the apparatus

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The Apparatus

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The Apparatus. Seeing in Stereo. Seeing in Stereo. Seeing in Stereo. It’s very hard to read words if there are multiple images on your retina. It’s very hard to read words if there are multiple images on your retina. Seeing in Stereo. - PowerPoint PPT Presentation

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Page 1: The Apparatus

The Apparatus

Page 2: The Apparatus

Seeing in StereoSeeing in Stereo

Page 3: The Apparatus

Seeing in Stereo

It’s very hard to read words if there are multiple images on your retinaIt’s very hard to read words if there are multiple images on your retina

Page 4: The Apparatus

Seeing in Stereo

It’s very hard to read words if there are multiple images on your retinaIt’s very hard to read words if there are multiple images on your retina

But how many images are there on yourretinae?

Page 5: The Apparatus

Binocular Disparity

• Your eyes have a different image on each retina– hold pen at arms length and fixate the spot

– how many pens do you see?– which pen matches which eye?

Page 6: The Apparatus

Binocular Disparity

• Your eyes have a different image on each retina– now fixate the pen

– how many spots do you see?– which spot matches which eye?

Page 7: The Apparatus

Binocular Disparity

• Binocular disparity is the difference between the two images

Page 8: The Apparatus

Binocular Disparity

• Binocular disparity is the difference between the two images

• Disparity depends on where the object is relative to the fixation point:– objects closer than fixation project

images that “cross”– objects farther than fixation project

images that do not “cross”

Page 9: The Apparatus

Binocular Disparity

• Corresponding retinal points

Page 10: The Apparatus

Binocular Disparity

• Points in space that have corresponding retinal points define a plane called the horopter

The Horopter

Page 11: The Apparatus

Binocular Disparity

• Points not on the horopter will be disparate on the retina (they project images onto non-corresponding points)

Page 12: The Apparatus

Binocular Disparity

• Points not on the horopter will be disparate on the retina (they project images onto non-corresponding points)

• The nature of the disparity depends on where they are relative to the horopter

Page 13: The Apparatus

Binocular Disparity

• points nearer than horopter have crossed disparity

• points farther than horopter have uncrossed disparity

The Horopter

Page 14: The Apparatus

Binocular Disparity

• Why don’t we see double vision?

Page 15: The Apparatus

Binocular Disparity

• Why don’t we see double vision?

• Images with a small enough disparity are fused into a single image

• The region over which these are fused is called Panum’s Area

Page 16: The Apparatus

Now on to Magic Eye Stereograms

Page 17: The Apparatus

Stereoscopes• seeing depth requires “only” two

different images on the retina

• this could be accomplished by an optical device that projects separate images into the two eyes

Page 18: The Apparatus

Stereoscopes• seeing depth requires “only” two

different images on the retina

• this could be accomplished by an optical device that projects separate images into the two eyes

• Note that some of you can’t see in stereo because you have amblyopia– Brain failed to learn to use one eye’s image

during development• You might have amblyopia if:

– you had a strabismus or “lazy eye”– you had poor vision in one eye as a child– you had to wear a patch over one eye when

you were a child

Page 19: The Apparatus

Stereoscopes• 3D movies are just tricky stereoscopes in that the

lenses allow one image to enter one eye and the other image to enter the other eye

• Difference is that images are superposed on the screen

Page 20: The Apparatus

Stereoscopes

Left Eye Right EyeDivider

• Right eye sees face to the right; left eye sees face to the left therefore:

uncrossed disparity

• Face appears behind the square

Page 21: The Apparatus

Stereoscopes

Left Eye Right EyeDivider

What would you see?

