the 2010 prime time emmy awards: extreme coercive

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The 2010 Primetime Emmy Awards: Extremely Graphic Coercive Diplomacy and Another Reminder Spy Satellite Intel Collection Being Used Against Chinada Malfeasant Like every major American award show since early 2008, the coalition turned the August 29th Emmy Awards into a geo-political stage with which to deliver various kinds of communiqués to those who continue to believe they are invincible, insulated and immune. Of relevance to what was scripted and delivered spontaneously is coalition partner producers, attendees, presenters and recipients being aware of the International Criminal Court complaint. Coalition partners and Emmy producers wasted no time delivering their views about the threat Chinada poses, and especially in this era of Satanism been boasted to be at Canada’s core. Intensifying their trepidations was malfeasant bragging throughout August 2010 they’ve been enthusiastically engaging in crimes against humanity doing so because they don’t think they’ll ever be held to account, perceiving the lack of coalition aggressiveness beyond diplomacy as a sign of weakness and indecisiveness.

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The 2010 Primetime Emmy Awards: Extremely Graphic

Coercive Diplomacy and Another Reminder Spy Satellite Intel Collection Being Used

Against Chinada Malfeasant Like every major American award show since early 2008, the coalition turned the August 29th Emmy Awards into a geo-political stage with which to deliver various kinds of communiqués to those who continue

to believe they are invincible, insulated and immune. Of relevance to what was scripted and delivered spontaneously is coalition partner producers, attendees, presenters and recipients being

aware of the International Criminal Court complaint.

Coalition partners and Emmy producers wasted no time delivering

their views about the threat Chinada poses, and especially in this era

of Satanism been boasted to be at Canada’s core. Intensifying their

trepidations was malfeasant bragging throughout August 2010 they’ve

been enthusiastically engaging in crimes against humanity – doing so

because they don’t think they’ll ever be held to account, perceiving the

lack of coalition aggressiveness beyond diplomacy as a sign of

weakness and indecisiveness.

The theme of the much anticipated program intro was young actors of

the hit television show ‘Glee’ being unable to afford tickets for an

event in which they were expected award winners. Late night talk

show host Jimmy Fallon walks up to them as he’s about to enter the

building and empathizes with their circumstance. He immediately

decides he’s going to figure a way out for them to attend.

The first use of the lexicon is the scripted remark by one of the ‘Glee’

actors that tickets are three hundred bucks and that for everyone to

get in will cost 12 hundred dollars (two coalition identifiers). As the

host ponders the options – “There’s gotta be a way to come up with

the money” – he looks over and sees on a notice board that which

affords them the opportunity to pay for entry. Producers juxtapose a

coalition identifier, quantum ratifier and Dogville punishment

communiqué:

This scene ends with one of the actors choreographed to be in the

foreground with the marquee behind him” “62nd Emmy Awards”, (to

generate a China identifier) and then delivers another Kidmanesque

line: “Oh, it’s on bitches!!!” – referring to how the coalition is geared

up for a fight with the Chinada malfeasant.

The next scene involves Jimmy and the ‘Glee’ actors walking through

the halls recruiting people for the opening number. For example, they

encounter Saturday Night Live regular Tina Fay – who joins. She and

two of the actors are choreographed to walk in a line to generate the

geo-themes of Canadian punishment certainty and quantum:

They come across Betty White and ‘Mad Men’ lead John Ham in a

dressing room (the former in full quantum attire). There’s a moment

where a sexual chemistry is intimated. A close-up of Tina effecting a

Colbert Maneuver generates an isolation-deprivation (intimacy)

communiqué.

Then they run into ‘Glee’ matriarch Jane Lynch. She’s attired in an

outfit that screams coalition-procured Canadian prison certainty:

She’s livid at Jimmy possibly excluding her from being involved in the

program’s intro and splashes a full glass of red juice over his white

shirt. This is geo-politically coercive – symbolic of the blood producers

and others believe has to be spilled to protect the 21st century from

pubescent Satan-loving psychos.

Tina is belligerent with “you can’t bully us” (mirroring Chinada) and

gets the same treatment:

That’s followed by Jimmy, Tina and the rest dancing through the halls

recruiting more as they go along. When they enter the back-stage

area racks of clothes are observed everywhere. At one point Tina

walks through camera range carrying a large fake fur top and asking if

there are pants to match – creating the same image seen on Betty

White moments before and thus another instance of inserting quantum

into the script.

The assembled cast then burst onto the stage and deliver a

performance in front of a set designed with the Chinada prison

certainty theme:

View video

It’s not long before producers embed a reference to the coalition’s

most honored partner: Taylor Swift; not by way of a Taylor Identifier,

but rather the first initial of her first name, juxtaposing it with a

coalition identifier and describing her in a manner that’s reflective of

her string of unprecedented music industry awards and Geo accolades.

