towards a town with a tavern, the other towards a town with a dragon. The geographic choice invokes a moral compass and suddenly the story kicks off.

Lancelot always takes the path of most resistance and of course in our play too, he pursues the braver choice. But this first act of courage influences others. It’s an infectious problem. The townsfolk he meets are begrudgingly drawn into a contemplation of ‘otherness’ – their own fork in the road: to live with what they know or to contemplate an alternative. Why would they do the latter? The economy’s stable, the crime rate is down; ‘where else is everyone so well looked after?’ asks the Quarantined Doctor.

‘But at what moral price?’ (asks our Knight.)

In fairy-tale land, there is an alternative. And so we begin to flesh out our options, feel the freakishly daunting size of our

imagination, reach beyond our immediate grasp. We remember our ‘awesome capacity for moxie’ and are drawn to contemplate another way of being, perhaps even a different leadership model … Is it braver to be the outsider or to accept the outsider?

Laughing at our fears is part of the heroic quest … to assert bravery is to disdain pettiness and confront our weaknesses. It’s also a function of satire. Cold War antics from Get Smart and 007 right through to contemporary examples of spin doctoring and ‘message management’ have built a fine lexicon for us. Fear and paranoia can be measured by the sophistication of our surveillance techniques. Bouncers, guards, spies, and primitive bugging devices – these techniques all need regular upgrading. Technology gives us some extreme and at times ludicrous options. But are we using the microphone to bug or to broadcast? Are we behind the camera or in front of it? As confounding as it may be, it’s always good to keep a handle on the ‘comms strategy’ …

In revisiting the Lancelot myth, Shwarz, Schmitz, Bani, Tripod and the rest of us have held the gaze of dragons past and present – Mr Shwarz of course more than any of us. We’ve allowed them to hover within our expressive range and felt the urge to kill them. Regimes come and go but dragons are always nearby.

Marion Potts

JIMI BANILANCELOT

Jimi most recently performed in Peter Pan (Belvoir); Redfern Now (Blackfella Films & ABC); and Mabo

(Blackfella Films & ABC). In 2012 Jimi received the Deadly Award for Actor of the Year for his roles in both Mabo and The Straits. He also received nominations in 2012 for AACTA Best Lead Actor in a Television Drama (Mabo), and a Silver Logie nomination for Most Outstanding Actor in a Television Drama (Mabo). Other nominations include a 2009 Helpman nomination for Best Supporting Actor (Yibiyung), and in 2008, the WA Equity Foundation Nomination for Best Actor (Jandamarra). Other theatre credits include Jandamarra (Black Swan State Theatre Co); Romeo & Juliet (Sydney Theatre Co); Yibiyung (Belvoir); Krakouer (Deckchair Theatre); The Sapphires (Black Swan State Theatre Company/Belvoir). Other television credits include Remote Area Nurses (SBS), and The Straits (ABC). Jimi is a 2007 graduate from the Western Australian Academy of Performing Arts.

CAITLIN BYRNEASSISTANT STAGE MANAGER

Caitlin graduated from Charles Sturt University with a Bachelor of Arts in Communication and

Theatre Media. Her recent theatre credits include Pompeii, L.A., Happy Days, Tame and Happiness (Malthouse Theatre); Half-Real (Malthouse Theatre/The Border Project); and Thyestes (Malthouse Theatre/The Hayloft Project). Other credits include The Nest, A Garden of Money (The Hayloft Project); Life’s A Circus (Magnormos Productions); Melburnalia 2 (White Whale Theatre); List of Invisible Things (Scratch Theatre); Yummy (Susan-Ann Walker and Sally Bourne Cabaret); As You Like It (Winterfall Theatre); The Pyramid (3 to a Room Productions/Midsumma Festival); and Once We Lived Here (Bryant & Frank Productions).

