the codes study notes

8/11/2019 The Codes Study Notes

1/57

STUDY NOTES - AND GRAPHFOR THE CODES BOOK TO FOLLOW

Note to readers: I do not know who the original author was of the followingpages 3 -57 , but I could not find this on Scribd so I am reposting those pageshere along with my graph /notes and completed worksheet numbers (pages 1-2 )which is based on my re view of the original document. Highlighted colors are the

Solfeggio fre quency numbers.

The rest is included only for reference and is not my work. Note the spirals and looping(1-9) numbers in the sheet. Its fascinating how these numbers appear to be mirrored.


2/57

Study Notes Cont'd - This is a picture of the Lord Pacal mask. Note the mirroring numbers from the mask.I included this only for interesting comparison given the codes and information in the document to follow.

Picture referenced from Tutankhamun Prophecies book. Decoded compositepicture can be seen via online searches for better detail and/or in color.


3/57

Concerning matter, we have been all wrong. What we have called matter isenergy, whose vibration has been so lowered as to be perceptible to the senses.There is no matter. Albert Einstein

For the mystery and the riddles of the Universe to be revealed and

understood Imust be able to understand them. Marion Garces

I believe the Universe is better represented by number patterns thanby mathematics or number formulas! Marion Garces

The Book o !enesis " The Book o #evelation " The Book o $ohn " %oBeginning, no End " &n The Beginning " The 'erpent " The Tree " The Apple "The ()r)bor)s * Temple o 'olomon " 'olomon+s ey " The Two -illar s " The Emerald Tablet " The abala " The erkabah " The -hilosopher'tone/The -hilosopher+s Tone * %)merology " The 0ebrew Alphabet " The

!reek Alphabet " Egyptian ythology " As Above 'o Below " The -yramids " 1inand 1ang " The 2edas " ayan ythology" %ative American ythology " &rishythology " The 'ol eggio Tones " The m)sical scale " !regorian Chants " The

2atican " The -hi 'piral " The 3,4 and 5 " (pposing 'pirals " (pposing-ress)res " (pposing 2ortices " Coral Castle " Tor)s Coil * 2ibrations " The

agic '6)are o the ')n " 'el 'imilarity " 'acred !eometry * Ether " The 7abrico 'pace -article 8 Wave " 'ine Wave *Water * %ewgrange * agnetism *Crop Circles " ason+s Angle 8 Compass " The 'hamir * Cymatics " 9ero -oint7ield " Walter+s :; ie +s an"eating" oon *()spensky+s 0ydrogens * #)ssell+s (ctaves * Color 'pectr)m * Black =ight *White =ight " #ed =ight * Bl)e =ight * 7ractals * $es)s * $ohn the Baptist *%orth -ole * 'o)th -ole * $osh)a at $ericho * 0AA#- * Bl)e 'tar ?

E2E#1T0&%!


4/57

Call me crazy, have me committed, but I think I have stumbled upon the secretof creation and the Universe!

To doc)ment this >o)rney o discovery & have to go back 6)ite some time, to the mid:5@ +s, when & was abo)t or ; years old. (ne winter a ternoon, shortly be ore Christmasmy brother and & were looking o)t o o)r th loor apartment window, waiting or snow to

start alling. &t is one o the clearest memories o my li e. The whole sky was illed with thetiniest, s6)irming lights. Billions o themD & can see the airD & b)rst o)t witho)t thinking.

Where & want to see tooD, my little brother immediately demanded. y parentswere c)rio)s at irst, b)t soon went back to whatever they were doing, shaking their heads,where does she get this imagination y grandmother wisely kept 6)iet at that point, sheknew where & got it. 7rom that point on & saw the air whenever & looked at a clear verybright area, the sky, a patch o snow, a sheet o paper with the s)nlight alling on it, all othem were instantly alive with tiny s6)irming points o light.

y parents event)ally became less and less am)sed when & staked my claim toseeing the lights and one day, 6)ite sternly, told me that & was too old or s)ch silliness. &event)ally learned not to talk abo)t the lights anymore. B)t & have seen them thro)gho)tall o the many years that have passed since then.

&+m a very c)rio)s person, and & love, no, & adore weird thingsD 'o thro)gho)t my li e& have always looked or and p)FFled over strange phenomena. (ne o the strangest,weirdest things & ever came across was Coral Castle in iami. &n the s)mmer o G 5 &st)mbled across a YouTube video o the castle and its creator, Ed =eedskalnin. Edclaimed to see beads of light, which he believed to be the physical presence of nature'smagnetism, and life force, or what we term today chi. Call it what yo) will, Ether, the 7abrico space, & can see it. & can see it so clearly that & can+t )nderstand how anyone can notsee it.

Be ore going on, let me inter>ect the second pivotal event that set me )pon my6)est. &t happened or ; years a ter the irst. & had pretty m)ch divorced mysel romscience at this time, beca)se & developed a mental block to )nderstanding the periodictable. &t >)st didn+t make sense to me. When & looked at the awkward arrangements o theelements, so dis>ointed and )nconnected & >)st elt in my bones that this was not 6)iteright. & will shortly ret)rn to this s)b>ect. 7irst a ew more acts abo)t Ed.

( co)rse when & o)nd o)t that Ed co)ld see the lights too Hthere have been otherswho can see them alsoI, & had to investigate. 7rom this point on things >)st seemed to allinto my lap. Every time & got to a seeming dead end where everything stopped, it didn+ttake more than a week o p)FFling and & st)mbled across a new piece o in ormation, and

>)st the right one at that. Then & was o obsessed with working in this new in o. At onepoint d)ring my investigation o Ed and Coral Castle, & came across Walter #)ssell andThe Universal One.

Accepting the act that & may well be perceived as a stark, raving l)natic, which &can live with, let me try and retrace the neJt steps that led me to a table o the mostamaFing n)mbers. & have no do)bt that these n)mbers are very signi icant, tho)gh & amstill p)FFling over >)st how and what the signi icance is.

2


5/57

Be ore & get deeper into these n)mbers, & m)st tell yo) that & believe that or themystery and the riddles o the Kniverse to be revealed and )nderstood & m)st be able to)nderstand them. By this statement & mean that every average person m)st be able toint)itively grasp the workings o it, witho)t resorting to and )nderstanding h)ndreds, oreven a hand )l o long, complicated mathematical orm)las. To >)sti y this conviction let mere"tell a story abo)t one o the ew people & admire very m)ch, Walter #)ssellL.

Walter RussellWalter Russell was born in Boston, A in :; : and died in :543. 0e was an artist,

sc)lptor, architect, m)sician, champion athlete and not least o all a polariFing ig)re in theields o chemistry, physics and cosmogeny 0e proposed that the )niverse was o)nded

on the )ni ying principle o rhythmic balanced interchange. 0e wrote several books, b)tsince he was not, according to mainstream science, an o icial scientistM his works havebeen largely ignored.

=ately however, some o the more open"minded and in6)isitive scientists, s)ch asmathematician arko #odin and 6)ant)m physicist %assim 0aramein, have beenin l)enced by and have b)ilt )pon his work.

Walter #)ssell stopped attending reg)lar school when he was only eight. B)t Walterdid not leave learning. By the time he was :3 he had attained the position as ch)rchorganist. 0e st)died art and became a s)ccess )l portrait painter and sc)lptor. 0e workedas an art editor at CollierNs agaFine. As an architect he designed the 0otel des Artists, onWest 4 th 't, in %ew 1ork, and a !othic st)dio across rom the )se)m o %at)ral 0istoryon 5th 't, also in %ew 1ork.

As a sc)lptor, Walter created the ark Twain mon)ment, which eat)res the a)thorand his amo)s characters. As a scientist, Walter #)ssell st)died physics, and became amember o the gro)p, which incl)ded 2iktor 'cha)berger Albert Einstein and %ikola

Tesla, who believed that ac6)isition o energy rom what Einstein re erred to as the N abrico spaceN was possible.

Walter #)ssell gave the world new theories s)ch as the )ndamental principles oenergy dynamics, the nat)re o matter and the progression o the evol)tion o matter. 0ealso depicted the )niverse as a contin)o)sly changing, creating e ort, s)stained by thesystematic work o the energy o light which all matter is composed o Hhere are my wigglylightsI. 0is depictions o )niversal laws were eJpansive eno)gh to be considered acomplete non"standard cosmology. Today his works are known as #)ssellian science.

#)ssell portrayed the principles o the )nity o )niversal law in a way that bro)ghtmany highly considered theories into direct con lict. 0e a)lted science or blindly believing

many erroneo)s theories, never having checked their acc)racy, or trying to remedy theirincompleteness. Among these were some o the )ndamental principles derived by%ewton.

Walter #)ssell also presented a new view o the periodic table o elements that ledhim to the prediction o the eJistence o pl)toni)m and several other elements, which werestill )nknown to mankind at the time. 'ome, like pl)toni)m, have since been o)nd, eJactlywhere and how he described them. (ther elements he predicted are still )nknown tomankind today. 0owever their mathematical placement in his charts makes their event)aldiscovery likely. 0e also predicted the creation o heavy water, which is re6)ired or the

3


6/57

process o releasing n)clear energy.

#)ssell+s periodic table has not however been adopted )lly despite thesediscoveries, as it indeed de ies a great deal o c)rrent scienti ic tho)ght, primarily thenat)re o the evol)tion o matter and the )ni ied wavelength principle on which his table isbased.

