tf-msp, paris, 15.04.2009 claudio allocchio music, dance & others @ garr new users’ approach...
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TF-MSP, Paris, 15.04.2009
Claudio Allocchio
Music, Dance & Others @ GARRNew Users’ approach to Advanced Network Services
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“New” Network users
Music education, performance, composition, ...
Theater dance, drama, ...
Architecture, History teleimmersion, rendering, ...
Cultural Heritage, Museums interaction, databases, ...
Health Science remote dignosis, surgery, enhanced reality, ...
...
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Approaching Users
GARR does not differentiate among its users same services availalbe to all
phycists, medical doctors, musicians, computer scientist, biologists, sociologists, librarians, dancers,... are all “GARR users”, with the same rights, same duties, same services, same support
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Handling Users
some GARR staff follows more closely ceratins users groups users “groups” know a GARR staff reference person which they know better than others and supports them
GARR staff supporting a certains users group “translates” into their common terminology and understading the GARR services meaning, and collects from users their requirements
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Offering Users Services
“tell us how you work” approach
GARR offers the whole set of services to all users, but tries also to generate new services from users’ requirements
Services generated for one users’ group, become common services, adapted and adopted by other users
The same service is translated into specific users’ group “language” for adoptions and understanding
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main GARR “Users visible” Services
Security (GARR-CERT) alerts, guidelines and best practices
Domain Names (GARR-NIC) handling procedures for “it” and “eu” registrations
Certification Authority (GARR-CA) issuing users’ personal certificates
EduRoam mobility
AAI Federation (GARR-IDEM) services unified access
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main GARR “Users visible” Services (cont.)
Mirror (GARR-Mirror) packages distribution
Usenet News (GARR-News) news feeds and news uploads
Vconf, and audio/video services (H)DVTS, ... Virtual Congress Centre, high end interactive services
GARR.TV R&E broadcasting channel
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main GARR “Users invisible” Services
Dedicated circuits/VPNs
Guarteed Bandwidth (QoS)
Multicast
...
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Users’ perspective of audio/video service
Music MasterClasses, remote performances, distributed performances
Theater distributed performances, enhanced playspace
Architecture, History virtual presence
Cultural Heritage, Museums virtual close-up interactions
Health Science remote real-time surgery and enhanced reality, ...
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Some History - How it all started
2001: WIDE releases DVTS GARR adopts it as a nice tool for network performance testing/loading
2002: at Jokoyama IETF DVTS is used to broadcast sessions on the LAN to the meeting foyer ... impressive quality for a set of bad looking speakers!
2003: Internet2 and GARR starts experiments with it over “domestic” WAN it works, but for which users?
2005: GARR and Internet2 try a transatlantic DVTS demo at GARR 05 Users’ Conference boost interest in italian music education community
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Examples from the past
2005 / 2006: GARR-Internet2-New World Symphony MasterClasses
http://www.garr.it/conf_05/ram/Violista.ram
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Examples from the past
2006 and 2007: “Italian Spring in Japan”
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Examples from the past
2007: UbiquiLab http://ubiquilab.ning.com/video/1264588:Video:1262
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Examples from the past
2007: Distributed e-music composition
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Examples from the past
2007 and 2008: telesurgery at IRCCS workshop
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Examples from the past
2008: Ancient Instruments reconstruction via Grids
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Conclusions
GARR does not operate a “strict” users’ segmentations and does not have specific groups portfolios.
GARR adapts services and their understanding to users environment.
GARR tries to create new services crossing users’ groups boundaries, and drawing from users’ common practices in their “traditional” enrironment.
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Questions?
Thank you!