TYLER COPPINCHARLES

Tyler is a Graduate of NIDA and performs regularly for the major theatre companies, as well as

independents, one-off projects and internationally. Most recent credits include the movie Predestination (directed by the Spierig Brothers and starring Ethan Hawke); The Child Catcher in Chitty Chitty Bang Bang; and since 1993, Puck in Baz Lurhmann’s acclaimed production of A Midsummer Night’s Dream for Opera Australia. For Melbourne Theatre Company: A Behanding in Spokane, Ruby Moon, and His Girl Friday. Awards include a Helpmann for his performance in The 25th Annual Putnam County Spelling Bee (Melbourne Theatre Company/Sydney Theatre Company); and the coveted Edinburgh Fringe First Award for his play LyreBird (Tales of Helpmann).

DAVID FRANZKESOUND DESIGN

David’s recent theatre credits include Pompeii L.A. (Malthouse Theatre); Intimacy, Holiday and Song

(Ranters Theatre); How High The Sky (Polyglot Theatre/Melbourne International Arts Festival); Elling (Melbourne Theatre Company); Hell House (Back to Back Theatre); Ward B (Xenia Hanusiak); Australia Day (Melbourne Theatre Company/Sydney Theatre Company); Aviary (BalletLab); and Dictionary of Imaginary Places (Anna Tregloan).

KIM GYNGELLTHE MAYOR

Kim Gyngell’s illustrious career in theatre, television and film has given us memorable performances.

From Col’n Carpenter to gritty M (Macbeth), to theatre productions like Art, Kim’s range is inspiring. Some of Kim’s theatre highlights include Pillowman, Ninety, Art, Festen, The Hypocrite and Twelfth Night for Melbourne Theatre Company, and It Just Stopped for Belvoir, as well as Sylvia, Metamorphisis and The Caucasian Chalk Circle for Sydney Theatre Company. On television Kim has constantly proven his versatility, from programs such as Underbelly, The Games, Backberner, Full Frontal, The Librarians, Very Small Business and Wilfred, to his most recent appearance in Lowdown 2 and The Straits. Kim’s film credits include Nightmares and Dreamscapes, The Hard Word, The Wog Boy, Love and Other Catastrophes, Evil Angels and most recently Salvation.Kim’s awards include the 2005 St Kilda Film Festival for Best Actor, The Writer; 2001 Helpmann Award Nomination for Best Actor, Art; 2001 Green Room Award Nomination for Best Ensemble, Art; 1998 St Kilda Film Festival for Best Actor, Sunday Hungry; 1998 Green Room Award Nomination for Best Actor, Twelfth Night; 1997,1996,1995 & 1994 Collective Logie for Most Popular Comedy Program Full Frontal; and a 1990 Logie Nomination for Most Popular Comedy Personality – Col’n Carpenter.

JOHN LEARYHENRY

Since completing his studies at Theatre Nepean, John’s theatre credits include His Girl Friday

(Melbourne Theatre Company); Peter Pan (Belvoir); Julius Caesar (Sydney Theatre Company); The Book of Everything, A Midsummer Night’s Dream, The Marriage of Figaro and Cloudstreet (Belvoir); Realism (Melbourne Theatre Company); The Marriage of Figaro (Queensland Theatre Company); Dealers Choice (Albedo Theatre); Don’t Stare too Much and The Rules

of the Game, Dealers Choice (Darlinghurst Theatre); and Lord of the Flies (Stable Mates). In 2006 John co-wrote and performed in The Suitors at the Old Fitzroy Hotel for Easily Distracted, which won the Phillip Parsons Young Playwright of the Year Award. John’s film and television credits include Red Dog directed by Kriv Stenders, Where the Wild Things Are directed by Spike Jonze, The Elegant Gentleman’s Guide to Knife Fighting, Offspring (Nurses), Tough Nuts 2, Woodley, All Saints, Double The Fist, Tracy McBean, Kangaroo Creek Gang, White Collar Blue, Cushion Kids, Backberner, Water Rats, Wildside and A Country Practice.

MARION POTTS DIRECTOR

Marion is Malthouse Theatre’s Artistic Director. She has worked with many of the country’s finest

theatre companies and was most recently Bell Shakespeare’s Associate Artistic Director, creating its development arm Mind’s Eye. Marion was Resident Director for Sydney Theatre Company from 1995-1999. She curated the 2003 National Playwrights’ Conference, was a chairperson of World Interplay and a member of the Theatre Board of the Australia Council. Marion received the Helpmann Award for Best Direction of a Play in 2006. For Malthouse Theatre, Marion has directed Hate, Wild Surmise, Blood Wedding, Meow Meow’s Little Match Girl and its return season at the Southbank Centre in London, ‘Tis Pity She’s a Whore, Sappho...in 9 fragments, and Venus & Adonis (with Bell Shakespeare). Other theatre directing credits include: King Lear, The Taming of the Shrew, Hamlet, Othello (Bell Shakespeare); The Wonderful World of Dissocia, Playgrounds, Volpone, Don Juan, Life After George, Cyrano de Bergerac, The Crucible, Navigating, Del Del, Closer, The Herbal Bed, What Is The Matter With Mary Jane?, Pygmalion, Where Are We Now?, The Café Latte Kid, The Blessing, Two Weeks With The Queen (Sydney Theatre Company); Grace (Melbourne Theatre Company); Equus, The Torrents, Gary’s House, A Number, The Goat or Who Is Sylvia? (State Theatre Company of South Australia); Constance Drinkwater and the Final Days of Somerset (Queensland Theatre Company).

JOSH PRICENORMAN/KIRKVERBY/ENSEMBLE

A graduate of the Victorian College of the Arts, Josh’s theatre credits include The Histrionic

(Malthouse Theatre/Sydney Theatre Company); Menagerie (NEON Festival – MTC/Daniel Schlusser Ensemble); The Dollhouse (Daniel Schlusser Ensemble); Delectable Shelter (The Hayloft Project); Elektra (Fraught Outfit); Life is a Dream (Storeroom); Something Natural but Very Childish (Dirty Pretty Theatre); The Wives of Hemingway (Side Pony/Weeping Spoon); Wittenberg (Red Stitch); Provocateur: The Rebellious Text (Red Stitch/Melbourne Festival); Peer Gynt (VCA); and the music theatre works Margaret Fulton: Queen of the Dessert (Present Tense/Theatreworks); and The Lovebirds (Melbourne Festival). Film and TV credits include Underbelly: Infiltration, City Homicide, Australia On Trial, The Nurses and John Doe.

MARK PRITCHARDASSISTANT DIRECTOR

Mark is a theatre maker who trained at the VCA (Directing), PACT, and the University of Wollongong.

He is co-director of NO SHOW, whose works include: The Séance, Unfinished Business, Outside Line and Shotgun Wedding. Mark’s other directing credits include 4000 Miles (Red Stitch Actors Theatre); The Ruffian on The Stair (VCA); and Timon’s Daughter (Tamarama Rock Surfers). As Assistant Director he worked on The Economist (MKA); The Laramie Project: Ten Years Later (Red Stitch); The Winter’s Tale (VCA); Bustown (atyp); and Queen C (BSharp). Mark undertook a Besen Family Artist Placement in Dramaturgy with the Malthouse earlier this year.

TOBY SCHMITZWRITER

Toby graduated from the National Institute of Dramatic Art in 1999 and since then has become

an accomplished actor, writer and director for theatre, television and film. Toby’s written work includes: I Want to Sleep With Tom Stoppard; fifteen and then some; Cunt Pi; This Blasted Earth: A Christmas Miracle with Music; Capture the Flag and Ghost Stories (Tamarama Rock Surfers); Lucky (Australian Youth Theatre/La Mama); Chicks Will Dig You!, dreamalittledreamalittle, and Pan (BSharp). Toby’s writing for TV includes: Think Tank, Lucky Dragon, Bargain Coast and Shaken Not Stirred. As a director Toby’s credits include: Capture the Flag, Ghost Stories and Work In Progress (Tamarama Rock Surfers); This is How it Goes (Darlinghurst Theatre); and Boys Life (Sydney Fringe Festival). Awards include the Patrick White Award (2002) for Lucky, and the Australian National Playwrights Award (2004) for Chicks Will Dig You!. In 2007 Toby was shortlisted for the Philip Parsons Young Playwright’s Award and in 2011 Capture the Flag toured nationally with Playwriting Australia. In 2012 Toby appeared as an actor in The Wild Duck for Malthouse Theatre.

MATT SCOTTLIGHTING DESIGN

For the past 19 years Matt has as worked as a lighting designer for all of Australia’s leading performing

arts companies including: Malthouse Theatre, Bell Shakespeare, Queensland Theatre Company, Melbourne Theatre Company, Sydney Theatre Company, Belvoir, Victorian Opera and Opera Australia. He has twice received the Helpmann Award for Lighting. Matt returns to Malthouse Theatre having previously deigned the lighting for A Commercial Farce. His other most recent credits include: Nixon In China (Victorian Opera); Madame Butterfly (New Zealand Opera); Henry IV (Bell Shakespeare); Chitty Chitty Bang

Bang (TML Enterprises); Elling, His Girl Friday, Red, The Seed, Tribes, The Importance of Being Earnest and Clybourne Park (Melbourne Theatre Company); Eat, Pray, Laugh – Barry Humphries’ Farewell Tour (Dainty Group); Don Pasquale (Opera Australia/Tokyo Art Foundation); and Don Giovanni (Oz Opera).

NIKKI SHIELSELSA

Nikki Shiels is one of Australia’s most promising young actors. Nikki graduated from VCA in 2009 where she

won the Richard Pratt Memorial Scholarship for an Outstanding Actor in their Second Year of Training. Shortly after graduating, Nikki performed as Mary Queen of Scots in Malthouse Theatre’s 2010 production of Elizabeth – Almost By Chance A Woman, as well as the lead role of Madeline in Auspicious Arts Projects’ Madeline. Also in 2010, Nikki filmed a key role in Fred Schepisi’s film The Eye of the Storm opposite Geoffrey Rush and Charlotte Rampling. Later the same year, Nikki appeared in Robyn Nevin’s production of Don Parties On for Melbourne Theatre Company. For television, Nikki scored a recurring guest role in Channel 9 series RUSH IV in mid-2011. Later that year, Nikki was an understudy in Melbourne Theatre Company’s production of The Importance of Being Earnest. 2012 saw Nikki back onstage in MTC’s production of Top Girls, a performance well received by critics, and in 2013 Nikki starred in MTC’s production True Minds.

ANNA TREGLOANSET & COSTUME DESIGN

As designer of staging and costumes for theatre, dance and circus, and as installation artist and

director, Anna Tregloan has collaborated with a large number and eclectic mix of companies and artists. Her work has toured extensively both nationally and internationally and she has been privileged to receive several state and national awards including

the John Truscott Award for Excellence in Design for Theatre and in 2010 an Australia Council Theatre Fellowship. Companies she has worked with include Sydney Theatre Company, Melbourne Theatre Company, Bell Shakespeare, Ranters Theatre, Playbox Theatre Company, Legs on the Wall, Arena Theatre Company, Back to Back Theatre, Danceworks, Handspan, Chunky Move, Finucane and Smith, Lucy Guerin Inc., Belvoir, Force Majeur, Circus Oz and numerous productions with Malthouse Theatre (including The Odyssey, Journal of a Plague Year, Eldorado, Venus and Adonis, Wild Surmise and BLACK, which she also directed). She is an artist at the performance company The Association of Optimism.

TRIPOD (SCOTT EDGAR, STEVEN GATES & SIMON HALL)THE DRAGON & OTHER CHARACTERS

Fixtures of the international comedy scene, musical comedy group Tripod have just completed a two-year national tour of Men of Substance, including seasons at the Sydney Opera House and Arts Centre Melbourne. 2010-12 saw Tripod develop and premiere Tripod versus the Dragon as Artists in Residence at the Massachusetts Museum of Contemporary Art, and then tour the piece nationally as well as to London, Edinburgh, and Wroclaw, Poland. Tripod are regulars on the music festival circuit, having played the Falls Festival, Woodford Folk Festival, the Port Fairy Folk Festival, the Apollo

Bay Music Festival, and the Queenscliff Music Festival. Tripod’s TV credits include the Melbourne International Comedy Festival Gala, Adam Hills Tonight, The 2011 Logie Awards (with Eddie Perfect), Skithouse and The Sideshow.

Alongside his work with Tripod, Scott Edgar works as a writer and illustrator for games and animation, including on Exchange Student Zero for the Cartoon Network and Double Happy versus the Infinite Sadness for Monkeystack Animation.

Steven Gates’ television credits include Blue Heelers, House Husbands and Upper Middle Bogan. Most recently, Steven co-wrote an episode of It’s a Date! for the ABC which will air later this year. Steven is also a passionate sound designer.

Over the past two years, Yon (Simon Hall) has performed his Green Room-nominated solo show Mandaddy at venues including Chapel off Chapel, The Astor in Perth and The Butterfly Club.

THOMAS WEBSTERSTAGE MANAGER

Thomas is a graduate of the Western Australian Academy of Performing Arts. His Stage Management

and Production Management credits include: Hate (Malthouse Theatre); And All Things Return to Nature Tomorrow and Aviary - Suite of the Bird (BalletLab); Barassi the Stage Show (Jager Productions); Good Evening (Token); Meow Meow’s Australian Tour (Live Nation); St Kilda Festival (2009-2012); Atheneaum Theatre (2008-2012); and Melbourne International Comedy Festival. Thomas has toured comedy acts around Australia, including Jason Byrne, Jennifer Coolidge, Alan Davies and Julia Morris.

Image: Lachlan Woods

MUSE DONOR PROGRAMThank you, Malthouse Muses, for supporting our artistic vision and helping us to create a unique and dynamic environment for artists and audiences.

URANIA—Muse of The Stars—$25,000+Annamila Pty Ltd, The Dara Foundation, The Danielle and Daniel Besen Foundation, Maureen & Tony Wheeler

CLIO—Muse of History—$10,000+Betty Amsden OAM, John & Lorraine Bates, Craig Reeves, Rae Rothfield, The Pratt Foundation

THALIA—Muse of Comedy—$5,000+Frankie Airey & Stephen Solly, Eva Besen AO & Marc Besen AO, Debbie Dadon, Roger Donazzan & Margaret Jackson AC, Neilma Gantner, Colin Golvan SC, Peter & Anne Laver, Richard Leonard, Michele Levine, Mary Ruth & Peter McLennan, Judith Maitland-Parr, Elisabeth & John Schiller, Carol & Alan Schwartz AM, Anonymous (2)

MELPOMENE—Muse of Tragedy—$2,500+Chryssa Anagnostou & Jim Tsaltas, Rosemary Forbes & Ian Hocking, Val Johnstone, Janine Tai, Jon Webster, Tom Wright

EUTERPE—Muse of Music—$1,000+Ingrid Ashford, John & Sally Bourne, Beth Brown & Tom Bruce AM, Sally Browne, Diana Burleigh, Ingrid & Per Carlsen, Marilyn and Andrew Cookes, Georgina Damm, Dominic & Natalie Dirupo, Rev Fr Michael Elligate, William J. Forrest AM, D.L & G.S Gjergja, Marco Gjergja, Michael Kingston, Sue Kirkham, Pamela McLure, Naomi Milgrom AO, Dame Elisabeth Murdoch AC DBE, Sue Nattrass AO, Jenny Schwarz, Neil & Barbara Smart, Mr & Mrs Smith Pty Ltd, Leonard Vary & Matt Collins, Jason Waple, Jennifer Werbeloff, Simon Westcott & Dr Ben Keith, Anonymous (2)

TERPSICHORE—Muse of Dance—$500+Sieglind D’Arcy, Min Li Chong, Mark & Jo Davey, Taleen Gaidzkar, Charles Gillies & Penelope Allen, Carolyn Floyd, Brian Goddard, Scott Herron, Leonie Hollingworth, Brad Hooper, Susan Humphries, Irene Kearsey, Ann Kemeny & Graham Johnson, K & J Lindsay, Sir Gustav AC CBE & Lady Nossal, Tony Oliver, Robert Peters, Right Lane Consulting, Tim & Lynne Sherwood, Maria Sola & Malcolm Douglas, Gina Stuart, Fiona Sweet & Paul Newcombe, Katherine Sampson, Joanne & Dr Niv Tadmore, John Thomas, Richard P. Watson, Phil & Heather Wilson, Henry Winters, Angelika & Pete Zangmeister, Anonymous (2)

ERATO—Muse of Love—$250+Simon Abrahams, Graham & Anita Anderson, Sandra Beanham, John & Alexandra Busselmaier, Robyn Campbell, John Carruthers, Ros Casey, Tim & Rachel Cecil, Diane Clark, Patricia Coutts, Mary Crean AM, Tania de Jong AM, Orla & Rachel, Paula Hansky OAM & Jack Hansky AM, Peggy Hayton, Roberta Holmes, Irene Irvine, Graeme & Joan Johnson, Vas Katos, Patricia Keith, Ruth Krawat, Liquorice Studio, William Lye, Brad Martin, Gael & Ian McRae, John Millard, Robyn & John Morris, Dr Kersti Nogeste, Linda Notley, James Penlidis & Fiona McGauchie, Wendy Poulton, Irene Purcell, John & Margot Rogers, Ernie Schwartz, Morry & Anna Schwartz, Jill Sewell, Lisl Singer, Thea & Hayden Snow, Janice Taylor, Ann Tonks, Rosemary Walls, Jan Watson, Joanne Whyte, Dr Roger Woock & Fiona Clyne, Barbara Yuncken, Anonymous (6)

CATALYST SYNDICATEWarwick & Lida Bray, John Carruthers & Rosie Purcell, Charles Gillies & Penelope Allen, Nick Glenning & Jenny Proimos, Sarah Morgan, Corrie Perkins & Peter Loder, Maria Prendergast OAM, Bob Sessions & Christina Fitzgerald, Simon Westcott & Dr Ben Keith

You too can make a difference on our stages and behind the scenes. Please call 9685 5162 or visit our website and inspire us with your donation.

BOARD OF DIRECTORSSimon Westcott (Chair), John Daley (Deputy Chair), Frankie Airey, Michele Levine, Ian McRae, Sarah Morgan, Thea Snow, Sigrid Thornton, Kerri Turner, Leonard Vary.

Artistic Director Marion PottsExecutive Producer Jo PorterAssociate Artist (Design) Paul JacksonAssociate Artist (Direction) Matthew LuttonAssociate Artist (Writing) Van BadhamCompany Managers Lucy Birkinshaw Nina Bonacci Associate Producer Josh WrightAdministrator Narda ShanleyFinance Manager Mario AgostinoniFinance Administrator Liz White Finance Assistant Connie StellaMarketing & Communications Manager Lisa SciclunaMedia Manager Maria O’DwyerDigital Strategy & Marketing Coordinator Chloe GordonCommunications Coordinator Jennifer SmithGraphic Designer Rick MilovanovicDevelopment Manager Jaclyn BirtchnellPhilanthropy Manager Nicole PunteDevelopment & Marketing Assistant Hiroki KobayashiTicketing Manager Emma HowardTicketing Assistant Lauren WhiteYouth & Education Program Clare WatsonExecutive Assistant Emily FioriAudience DevelopmentConsultant Jason TamiruBuilding Manager Peter ManderslootBar Manager Cherry RiversFront of House Managers Tristan Watson & Sean Ladhams