Walter #)ssell was very spirit)al, and his attempt to )se science and !od, tho)ghto in my opinion very s)ccess )l, this is another reason why scientists ignore hiscontrib)tions. 0owever, many prominent scientists o his day, incl)ding Einstein, didrespect #)ssell+s contrib)tions. %ikola Tesla, advised #)ssell to hide his indings or atho)sand years )ntil h)manity was ready or them.

Books o Walter #)ssell can be o)nd at the Kniversity o 'cience and -hilosophy andincl)deO

L The Kniversal (neL The 'ecret o =ight, 3rd ed., :55

L The essage o the


7/57

second orce being the negative, eJpanding, degenerative, magneto"radiative orce beingin the centri )gal direction o opening harmonic spiral vortices in which all attrib)tes areeJothermic.Q

This man then, Walter #)ssell, in :53 , challenged all o science that they basicallyhad everything wrong. The %ew 1ork Times severely chastised him, acc)sing him o

blasphemy against science, saying how dare a non"scientist intr)de into those hallowedhalls. They called his claims abs)rd and severely misg)ided at best.

Walter responded that he was sorry that scientists were )nable to provide theanswers. 0e said & am sorry that an artist had to do it. Walter pointed o)t that 'ir (liver=odgeLL said that no scientist co)ld make the s)preme discovery o the thing or whichscience is looking and hoping, s)ch a discovery wo)ld have to be the s)preme inspirationo some poet, painter, philosopher or saint. 0e contin)ed, &n other words, science sorelyneeds the imagination o an artist or poet to synthesiFe her heterogeneo)s compleJitiesand p)t her on a path o simplicity and tr)th, or nat)re is very simple in her ca)ses. 'he iscompleJ only in her repeative e ectsD

'o this has become my sel "appointed mission, to make the compleJ so simple thatanyone can )nderstand it, even &. & will try to be Walter #)ssell+s artist and poet. Will & ailmiserably at it -robablyD B)t )ntil someone else tries and s)cceeds, & will keep working atit. Will some people take this as a challenge & hope soD & think it is time that the wonderso the Kniverse are simpli ied so that everyone can marvel over them, not >)st a ew highpriestsD y goal is, absol)tely no math above algebra :, and o co)rse geometry, thesacred kind.

Physical Scienceany years a ter & st)mbled )nwittingly )nto this great p)FFle and a ter many career

changes & became an E'= HEnglish as a 'econd =ang)ageI ed)cator at a local high

school. 'ince & am l)ent in 'panish, my >ob is to go into the di erent classrooms with thest)dents that have recently arrived rom 'panish speaking co)ntries and have not yet hadtime to learn English. & translate most o the materials and lect)res or them.

A little over two years ago, a ter one o my colleag)es 6)it, & rel)ctantly vol)nteeredto go into the -hysical 'cience class. & had never been in the physical science class be oreand was prepared to either str)ggle or be totally bored. & am still s)re this wo)ld have beenthe case, eJcept or the teacher who was there that year. 'he was amaFing. 'he made theclass so lively and

ascinating that even the 5th grade st)dents loved going to her class. Thank yo),EliFabethD

& began looking or some basic books to eJpand my knowledge o physics. & had nothad any l)ckM most books that were basic eno)gh or me were also too boring. 7atestepped in and & o)nd mysel one $)ne day, killing time in a co ee shop on 35th 'treet,close to K edical Center. Across the street rom there is the White =ight Bookstore, akind o *not too serio)s * new age bookstore. & can+t pass )p any bookstore, serio)s orotherwise. ( co)rse, & went in.

&n that dimly lit, cramped establishment o re>ected secrets & came across The7ield, by =ynne cTaggart and bo)ght it. &t wasn+t on physics, b)t on R)ant)m -hysics,

5


8/57

=ynne+s book promised to remedy my ignorance o the s)b>ect. Thank yo), =ynne, thepromise was delivered and then some. & not only )nderstood what the book was abo)t, b)t& became hooked on the s)b>ect and wanted more. (ne thing that cTaggart was amaFingat in her book is bringing in so many other disciplines and showing how they impactedphysics. This is what & had or so long believed and been looking or. The Kniverseincl)des everything, so it m)st be eJplained with everything. 1o) can+t eJplain whatsomething is by leaving o)t 55P o itD Walter had it rightReiki Session

'hortly a ter & bo)ght =ynne+s book, & went with my da)ghter in law to visit a riendo hers who does reiki sessions. We chatted a while, and & told her abo)t =ynne

cTaggart+s books. & had by then also read SThe &ntention EJperiment. 'arah o ered mea session ree o charge and & accepted, not eJpecting m)ch o anything. &t started o)t6)ite ordinary, tho)gh very soothingly relaJing.

The irst hint o something )n)s)al came when & elt an incredible warmth comerom her hands, even tho)gh she never to)ched any part o my body. The heat became

even more intense when her hands rested above my neck and sho)lders and she askedme i & had been having any problems related to this part o my body.

any years ago & was in an accident, and & have had m)ch pain in my right neck,sho)lder and hip ever since. A ter abo)t ten min)tes she told me to lie on my stomach. Asshe worked her magic on my back & closed my eyes and listened to the m)sic playing inthe backgro)nd. Almost instantly, with shocking s)ddenness & o)nd mysel looking at aclassroom )ll o st)dents, maybe 4 or years old. The vision was so real. &t was in 3"d,

)ll color and incredible detail. B)t the most shocking thing was that right in the ront rowwas a yo)ng girl & knew.

Even tho)gh & knew that girl, &+m not totally s)re who it was. Either it was my sister

in law who had died 3 years earlier or it was & mysel at abo)t the age o ten. Anyway thegirl was trying to tell me something, b)t & co)ld not hear her. 'he did motion me as i to saycome on. & was shocked and determined to go ollow )p on the reiki sessions. 'adly withall that & have become involved in since, & have neglected this.

David Sereda and the Harmonic Codes

0owever, shortly a ter the reiki eJperience & came across a video series by


9/57

What & got were the 4 n)mbers o the 'ol eggio Tones. & had never heard o thesetones, b)t as o this writing & have a co)ple h)ndred recordings and h)ndreds o pages onotes on them.

A Short History of the Solfeggio TonesThe irst time & came across the 'ol eggios & got the ollowing siJ n)mbersO

KT * 354 0F#E * : 0F& * @G; 0F

7A * 435 0F'ol * : 0F=A * ;@G 0F

The n)mbers are the 0ertF re6)ency val)esM the letters are letters o the m)sical scale.%ote that there are only siJ o them. This is the sol eggio scaleM the amo)s !regorianChants are s)pposedly based on this scale. This scale is very well adapted to vocalvibrations. The names o the notes are taken rom the now lost, or rather hidden, 0ymn to't. $ohn the Baptist, and stand orO

KT R)eant =aJis That yo)r servantsN voices#E"sonare ibris may reso)nd with&"ra gestor)m yo)r great miracles

7A"m)li t)or)m the stains'(="ve pol)ti cleanse rom=A"bi ireat)m o)r poll)ted lips'ancte &oannnes

y knowledge o =atin is >)st what & picked )p here and there, so this may not be: P acc)rate. The 0ymn to 't $ohn the Baptist, hidden by the 2atican, mostinterestingD $ohn the Baptist, is one o several ig)res &+ll >)st hint at in passing here. Eachone o these s)b>ects is probably worth a whole book to itsel . &+ll >)st mention that, there isa mystery and controversy connected to $ohn the Baptist. &t is something the CatholicCh)rch does not want to disc)ss. &t is also connected to 7reemasonry, !nostic !ospelsand many other things. 0ere are some links i yo) are interestedO

httpO//www.eli>a.de/dossiers engl/main dossiers.htm

!odlike -rod)ctions Banner Ksers (nline %owO G,; : HWhoNs (n I 2isitors TodayO :,:4;,4;-age views TodayO :, : ,@;; Threads TodayO 5 -osts TodayO :3, 4

GO@5 -

This site has some interesting things to say abo)t $ohn the Baptist and $es)s, here aresome eJamplesO

Knlike $es)s, we do have testimony o)tside the Bible that $ohn the Baptist eJisted.$ohn is talked abo)t by the irst cent)ry historian $oseph)s. &ncredibly the Bible$es)s himsel says that $ohn is the tr)e 'on o !od. This contradicts the Christianlie that $es)s is the 'on o !od and the essiah. This is the evidence that $ohnwas the essiah not $es)s who was a ake having leapt on to $ohn+s bandwagon.

Anybody who was baptiFed by $ohn the Baptist became $ohn+s disciple. $es)s was

7


10/57

baptiFed by $ohn in the $ordan. 'o by accepting baptism, $es)s was declaring to$ohn that he was learning rom him and not vice versa.

httpO//www.godlikeprod)ctions.com/ or)m:/message: 5;455/pg:httpO//www.encyclomedia.com/>ohn the baptist.html

This is some additional in ormation & o)nd, b)t since & had originally no intention owriting any o this down to share with anyone, & did not save the link, >)st copiedwhat seemed important or me to look into. & insert this here, beca)se it seems to itbest, even tho)gh & o)nd this some time a ter a n)mber o the ollowing eventsocc)rred. Everything printed in this font are notes I have inserted.