Page 22: The Apparatus

Stereoscopes

Left Eye Right EyeDivider

• Right eye sees face to the left; left eye sees face to the right therefore:

crossed disparity

• Face appears in front of square

Page 23: The Apparatus

Autostereograms

• Optically separate images aren’t needed

Page 24: The Apparatus

Autostereograms

• Optically separate images aren’t needed

• It’s possible to create disparity by misadjusting the vergence of your eyes

Page 25: The Apparatus

Autostereograms

• WARNING! Tricky stuff coming in the next slides

• Keep definitions of crossed/uncrossed disparity and crossed/uncrossed convergence separate in your mind!

Page 26: The Apparatus

Autostereograms

• Convergence is on a point at the same distance as the images

• Boxes and faces are on the horopter

• How many boxes would you see?

boxes and faces are on the horopter

What would happen if you remove the divider of a stereoscope?

Page 27: The Apparatus

Autostereograms

• right-eye line of sight crosses left-eye line of sight in front of image (crossed convergence)

• each retina is now pointed at the opposite box

• How many boxes would you see?

• What would happen to the face?crossed convergence

Now cross your eyes:

Page 28: The Apparatus

Autostereograms

• right-eye line of sight crosses left-eye line of sight in front of image (crossed convergence)

• each retina is now pointed at the opposite box

• How many boxes would you see?

• What would happen to the face?crossed convergence

Now cross your eyes:

Note the difference between convergence and disparity

Page 29: The Apparatus

AutostereogramsThis is what your brain would get from your eyes:

Page 30: The Apparatus

Autostereograms

• There would be three boxes

• middle box: right eye sees face shifted to right; left eye sees face shifted to left therefore:

uncrossed disparity

• Face in the middle box appears behind square

crossed convergence

Page 31: The Apparatus

Autostereograms

What would happen if the convergence was uncrossed?

Page 32: The Apparatus

Autostereograms

What would happen if the faces were switched relative to the boxes?

Page 33: The Apparatus

Autostereograms

• Switching your convergence will switch the direction of depth (in/out)

• Switching the elements of the image left/right will switch the direction of depth (in/out)

• Notice the disconnection between convergence and disparity!

Page 34: The Apparatus

Autostereograms• one doesn’t even need two different

images!

Page 35: The Apparatus

RIGHT EYE LEFT EYE

Convergence tells your brain that the plane of the image is farther away than it really is

Autostereograms

Faces fuse

Page 36: The Apparatus

Autostereograms

• Uneven spacing between identical objects in a single picture can appear as disparity if the angle of convergence is inappropriate

Page 37: The Apparatus

Autostereograms

• Uneven spacing between identical objects in a single picture can appear as disparity if the angle of convergence is inappropriate

• TRICK: Seeing depth in autostereograms requires you to suppress the reflexive coordination between convergence and accommodation

Page 38: The Apparatus
Page 39: The Apparatus

RIGHT EYE LEFT EYE

If you uncross convergence, your right eye gets these faces shifted slightly to left, left eye gets them shifted to right = CROSSED DISPARITY

AutostereogramsAny repeating objects that have a spacing different from the background will have either crossed or uncrossed disparity

What would you see?

Page 40: The Apparatus
Page 41: The Apparatus

RIGHT EYE LEFT EYE

If you uncross convergence, right eye gets these faces shifted slightly to right, left eye gets them shifted to left = UNCROSSED DISPARITY

AutostereogramsAny repeating objects that have a spacing difference from the background will have either crossed or uncrossed disparity

What would you see?

Page 42: The Apparatus
Page 43: The Apparatus

Autostereograms

• by adjusting the disparity at different parts of the image (with a computer usually) one can make shapes that emerge or recede in depth

Page 44: The Apparatus

“Magic Eye” Stereograms• Usually viewed with uncrossed convergence • Imagine gazing farther than the surface (let your eyes

“relax”)• Now try to notice objects or forms in the blurriness• As you become aware of shapes, try to focus

(accommodate) the plane of the image without converging your eyes

Page 45: The Apparatus

Autostereograms

Page 46: The Apparatus

Autostereograms

Page 47: The Apparatus

Autostereograms