Production Manager David MillerTechnical Manager Baird McKennaOperations Manager Dexter VarleyHead Electrician Stewart Birkinshaw CampbellHead Mechanist Andy MooreTheatre Technician Nathaneal Bristow Head of Wardrobe Amanda CarrWardrobe Assistant Chloe GreavesWorkshop Supervisor David CraigSteel Fabricator Goffredo MameliScenic Artist Patrick JonesProps Master Ross Murray (lifetime recognition)

FRONT OF HOUSE/BAR STAFFLeeor Adar, Matt Adair, Jacqui Brown, Ben Carollo, Mimi Catterns, Kathryn Delaney, Tom Dent, Carla Di Stefano, Alice Dixon, Graham Downey, Tanja George, Christian Grant, Kate Gregory, Kathryn Joy, Bridie McCarthy, Ian Michael, Anna Nalpantidis, Daniel Newell, Ruby Nolan, Syrie Payne, Kliment Poposki, Beck Rafferty, Claire Richardson, Sanne Rodenstein, Phoebe Taylor, Jade Thomson, Lee Threadgold

BOx OFFICE STAFFAbbey Barnes, Liz Bastian, Paul Buckley, Mark Byrne, Dan Giovannoni, Kate Gregory, Suzie Hardgrave, Michelle Hines, Ian Michael, Fiona Wiseman, Liz White

Malthouse Theatre would like to acknowledge the people of the Kulin nation on whose land this work is being presented.

Malthouse Theatre would also like to acknowledge the ongoing support of its volunteers.

113 Sturt Street Southbank VIC 3006Box Office 03 9685 5111 • Administration 03 9685 5111 • Fax 03 9685 5112

malthousetheatre.com.au admin@malthousetheatre.com.au

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39 rEAsons Why mElBournE is thE ArtsCApitAl

melbourne.vic.gov.au/grantsandsponsorship

The City of Melbourne Triennial Program supports major and emerging festivals and arts companies, large and small. This is just one way we ensure that Melbourne remains home to Australia’s most vibrant and diverse arts scene.

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39 rEAsons Why mElBournE is thE ArtsCApitAl

melbourne.vic.gov.au/grantsandsponsorship

The City of Melbourne Triennial Program supports major and emerging festivals and arts companies, large and small. This is just one way we ensure that Melbourne remains home to Australia’s most vibrant and diverse arts scene.

GOVERNMENT PARTNERS

EDUCATION PARTNER MEDIA PARTNER PRODUCTION PARTNER

CORPORATE PARTNERS

CORPORATE ASSOCIATES

COMPANY SUPPORTERS

TRUSTS AND FOUNDATIONS Australian Communities Foundation The Robert Salzer Foundation Slome-Topol Family Charitable Trust Vera Moore Foundation

PROGRAM PARTNERS

SUITCASE SERIES REGIONAL EDUCATION PROGRAM

ARTIST PROGRAM FEMALE DIRECTOR IN RESIDENCE PROGRAM

REGIONAL PERFORMANCE PROJECTS NEW AUSTRALIAN COMMISSION & PRODUCTION

The Danielle & Daniel Besen FoundationDIRECTORS EXCHANGE PROJECT COMPANY IN RESIDENCE (Men of Steel)Maureen and Tony Wheeler INTERNATIONAL PROGRAM

Jeanne Pratt AC, Rae Rothfield, Tom Kantor Fund Sue Nattrass AO, Judith Maitland-Parr INDIGENOUS THEATRE PROGRAM THE KENN BRODZIAK ASSOCIATE PRODUCER (Shadow King)

Malthouse Theatre is supportedby the Australian Governmentthrough the Australia Council,its arts funding and advisory body

OUR PARTNERS

Images: Lachlan Woods