The Secret Solfeggio Frequencies Sound !i"ration Rates for Creation andDestructionTa"le # The $ine Secret Solfeggio Frequencies%

:. #&' 0F U : UG.()* 0F U G;@ Uoe3. +,- 0F Kt U 354 U

. '#& 0F #e U : U V H :@ 0F to : 0F is a key energy balancing re6)ency rangeI@.*() 0F i U @G; Uoe V H@G; 0F is known as the S iracle+ 7re6)encyI4. -+, 0F 7a U 435 U

. &'# 0F 'o U : U ;. )*( 0F =a U ;@G Uoe5. ,-+ 0F Ti U 543 U

These so)nd re6)encies or electromagnetic vibrations Hprevio)sly kept secretI are mostlikely to event)ally be recogniFed as the primary re6)encies associated with the matriJ ocreation and destr)ction. -lease note that all nine re6)encies are mathematically andharmonically related. %ine is the n)mber o completion. %ikola Tesla said many times thatthere is tremendo)s power in the +s,oe+s, andX+s. ote that hen you chant thesesounds to"ether you "et a sound very much like that of #a eh Table : shows theincreasing re6)encies encoded in the Torah and the Bible HBook o %)mbers O:G";3I.&nitially encrypted by =evi priests who translated the original Torah into !reek Septuagint ,these nine re6)encies apparently possess eJtraordinary spirit)al power. &n addition totheir link to the hymn o 't. $ohn the Baptist and their likely association with creative anddestr)ctive events in the Bible, the third note "" i or iracles or @G; " " is the eJact

re6)ency )sed by genetic engineers thro)gho)t the world to repair


11/57

G.*+# 0F UX V HThis is the !E%E'&' !olden 0ealing 7re6)ency given by ArchangelichaelI

The ey o


12/57

&ntrod)ctionThe sol a syllables were originally taken rom a !regorian chant written or $ohn theBaptist called Kt R)eant =aJis. The eJplanation o how thesesyllables were arrived at will be covered in a later section.The siJ so)nd re6)encies in the Bible in the book o %)mbers, chapter , verses :G";5were discovered by


13/57

Historical Figures

Pythagoras :c% *-, 1C ; c% '&* 1Cgovernment o ice and was beloved and respected by the people. At abo)t age 3@ he hada spirit)al awakening. 0e reno)nced worldly possessions and o)nded seven monasteries.0e converted his amily home in #ome into a monastery and became a simple monk.

Event)ally, he was chosen as secretary to the -ope. When the -ope died o the plag)e,!regory was press)red into accepting the o ice, altho)gh he did not want it. At the time hebecame -ope he likened the ch)rch to an old ship that was shattered, decayed, and )ll oleaks. -ope !regory labored Fealo)sly to improve the condition o the ch)rch and wasknown or his brilliance, as"well"as, his compassion and charity. 0e o)nded a school or singing and established a new way o chanting rom which we have derived the name!regorian chants.

#ealiFing that monks and n)ns had devoted their lives to !odM b)t also that the mindwanders and the body is weak, chanting was )sed as a tool or intensi ying the oc)s omind and body. Chanting was e ective at almost any moment, be it ormal rit)als or dailychores.

11


14/57

-arts o a monastery were set aside or visitors. #e )ge co)ld be taken by pilgrims, the ill,the aged, etc. They co)ld hear the monks chanting ro)nd the clock. The chant wasbelieved to have a rhythmic p)lse that was a )ndamental order o the )niverse. The chantwas believed to have healing 6)alities.

Paul the Deacon aka Paulus Diaconus :c% &(5 9 c% &,,)st review here or a momentO:. the di erence between the n)mbers in the rows is ::: or all rows

and in each col)mn.G. all o the n)mbers are divisible by 3 Hm)ltiples o 3I.

3. All n)mbers will red)ce to the single digits o 3, 4 or 5.. %o is )sed.@.%o n)mber has G or more identical digits, eJcept the center and end col)mns.4. The last n)mbers in both the rows and in the col)mns connect back

to the irst n)mber again.. the n)mbers on the le t side are mirror images o the n)mbers on the

right side.

22


25/57

;. Every col)mn cycles thro)gh the digits :"5 three times in varying orders, b)talways in se6)ence

5. The center and end col)mn has the n)mber 444: .Col)mns 3 and 4 on either side o center hold a copy o the 'ol eggios::.The 2atican wo)ld like to keep some secret connected to the 'ol eggios secret.:G.The di erence between the 'ol eggios have a very rhythmic, harmonic pattern:3.The 'ol eggios are 0F re6)encies: .7re6)encies are so)nd:@.'o)nd is vibration:4.2ibration mani ests matter : .The Bible says everything came into eJistence thro)gh the Word

Hso)nd/vibrationI%ow to some additional odditiesO

Y ; Y@ Y34 Y:@ Y; Y43 Y G YG: Y:G YG Y 34 Y ; Y4 Y G Y; Y;5: 4;: : G4: 5@: : @3: 3G: ::: :G3 :3@ : :@5 :4G : :;4 :5; :::

G: GGG :G G34 333 G 3

G G@ @@@ ;

43 444 34 44; 54

; ;;; ; ;;;:@ 555 4 5

7irst notice the two odd increases, 4 on the right and :@ on the le t. %otice that iwe ignore the +s we have 4 on the right and :@ on the le t * 4U4, :Y@U4. Both sidesmatchD

%eJt notice how harmonio)sly the n)mbers increase. The col)mns on either side othe center col)mn UO

: st # Y:G, = YG: U GGGGnd # YG , = Y G U 3rd # Y34, = Y43 U 444

th # Y ;, = Y; U ;;;These are the even n)mbers and it is pretty easy to see how this works. With the )nevenn)mbers :::, 333,@@@, and 555, it is trickier. =et+s take the hardest one, beca)se in avery neat way they too match

@th # Y 4 , = Y:@ UG: since we don+t )se , we have GY: U 3 or :::4th # Y34 , = Y G U 3G U Y3U YGU5 U 333

th # Y@ , = Y; U 4@ U 4Y@U::Y U:@U@@@; th # Y ; , = Y54 U ; 4 U ;Y U:@Y4UG:U

- am still #u77ling o,er the !!!( though - am sure it is in there somewhere.

23


26/57

=et+s look some more. We have looked at the relationship between each col)mn and theneJt one, b)t now lets look at the relationship between the col)mns on either side o thecenter one.

:. ::: Y ::: U GGG

G. 3G: Y :G3 U3. @3: Y :3@ U444. : Y : U ;;;

@. 5@: Y :@5 U ::: U:::4. G4: Y :4G U G3 U ":U3 GY:U3 3U3 U333

. : Y : U 4 @ U 4":U@ Y:U@ @U@ U@@@;. 4;: Y :;4 U ; 4 U ;":U 4Y:U U U5. ;5: Y :5; U : ;5 U : ":U5 ;Y:U5 5U5 U 555

B)t let+s >)st look at the n)mbers in the second row o each set o col)mns.:. GGG Y GGG U

G. 3G Y G3 U 4443. 4 G Y G 4 U ;;;. ;@G Y G@; U ::: U :::

@. :4G Y G4: U 3G U ":U3 GY:U3 3U3 U 3334. 3 G Y G 3 U 4 @ U@@@

. @;G Y G;@ U ;4 U;. 5G Y G5 U : ;5 U 5555. 5:G Y :G5 U : : UGGG

The GGG is moved rom the top o the col)mn to the bottom. This will contin)e thro)gh allnine rows. &t is sort o like a wave constantly disappearing and recreating itsel *S20FS4 40AR4TB%

This pattern works all the way across the table. Also notice that it does not matter in thistable where yo) start, yo) will always ret)rn to the same position. (nce yo) know themost basic pattern, yo) can give someone any one o these n)mbers, >)st one, and thatperson will be able to constr)ct the whole table in as long as it will take to write then)mbers. (nce yo) have one n)mber, yo) have them all.

;5: 4;: : G4: 5@: : @3: 3G: ::: :G3 :3@ : :@5 :4G : :;4 :5; :::5:G 5G @;G 3 G :4G ;@G 4 G 3G GGG G3 G 4 G@; G4: G 3%& G5 G:5 GG:G3 ;:3 453 ;3 G 3 543 @3 @ 3 333 3 @ 3@ 345 3 G 3; *() 3:; 3G: 33G3 5G : @5 3; : ;4 4@ @4 4; : ;3 5@#$" G5 3G3 @ :3@ ;G@ 4:@ 5@ G;@ 5 @ 4@ @@@ @4 @ 5 @;G @5 @:4& % @3: @ 3 @

@4 G 4 534 G4 @:4 354 :;4 ; 4 444 4 ; 4;: 453 4:@ 4G )*( 4 G 4@ 44@4 3@ : ;3 4G : G5 5; ;5 5G : G4 3;"#$ @3 4@4 ; 4; G@; 5 ; 3; @G; 3:; :5; ;;; ;5: ;:3 ;G@ ;3 ; 5 %& ;4 ; 4 ;;;

;5 @ 5 345 :@5 ; 5 435 G5 G:5 555 5:G 5G 534 5 ; 5@: ()* 5 @ 5; 55

24


27/57

#emember @@@ Y @@@ U ::: U :::, 444 Y 444 U :33G U 33H:YGI3, etc.

;5: ::: :5; :::GGG GGG333 333

@@@ @@@444 444

;;; ;;;: ;

5555 : ;

5::J55

555

;5: ::: :5; :::5G GGG G5 GGG

453 333 354 333@5 5@

5@ @@@ @5 @@

354 444 453 444G5 5G:5; ;;; ;5: ;;;: ;

5555 : ;

5555

4;: ::: :;4 :::GGG GGG333 333

@@@ @@@444 444

;4 ;4;;; ;;;555 555

4;: ::: :;4 :::@;G GGG G;@ GGG

;3 333 3; 3333; ;3

G;@ @@@ @;G @@:;4 444 4;: 444

5; ;5;;; ;;;555 555

& yo) add the two mirror image n)mbers on the diagonal they will always add to thesame n)mber.

: ::: : :::GGG GGG333 333

4 @ @@@ 4 @ @@444 444

;;; ;;;

25


28/57

555 555

: ::: : :::3 G GGG G 3 GGG

G 3 333 3 G 333: :

5 @ @@@ @ 5 @@; 4 444 4 ; 444

;;; ;;;555 555

G4: ::: :4G :::GGG GGG

G3 333 G3 333

@@@ @@@444 444

;;; ;;;555 555

G4: ::: :4G ::::4G GGG G4: GGG

543 333 345 333;4 4;

4@ @@@ @4 @@444 444

;;; ;;;555 555

5@: ::: ::: ::: :@5 :::

GGG GGG 333 333

@@@ @@@444 444

;;; ;;;555 555

5@: ::: :@5 :::;@G GGG G@; GGG

@3 333 3@ 3334@ @4

@@@ @@@444 444

;;; ;;;555 555

%otice the pattern on he diagonalO on the right side o the center col)mn * starting with then)mber in the irst row * the s)cceeding n)mber adds : to the irst digit and s)btracts one

rom the second digit, the center digit stays the same. (n the le t side the irst digitincreases by one, the last digit decreases by one, the center digit stays the same. This will

26


29/57

always ret)rn to the center col)mn to the same triplet n)mber as the s)m o the threeindivid)al digits. EJ. @3 * the neJt n)mber on the diagonal is 4@ * Y@U:GY3U:@ :@divided by 3 H3 digitsI U @ U @@@. %ow take 4@ or @4 applying the above diagonal pattboth n)mbers will give @@@ as the neJt se6)ence. And tr)e to the pattern, the neJt andcenter n)mber is /// . This works or all diagonals, and it works whether yo) divide by 3 or

"GU@ 3YGU@ and @ U@ H @3I U @@@.

: ::: : :::GGG GGG333 333

@@@ @@@444 444

;;; ;;; ;;; ;;;555 555

: ::: : :::4 G GGG G 4 GGG

@ 3 333 3 @ 333@@@ @@@444 444

;;; ;;;555 555

@3: ::: :3@ :::GGG GGG333 333

@@@ @@@444 444

;;; ;;;555 555

@3: ::: :3@ :::3G GGG G3 GGG

333 333

@@@ @@@444 444

;;; ;;;555 555

3G: ::: :G3 :::GGG GGG333 333

@@@ @@@444 444

;;; ;;;555 555

27


30/57

::: :::5:G GGG G:5 GGG

;:3 333 3:; 333: :

4:@ @@@ @:4 @@@@:4 444 4:@ 444

: :3:; ;;; ;:3 ;;;

G:5 555 5:G 555

::: :::GGG GGG

:G3 333 3G: 333

@@@ @@@444 444

;;; ;;;555 555

::: :::GGG GGG

:G3 333 3G: 3335G G5

;G@ @@@ @G; @@4G 444 4G 444

4G G4@G; ;;; ;G@ ;;;

G5 555 5G 555

%otice that when marking the n)mbers across the rows HhoriFontallyI the pattern movestowards the center. %ow, marking the n)mbers down the col)mns HverticallyI, they moveaway rom the center.

::: :::GGG GGG333 333

G3 3G:3@ @@@ @3: @@@

534 444 435 444;3 3;

3; ;;; ;3 ;;;435 555 534 555

%oticeO the neJt n)mber in se6)ence a ter 534/435 wo)ld be :3@/@3:. Where are:3@/@3: &t is in the neJt col)mn in at the top. The neJt se6)ence on the diagonal wo)ldthen be G3 / 3G, and "2(&=A " so it is.

@3: ::: :3@ :::3G GGG G3 GGG

333 333G3 3G

:3@ @@@ @3: @@@534 444 435 444

;3 3;

28


31/57

3; ;;; ;3 ;;;435 555 534 555

Truly Harmonic 8airs$ There are more patterns. The neJt pattern became clear when & looked at the

di erence between the matching col)mns. The di erence between each set o mirrorimage col)mns is a m)ltiple o 55 rom :J to : J, working o)t to G, ,4, and ; J 55 in the

innermost sets and :,3,@ and J 55 in the o)ter sets. The o)termost set U : J 55 i thetr)e se6)ence n)mbers are )sed.::: J 5 U 555GGG J 5 U :55; U :Y;U5 55333 J 5 U G55 U 555

J 5 U 3554@@@ J 5 U 55@444 J 5 U @55

J 5 U 4553;;; J 5 U 55G555 J 5 U ;55:

& am a long way rom being done with inding patterns. & yo) add the mirror imagecol)mns in the ollowing manner yo) will also getO

:5;Y;5:U555:;4Y4;:U: Y :U@@@:4GYG4:U333:@5Y5@:U::: U:::: U :U;;;:3@Y@3:U444:G3Y3G:U:::Y:::UGGG

%otice that these n)mbers also make #(# & A!E pairsD:55; ;55: GGG 555G55 55G 333 ;;;3554 4553

55@ @55 @@@ 444%otice something elseG Y 5 U ::3 Y ; U ::

Y U ::@ Y 4 U ::%otice something elseGGG Y 555 U :GG: U GGG333 Y ;;; U :GG: U GGG

Y U :GG: U GGG@@@ Y 444 U :GG: U GGGThere is always >)st one more pattern to be o)nd. %otice that all triple n)mbers can beevenly divided by 3 , starting with 3Z3 , 4Z3 , 5Z3 aha, r. Tesla again.

29


32/57

We are not done. %otice that each col)mn adds )p to the same total, 55@. Andnotice too that Y@U5 U555. And notice too that * 'K#-#&'E " 55@/5U@@@, the centern)mber o the table .;5: 4;: : G4: 5@: : @3: 3G: ::: :G3 :3@ : :@5 :4G : :;4 :5;5:G 5G @;G 3 G :4G ;@G 4 G 3G GGG G3 G 4 G@; G4: G 3%& G5 G:5:G3 ;:3 453 ;3 G 3 543 @3 @ 3 333 3 @ 3@ 345 3 G 3; *() 3:; 3G:G3 5G : @5 3; : ;4 4@ @4 4; : ;3 5@#$" G5 3G3 @ :3@ ;G@ 4:@ 5@G;@ 5 @ 4@ @@@ @4 @ 5 @;G @5 @:4& % @3: @ 3

@4 G 4 534 G4 @:4354 :;4 ; 4 444 4 ; 4;: 453 4:@ 4G )*( 4 G 4@@4 3@ : ;3 4G : G5 5; ;5 5G : G4 3;"#$ @3 4@4 ; 4; G@; 5 ; 3; @G; 3:; :5; ;;; ;5: ;:3 ;G@ ;3 ; 5 %& ;4 ; 4

;5 @ 5 345 :@5 ; 5 435 G5 G:5 555 5:G 5G 534 5 ; 5@: ()* 5 @ 5;55@ 55@ 55@ 55@ 55@ 55@ 55@ 55@ 55@ 55@ 55@ 55@ 55@ 55@ 55@ 5

At this point & came across Walter #)ssell, whom & introd)ced at the beginning and &began to believe in a higher hand messing with my li e, or at least my mind. & can+tremember which n)mber & typed into the www, or i it was !((!= or 1A0((, b)t typingin each one o the center n)mbers :::, GGG, etc. the problem was that when & wasworking on these n)mbers at that time, & wo)ld >)st type in the irst word, and then click onthe irst interesting thing that came )p and then on the neJt one. When & inally o)ndsomething & was 3@ links away rom where & started. B)t anyway, like on $e


33/57

L The twel th, QaJial rotationQ L The thirteenth, Qorbital revol)tionQ L The o)rteenth, QmassQ L The i teenth, QcolorQ

L The siJteenth, QplaneQ L The seventeenth, QtoneQ L The eighteenth, QellipticQ

%eJt & looked at each individ)al n)mber. & started with the irst row. & looked to seei & co)ld ind that same n)mber repeated anywhere. ')re eno)gh, & o)nd every n)mberin the irst row repeated. The irst oddity & noticed was the act that each n)mber wasindeed repeated, b)t it was repeated on the opposite side o the ::: center col)mn. &began marking the position o each n)mber and ended )p with the most amaFing pattern.7ollowing is a printo)t o the pattern. The small one at the top is o one individ)al table,the larger one is what emerges as & str)ng several tables together, both vertically andhoriFontally. =ooking at the pattern horiFontally it looks like a %ava>o &ndian blanket,looking at it sideways & see a harmonic sine wave.

All o the above makes a weaving pattern, which gives the term 7abric o theKniverse a literal meaningD %ow look at the pattern and imagine a slight twist to it.


