the changing role of esotericism between modern and ... · luigi pericle (1916-2001) matri dei...
TRANSCRIPT
Afterthought forms
The changing role of esotericism between modern and contemporary art
Marco Pasi University of Amsterdam
POSTHUMOUSNESS
Posthumousness is the inability or
unwillingness to have one’s artistic work
promoted and recognised during one’s
life, which projects the work into a
temporal limbo of obscurity that may last
decades or even forever.
The Eye of God, 1862
Georgiana Houghton (1814-1984)
Olga Froebe-Kapteyn (1881-1962)
Om Mani Padme Hum n.d. (1930s)
Ithell Colquhoun (1906-1988)
Desert-Growth I, 1949
Luigi Pericle (1916-2001)
Matri Dei d.d.d., 1974
Santiago Borja
Santiago Borja, “Blavatsky Observatory”, Sonneveld House, 2016
Santiago Borja, “Blavatsky Observatory”, Sonneveld House, 2016
Blavatsky was a strong advocate of a modern universalist brotherhood and the Theosophical Society was an inclusive group, where everybody was accepted regardless of gender, political and religious affiliation… For me this is quite a revolutionary thing, and it planted the seed, not only for social utopias but also for modern universalist approaches in art and design… I have the feeling that this kind of ideas allowed certain architects such as those involved in the Bauhaus or even Le Corbusier, to try to find a way for architecture that could solve, for example, the housing problem all over the planet without considering climate or socio-political or even economic differences.
Lea Porsager
Lea Porsager, “The Anatta Experiment”, 2013
From the book Anatta Experiment, 2013
Lea Porsager, “How to program and use T-F”, exhibition view Fotografisk Center, Copenhagen, 2013
Lea Porsager, “How to program and use T-F”, 2013, detail of TF3
Christine Ödlund
Christine Ödlund, “Greetings from Uranus Madame Blavatsky (Musical Score)”, 2013
Christine Ödlund, Thought-Form, 2009
Christine Ödlund, Astralklockor / Astral Bells, 2012
Goshka Macuga
Goshka Macuga, Madame Blavatsky, 2007
Jennifer Tee
Jennifer Tee, Thought Forms, 2013
Carolyn Christov-Bakargiev
Conclusions
• New media
• Not just historical interest, but also exploration of the self
• New perception of the cultural role of Theosophy
• The principle of hope and the principle of resistance