the creation of adam · the creation of adam, by michelangelo buonarroti (c. 1511) sacred art and...

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Michelangelo Buonarroti, “The Creation of Adam.” Circa 1511. Fresco. Sistine Chapel, Apostolic Palace, Vatican City. DIGITAL IMAGES AVAILABLE AT WWW.SOPHIAINSTITUTEFORTEACHERS.ORG The Creation of Adam BY MICHELANGELO BUONARROTI (C. 1511)

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Page 1: The Creation of Adam · The Creation of Adam, by Michelangelo Buonarroti (c. 1511) Sacred Art and the Beatitudes Our Ultimate End Is Heaven Directions: Take some time to quietly view

Michelangelo B

uonarroti, “The Creation of A

dam.”

Circa 1511. Fresco. S

istine Chapel, A

postolic Palace, Vatican C

ity.

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ITAL IM

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The C

reation of AdamB

Y M

ICH

EL

AN

GE

LO

BU

ON

AR

RO

TI (C

. 15

11)

Page 2: The Creation of Adam · The Creation of Adam, by Michelangelo Buonarroti (c. 1511) Sacred Art and the Beatitudes Our Ultimate End Is Heaven Directions: Take some time to quietly view

3© SOPHIA INSTITUTE FOR TEACHERS

The Creation of Adam, by Michelangelo Buonarroti (c. 1511)

Sacred Art and the BeatitudesOur Ultimate End Is Heaven

Directions: Take some time to quietly view and reflect on the art. Let yourself be inspired in any way that happens naturally. Then think about the questions below, and discuss them with your classmates.

Conversation Questions

1. Whom do you see in this fresco, and what appears to be happening?

2. What do you notice about the colors the artist chose? How does the light look? Where is it coming from?

3. What are some feelings that this painting inspires in you?

4. How does Adam’s posture differ from the Father’s?

5. Why do you think Michelangelo painted the Father’s hand and Adam’s hand almost, but not quite, touching?

6. Who do you think are the figures with the Father? Why do you think so?

7. Read Genesis 1:26-27. How does this painting enhance your understanding of these verses?

8. Some physicians have suggested that the shape behind God the Father resembles the outline of a human brain. If this is true, why might Michelangelo have painted it that way?

9. How does this painting depict the ultimate end for which we are created?

Page 3: The Creation of Adam · The Creation of Adam, by Michelangelo Buonarroti (c. 1511) Sacred Art and the Beatitudes Our Ultimate End Is Heaven Directions: Take some time to quietly view

Caravaggio, The Calling of St. Matthew, c. 1599-1600, oil on canvas. Contarelli Chapel, Church of San Luigi dei Francesi.

DIGITAL IMAGES AVAILABLE AT WWW.SOPHIAINSTITUTEFORTEACHERS.ORG

The Calling of St. MatthewBY CARAVAGGIO (C. 1599-1600)

Page 4: The Creation of Adam · The Creation of Adam, by Michelangelo Buonarroti (c. 1511) Sacred Art and the Beatitudes Our Ultimate End Is Heaven Directions: Take some time to quietly view

57© SOPHIA INSTITUTE FOR TEACHERS

The Calling of St. Matthew, by Caravaggio (c. 1599-1600)

Sacred Art and the BeatitudesVocation: The Universal Call to Holiness

Directions: Take some time to quietly view and reflect on the art. Let yourself be inspired in any way that happens naturally. Then think about the questions below, and discuss them with your classmates.

Conversation Questions

1. Whom do you see in this painting, and what appears to be happening?

2. What do you notice about the colors the artist chose? How does the light look? Where is it coming from?

3. What are some feelings that this painting inspires in you?

4. Who do you think is St. Matthew in this painting? Which figure is Jesus?

5. Jesus is the man to the far right pointing at St. Matthew (who is pointing at himself, appearing to say “Who, me?”). The older man standing next to Jesus is St. Peter. Why is St. Peter imitating Jesus?

6. Read Luke 5:27-28. How does this painting enhance your understanding of these verses?

7. If you were a figure in this painting, who would you be?

8. In your own life, are you listening for God’s call? What can you do to listen to it more carefully?

Page 5: The Creation of Adam · The Creation of Adam, by Michelangelo Buonarroti (c. 1511) Sacred Art and the Beatitudes Our Ultimate End Is Heaven Directions: Take some time to quietly view

Domínikos Theotokópoulos (El Greco), The Agony in the Garden (c. 1610-1612), Budapest Museum of Fine Arts.

DIGITAL IMAGES AVAILABLE AT WWW.SOPHIAINSTITUTEFORTEACHERS.ORG

The Agony in the GardenBY DOMÍNIKOS THEOTOKÓPOULOS (C. 1610-1612)

Page 6: The Creation of Adam · The Creation of Adam, by Michelangelo Buonarroti (c. 1511) Sacred Art and the Beatitudes Our Ultimate End Is Heaven Directions: Take some time to quietly view

77© SOPHIA INSTITUTE FOR TEACHERS

The Agony in the Garden, by Domínikos Theotokópoulos (c. 1610-1612)

Sacred Art and the BeatitudesPassions in the Christian Life

Directions: Take some time to quietly view and reflect on the art. Let yourself be inspired in any way that happens naturally. Then think about the questions below, and discuss them with your classmates.

Conversation Questions

1. When you look at this painting, what do you first notice? What is your favorite part?

2. Do the figures in this painting look realistic? If not, how would you describe the way they look? How do the unreal shapes add to the painting’s expressiveness?

3. Who are the people in this painting? What sorrowful mystery of the Rosary is depicted here?

4. Read Matthew 26:36-46 and Luke 22:39-46. How does this painting help you understand these verses?

5. What feelings does Jesus describe having in this Gospel passage? What other feelings do you think He might have experienced during this time? Why?

6. What do the Gospels tell us that Peter, James, and John were feeling?

7. What do this painting and the Gospel story of the Agony in the Garden teach us about how we should understand our feelings?

Page 7: The Creation of Adam · The Creation of Adam, by Michelangelo Buonarroti (c. 1511) Sacred Art and the Beatitudes Our Ultimate End Is Heaven Directions: Take some time to quietly view

Leonardo da Vinci, The A

nnunciation. c. 1472. O

il on Panel, U

ffizi Gallery, Florence, Italy.

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The Annunciation

BY

LE

ON

AR

DO

DA

VIN

CI (C

. 14

72

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Page 8: The Creation of Adam · The Creation of Adam, by Michelangelo Buonarroti (c. 1511) Sacred Art and the Beatitudes Our Ultimate End Is Heaven Directions: Take some time to quietly view

113© SOPHIA INSTITUTE FOR TEACHERS

The Annunciation, by Leonardo da Vinci (c. 1472)

Sacred Art and the BeatitudesObedience

Directions: Take some time to quietly view and reflect on the art. Let yourself be inspired in any way that happens naturally. Then think about the questions below, and discuss them with your classmates.

Conversation Questions

1. When you first look at this painting, what do you notice? What is your favorite part of the painting and why?

2. Who are the figures in this painting?

3. What is this event known as?

4. What do you notice about the overall composition of the painting: the colors, the background, the lighting, etc.?

5. Read Luke 1:26-30. What does the archangel Gabriel tell the Blessed Virgin Mary? How does she feel at first? What is her response to the news she receives?

6. The Blessed Virgin Mary is a perfect example of obedience. Why?

7. What would your reaction be if an angel told you about a special mission God wanted you to carry out?

Page 9: The Creation of Adam · The Creation of Adam, by Michelangelo Buonarroti (c. 1511) Sacred Art and the Beatitudes Our Ultimate End Is Heaven Directions: Take some time to quietly view

Michelangelo Buonarroti, The Last Judgment (1536-1541), fresco, Sistine Chapel, Apostolic Palace, Vatican City.

DIGITAL IMAGES AVAILABLE AT WWW.SOPHIAINSTITUTEFORTEACHERS.ORG

The Last JudgmentBY MICHELANGELO BUONARROTI (C. 1536-1541)

Page 10: The Creation of Adam · The Creation of Adam, by Michelangelo Buonarroti (c. 1511) Sacred Art and the Beatitudes Our Ultimate End Is Heaven Directions: Take some time to quietly view

149© SOPHIA INSTITUTE FOR TEACHERS

The Last Judgment, by Michelangelo Buonarroti (c. 1536-1541)

Sacred Art and the BeatitudesThe Beatitudes and Moral Choices

Directions: Take some time to quietly view and reflect on the art. Let yourself be inspired in any way that happens naturally. Then think about the questions below, and discuss them with your classmates.

Conversation Questions

1. Where can you see this work of art? How long did it take Michelangelo to complete it?

2. Who is the central figure of this masterpiece? What does He seem to be doing with His hands?

3. What is the main contrast you see in this fresco? What are the two kinds of souls, and what is happening to them?

4. Is it possible to understand some truth from this painting even without knowing who all the people are, or what exactly is happening in every part of the painting? If so, what is that truth?

5. This fresco is on the altar wall of the Sistine Chapel. It is huge — 44 feet by 39 feet, or almost four stories tall. Imagine yourself viewing it in real life, amid the incense, candles, and softly murmured prayers in the chapel. How do you think the scale of the work of art would affect you?

6. The walls and ceiling of the Sistine Chapel are almost entirely covered with beautiful frescoes. You have to crane your neck to see all of them, and even use binoculars to see all the details. They took many years to complete at great expense. Why would the Church go through all that trouble?

7. Look for figures/scenes including the ones below. How do they add to the meaning of this work?

ӹ The Virgin Mary

ӹ Sts. Peter and Paul

ӹ Scenes from Christ’s Passion

ӹ Charon

ӹ King Minos

Page 11: The Creation of Adam · The Creation of Adam, by Michelangelo Buonarroti (c. 1511) Sacred Art and the Beatitudes Our Ultimate End Is Heaven Directions: Take some time to quietly view

Apse fresco of the A

nastasis, Church of the H

oly Saviour in C

hora.

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The Anastasis

Page 12: The Creation of Adam · The Creation of Adam, by Michelangelo Buonarroti (c. 1511) Sacred Art and the Beatitudes Our Ultimate End Is Heaven Directions: Take some time to quietly view

161© SOPHIA INSTITUTE FOR TEACHERS

Directions: Take some time to quietly view and reflect on the art. Let yourself be inspired in any way that happens naturally. Then think about the questions below, and discuss them with your classmates.

Conversation Questions

1. When you look at this fresco, what do you first notice? What is your favorite part?

2. How would you describe the overall mood of this work of art?

3. Recite the Apostles Creed. What event described in that profession of faith does this fresco depict?

4. Off to the sides are King David, King Solomon, St. John the Baptist, Abel, and others. Who do you think are the two people whom Jesus grasps by the wrists?

5. How would you describe Jesus’ posture? What does the artist show us about who Christ is by the way he painted Him?

6. Read Matthew 16:18. What does this fresco teach us about Jesus’ promises to all of humanity?

The Anastasis, Church of the Holy Saviour

Sacred Art and the BeatitudesWho Are the Blessed?