34/57

32


35/57

This is what Walter #)ssell Was talking Abo)t when he Wrote The Kniversal (ne

The moment - saw this chart( it clic&ed$

33


36/57

%ow )nbend the chart, so that instead o a horseshoe shape yo) have a table.eep in mind that at #)ssell+s time not all elements we have today had been discovered.

Also don+t orget that #)ssell predicted and incl)ded a large n)mber o elements that eventoday have not yet been o)nd.Hsee the chart here or #)ssell+s elementsI. & now predictthat we will event)ally have a periodic table with : HGH;J5 II elements pl)s G times 5 thesame s)bstance between the two sides. -erhaps that s)bstance will be #)ssell+s inertgases. 1o) can see on the chart here the at dots along the center col)mn Hthere are 5 othemI are his inert gases. Anyway & am convinced we will end )p with a total o :4Gs)bstances.

34


37/57

-ro essor Willi Apel, wrote the origin of what is now called Solfeggio+arose from aedieval hymn to ohn the -aptist which has this peculiarity that the first si lines of the

music commenced respectively on the first si successive notes of the scale, and thus thefirst syllable of each line was sung to a note one degree higher than the first syllable of theline that preceded it. -y degrees these syllables became associated and identified withtheir respective notes and as each syllable ended in a vowel, they were found to be

peculiarly adapted for vocal use. /ence 0Ut1 was artificially replaced with 02o.1H'omething to consider * there is a controversy s)rro)nding $es)s and $ohn the Baptist,something the Catholic Ch)rch is trying to hide at all costs, b)t hints and r)mors o it are

o)nd thro)gho)t the non"traditional teJts o the !ospelsI &n the :: th cent)ry !)ido o AreFFo irst adopted this scale. 'iJ h)ndred years later a 7rench m)sician, le arie ,added a seventh note, 'i.

,The knowledge that so)nd and vibration are the ca)se o the mani esting o allmatter was probably known to o)r earliest ancestors, b)t like so m)ch other in ormation

was lost and/or hidden thro)gh the cent)ries. Then >)st a cent)ry a ter le arie, added theadditional note that knowledge re"emerged. The modern knowledge o this began withErnst Chladni, a !erman scientist. &n : ; he wrote


38/57

a.k.a. ansas. & decided that since & have the s)mmer o &+ll ride with him. Th)s & startedlooking or reading material. 'ince my last move in ay & have not yet )npacked theboJes with my books. & have been reading online since the move. & started looking orsomething that wo)ld allow me not to have to go to the basement, or my son+s ho)se, orthe tr)nk o my car to look or my books.

& came across 0ayes+ book again and decided to inish reading it. & started readingwhere & had le t o , and was st)nned, on every page there were at least a co)ple oanswers to 6)estions & have acc)m)lated since & bo)ght the book. &+ve o)nd at least aco)ple o re erences to my n)mber table on every page. Especially connected to theabove s)b>ect is the chapter called &nner (ctaves & can only recommend anyoneinterested in these s)b>ects to read this book.

Among a n)mber o incredibly interesting acts, r. 0ayes said that )nderstandingthe theory o )ll, hal and 6)arter tones allows one to re"constr)ct the whole scale o

re6)encies and harmonies rom >)st one note. This is eJactly tr)e o the n)mbers in mytable.

(n @/:4/:: & came across this web site, httpO//www.greatdreams.com/n)mbers/ / .htm& think this is where the origin o the center n)mber col)mn can be o)nd. The site has a loto in ormation that ties it to mine, b)t it is wrong on one thingO

&t is &t sho)ld be: Z G or G Z 34 U G 3 Z G U G Y 3 Z :3H35I U ::: or 3 Z 3G Z G or Z 34 U : 4 Z G U : Y 4 Z :3 H ;II U GGG or 4 Z 33 Z G or 4 Z 34 U G:4 5 Z G U G:4

Z G or ; Z 34 U G;; :G Z G U G;;@ Z G or : Z 34 U 34 :@ Z G U 34Etc. Etc.

=ook at the table or a moment, yo) sho)ld see why & )sed G instead o G. Act)ally there are several reasons, b)t the obvio)s one sho)ld be that )sing G instead o

G keeps with the 3, 4, 5 skip se6)ence. Think %ikolaTesla, here. %otice that G Y :3 U3 , there ore 3ZG Y3Z:3U3Z3 U:::, etc. %ow yo) may ask what is the signi icance o3 Well, since yo) asked, look at this, also rom the same web siteO

: 3@ 3 3 3G 4

3 ; G; G ::G G3 :@ :4 : :5:3 : G: GG G :;:G G4 5 : G5 G@3: G 33 @ 34

36


39/57

This is called the agic '6)are o the s)n. =ook at the n)mbers in the corners

: 4

3: 34 :Y34U3 and 4Y3:U3 :Y4U and 3:Y34U4 , b)t Y3 U3 and 4 "3 U3

; ::

G4 G5

;UG5U3 and G4Y::U3

:@ :4G: GG

:@YGGU3 and :4YG:Y3 :@Y:4U3: and G:UGGU 3, b)t 3:Y4U3 and 3"4U3

3@ 3G

G @ 3@YGU3 and 3GY@U3 3@Y3GU4 and GY@U , b)t 4 "3 U3 and U3 U3

3 3

33 3 Y U3; and 33Y3U34, b)t 3;":U3 and 34Y:U3 Y33U3 and 3 Y3U3

37


40/57

; ::

G4 G5

;YG4U3 and ::YG5U , b)t 3 Y3U3 and "3U3 M;Y::U:5 and G4YG5U@@, b)t :5Y:;U3 and @@":;U3

G; G

5 :

G;Y: U3; and 5YG U34, b)t 3;":U3 and 34Y:U3G;Y5U3 andG Y: U3G;YG U@@ and : Y5U:5, b)t :5Y:;U3 and @@":;U3

G3 :

: G

G3Y: U3 and : YG U3G3Y: U and G Y: U3 , b)t "3U3 and 3 Y3U3G3YG U 3 and : Y: U3:, b)t 3"4U3 and 3:Y4U3This works with all opposite n)mbers horiFontal, vertical and diagonal.

: 3@ 3 3 3G 43 ; G; G ::G G3 :@ :4 : :5:3 : G: GG G :;:G G4 5 : G5 G@3: G 33 @ 34

What is the signi icance o these n)mbers =et+s begin with the :st and last n)mbers in theirst row and look or a pattern on the diagonal. &s there one 1E'D

:Y U;Y U:@Y UGGY UG5Y U34. The same pattern works starting with the4Y@U::Y@U:4Y@UG:Y@UG4Y@U3:.

38


41/57

: 3@ 3 3 3G 43 ; G; G ::G G3 :@ :4 : :5:3 : G: GG G :;:G G4 5 : G5 G@3: G 33 @ 34

3@Y;U 3 and 3GY::U 3G4"GUG and G5"@UG

: 3@ 3 3 3G 43 ; G; G ::G G3 :@ :4 : :5:3 : G: GG G :;:G G4 5 : G5 G@3: G 33 @ 34

G3": U4 and G ": U4

: 3@ 3 3 3G 43 ; G; G ::G G3 :@ :4 : :5:3 : G: GG G :;:G G4 5 : G5 G@3: G 33 @ 34

:Y U; and 4Y@U::3@" UG; and 3G"@UG;Y U:@ and ::Y@U:43:"@UG4 and34" UG5GY U5 and @Y@U:G4"@UG: and G5" UGG

: 3@ 3 3 3G 43 ; G; G ::G G3 :@ :4 : :5:3 : G: GG G :;:G G4 5 : G5 G@3: G 33 @ 34

3 " UG3 and Y U::GY@U: and G@"@UG

: 3@ 3 3 3G 43 ; G; G ::G G3 :@ :4 : :5:3 : G: GG G :;:G G4 5 : G5 G@

39


42/57

3: G 33 @ 34G ":5U@ and :;":3U@ and G "4U:; and :5"4U:333Y U3 and 3 Y3U3

: 3@ 3 3 3G 43 ; G; G ::G G3 :@ :4 : :5:3 : G: GG G :;:G G4 5 : G5 G@3: G 33 @ 34

in addition notice that the n)mbers in the G center col)mns are all separated by :,even the irst and last row n)mbers Hthey are simply switchedI 33"3 and 3" .

%ow the 6)estion comes )p, what is the agic '6)are o the s)n @ The 1ook ofThrees 9 a Su"Gect Reference 2ncyclo=edia L: has the ollowing eJplanation 0One ofthe arguments the early 6hurch used to convert pagans to 6hristianity was that esus6hrist had more solar attributes than any other god.1 &n the article the 6)estion is thenraised Sdid the early ollowers o Christ know some connection that wo)ld ca)se them toass)me that $es)s and the s)n are the same Again & simply 6)ote the same so)rceO

The 7magic s5uare of the sun,7 was one of the most important symbols used torepresent the sun in anti5uity because of all the symbolism it possessed involvingthe perfect number 7).7 There are si sides to a cube, the numbers $, , an *, whenadded or multiplied together are e5ual to 7),7 and the sum of all the numbers from $to *) arranged in a ) ) magic s5uare are e5ual to the number 7))).7 The s5uare is7magic7 because the sum of any row, column, or diagonal is e5ual to the number7$$$.7 8fter the 6hurch became the state religion of the 9oman empire, possessingthe diagram below could get you burned at the sta:e;


43/57

3. &n the last 3 col)mns the triplets are the last n)mber

%eJt, look at the di erencesO:. ::: * : di erence 34G. ::: * : di erence 433. GGG * G@; di erence 34

. GGG * G;@ di erence 43@. 333 * 345 di erence 346" 333 * 354 di erence 437" : * di erence G8" * : di erence G9" @G; * @@@ di erence G U :4G10" @@@ * @;G di erence G11" 435 * 444 di erence G12" 444 * 453 di erence G13" : * di erence 4314" : * di erence 34 U : ;15" ;G@ * ;;; di erence 43 U G@G16" ;@G * ;;; di erence 3417" 534 * 555 di erence 4318" 543 * 555 di erence 34

& we were to add )p the absol)te val)e o the di erences we end )p with GH3 ;IU @4 U ":U4, @Y:U4, 4U4 U 444. & we take the act)al val)es instead o the absol)te ones wewo)ld end )p with .

As & am sitting here things are >)mping again.

;5: 4;: : G4: 5@: : @3: 3G: ::: :G3 :3@ : :@5 :4G : :;4 :5; :::5:G 5G @;G 3 G :4G ;@G4 G 3G GGG G3 G 4 G@; G4: G 3 %& G5 G:5 GG:G3 ;:3 453 ;3 G 3 543 @3 @ 3 333 3 @ 3@345 3 G 3; *() 3:; 3G: 33G3 5G : @5 3; : ;4 4@ @4 4; : ;3 5@ #$" G5 3G3 @ :3@ ;G@4:@ 5@ G;@ 5 @ 4@ @@@ @4 @ 5 @;G @5@:4 & % @3: @ 3 @

@4 G 4 534 G4 @:4 354 :;4 ; 4 444 4 ; 4;: 453 4:@ 4G )*( 4 G 4@ 44@4 3@ : ;3 4G : G5 5; ;5 5G : G4 3; "#$ @3 4@4 ; 4; G@; 5 ; 3; @G; 3:; :5; ;;; ;5: ;:3 ;G@ ;3 ; 5 %& ;4 ; 4 ;;;

;5 @ 5 345 :@5 ; 5 435 G5 G:5 555 5:G 5G 534 5 ; 5@: ()* 5 @ 5; 55

=ook at the n)mbers diagonally. 'tart with the : st one, :G3. %eJt one down diagonally isG 4. :G3Y:G3UG 4. %eJt one down is 345. G 4Y:G3U345. (n the other side o thecenter col)mn start with 3G:. 3G:Y3G:U4 G. 4 GY3G:U543. This works with everycol)mn. & yo) determine the di erence on the diagonal starting rom the ends towards thecenter yo) will always get 55. 7or eJample :5; * G5 * 354, etc. Even i we keepeJpanding the table, the pattern contin)es horiFontally, vertically and diagonally.

:G3 J: U :G3:G3 JG U G 4:G3 J3 U 345:G3 J U ;3:G3 J@ U 4:@ here it doesn+t work anymore beca)se the n)mber & have is @:4 W(W doyo) see it

41


44/57

:G3 J4 U 3; & have 435 H5":U; 4Y:U U 3;I & wo)ld say this method is ar etched, eJceptthat it works every time.:G3 J U ;4: & have @3 Htake : rom the 3 to make into ; and take another : rom the 3to make the @ into 4 and yo) have ;4:I:G3 J; U 5; & have ; 4 Htake : rom the 4 to make the ; into 5 and take : rom the 4 tomake the into ; and yo) have 5; I:G3 J5 U :: , since we don+t )se U :: & have 555 Htake : rom 5 to make the 5 into :and take : rom 5 to make the G nd 5 into : U : : since we don+t )se U :: I

;5: 4;: : G4: 5@: : @3: 3G: ::: :G3 :3@ : :@5 :4G : :;4 :5; :::5:G 5G @;G 3 G :4G ;@G4 G 3G GGG G3 G 4 G@; G4: G 3 %& G5 G:5 GG:G3 ;:3 453 ;3 G 3 543 @3 @ 3 333 3 @ 3@345 3 G 3; *() 3:; 3G: 33G3 5G : @5 3; : ;4 4@ @4 4; : ;3 5@ #$" G5 3G3 @ :3@ ;G@4:@ 5@ G;@ 5 @ 4@ @@@ @4 @ 5 @;G @5@:4 & % @3: @ 3 @

@4 G 4 534 G4 @:4 354 :;4 ; 4 444 4 ; 4;: 453 4:@ 4G )*( 4 G 4@ 44@4 3@ : ;3 4G : G5 5; ;5 5G : G4 3; "#$ @3 4@4 ; 4; G@; 5 ; 3; @G; 3:; :5; ;;; ;5: ;:3 ;G@ ;3 ; 5 %& ;4 ; 4 ;;;

;5 @ 5 345 :@5 ; 5 435 G5 G:5 555 5:G 5G 534 5 ; 5@: ()* 5 @ 5; 55

%ow the other sideO3G: J: U 3G:3G: JG U 4 G3G: J3 U 5433G: J U :G; & have 3; H:YGU3U 3; I3G: J@ U :4 @ & have 4:@ Hwe don+t )se U :4@ or 4:@I3G: J4 U :5G4 & have 534 HGY:U3 U 534I3G: J U GG & have 3@ Htake : rom G to make G and take : rom G to make @ U 3@ I3G: J; U G@4; & have 4 ; Htake : rom G to make the @ into 4 and take the other : rom Gto make the 4 into U 4 ;I3G: J5 U G;;5 & have 555 Htake the G and make the G ;s into 5sI

(n the


45/57

555 also U ;5:Y: ; or "0x339"0x)

This whole table is nothing b)t trinitiesO: Triple n)mbers in center col)mnG All n)mbers are m)ltiples o 33 :G3, irst n)mber, this is Walter #)ssell+s Kniversal (ne dividing into two

opposing orces rom the still e6)ilibri)m& noticed this a co)ple o days agoO

;5: 4;: ' G4: 5@: &'# @3: 3G: ::: :G3 :3@ ')0 :@5 :4G #&' :;4 :5444 @@@ ''' 333 @@@ ''' 333 GGG GGG 333))) @@@ 333 ''' @@@5:G 5G *)( 3 G :4G )*( 4 G 3G GGG G3 G 4 "/* G4: G 3 ()* G5

444 *** 333 *** 333 333 /// 333 *** 444:G3 ;:3 -,+ ;3 G 3 ,-+ @3 @ 3 333 3 @ 3@ 3 ! 3 G 3; +,- 3:; 3GGGG --- @@@ --- @@@ @@@ @@@---G3 5G ' @5 3; #&' ;4 4@ @4 4; )0' ;3 5@ '#& G5333 @@@ ''' 444 @@@ ''' 444 @@@ @@@ 444))) @@@ 444 ''' @@@

3 @ :3@ )(* 4:@ 5@ ()* 5 @ 4@ @@@@4 @ 5 /*" @5 @:4 *() @3:333 *** 444 *** 444 444 /// 444 *** 333@4 G 4 ,+- G4 @:4 +,- :;4 ; 4 444 4 ; 4;: !3 4:@ 4G -+, 4 G

@@@ --- @@@ --- @@@ @@@ @@@---@4 3@ #'& ;3 4G '#& G5 5; ;5 5G 0') G4 3; &'# @3444 @@@ ''' 444 @@@ ''' 444 ;;; ;;; 444 ))) @@@ 444 ''' @@@4 ; 4; (*) 5 ; 3; *() 3:; :5; ;;; ;5: ;:3 *"/ ;3 ; 5 )*( ;4 ;

444 *** 444 *** 444 444 /// 444 *** 444;5 @ 5 +-, :@5 ; 5 -+, G5 G:5 555 5:G 5G !3 5 ; 5@: ,-+ 5 @

;;; --- @@@ --- @@@ @@@ @@@---

All the n)mbers in the table can be eJpressed as aster TonesM or eJample

:G3 U :YGY3U4, 4/3 UG U actored as 3,G U GGG:3@ U :Y3Y@U5, 5/3 U3 U actored as 3,3 U 333: U :Y Y U:G, :G/3 U U actored 3, U

&+m looking or a pattern in this now,

### 444 @@@''' 333 @@@''' 333 GGG ### GGG 333 ''' @@@ 333''' @@@ 444((( 444 *** 333 *** 333 ((( 333 *** 333 *** 444+++ GGG --- @@@ --- @@@ +++ @@@--- @@@--- GGG''' 333 @@@''' 444 @@@''' 444 @@@''' @@@ 444''' @@@ 444''' @@@ 33*** 333 *** 444 *** 444 *** 444 *** 444 *** 333--- @@@ --- @@@ --- @@@ --- @@@--- @@@--- @@@&&& 444 @@@''' 444 @@@''' 444 ;;; &&& ;;; 444 ''' @@@ 444''' @@@ 444))) 444 *** 444 *** 444 ))) 444 *** 444 *** 444,,, ;;; --- @@@ --- @@@ ,,, @@@--- @@@--- ;;;

43


46/57

The pattern does not emerge )ntil the n)mbers are red)ced to their single digits, thenTesla comes into the pict)re HtableI. (ne thing that becomes obvio)s rom this is howharmonio)s these n)mbers really are Heach one : octave higherI.

1o) can c)t the table apart and p)t it together in a di erent way, it still gives yo) a

harmonic pattern.5 4 + 5 4 + 5 4 ::: 4 5 + 4 5 + 4 5 :::3 5 - 3 5 - 3 5 GGG 5 3 - 5 3 - 5 3 GGG4 3 , 4 3 , 4 3 333 3 4 , 3 4 , 3 4 3335 4 + 5 4 + 5 4 4 5 + 4 5 + 4 53 5 - 3 5 - 3 5 @@@ 5 3 - 5 3 - 5 3 @@@4 3 , 4 3 , 4 3 444 3 4 , 3 4 , 3 4 4445 4 + 5 4 + 5 4 4 5 + 4 5 + 4 53 5 - 3 5 - 3 5 ;;; 5 3 - 5 3 - 5 3 ;;;4 3 , 4 3 , 4 3 555 3 4 , 3 4 , 3 4 555

3 5 - 3 5 - 3 5 @@@ 5 3 - 5 3 - 5 3 @@@4 3 , 4 3 , 4 3 444 3 4 , 3 4 , 3 4 4445 4 + 5 4 + 5 4 4 5 + 4 5 + 4 53 5 - 3 5 - 3 5 ;;; 5 3 - 5 3 - 5 3 ;;;4 3 , 4 3 , 4 3 555 3 4 , 3 4 , 3 4 5555 4 + 5 4 + 5 4 ::: 4 5 + 4 5 + 4 5 :::3 5 - 3 5 - 3 5 GGG 5 3 - 5 3 - 5 3 GGG4 3 , 4 3 , 4 3 333 3 4 , 3 4 , 3 4 3335 4 + 5 4 + 5 4 4 5 + 4 5 + 4 5

5 - 3 5 @@@5 3 - 5 3 - 5 3 @@@3 5 - 33 , 4 3 444 3 4 , 3 4 , 3 4 444 4 3 , 44 + 5 4 4 5 + 4 5 + 4 5 5 4 + 55 - 3 5 ;;; 5 3 - 5 3 - 5 3 ;;; 3 5 - 33 , 4 3 555 3 4 , 3 4 , 3 4 555 4 3 , 44 + 5 4 ::: 4 5 + 4 5 + 4 5 ::: 5 4 + 55 - 3 5 GGG 5 3 - 5 3 - 5 3 GGG 3 5 - 33 , 4 3 333 3 4 , 3 4 , 3 4 333 4 3 , 44 + 5 4 4 5 + 4 5 + 4 5 5 4 + 5

44


47/57

&n tr)th, witho)t deceit, certain, and most veritable.

That 8hich is 1elo8 corres=onds to that 8hich is A"oveand that 8hich is A"ove corres=onds to that 8hich is 1elo87 to accomplish the miracles o the (ne Thing.

And >)st as all things have come rom this (ne thing,thro)gh the meditation o (ne ind,so do all created things originate rom this (ne Thing,thro)gh Trans ormation.&ts ather is the ')nMits mother the moon.The Wind carries it in its bellyMits n)rse is the Earth.&t is the origin o All,the consecration o the Kniverse.&ts inherent 'trength is per ected, i it is t)rned into Earth.'eparate the Earth rom 7ire,the ')btle rom the !ross,gently and with great &ngen)ity.&t rises rom Earth to heavenand descends again to Earth,thereby combining within &tsel the powers o both the Above and the Below.Th)s will yo) obtain the !lory o the Whole Kniverse. All (bsc)rity will be clear to yo).This is the greatest 7orce o all powers,beca)se it overcomes every ')btle thingand penetrates every 'olid thing.&n this way was the Kniverse created.7rom this come many wondro)s Applications,beca)se this is the 8attern .There ore am & called Thrice !reatest 0ermes,having all three parts o the wisdom o the Whole Kniverse.0erein have & completely eJplained the (peration o the ')n %

45


48/57

;5: 4;: : G4: 5@: : @3: 3G: ::: :G3 :3@ : :@5 :4G : :;4 :5; :::5:G 5G @;G 3 G :4G ;@G 4 G 3GGGG G3 G 4 G@; G4: G 3 %& G5 G:5 GG:G3 ;:3 453 ;3 G 3 543 @3 @ 3 333 3 @ 3@ 345 3 G 3; *() 3:; 3G: 33G3 5G : @5 3; : ;4 4@ @4 4; : ;3 5@ #$" G5 3G3 @ :3@ ;G@ 4:@ 5@ G;@ 5 @ 4@@@@ @4 @ 5 @;G @5 @:4& % @3: @ 3 @

@4 G 4 534 G4 @:4 354 :;4 ; 4 444 4 ; 4;: 453 4:@ 4G )*( 4 G 4@ 44@4 3@ : ;3 4G : G5 5; ;5 5G : G4 3; "#$ @3 4@4 ; 4; G@; 5 ; 3; @G; 3:; :5; ;;; ;5: ;:3 ;G@ ;3 ; 5 %& ;4 ; 4 ;;;

;5 @ 5 345 :@5 ; 5 435 G5 G:5 555 5:G 5G 534 5 ; 5@: ()* 5 @ 5; 55

%ovember : , G :: * & >)st noticed this today. The n)mbers in the two col)mns betweenthe sol eggio col)mns are mirror images o each other on the diagonal towards the center.This works on both sides o the center triplet col)mn. The last set at the bottom ret)rns tothe irst set at the top.

;5: 4;: : G4: 5@: : @3: 3G: ::: :G3 :3@ : :@5 :4G : :;4 :5; :::5:G 5G @;G 3 G :4G ;@G 4 G 3GGGG G3 G 4 G@; G4: G 3 %& G5 G:5 GG:G3 ;:3 453 ;3 G 3 543 @3 @ 3 333 3 @ 3@ 345 3 G 3; *() 3:; 3G: 33

G3 5G : @5 3; : ;4 4@ @4 4; : ;3 5@ #$" G5 3G3 @ :3@ ;G@ 4:@ 5@ G;@ 5 @ 4@@@@ @4 @ 5 @;G @5 @:4& % @3: @ 3 @@4 G 4 534 G4 @:4 354 :;4 ; 4 444 4 ; 4;: 453 4:@ 4G )*( 4 G 4@ 44

@4 3@ : ;3 4G : G5 5; ;5 5G : G4 3; "#$ @3 4@4 ; 4; G@; 5 ; 3; @G; 3:; :5; ;;; ;5: ;:3 ;G@ ;3 ; 5 %& ;4 ; 4 ;;;

;5 @ 5 345 :@5 ; 5 435 G5 G:5 555 5:G 5G 534 5 ; 5@: ()* 5 @ 5; 55

46


49/57

- can hear Walter Russell in the abo,e words( but - also see him here$

=ook at the irst set o 0ebrew letters, they tell the whole story o creation accordingto almost all creation myths and to Walter #)ssell. The most common meaning o Aleph,the irst letter, is apple * as in Eve * and all * as in everything and 1ahweh 10W0 or$ehovah 1020 or #)ssell+s Kniversal (ne. The second letter Bet, to break open as inan egg Hsee myths o the cosmic eggI. The irst activity ever. The third letter !imel meansto act. At this point the All or Kniversal (ne has broken thro)gh and is beginning to bringall other things into eJistence. This is Breshit, the Beginning o creation, not the beginningo !od, !od has no beginning or end. %ow according to Walter #)ssell The Kniversal(ne, which is p)re energy, ca)ses itsel to move HvibrationI. !enesis speaks o the spirit

o !od Hp)re energyI moving on the )ndivided waters Hthe still e6)ilibri)mI.eep in mind that there is no E,W,%,'. %eJt !enesis mentions that !od created

%orth and 'o)th. Why is East and West not mentioned We, being )sed to having directions here on Earth ass)me that by naming %orth and 'o)th it was the Earthlydirections, incl)ding E and W that were created here. B)t, being amiliar with #)ssell+scosmogony, it makes m)ch more sense to take this literally as !od created %orth HinwardIand 'o)th Ho)twardI, the only two directions possible in space. and since everywhere is

illed with the still s)bstance o The Kniversal (ne this vibration does not ripple in only

47


50/57

one direction, b)t in two opposing ones * #)ssell+s opposing vortices or


51/57

Creation from the cosmic eggsrcUQhttpO//adserver.adtech)s.com/addyn/3. /@3 ;.:/:3 :G@:/ /: /A


52/57

The =ayu >urana deals with the following topics? creation and re@creation of the universeAthis ancient Sans:rit te t describes the whole Universe as rising out of the :cosmic egg .The only scientific ex#lanation for such a claim is that the :cosmic egg itself was asingle cell of li,ing matter that was encoded with the language of creation( the ;%1of the 4ni,erse much as a human cell contains the language of human life, the 2B8 of man. The 5uestion that arises is wheredid such a Ccosmic eggD come from

] &n 0ind) tantra, based on the 0ind) philosophy o ashmir 'haivism, the 'hri 1antrarepresents the e =ansion of the universe rom theJcosmic eggJ a ter its creation by'hiva thro)gh the power o 'hakti.