It’s delivered via a joke -- Jimmy reading a made-up Twitter posting:

Here are some more Tweets from you guys. We got

@DannyT84 who says “Emily Deschanel is quote pure genius walking in three inch heels”.

Emily’s the next presenter and walks out on stage in prison certainty –

justice.

Eddie Falco of ‘The Sopranos’ fame employs one of two Taylor

Identifiers during the award show and juxtaposes it with a reference to

the Fiefdom treatise. When accepting her award she adds “to my

grandmother, who’s 94 and just moved to Florida to start a new

chapter in her life”.

The second TI was created by George Clooney who during his

acceptance of the Bob Hope Humanitarian Award made a joke and

referred to his age – 49.

Another very geo-powerful moment came when going to commercial

producers aired a preview of clips from shows nominated in the Variety

program category. They chose one from late night comedy-talk show

‘The Colbert Report’ as documented in President Obama & Iraq

General Ordinero: Confirmation of the Use of Spy Satellites to Collect

Intel on Chinada Malfeasant to draw the ICC's attention to having

amassed sufficient evidence to secure convictions. As that

supplemental documents, the segment involves Stephen, the highest

ranking military officer in Iraq, Ray Ordinero, and President Obama.

The host was in Baghdad interviewing the General who’s going to give

him a military-style haircut and the U.S. leader joins them via satellite

from the White House. The script employs the lexicon to confirm using

spy satellites to conduct Chinada surveillance, collect intel on the

malfeasant and keep tabs on the East-West Corridor of Diplomacy – a

constituent of a security net encircling the Canadian lawyer since May

2006 to protect him from foul play. The President’s facial expression is

demonstrative of the coalition’s resolve to successfully confront the

Chinada threat:

President: General, I overheard your conversation about Stephen's hair.

Stephen: Wait a second, you overheard? Are your spy satellites [0:35: General: Cl.M.] really that good?

President: Not, but my ears are really that big.

View video

Producers kept hammering away at those who believe they are

invincible, insulated and immune; the next time during George

Clooney’s acceptance speech. Seeking to impress upon the most

recent invitees into the diplomatic corridor, the ICC, that the coalition

is resolved to protecting 21st century civilization from the proliferation

of stealth cognition technologies George very aggressively employs his

namesake lexiconic gesture repeatedly. Those new to this back-

channel diplomatic environment would be hard pressed to come up

with an explanation – one informed by the content of the archive – as

to why this international superstar would engage in what would

otherwise be the oddest behavior during his acceptance of such a

prestigious award.

The presenter begins with a script that’s enhanced by photos on the

big screen – chosen for their lexiconic content. In the first one there’s

the colors of Canada and quantum. Then as the camera filming the

photo pans out, the colors of Chinada come into view timed to “and

whose actions have had a lasting effect”, referring to the coalition.

This award [pic] goes to someone whose humanitarian work, brings credit to the television industry and whose actions [pan] have had a lasting impact.

Another photo is chosen because of a second Prince Harry Maneuver,

and observing it is timed to a lexiconically red flagged remark that

directs attention to the coalition using the medium of television to

effect its diplomacy as archived. Where movies, for example, served a

very useful series of purposes during the Second World War and Cold

War, so too did TV since early 2006.

That’s precisely what George has done – by being a true driving force behind remarkable TV events [describes three events]. […] Ladies and gentlemen, it is [Bush M.] my honor to present the Bob Hope Humanitarian Award to my dear friend Mr. George Clooney.

During George’s acceptance speech he executes geo-gestures to his

prepared remarks – employing the one he introduced into the lexicon

in February 2006 (and which bears his name) at the inception of full-

court-press diplomacy and which triggered the genesis of the

confidential language:

[Cl.M. XThree] Bob and Deloris Hope were friends of… […] And if you look at everything they’ve accomplished over their lives, [q-Cl.M.] – all their charitable work on the USO tour, they’re the best version of the term ‘celebrity’.

Like all partners who are livid at their concerns, trepidations and

intentions being mocked, derided and berated by the malfeasant, he

engages in coercive diplomacy in front of an in-theatre and at home

audience of coalition members, choosing the ‘gun to the head’ Richie-

Santelli Maneuver, timed to:

There are a lot of you here [R-S M.] in the room that are like

that. There are some of you who aren’t [laughter] – you know who you are.

So here’s hoping that some very bright person right here in the room or watching [Cl.M. Xthree] can help find a way to keep the spotlight burning on these heart-breaking situations that continue to be heart-breaking long after the cameras go away.

That’d be an impressive accomplishment.

View video

His last geo-comment is directed at the watching Canadian lawyer;

imploring him to continue his social justice campaign after he retires

from the Corridor of Diplomacy.

Hollywood didn’t let this event come and go without explicitly

condemning what lies at Canada’s core. Los Angeles’ KTLA Channel 5

chose a texting number for the two-hour red carpet broadcast that

embedded 666 and a triple quantum ratifier and coalition identifier: