the baroque

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The Baroque

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We look at the Church's response to the Protestant Reformation, the Counter-Reformation. Art and culture were employed to arouse the faithful in a physical, visceral way. The addition of drama and tension affected both Catholic and Protestant art.

TRANSCRIPT

Page 1: The Baroque

The Baroque

Page 2: The Baroque

Caravaggio, Judith Beheading Holofernes, 1598–1599

Page 3: The Baroque

Caravaggio, Deposition, c. 1600

Page 4: The Baroque

Caravaggio, The Incredulity of Thomas, 1602-03

Page 5: The Baroque

Artemisia Gentileschi, Judith Slaying Holofernes, 1611-12

Page 6: The Baroque

Gian Lorenzo Bernini, Rape of Proserpina, 1621-22

Page 7: The Baroque
Page 8: The Baroque

Gian Lorenzo Bernini, David, 1623-24

Page 9: The Baroque

Peter Paul Rubens, The Elevation of the Cross, 1610-1611

Page 10: The Baroque

Rembrandt van Rijn, Anatomy Lesson of Dr. Tulp, 1632

Page 11: The Baroque

Rembrandt van Rijn, Abduction of Europa, 1632

Page 12: The Baroque

Rembrandt van Rijn, The Night Watch, 1642

Page 13: The Baroque

Diego Velázquez, Pope Innocent X, c. 1650

Page 14: The Baroque

Velázquez, Las Meninas, c. 1656