Ff Cthe6R+6 is both scientific and logical for asthe Universe grew, the womb or membrane that contained it would literally have to e pandtill fully gestated, much li:e a pregnant womanDs womb e pands when a fetus grows insideit. 2uring this gestation period various organs of the Universe such as planets and starswould have been formed much as limbs grow inside the womb of a pregnant woman. CThestretching Ge pansionH of the CheavensD is an e pression used in several OT scriptures, asfor e ample in Fsa. #&?$ .

] The earliest ideas o Egg"shaped Cosmos come rom some o the 'anskrit

script)res. The 'anskrit term or it is 1rahmanda :1rahm means JCosmosJ orJe =andingJ7 Anda means J2ggJrimeval

8tom instead of :cosmic egg .

] The #ig 2eda H#2 : .:G:I )ses a similar name or the so)rce o the )niverseO

0iranyagarbha, which literally means Kgolden fetusK or Kgolden 8om"K% TheKpanishads elaborate that the 0iranyagarbha loated aro)nd in emptiness or a while, andthen broke into two halves which ormedDyaus :Heaven< and Prithvi :2arth< " conceptsthat eJisted in nearly every ancient c)lt)re, and were also artic)lated by the Abrahamicreligions. H!enesis :O:I.

The concept of the Universe gestating in an e panding womb is not limited to one /indute t such as the one above but is found in many te ts of the =edas , the >uranas and the

ahabharata . The womb is the e5uivalent of that which science terms CSpaceD in which the

50


53/57

heavens and the earth are to found. The concept of the e pansion of Space from thebeginning has been much theoriIed by science, and is also found in numerous -iblicalscriptures such as 8salm '?)@"( -saiah )?@""( -saiah )"@/. The brea&ing of the goldenfetus into two hal,es is exactly the same #rocess obser,ed in cell di,ision as thefetus grows in the womb. Watch this short Aoutube ,ideo for a ,isual demonstrationof this #rocess . The formation of Hea,en and 6arth at the ,ery beginning of creationis also re#orted in enesis '@' 'Fn the beginning Jod created the heaven and the earth'.Ft may seem strange to our natural senses that the heaven and the earth, and the heavenswere created by the same process as a baby is formed in a womb but this e planation isas plausible as, or more plausible than any other that has been proposed for the creationof the Universe.

] &n the ahabharata we readO &n this world, when it was destit)te o brightness andlight, and enveloped all aro)nd in total darkness, there came into being, as the =rimalcause of creation7 a mighty egg7 the one ine hausti"le seed of all created "eings .

The above te t from the epic /indu poem, The ahabharata, highlights both the scienceand the contradictions found in /indu te ts. The idea that all creation originated withone inexhaustible seed is a scientifically ,alid idea . /owever there is also acontradiction in the above statement in that the mighty egg, the ine haustible seed couldnot have come FBTO T/FS 3O9K2 if the mighty egg was the seed of all created beings./ow could the world e ist before the seed came into e istence from which it arose 1ndhow did the mighty egg come into existence2

COSMIC EGG MYTHOLOGY IN SCIENCE

] The Jcosmic eggJ is an ancient concept res)rrected by modern science in the :53 sand eJplored by theoreticians d)ring the ollowing two decades. The idea comes rom aperceived need to reconcile Edwin 0)bbleNs observation o an e =anding universe Hwhichis also predicted by EinsteinNs e6)ations o general relativityI with the notion that the)niverse m)st be eternally old. 3eorges 0emaitre =ro=osed in #,(& that the cosmosoriginated from 8hat he called the PR4 2!A0 AT . C)rrent cosmological modelsmaintain that :3. billion years ago, the entire mass o the )niverse was compressed into asing)larity, from 8hich it e =anded to its current state :the 1ig 1angrimeval 8tomD when this theory was originally proposed. +cientists ha,eachie,ed a great deal of consensus that the 4ni,erse did in fact ha,e a beginning.This however poses a great deal of philosophical and theological problems for science, forin order to get anything started, it stands to reason that there must have been someonearound to get it started. 8 beginning implies the presence of CFntelligenceD GJodH frombefore the beginning and that idea is repugnant to science even if it can be proven to bethe only valid one. /ereDs a 5uote from a lecture by 2r. /enry


54/57

called the necessity for a beginning and e,entually to the #resence of a su#eriorreasoning #ower. -ut he never did accept the reality of a personal Jod.1

] 0ere+s another 6)ote rom the SBig Bang+ article on WikipediaO &n :53: =ema^tre went)rther and s)ggested that the evident eJpansion in orward time re6)ired that the

Kniverse contracted backwards in time, and wo)ld contin)e to do so )ntil it co)ld contractno )rther, bringing all the mass o the Kniverse into a single point, a Qprimeval atomQ, at apoint in time be ore which time and space did not eJist. The SBig Bang+ is not an eJplosiono matter moving o)tward to ill an empty )niverse. &nstead, space itsel eJpands with timeeverywhere and increases the physical distance between two comoving points.

This idea o the eJpansion o space, o the stretching o the heavens is o)nd inmany Biblical script)res as mentioned previo)sly in this chapter. This concept is also o)ndin 0ind) philosophy as previo)sly noted, as well as in other mythologiesM it orms the basiso the scienti ic theory o the eJpanding )niverse. & the Kniverse eJpanded or grew as isproposed both by religion and science, then it stands to reason that i we go back in time

we wo)ld see it contracting till it reached the beginning. The point in time at which theKniverse co)ld contract no )rther wo)ld bring )s to that moment when all that eJisted,materially speaking, was the Scosmic egg+, the primeval atom, the ineJha)stible seed andnothing else. The di erence between science and religion is not in the theory b)t rather theso)rce o the Scosmic egg+. 'cience has no eJplanation or the so)rce o the primeval atomor the SBig Bang+ rom which the Kniverse has apparently risen. #eligions credit a deity ordeities to be the creator HsI o the Scosmic egg+.

] The science o Cosmology attempts to eJplain the origins o the Cosmos as well asits nat)re. -rior to the :5th cent)ry, this s)b>ect was mainly the domain o philosophy andreligion. 7rom WikipediaO A -hysical cosmology, as a branch o astronomy, is the st)dy o

the largest"scale str)ct)res and dynamics o o)r )niverse and is concerned with)ndamental 6)estions abo)t its ormation and evol)tion. Cosmology is )n)s)al in physicsor drawing heavily on the work o particle physicistsN eJperiments, and research into

phenomenology and even string theoryM rom astrophysicistsM rom general relativityresearchM and rom plasma physics. Th)s, cosmology )nites the physics o the largeststr)ct)res in the )niverse with the physics o the smallest str)ct)res in the )niverse.

That science attempts to )nderstand the origin o the largest bodies in the Kniverseby st)dying the smallest particles does not seem so incred)lo)s when we re lect on the

act that even the largest known animal on the planet, the bl)e whale, grows rom amicroscopic cell. There ore the possibility that the Kniverse itsel arose rom s)ch a single

particle Hprimeval atomI, a cosmic egg or a seed is not )nscienti ic at all. The only 6)estionis who created the original seed and who has the near in inite lang)age capabilities thatwo)ld be necessary to encode s)ch a seed =ang)age in the case o


55/57

origins witho)t giving credit to an originator. 'ince man does not )nderstand the processthat co)ld give rise to s)ch a compleJ str)ct)re as the Kniverse, he re )ses toacknowledge that there may eJist an intelligence that has the re6)ired knowledge to creates)ch a compleJ seed that wo)ld res)lt in the birth and mat)rity o the Kniverse itsel . Bydenying a s)perior intelligence as the so)rce o creation, science denies its ownobservations and reaches concl)sions that are most )nscienti ic.

&t helps to keep in mind that scienti ically speaking an SEgg+, and a S'eed+ is the sameas a Cell that has encoded in its


56/57

does not acknowledge the role o lang)age in the beginning, does not acknowledge thatlang)age, and there ore intelligence, m)st have preceded the creation o matter eventho)gh the evidence mo)nts daily that lang)age is to be o)nd written on all matterD 'incescience denies the eJistence o an intelligent Creator who alone co)ld have encoded theoriginal SCosmic Egg+, it dodges this vital 6)estion by not raising the 6)estion at all. Tos)ggest that creation co)ld have occ)rred witho)t a creator is like trying to s)ggest that abook may have been written witho)t an a)thor. &n the neJt chapter we will eJplore romwhence came this SCosmic Egg+, the primordial S'eed+ o the Kniverse

54


57/57

Remedies for 1oredom'o)rces to check o)t

httpO//www.redicecreations.com/radio/G ::/ 4/#":: 43 .php

httpO//www.redicecreations.com/radio/G ::/ 4/#":: 43 .php

httpO//www.eli>a.de/dossiers engl/main dossiers.htm

httpO//www.svpvril.com/Cosmology/addend)m5.html

httpO//www.so)ndso wonder.com/sol eggio.htm

httpO//threes.com/indeJ.php optionUcom content8viewUarticle8idUG;@3Othe"magic"s6)are"o "the"s)n8catidU;:Oreligion8&temidU4:

httpO//www.greatdreams.com/n)mbers/ / .htm

httpO//www.whatabeginning.com/ isc/!enetics/!enetics 2'.htm

httpO//www.craigdemo.co.)k/geneticpatterns.htm

httpO//www.cosmic ingerprints.com/mathematics"o "dna/

httpO//treeincarnation.com/homepage.htm

httpO//taliscope.com/Agrippa en.html

the codes study notes

Documents